Artists

von Rosa von der Schulenburg & Birgit MöckelBeitr. von Rosa von der Schulenburg, Birgit Möckel, Michael Krejsa, Ralph Jentsch, Michael White, Helen Adkins & Ralf Burmeister Wie ein roter Faden zieht sich die Collage durch George Grosz' Schaffen, von den frühen Kommentaren zum Leben in der Metropole Berlin bis zu den späteren in den USA entstandenen Arbeiten. Die Publikation wirft ein Licht auf die Bedeutung des Formats im Oeuvre des Künstlers, zieht Verbindungen zu vergleichbaren Werken und präsentiert den neusten Forschungsstand zum Thema. A collection of George Grosz's groundbreaking collages which played a considerable role in both his early and late works. The publication also draws parallels with comparable works and presents the most recent research on the subject. Hardcover172 pagesText in GermanWalther König, 20248.03 x 0.87 x 10.75 inchesISBN 9783753305318Books in German, George Grosz

George Grosz: A Piece of My World in a World Without Peace Die Collagen

Edited with text by Briony Fer Text by Jenny Nachtigall Tracing the development of Taeuber-Arp's kinaesthetic formal sensibility across her short but bounteous career Edited with an essay by art historian Briony Fer, The Rule of Curves examines the work of leading 20th-century artist and designer Sophie Taeuber-Arp. Taeuber-Arp defied categorization during her brief career through her work as a painter, sculptor, architect, performer, choreographer, teacher, writer and designer of textiles, stage sets and interiors. Reconciling extremes with confidence—Dada and Geometric Abstraction, fine art and utilitarian objects—Taeuber-Arp's works boldly engaged with the intellectual context of international modernism.This bilingual clothbound volume is thematically driven, focusing on the formal logic that drove her innovative and wide-ranging creative production while revealing how working between mediums both expanded and crystallized her aesthetic. It particularly traces Taeuber-Arp's incorporation of curves into her geometric abstractions—a motif that elaborated upon Jean (Hans) Arp's biomorphic visual language. Alongside Fer's new critical insights into Taeuber-Arp's work, an essay by scholar Jenny Nachtigall explores the artist's "environments" and how notions of gravity, motion and the cinematic offer keys to understanding the artist's kinaesthetic sensibility. Sophie Taeuber-Arp (1889–1943) began her applied arts practice in Zurich, where she also taught textile design and participated in the Dada movement. Starting in the late 1920s, Taeuber-Arp completed several architectural and interior design projects, most significantly the Aubette entertainment complex in Strasbourg. When she moved to Paris in 1929, she turned her attention to abstract paintings and painted wood reliefs. Hardcover, Clothbound 196 pages | 101 color and 32 black and white imagesHauser & Wirth Publishers, 20267.75 x 10.75 inchesISBN 9783907493168 Monograph, Women Artists, Abstraction

Sophie Taeuber-Arp: The Rule of Curves

Egon Schiele (1890-1918)Town among Greenery (The Old City III), 1917 This archival pigment print was custom-printed with wide-gamut archival pigment inks on 100% cotton acid-free fine art paper. The colors will last more than a lifetime.

Egon Schiele: Town Among Greenery [Giclée Print]

Edited by Brenda Danilowitz, Fabienne Eggelhöfer, Stella Rollig and Nina Zimmer A beautifully illustrated look at the works of Anni Albers with a focus on the architectural dimensions of her work. Anni Albers (1899–1994) has long been revered as a trailblazing weaver, textile designer, and visual artist; she also was an insightful and eloquent writer, and her books On Designing and On Weaving are canonical writings in design history. Anni Albers: Constructing Textiles explores the ideas of materiality, construction, and architecture across her body of work, establishing her legacy as a thinker, theoretician, and innovator. The book’s essays include essential writings by Albers herself on the making and meaning of textiles, as well as new pieces by Glenn Adamson on her relationship to architecture, Karis Medina on the material and technique of her weavings, Amy Jean Porter on her writing, and Jeffrey Saletnik on East Asian influences in Albers’s work and thinking. Among the book’s hundreds of beautifully reproduced images are works held in private collections that have never before been published. An essential volume in the literature about modernism, this book reinforces Albers’s position as a leading figure in twentieth-century art. Hardcover224 pages | 200 color & b/w illustrationsYale University Press, 20266.75 × 9.50 inchesISBN 9780300289152 Anni Albers, Textile Design

Anni Albers: Constructing Textiles

By Elisabeth Dutz This revelatory volume uncovers the significant friendship that shaped Egon Schiele’s most personal and provocative works. Between 1910 and his death in 1918, Egon Schiele cultivated a close, formative relationship with Dr. Erwin von Graff—a Vienna-based gynecologist who would become both friend and collaborator. Egon Schiele: Portrait of Dr. Erwin von Graff is the first publication to examine this vital connection in depth, revealing how Graff’s medical practice and personal support influenced one of the most expressive and psychologically charged bodies of work in modern art.Through Graff’s private diary and newly uncovered archival material, art historian Elisabeth Dutz traces a compelling narrative of creative exchange and trust. Graff granted Schiele access to his patients—pregnant women, newborns, and postpartum mothers—opening a world that Schiele captured with raw, emotional intensity. Their friendship, which began with a painted portrait offered in gratitude for a favor, evolved into a lasting exchange that deeply influenced Schiele’s exploration of the human body, emotional vulnerability, and the complexities of life and death.Published in connection with a special exhibition at the Neue Galerie New York, this beautifully produced volume is richly illustrated with Schiele’s works from this period, as well as never-before-seen photographs and documents. It offers new insight into the artist’s inner world and illuminates a significant chapter in his development. A must-have for admirers of Schiele, this book deepens our understanding of his oeuvre and the relationships that helped shape it. Hardcover94 pagesPrestel, 20269.25 x 11.25 inches9783791394190Neue Galerie Exhibition Catalogue, Egon Schiele

