Artists

Original Price: $49.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Renée Price This expansive book commemorates the fifteenth anniversary of the Neue Galerie New York and includes highlights of the museum’s collection. The Neue Galerie New York opened in November 2001, when it showcased its collection of Austrian and German art from 1890 to 1940. The museum’s Austrian holdings encompass major paintings by Gustav Klimt, Egon Schiele, Oskar Kokoschka, and Richard Gerstl. Decorative arts made by the Wiener Werkstätte (Vienna Workshops, 1903–32) are another strength of the collection. The German holdings emphasize the Expressionist movement, with canvases by members of the Brücke, including Erich Heckel, Ernst Ludwig Kirchner, Max Pechstein, and Karl Schmidt-Rottluff. Artists affiliated with the Blue Rider, such as Vasily Kandinsky, Paul Klee, August Macke, Franz Marc, and Gabriele Münter, figure prominently. The New Objectivity movement is represented with works by Max Beckmann, Otto Dix, George Grosz, and Christian Schad. The Bauhaus is another key area, with designs by Marcel Breuer, Marianne Brandt, Ludwig Mies van der Rohe, and Wilhelm Wagenfeld. Hardcover248 pagesNeue Galerie New YorkPrestel, 20169.5 x 1.1 x 11.5 inchesISBN 9783791355818Neue Galerie Exhibition Catalogue

Masterworks from the Neue Galerie New York

With a foreword by Ronald S. Lauder and a preface by Renée PriceThis sumptuous book commemorates the twentieth anniversary of the Neue Galerie New York and includes highlights of the museum’s collection. Austrian and German Masterworks: Twentieth Anniversary of the Neue Galerie New York printed by Prestel in 2021, is the updated version of the Masterworks from Neue Galerie New York catalogue. Modern Worlds: Austrian and German Art, 1890-1940, printed by Prestel in 2021, is the unabridged Neue Galerie collection catalogue, complete with extensive essays and 286 plates. The Neue Galerie New York opened in November 2001, showcasing its collection of Austrian and German art from 1890 to 1940. This publication is issued in celebration of the museum’s twentieth anniversary and includes a number of major new acquisitions. The Austrian holdings encompass significant paintings by Gustav Klimt, Egon Schiele, Oskar Kokoschka, Carl Moll, and Richard Gerstl. Decorative arts made by the Wiener Werkstätte (Vienna Workshops, 1903-32) are another area of strength, in particular the designs of Josef Hoffmann, Koloman Moser, and Dagobert Peche. The German holdings emphasize the Expressionist movement, with canvases by members of the Brücke, including Erich Heckel, Ernst Ludwig Kirchner, Max Pechstein, and Karl Schmidt-Rottluff. Artists affiliated with the Blaue Reiter (Blue Rider), such as Vasily Kandinsky, Paul Klee, August Macke, Franz Marc, and Gabriele Münter, figure prominently. The Neue Sachlichkeit (New Objectivity) movement is well represented by Max Beckmann, Otto Dix, George Grosz, and Christian Schad. Works by leading proponents of Dada are another special interest, with a focus on John Heartfield, Hannah Höch, and Kurt Schwitters. Iconic creations by members of the Bauhaus represent additional highlights, including objects by Marcel Breuer, Marianne Brandt, Ludwig Mies van der Rohe, and Wilhelm Wagenfeld, as well as art by Lyonel Feininger, László Moholy-Nagy, and Oskar Schlemmer.Hardcover280 pages; 327 color illustrations, 3 b/w illustrationsPrestel, 20219.25 x 11.25 inchesISBN 9783791379531Neue Galerie Exhibition Catalogue

Austrian and German Masterworks: Twentieth Anniversary of the Neue Galerie New York

By Sophie Lillie and Georg Gaugusch Few paintings have captured the public's imagination as thoroughly as Gustav Klimt's 1907 Adele Bloch-Bauer I. Klimt's painting of Adele not only rendered her irresistible beauty and sensuality; its intricate ornamentation and exotic motifs heralded the dawn of modernity and a culture intent on radically forging a new identity. But as synonymous as her likeness has become with Vienna’s Golden Age, the real Adele Bloch-Bauer remained somewhat shielded from the public eye. This book attempts to reveal and honor the remarkable life and legacy of Adele Bloch-Bauer and her husband Ferdinand, and their patronage of one of Austria’s most radical forebears of modernity. Hardcover96 pagesNeue Galerie New YorkPrestel, 201511.5 x 9.5 x .5 inchesISBN 9781931794169Neue Galerie Exhibition Catalogue, Biography, Art History, History

