

By Tobias G. Natter, Christiane Druml and Markus Müller
Taking Klimt’s lost painting Medicine as a starting point, this authoritative volume examines the relationship between art, medicine, and modern thought in Vienna around 1900.
When Gustav Klimt unveiled Medicine in 1901, the work sparked outrage by challenging conventional ideas about science, progress, and the human condition, becoming one of the defining cultural controversies of its time. Withdrawn by the artist and destroyed during World War II, Medicine remains one of the most fascinating lost masterpieces of modern art.
Through paintings, drawings, archival photographs, and restored imagery, this volume reconstructs the history, meaning, and legacy of the work while placing it within the intellectual ferment of fin-de-siècle Vienna. Essays explore the connections between art, anatomy, psychology, philosophy, evolutionary theory, and modern medical science.
Leading scholars reveal Klimt’s engagement with the ideas reshaping his era, in particular microscopical cell examination, Darwinian concepts of human evolution, and the discovery of the unconscious. Reproductions of related masterpieces highlight the themes of birth and death, sexuality, consciousness and transformation.
Essential reading for Klimt enthusiasts, this volume is a compelling new perspective on Klimt’s lost masterpiece and its enduring relevance.
Hardcover
240 pages
Prestel, 2026
9.5 x 11.5 inches
ISBN 9783819500145
Monographs