Egon Schiele: Portrait of Dr. Erwin Von Graff Exhibition Catalogue

Gustav Klimt (1862-1918)Portrait of Adele Bloch-Bauer I, 1907 This archival pigment print was custom-printed with wide-gamut archival pigment inks on 100% cotton acid-free fine art paper. The colors will last more than a lifetime. Small: 11"x14" Large: 22"x28" Large, Framed: 26.75"x26.75" For international shipping rates, please call or email the Book Store at 212-994-9492 or bookstore@neuegalerie.org. Please note that we are not able to ship the framed prints internationally.

Gustav Klimt: Portrait of Adele Bloch-Bauer I [Giclée Print]

Gustav Klimt (1862–1918) Portrait of Gertha Loew (detail), 1902

Gustav Klimt: Portrait of Gertha Loew [Postcard]

Gustav Klimt (1862-1918)The Dancer, 1916-18 (unfinished) This archival pigment print was custom-printed with wide-gamut archival pigment inks on 100% cotton acid-free fine art paper. The colors will last more than a lifetime. 11"x14"

Gustav Klimt: The Dancer [Giclée Print]

Edited by Markus Kristan »Josef Hoffmann hat alle seine Gedanken und Eingaben und Aufsätze immer mit der Hand zu Papier gebracht. Ich habe ihn niemals an einer Schreibmaschine ­sitzen gesehen und er ist doch der modernste Mensch, dem man begegnen kann, der alle Strömungen und Bewegungen in sich aufgenommen hat, der stets der erste war, neue Impulse auszuteilen und die Jugend zu entflammen. Er hat Architektur und Kunsthandwerk aus der Zeit wachsen lassen, er ist der Meister der großen Form und der klaren Linie. Die Kraft, die ihn dazu befähigte, liegt nicht nur in seiner Geburt und Kindheit gesichert, sie hat ihre ewige Geborgenheit in der Idee, die ihn umfing, die ihn zuerst zur Kunst hinführte. Andere Menschen haben nur den irdischen Gewinn am Ausgang und Ziel ihres Weges und damit vergeuden sie Erbschaft, Leben und Freude.«(L. W. Rochowanski 1951) Hardcover192 pagesText in GermanBibliothek der Provinz, 202415.5 x 22 x 2 cmISBN 9783991262329Art and Architecture

Essays & Texte

Egon Schiele (1890-1918) Friendship, 1913

Egon Schiele: Friendship [Postcard]

By Philippe Thiebaut Gustav Klimt’s visionary talent comes alive in this sumptuous book that features 90 impeccably reproduced works including 6 stunningly detailed fold-out spreads. This stunning volume offers readers an unparalleled opportunity to explore Klimt’s artistry through iconic works such as The Kiss, The Three Ages of Woman, Judith I, and Portrait of Adele Bloch-Bauer I. These large-scale fold-outs reveal intricate details, transforming the book into an immersive journey through Klimt’s extraordinary use of color, pattern, and ornamentation. Philippe Thiébaut’s insightful text incorporates the latest research on Klimt and the historical context of his work, adding depth and perspective. Elegantly designed with a canvas cover, colored edges, and exceptional production quality, the book showcases Klimt’s groundbreaking vision with remarkable clarity. From the golden brilliance of Hope II to the ethereal beauty of Water Serpents I, each page invites readers to explore the textures and emotional resonance that define his style. With its thoughtful design and captivating imagery, this volume brings Klimt’s artistic world to life, illustrating how he transformed portraiture and landscapes into striking symbolic masterpieces. Perfect for both devoted fans and those discovering Klimt for the first time, it offers an essential and unforgettable look at one of Modernism’s most celebrated figures. Hardcover176 pagesPrestel, 20258.75 x 11.75 inchesISBN 9783791393995Monograph

Klimt: The Bigger Picture

A high-quality blank sketchbook with sprayed edges and cloth-bound cover will delight artists and art lovers alike. Crafted for artists and admirers of fine art, this refined blank sketchbook showcases on its cover a delicate detail from Gustav Klimt’s The Kiss. Inside, the pages are high-quality, unruled paper, providing a pristine canvas for sketches, drawings, or notes. The edges of the pages are sprayed, adding an extra touch of elegance to this already exquisite package. This sketchbook seamlessly blends artistic inspiration with practicality, making it an elegant and useful tool for creative minds, especially those who appreciate Klimt’s work and want to be inspired by his artistry every time they open to a new page. Its luxurious design makes it a perfect gift for art lovers, adding a touch of sophistication to their collection of art supplies. Hardcover128 pagesPrestel, 20256.5 x 0.68 x 9.25 inchesISBN 9783791391885Art Supplies, Sketchbook

The Kiss: Gustav Klimt Artist's Sketchbook

Gustav Klimt (1862-1918)Forester's House in Weissenbach II (Garden), 1914 This archival pigment print was custom-printed with wide-gamut archival pigment inks on 100% cotton acid-free fine art paper. The colors will last more than a lifetime. 11"x14"