Portrait of Adele Bloch-Bauer

By Tobias Natter “He was an artist whose passion for women played out on his iconic canvasses. The works, rich in symbolism and unique in vision and technique, were powerfully influenced by Symbolism and the Pre-Raphaelites. This beautiful new book includes his most important society portraits, and a raft of sketches. Written by a noted scholar of Austrian Expressionism. It is a great addition to any art library.”—Art of the Times This authoritative and generously illustrated book highlights Gustav Klimt’s portrayals of women in his work. Klimt was a central figure in Vienna at the turn of the twentieth century, and a crucial link between nineteenth-century Symbolism and Modernism. His sensual portrayals of women are among his most celebrated works and the focus of this book. Highlights of the publication include Klimt's most important society portraits, such as Serena Lederer (1899); Gertrud Loew (1902); Adele Bloch-Bauer I (1907); Mäda Primavesi (1913); Elisabeth Lederer (1914–16); and Ria Munk III (1917). These works cover the gamut of Klimt's portrait style, from his early ethereal works influenced by Symbolism and the Pre-Raphaelite movement to his so-called "golden style," as well as his almost Fauvist depictions. These art works are complemented by preparatory Klimt sketches and decorative arts from the Wiener Werkstätte. Hardcover320 pagesNeue Galerie New YorkPrestel, 20169.6 x 1.4 x 11.5 inchesISBN 9783791355825Neue Galerie Exhibition Catalogue, Austrian History, Art History

Klimt and the Women of Vienna's Golden Age Exhibition Catalogue

Edited by Janis Staggs As inviting and sensual as a warm summer day, this opulent exhibition catalog offers a deep appreciation of Klimt’s ornate, exquisitely detailed, and atmospheric landscape paintings.For the last twenty years of his career, Gustav Klimt devoted considerable energy to painting landscapes during his summer vacations—and these bucolic scenes became some of his most sought-after pictures. Filled with vibrant high-quality reproductions and featuring engaging essays by leading scholars in the field, this exhibition catalog situates Klimt’s landscapes alongside fin-de-siècle fashion, photography, and decorative arts of the Wiener Werkstätte in particular. Klimt’s landscapes are examined within the context of his larger oeuvre and traces the evolution of his style: from one informed by the academic tradition, to his ornate “golden style” decorative approach influenced by the ideal of the Gesamtkunstwerk, and then to a more painterly manner of working in pure color. The book also considers Klimt’s relationship with his muse, fashion designer Emilie Flöge; his deep engagement with the Viennese avant-garde; and the specific techniques he employed to achieve mesmerizing, harmonious works that literally shimmer with light and color. Hardcover344 pagesPrestel, 20249.25 x 1.14 x 11.22 inchesISBN 9783791377360Neue Galerie Exhibition Catalogue

Klimt Landscapes Exhibition Catalogue

Edited by Christian Bauer This book highlights the intimate relationship between landscape and portraiture in the work of the Austrian Expressionist artist Egon Schiele (1890-1918).Plants, natural environments, and townscapes determine the spaces Egon Schiele created in his paintings, and they also reflect the rich symbolism he employed that is centered around the human condition. In particular, plants are often endowed with an allegorical meaning. Flowers and trees assume the role of portrait subjects and convey an almost human appearance. Schiele’s landscapes always represent more than their apparent subject matter. His portrayal of nature and his rendering of towns and trees epitomize the life cycle and the human condition. This catalogue, accompanying a spectacular exhibition on view at the Neue Galerie New York, will investigate the importance of landscape in the artist’s work. The contributing authors are internationally distinguished experts on Schiele’s landscapes and representatives of museums and universities in Europe and the United States. Hardcover220 pagesPrestel, 20249.25 x 11.25 inchesISBN 9783791377483Egon Schiele, Neue Galerie Exhibition Catalogue

Egon Schiele: Living Landscapes Exhibition Catalogue

Edited by Alessandra CominiThis book accompanies a major exhibition devoted to portraits created by Austrian artist Egon Schiele, whose figurative work exhibits intense emotion and technical brilliance.Egon Schiele (1890-1918) was one of the greatest artists of the twentieth century. A superb draftsman and colorist, he produced images of startling emotional power. Following the lead of his mentor, Gustav Klimt, Schiele created figurative works of uncanny intimacy and brought a new openness to the art of his time. Schiele’s premature death at the age of 28 has added a mythic quality to his artistic achievements.Egon Schiele: Portraits focuses on five groupings of the artist's work: family and academy, fellow artists, sitters and patrons, lovers, and allegory. In addition, it features a special section on a traumatic and pivotal period in Schiele's life: his arrest and imprisonment during the summer of 1912. Documenting the artist's changing style, both pre- and post-imprisonment, the book features many key works that have been assembled for this exhibition from both American and European museums and private collections.Hardcover296 pages | 227 color; 72 black-and-white-illustrationsNeue Galerie New YorkPrestel, 20149.3 x 11.2 inchesISBN 9783791354194Neue Galerie Exhibition Catalogue, Painting, Drawings, Portraits