Gustav Klimt: Forester's House in Weissenbach II (Garden) [Giclée Print]

Gustav Klimt (1862-1918)Portrait of Elisabeth Lederer, 1914-16Large Notecard:1 blank card and envelope5.5 x 8.5 inches

Gustav Klimt: Portrait of Elisabeth Lederer, 1914-16 [Large Single Card]

Edited by Ortrud Westheider and Michael Philipp Spanning six decades, three continents, and multiple mediums, this exhibition catalog explores one of the most significant and influential artistic movements of the twentieth century. At the beginning of the twentieth century, painting underwent a profound transformation. Artists no longer wanted to depict the visible; they aspired to a new visual language that reduced artistic expression to an interplay of colors, lines, and shapes; reflected the modern world; and transcended national boundaries. A central figure of this art movement was Wassily Kandinsky, who laid the theoretical foundations with his work Point and Line to Plane. This lushly illustrated and highly researched volume showcases how Geometric Abstraction found radical expression in all its variations in Europe, the USA and beyond. It features more than one hundred works by over seventy artists, including Josef Albers, Sonia Delaunay, Barbara Hepworth, El Lissitzky, Agnes Martin, Piet Mondrian, Bridget Riley, Frank Stella, and Victor Vasarely. Essays by leading scholars illuminate the ways these artists were inspired by the advanced technologies and theories of their time, including concepts of the fourth dimension and the space- time continuum. The authors explore the movement through a transnational lens—from Belgium, Germany, and Great Britain, to France, Italy, the Netherlands, Russia, Spain, and the United States; and emphasize the long-neglected role of women in the movement’s advancement. Through its insightful essays and stunning visuals, this volume offers a definitive exploration of how geometric abstraction revolutionized modern art and continues to inspire artists across the globe. Hardcover 320 pagesPrestel, 20259.5 x 11.75 inchesISBN 9783791377919Art History, Movements

Kandinsky's Universe: Geometric Abstractions in the 20th Century

Von Ulrich Luckhardt Wie schlagen sich Kirchners Lebensstationen, geographische Veränderungen und neue Motivgruppen in seinem Werk nieder? Der reich bebilderte Band veranschaulicht den engen Zusammenhang von Orts- und Themenwechsel in seinem Oeuvre: Dresden als Impuls der Freiheit für die künstlerische Entwicklung des jungen Kirchner und Berlin als Inspiration für seine berühmten Straßenszenen, Fehmarn als Idylle einer Sehnsucht nach Einheit von Mensch und Natur, der erste Weltkrieg als Phase von Krise und Sanatoriumsaufenthalten und schließlich Davos als neue Lebenswelt. Hardcover176 pagesText in GermanHirmer Verlag, 20248.31 x 0.91 x 10.71 inches ISBN 9783777441986Monographs

Ernst Ludwig Kirchner: Stationen

Edited with text by Alison Smith. Text by Knut Ljøgodt Portraits by and of Munch offer insight into the vibrant bohemian world of one of the great artists of the 19th and 20th centuries "Highlights psychological complexity."―Michael Prodger, The New Statesman "Munch the psychologist of unease appropriating the swagger of Sargent or Velázquez." ―Jackie Wullschlager, The Financial Times Norwegian painter Edvard Munch (1863–1944), whose 1893 work The Scream has become one of Western art’s most acclaimed images and who is widely regarded as one of the great artists of the 19th and 20th centuries, is less known for his portraiture—but his portraits are central to his art and vision. Edvard Munch Portraits, edited by Alison Smith, former chief curator at London’s National Portrait Gallery, brings together more than 60 of Munch’s most significant portraits, showcasing the wide array of styles, techniques and mediums that he employed. During the course of Munch’s long life, and working in a range of mediums that encompassed painting, drawing and print, he made hundreds of portraits of friends, patrons, models and, above all and unsparingly, himself. This book places his work in the cultural and historical background of his period, providing readers with a greater understanding of the time in which these portraits were produced. This publication offers deep insight into the artist’s family and bohemian social circles, along with his German and Norwegian patrons and the friends who helped establish his reputation. Hardcover144 pagesNational Portrait Gallery, 20259 x 11.75 inchesISBN 9781855145597Monographs

Edvard Munch Portraits

Edited by Astrid Ihle, Julia Nebenführ, and René Zechlin See the global south between 1914 and the 1970s through the perspective of women pioneers and their new artistic development: geometric abstraction. Artists like Sophie Taeuber-Arp and Sonia Delaunay played an essential part in the development of geometric abstraction, a form of non-representational art. We Will Go Right Up to the Sun presents an overview of the evolution of geometric abstract art and takes into account, in addition to the applied arts, the female perspective of the Global South with promising new discoveries. Geometric abstraction emerged around the turn of the last century from an attitude that was permeated by renewal, utopia, and resistance, and that aimed at the unity of art and life. Colorful, geometric, and highly attractive, this comprehensive view of the art produced between 1914 and the 1970s is lavishly illustrated and relates the narrative from a female, global, historical, and contemporary perspective, revealing the dense network between women artists, gallerists, and critics. Hardcover288 pages9.45 x 11.42 inchesISBN 9783777444277Art History, Movements

We Will Go Right Up to the Sun: Female Pioneers of Geometric Abstraction

Written and illustrated by Xavier Coste Unveils the Austro-Hungarian artist's relationship with colleagues and models and the passions that drove him further into his craft. ―Douglas Rednour, Library Journal Schiele's brief, controversial career is examined with bold insights in this graphic biography... Coste doesn't shy away from the emotional brutality of Schiele's story. In fact, he embraces it, weaving elements of Schiele's eerie, idiosyncratic paintings with his own artistic style. Drawing on the same Expressionist techniques that drove Schiele's artistic passions, Coste conjures a story that beckons the reader to see the world through its subject's eyes. ―Publishers Weekly The story of the artistic genius who provoked early 20th-century tolerance. Egon Schiele is an evocative depiction based on the life of the Austro-Hungarian artist whose short career spanned the turn of the 20th century. Schiele (1890-1918) was a painter known for full-frontal portraits of naked women (and on many occasions, himself). They were stark and disturbing. He painted his subjects in gaunt, twisting and unnatural poses. Their voyeuristic tone and blatant eroticism outraged society, landing him in prison for 24 days. Nevertheless, his works would have a strong influence on the development of expressionist art. The book focuses on the artist's creative years, the development of his talent, his relationships with other artists, including Gustav Klimt, the women in his life, and his obsession with making provocative art. Quickly following Schiele's early successes were his failures. In the end, it was the Spanish flu that killed him at the tragically young age of 28. Egon Schiele is a seductive and intimate portrait of an artistic genius who was both lauded and condemned for his brilliance. His works, at one time judged to be disgusting and perverse, are now considered masterpieces and are in museums all around the world. Hardcover72 pages; fully illustratedFirefly Books, 20178.5 x 11.75 inchesISBN 9781770859401Graphic Novel

Egon Schiele: His Life and Death

By Helen Adkins and Ines Otschik Christian Schad created what were probably the world’s first artistic photograms and abstract photographs. The third volume of his catalogue raisonné is dedicated to his so-called ‘Schadographs’. Schad arranged materials – including waste paper, fabric remnants, or even lint – on light-sensitive paper and exposed these with the help of the sun shining on the windowsill. The results are abstract compositions in the experimental spirit of Dada. Hardcover368 pagesWienand, 20199.5 x 12.5 inchesISBN 9783879099344Monograph

Christian Schad: Schadographs, Catalogue Raisonné Vol.III

Edited by Saskia Bak, Andrea Jahn, Stella Rollig An intersectional approach to women artists working in an activist vein in the early 20th century The first half of the 20th century witnessed enormous waves of upheaval. Imperial dynasties were overthrown, economic crises spiraled into depressions and labor organizations advocated on behalf of the working class. As one of many marginalized groups still fighting for equal rights, women keenly felt each transformation of the global landscape. As more women were able to become professional artists, many centered their work on current events. Radical! enumerates over 70 artists whose work spoke to the most crucial issues of their time, addressing not only women’s rights but also racial inequality and economic injustice. With a timeline chronicling significant historical moments worldwide, the publication delineates each artist’s unique perspective and demonstrates how some even fought for rights that their counterparts took for granted. Artists include: Zubeida Agha, Romaine Brooks, Camilla Burke, Elizabeth Catlett, Hannah Höch, Käthe Kollwitz, Augusta Savage, Amrita Sher-Gil, Gazbia Sirry. Paperback248 pages | 190 colorWalther König, 20258.94 x 0.71 x 10.71 inchesISBN 9783753305424Modernism, Women Artists

Radical! Women Artists and Modernism 1910-1950

Exhibition notecard for "Neue Sachlichkeit / New Objectivity" February 20—May 26, 2025 Otto Dix (1891-1969)Dr. Mayer-Hermann, 1926 1 notecard and envelope5.75 x 8.75 inches

Otto Dix: Neue Sachlichkeit Exhibition Notecard [Single Card]

By Florian Heine Brimming with stunning reproductions and illuminating texts, this handy and accessible book is the perfect introduction to one of European modern art’s most important movements. Founded in Munich in 1911, the Blue Rider Group was a revolutionary collective of artists that pioneered German Expressionism. Including Wassily Kandinsky, Franz Marc, Natalia Goncharova, Gabriele Münter, and Marianne von Werefkin, the group rejected the prevailing formal and academic artistic trends of their time, sought to break free from the constraints of traditional painting, transcend the material world, and explore emotional and spiritual truths in their art. This book spotlights 35 important works that embody the artists’ pioneering achievements and radical innovations. It features stunning reproductions that highlight the movement’s use of luminous colors, symbolic forms, and expressive brushwork. Paperback112 pagesPrestel, 20246.75 x 0.39 x 8.25 inchesISBN 9783791377339Blue Rider, German Expressionism

The Blue Rider (Masters of Art)

Van Gogh (1853-1890)Self-Portrait, 18891 notecard and envelope5.75 x 8.75 inches

Van Gogh: Self-Portrait [Large Single Card]

Exhibition notecard for "Egon Schiele: Living Landscapes"October 17, 2024—January 13, 2025Egon Schiele (1890-1918)Stein on the Danube, Seen from the South (Large), 1913Wilted Sunflowers (Autumn sun II), 1914 1 notecard and envelope5.75 x 8.75 inches

Egon Schiele: Living Landscapes: Exhibition Notecard [Large Single Card]

Egon Schiele (1890-1918) Self-Portrait with Peacock Waistcoat, Standing, 1911

Egon Schiele: Self-Portrait with Peacock Waistcoat, Standing [Postcard]

Edited by Elizabeth DutzText by Elizabeth Dutz, Brigitte Holzinger and Natalie Lettner For Austrian artist Alfred Kubin (1877–1959), evil was intrinsic to his life and work. After a traumatic childhood growing up in Zell am See and subsequent mental crises, he began his artistic training in Munich in 1898. He processed his nightmares and obsessions in a large number of fantastical drawings. His subjects, perpetually pessimistic, remain relevant a century later: war, famine, pestilence, death and every horror in between. Kubin had a pronounced fear of the feminine, sexuality, night time and of being at the mercy of fate, all of which visited him in uncanny dreams. For Kubin, the aesthetic of evil proved to be the antithesis of the idyll: the deliberate suppression of a hideous reality. Drawn from the Albertina Museum’s collection of over 1,800 drawings by the artist, The Aesthetic of Evil displays Kubin’s grotesque vision as well as his superb draftsmanship. Amid the violent, haunting atmosphere of his graphic works it is easy to see how Kubin became trapped in his dark visions, to the point where the inexhaustible, intangible specter of evil consumed his life. Essays by Elisabeth Dutz, Natalie Lettner and Brigitte Holzinger explore Kubin’s cosmos of the sinister: his personal iconography of evil fueled by his nightmares and obsessions. Hardcover224 pages | 180 color illustrationsHatje Cantz, 20249.75 x 9.75 inchesISBN 9783775757737Monographs, Drawings

Alfred Kubin: The Aesthetic of Evil

By Alessandra Comini ''This erudite, mostly engaging self-portrait charts the making of an art historian and professional 'seer,' whose passion and wit enabled her to become a noted teacher and scholar at Southern Methodist University. Comini helped unearth centuries of overlooked women in art and wrote landmark studies of the Austrian painter Egon Schiele and of musical iconography. For someone engaged in a life of the mind, she has lived much of it in motion, and the art of travel and close consideration of cultural context have been her keys to learning and teaching. She is at her riveting best when she reveals her discoveries about Schiele in his Vienna prison cell, Winckelmann in Rome and Trieste, the composer Edvard Grieg in Norway, and the painter Akseli Gallen-Kalella in Finland. Her short essays dazzle the most when they reveal her keen eye, such as when she discerns how the German artist Kathe Kollwitz, in a bust of herself, 'used the resolute features of her own aging face as a spiritual topography for courage and resignation.''' --Booklist Overflowing with passion for her work as a scholar and teacher, Distinguished Professor of Art History Emerita at Southern Methodist University in Dallas, Texas, Alessandra Comini reminisces through six decades as an unconventional art historian in this illustrated memoir. The author of award-winning books on Egon Schiele, Gustav Klimt, and Ludwig van Beethoven, Comini draws on her sixty years of daily journals, sharing research-related anecdotes as she reflects on the formation and flowering of her distinguished career. Beginning with her colorful background as a refugee from Franco's Spain, then Mussolini's Italy, she describes her music-loving family's sometimes humorous, sometimes painful adjustment to a World War II Texas. A series of fortuitous experiences at Interlochen's National Music Camp, Barnard College, the University of California at Berkeley, and Columbia University later leads to what would ultimately be a turning point in her life as well as in Schiele scholarship. She discovered the actual cell in which Schiele had been imprisoned in a provincial Austrian jail half a century earlier. Comini invites readers to join her in the same zestful and persistent pursuit of cultural history that has repeatedly earned her the honor of being voted "outstanding" professor, by her students at Columbia University and later at Southern Methodist University in Dallas. Her research and quests take the reader around the world and back. From the islands of Corfu, Madeira, R gen, and Tahiti to the cities of Lisbon, Rome, Oslo, and St. Petersburg, Comini pursues such diverse and distinctive personalities as Rosa Bonheur, Gustav and Alma Mahler, Pablo Picasso, Eleonora Duse, Edvard Munch, K the Kollwitz, Vaslav Nijinski, and Egon Schiele. Alessandra Comini's memoir will inspire readers with its sincere and compelling account of an extraordinary life and career still passionately in progress. Retirement for her has meant discovering a joyful new profession: writing art history murder mystery novels that take her eighty-year-old pseudonymous heroine Megan Crespi from the top of Europe down to Antarctica in pursuit of murderous purloiners of artworks by Klimt, Schiele, Kokoschka, Munch, and Kollwitz. Paperback242 pagesSunstone Press, 20166 x 0.55 x 9 inchesISBN 9781632931405History

In Passionate Pursuit

Edited by Christian Bauer This book highlights the intimate relationship between landscape and portraiture in the work of the Austrian Expressionist artist Egon Schiele (1890-1918).Plants, natural environments, and townscapes determine the spaces Egon Schiele created in his paintings, and they also reflect the rich symbolism he employed that is centered around the human condition. In particular, plants are often endowed with an allegorical meaning. Flowers and trees assume the role of portrait subjects and convey an almost human appearance. Schiele’s landscapes always represent more than their apparent subject matter. His portrayal of nature and his rendering of towns and trees epitomize the life cycle and the human condition. This catalogue, accompanying a spectacular exhibition on view at the Neue Galerie New York, will investigate the importance of landscape in the artist’s work. The contributing authors are internationally distinguished experts on Schiele’s landscapes and representatives of museums and universities in Europe and the United States. Hardcover220 pagesPrestel, 20249.25 x 11.25 inchesISBN 9783791377483Egon Schiele, Neue Galerie Exhibition Catalogue

Egon Schiele: Living Landscapes Exhibition Catalogue

Introducing our exquisite set of 8 Egon Schiele notecards, drawn from the Neue Galerie's own holdings as well as other esteemed collections. Each card showcases a timeless masterpiece by the renowned Austrian artist, capturing the essence of his provocative and emotionally charged canvases. Egon Schiele (1890-1918) is one of the most important figures in twentieth-century art. He is celebrated for his singular style of draftsmanship, unusual use of color, and physically raw, expressive style. These notecards are printed on high-quality cardstock with a matte finish, ensuring durability and a luxurious feel. They are blank inside, perfect for personal messages or for framing as miniature pieces of art. Images include:River Landscape with Two Trees, 1913Town among Greenery (The Old City III), 1917.Four Trees, 1917Yellow Town (detail), 1914Portrait of the Artist's Wife Edith Schiele, 1917-18Dr. Hugo Koller, 1918Current of Youth (Danaë), 1909Self-Portrait with Peacock Waistcoat, Standing, 1911 Notecard Box Set:16 square notecards and envelopes2 each of 8 images6 x 6 inches

Egon Schiele Notecard Set

By Sally Grant Explore the works of one of the greatest artists of all time. Gustav Klimt: 50 Masterpieces Explored is a dazzling collection of 50 cards exploring the masterpieces of one of the most celebrated artists of all time. From the shimmering golds and rich hues of The Kiss to the intricate patterns of The Tree of Life, each card showcases the beauty and complexity of Klimt’s style. Through detailed analyses of each painting, you’ll gain a deeper understanding of Klimt’s techniques, symbolism, and life story, and how they influenced his art. Whether you’re an art lover, a Klimt aficionado, or simply looking for a beautiful and informative deck of cards, Gustav Klimt: 50 Masterpieces Explored is sure to captivate and inspire. Hardcover Box, Non-traditional book51 pages/cardsSmith Street Gifts, 20244 x 5.8 inchesISBN 9781923049147 Monograph, Stationery

Gustav Klimt: 50 Masterpieces Explored

Edited with text by Theodora Vischer Text by Tere Arcq, Andreas Beyer, Tamar Garb, Peter Geimer, Anna-Carola Krausse, Sylvie Patry, Uwe M. Schneede, Jennifer Thompson, and Hilda Trujillo. Gender interventions and formal innovations in female portraiture, through works by Berthe Morisot, Mary Cassatt, Paula Modersohn-Becker, Lotte Laserstein, Frida Kahlo, Alice Neel, Marlene Dumas, Cindy Sherman, Elizabeth Peyton This superbly conceived publication looks at nine women artists whose careers were devoted primarily to portraiture, analyzing both the work they produced and the unique ways in which each artist captured her subjects’ likenesses and the spaces they inhabited. These artists represent the development of modernist art since 1870; each has made significant contributions to art history as they complicate long-held notions of the gaze and explore the relationship between the self, the subject and the artist. Close-Up examines women painters and photographers who are known primarily for self-portraiture, such as Paula Modersohn-Becker, Frida Kahlo and Cindy Sherman; it also looks at female artists who depicted the daily lives of women and children in a creative environment that was largely disinterested in such subjects, such as Berthe Morisot, Mary Cassatt and Lotte Laserstein. Still other women—Alice Neel, Marlene Dumas and Elizabeth Peyton—embrace familiarity completely and depict friends and family as well as famous figures in their paintings. In essays by nine different authors, these artists and their subjects are considered individually and as part of a chronology of modern portraiture, with an emphasis on the dynamics of gender. Paperback344 pages | 215 color illustrationsHatje Cantz, 2021ISBN 97837757475787.5 x 10.25 inchesWomen Artists, Painting, Photography

Close-Up

Paula Modersohn-Becker (1876-1907) Nude Girl with Flower Vases, 1906-07

Paula Modersohn Becker: Nude Girl with Flower Vases [Postcard]

Paula Modersohn-Becker (1876-1907) Standing and Kneeling Nude Girls in Front of Poppies II, 1906

Paula Modersohn-Becker: Standing and Kneeling Nude Girls in Front of Poppies II [Postcard]

Paula Modersohn-Becker (1876-1907)Self-Portrait with Two Flowers in Her Raised Left Hand, 1907 Poster for the exhibition Paula Modersohn-Becker: Ich bin Ich / I Am Me 18 x 24 inches

Paula Modersohn-Becker: Ich bin Ich / I Am Me Exhibition Poster

Exhibition notecard for "Paula Modersohn-Becker: Ich bin Ich / I am Me"June 6 — September 9, 2024Paula Modersohn-Becker (1876-1907)Self-Portrait with Two Flowers in Her Raised Left Hand, 19071 notecard and envelope5.75 x 8.75 inches

Paula Modersohn-Becker: Ich bin Ich / I am Me Exhibition Notecard [Single Card]

By Yoshio Futagawa Designed by Adolf Loos in his later years, these two houses are twin examples of the architect’s plain, unadorned style of architecture, despite their difference in size and budget. Both Villa Moller (1926–27) in Vienna and Villa Müller (1928–30) in Prague are illustrative of his ‘Raumplan’ design method. Loos applied a utilitarian approach in using the entire floor plan that would only later receive greater appreciation with the advent of postmodernism, an innovative spatialisation comprising sequences of spaces drawn in three dimensions. Photographed by Yoshio Futagawa, the two houses and the spatial brilliance of Loos come to life in an eclectic symbiosis with modernism. Paperback78 pages | color + black-and-white illustrationsText in Japanese and EnglishAda Edita, 201710.28 x 0.47 x 14.49 inchesISBN 9784871405584 Adolf Loos, Modernist Architecture

Residential Masterpieces 25: Adolf Loos Villa Muller / Villa Moller

By Adolf Loos Throughout his life Adolf Loos raised his eloquent voice against the squandering of fine materials, frivolous ornamentation and unnecessary embellishments. His admirers consider him to be the inspiration for all modern architecture. Yet, few are acquainted with his amusing, incisive, critical and philosophical literary work reflecting on applied design and the essence of clothing in fin de siècle Vienna. Adolf Loos often had a radical, yet innovative outlook on life that made him such a nuisance for many of his contemporaries. His provocative musings on many subjects portray him as a man of varied interests and intellectual refinement as well as possessing a keen sense of style, which still has value today. For the first time the ‘Loos Dress Code’ is available in English. Included is a short social/historical look as the birth of Modernism in Adolf Loos’ Vienna. Hardcover128 pagesMetroverlag, 20115.2 x 0.63 x 7.52 inchesISBN 9783993000400 Aesthetics

Why A Man Should Be Well Dressed

By Robin Schuldenfrei "One of the most interesting and essential texts on modernism to be written in the last decade. . . . Schuldenfrei has made a fairly niche art historical subject incredibly approachable with brilliant but accessible text. . . . [Objects in Exile] is a phenomenally well researched and important text on the subject and should be required reading for anyone interested in modern art and design."---Angelina Lippert, New York Journal of Books "A thought-provoking read that sheds light on the hidden narratives of objects and their profound influence on our collective heritage."-- "Metropolis" In the fraught years leading up to World War II, many modern artists and architects emigrated from continental Europe to the United States and Britain. The experience of exile infused their modernist ideas with new urgency and forced them to use certain materials in place of others, modify existing works, and reconsider their approach to design itself. In Objects in Exile, Robin Schuldenfrei reveals how the process of migration was crucial to the development of modernism, charting how modern art and architecture was shaped by the need to constantly face—and transcend—the materiality of things. Taking readers from the prewar era to the 1960s, Schuldenfrei explores the objects these émigrés brought with them, what they left behind, and the new works they completed in exile. She argues that modernism could only coalesce with the abandonment of national borders in a process of emigration and resettlement, and brings to life the vibrant postwar period when avant-garde ideas came together and emerged as mainstream modernism. Examining works by Walter Gropius, László Moholy-Nagy, Lucia Moholy, Herbert Bayer, Anni and Josef Albers, and others, Schuldenfrei demonstrates the social impact of art objects produced in exile. Shedding critical light on how the pressures of dislocation irrevocably altered the course of modernism, Objects in Exile shows how artists and designers, forced into exile by circumstances beyond their control, changed in unexpected ways to meet the needs and contexts of an uncertain world. Hardcover352 pages | 76 color + 82 black-and-white illustrations Princeton University Press, 20247.5 x 10.5 inchesISBN 9780691232669 Modernism

Objects in Exile: Modern Art and Design across Borders, 1930–1960

Original Price: $50.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Edited by Jay A. Clarke and Jill Lloyd-Peppiatt This exhibition catalog considers the work of a pioneering artist who subverted conventions in her bold depictions of the nude, self-portraits, and still-lifes. An iconoclast in her own time, Modersohn-Becker is today considered an icon of modernity.Throughout her career, Paula Modersohn-Becker boldly experimented with styles while steadfastly pursuing the truth of everyday life and her own female experience. This monograph looks at the entire spectrum of her work—figure drawings, still-lifes, self-portraiture, landscape, nudes, and portraits of young girls and old women—to illustrate the evolution of an artist reacting to seismic cultural change at the turn of the nineteenth century. Whether she was embracing or subverting the principles of realism, naturalism, impressionism, symbolism, or expressionism, Modersohn-Becker remained interested in issues of identity, peeling away outer layers to uncover what she understood as the true essence of life. This book features numerous examples of Modersohn-Becker’s striking and relatively unknown drawings of men, women, and children facing poverty, as well as her highly original figure paintings and nudes—including her unprecedented nude self-portraits. Accompanying the first museum exhibition of Modersohn-Becker’s work in the United States, it reveals the deeply personal and authentic work of an artist who resolutely forged her own path. Hardcover208 pagesPrestel, 20249.25 x 11.25 x .75 inchesISBN 9783791377346Neue Galerie Exhibition Catalogue

Paula Modersohn-Becker Exhibition Catalogue

Pepin Press’ Watercolour Postcard Books contain 16 cards made of the finest 250 gsm watercolor paper. The paper is acid-free, FSC-certified and quite thick to make the cards suitable for mailing. They are a joy to color with a wide range of techniques, such as watercolor, ink, color pencil, crayon, etc. All the coloring books match the quality the quality of the finest professional coloring pads. In order to get the best results, high-quality colouring materials are recommended.Paperback16 pagesPepin Press, 20244 x 6 inchesISBN 9789460096341Activity Book, Post-Impressionism

Vincent Van Gogh: Watercolor Postcard Book

PEPIN Artists’ Coloring Books contain 12 sheets of superior acid-free drawing paper, printed with exceptional designs in very light lines.The printing is done in such a way that, depending on the techniques used, the original outline will be hardly visible after coloring. The 180 gsm drawing paper is made to Pepin's specifications by one of the best paper mills in Europe and is suitable for a wide range of coloring applications, including pencil, crayon, pastel, felt marker, gouache, etc. Also watercolors and liquid inks can be used. Pepin's first-rate paper has a long life and colored sheets can be framed and displayed without the risk of rapid deterioration.These books match the quality of the finest artists’ pads. They are perfectly suited to practice your coloring skills and create beautiful pieces at the same time. High-quality coloring materials are recommended. Paperback 12 pagesPepin Press, 202410 x 13 inchesISBN 9789460098284Activity Book, Coloring Book

Vincent van Gogh: Artists' Coloring Book

An opulent fusion of sensuality, symbolism, and artistic ingenuity, this magnificent boxed-set features stunning color reproductions of Klimt’s essential works in an accordion-fold format accompanied by a separate booklet with background and descriptions of each painting. Gustav Klimt’s luminous paintings are particularly suited for an accordion-fold presentation. As each painting unfolds into a lavish reproduction, Klimt’s dazzling colors and intricate patterns spring to life. This volume includes several highlights of Klimt’s works including The Kiss, his portraits of Adele Bloch-Bauer, The Tree of Life, Danae, and Death and Life. The stunning reproductions allow readers to experience close up Klimt’s intricate details and artful use of gold leaf; his art’s symbolism and emotional power; his decorative aesthetic, and beguiling landscapes. A separate booklet with explanatory captions providing additional background and historic context accompanies the main volume. Klimt’s many fans will cherish this fresh, unique, extraordinary celebration of the artist’s timeless brilliance and monumental talent.Hardcover240 pages | 192 color illustrationsPrestel, 202418,5 x 26,0 cm, 7.3 x 10.2ISBN 9783791377223Monograph, Reproductions

Klimt: The Essential Paintings

By Freyda SpiraThe Norwegian artist Edvard Munch (1863–1944) and the German artist Ernst Ludwig Kirchner (1880–1938) are considered modernist visionaries. They were also pioneering printmakers, eschewing the mastery of one technique for experimentation across many. Born a generation apart, they worked in an expressionist mode, in which they did not simply replicate what they saw but rather filtered everything through their own imagination and memories. Exploiting the perceptual and emotional power of color and abstraction for creative expression, they portrayed what they perceived to be a fragmented, harrowing reality; both artists endured bouts of anxiety and depression, battled substance abuse, and received psychiatric care. Featuring never-before-published prints from the collection of Nelson Blitz, Jr., and Catherine Woodard, as well as etchings, lithographs, and hand-colored woodcuts from select public and private collections across the United States, this volume puts these two giants of Expressionism in a dialogue that foregrounds issues of mental health and offers a fresh approach that blends art history and the history of medical treatment. The included essays examine the artistic affinities and divergences in their printmaking and the ways in which they used shadows to imagine pathologized psychological and psychiatric experiences in their art.Paperback with flaps192 pages | 99 color imagesYale University Press, 20249 x 12 inchesISBN 9780300275858 Art History, Essays

Munch and Kirchner: Anxiety and Expression

By Fritz Horstman The essence of Josef Albers’s Interaction of Color in a format that engages learners of all ages and levels and encourages a hands-on approach Interaction of Color is often presented as an overarching theory of color, but it is actually a method of learning how to better see and understand color—many of the color exercises illustrated in Interaction of Color were devised by Albers’s students: cutting and pasting, looking, pondering, and learning. This workbook companion is a teaching tool designed to enable readers to engage in the kinds of tactile creativity and exploration that characterized Albers’s own classroom.Focusing on eight of the most important lessons in Interaction of Color, this book invites readers to learn by doing, using only simple materials. Core instructions for each exercise are enhanced by additional tips, references to Albers’s original text and illustrations, and stories about how Albers presented the ideas in class. The book and exercises are sufficiently nuanced to challenge and inspire seasoned artists, designers, and educators while also being readily accessible to younger readers and less-experienced practitioners.Paperback144 pages | 112 color illustrationsYale University Press, 20246 x 9.25 inchesISBN 9780300272437Literature, Education

Interacting with Color: A Practical Guide to Josef Albers's Color Experiments

Heinrich Kühn (1866-1944)Anna with Mirror, 1902 1 blank card and envelope4.25 x 6 inches

Heinrich Kühn: Anna with Mirror, 1902 [Single Card]

Heinrich Kühn (1866-1944)Meadow with Trees, 1897 1 blank card and envelope4.25 x 6 inches

Heinrich Kühn: Meadow with Trees, 1897 [Single Card]

Heinrich Kühn (1866-1944)Still-Life with Fruit Bowl, 1909 1 blank card and envelope4.25 x 6 inches

Heinrich Kühn: Still-Life with Fruit Bowl, 1909 [Single Card]

Heinrich Kühn (1866-1944)Still-Life with Violets, 1908 1 blank card and envelope4.25 x 6 inches

Heinrich Kühn: Still-Life with Violets, 1908 [Single Card]

Heinrich Kühn (1866-1944)Study in Tonal Values III (Mary Warner), 1908 1 blank card and envelope4.25 x 6 inches

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