Egon Schiele Portraits Exhibition Catalogue

By Christian Witt-Dorring and Janis StaggsThe Wiener Werkstätte, founded by Josef Hoffmann, Koloman Moser, and Fritz Waerndorfer, was an artists’ and craftsmen’s collective that existed in Vienna from 1903 until 1932. The artists’ goal was to bring high-quality design and craft into all areas of life and to elevate everyday objects into pieces of art. During that time, the collective produced items in a variety of media including ceramics, furniture, glass, jewelry, metalwork, and textiles. The Wiener Werkstätte style influenced generations of architects from Bauhaus to Art Deco. This book features the work of well-known Wiener Werkstätte members such as Josef Hoffmann, Koloman Moser, and Dagobert Peche along with lesser known designers such as Gudrun Baudisch, Carl Otto Czeschka, and Ugo Zovetti. It also includes in-depth essays that explore the Wiener Werkstätte’s long history and legacy.Hardcover577 pagesNeue Galerie New YorkPrestel, 20179.5 x 2.2 x 11.5 inchesISBN 9783791357164Neue Galerie Exhibition Catalogue, Jewelry, Applied Arts, Design

Wiener Werkstätte 1903-1932: The Luxury of Beauty Exhibition Catalogue

Gustav Klimt (1862-1918)Portrait of Adele Bloch-Bauer I, 1907 (detail) 1 notecard and envelope5 x 7 in.

Gustav Klimt, Adele Bloch-Bauer I Notecard, Small [Single Card]

Gustav Klimt (1862-1918), Portrait of Adele Bloch-Bauer I, 1907 Exhibition poster for "Gustav Klimt: The Ronald S. Lauder and Serge Sabarsky Collections" 23 x 28 inches

Gustav Klimt Exhibition Poster: Adele Bloch-Bauer I [Large]

Gustav Klimt (1862-1918), The Dancer, ca. 1916-1918 24 x 36 inches

Gustav Klimt: The Dancer Poster

Egon Schiele (1890-1918), Town Among Greenery (The Old City III), 1917 24 x 24 inches

Egon Schiele: Town Among Greenery (The Old City III) Poster

Edited by Elisabeth Schmuttermeier and Christian Witt-Dörring The Wiener Werkstätte or Vienna Workshops was founded in 1903 by architect Josef Hoffmann and artist Koloman Moser. In 1907, the Wiener Werkstätte began publishing a numbered series of postcards, which would ultimately include nearly 1,000 cards. Many of them were designed to celebrate holidays, such as Christmas and Easter. Fashion, both contemporary and historical, became another popular subject, along with humorous topics and favorite tourist spots of the period.All of the major designers who worked for the firm were contributors in this medium including Josef Hoffmann, Oskar Kokoschka, Egon Schiele, and Dagobert Peche. Other noteworthy artists who were active in this area whose names may be less familiar include Moriz Jung, Rudolf Kalvach, Mela Koehler, and Maria Likarz, among others.This catalog raisonné accompanies the first major museum exhibition ever held in the United States devoted exclusively to the postcards produced by the Wiener Werkstätte. The work in the exhibition is drawn exclusively from The Leonard A. Lauder Collection and coincides with the gift of nearly 1,000 of the cards to the Neue Galerie. A selection of these cards will be on view on a regular basis as part of the museum's permanent collection. Please note that Rare/Out-of-Print titles are very limited in stock. Hardcover336 pagesNeue Galerie New YorkHatje Cantz, 20119.5 x 1.5 x 11.2 inchesISBN 9783775727518Neue Galerie Exhibition Catalogue, Graphic Design, History, Essays

Postcards of the Wiener Werkstätte: A Catalogue Raisonné

Edited by Jay A. Clarke and Jill Lloyd-Peppiatt This exhibition catalog considers the work of a pioneering artist who subverted conventions in her bold depictions of the nude, self-portraits, and still-lifes. An iconoclast in her own time, Modersohn-Becker is today considered an icon of modernity.Throughout her career, Paula Modersohn-Becker boldly experimented with styles while steadfastly pursuing the truth of everyday life and her own female experience. This monograph looks at the entire spectrum of her work—figure drawings, still-lifes, self-portraiture, landscape, nudes, and portraits of young girls and old women—to illustrate the evolution of an artist reacting to seismic cultural change at the turn of the nineteenth century. Whether she was embracing or subverting the principles of realism, naturalism, impressionism, symbolism, or expressionism, Modersohn-Becker remained interested in issues of identity, peeling away outer layers to uncover what she understood as the true essence of life. This book features numerous examples of Modersohn-Becker’s striking and relatively unknown drawings of men, women, and children facing poverty, as well as her highly original figure paintings and nudes—including her unprecedented nude self-portraits. Accompanying the first museum exhibition of Modersohn-Becker’s work in the United States, it reveals the deeply personal and authentic work of an artist who resolutely forged her own path. Hardcover208 pagesPrestel, 20249.25 x 11.25 x .75 inchesISBN 9783791377346Neue Galerie Exhibition Catalogue

Paula Modersohn-Becker Exhibition Catalogue

Edited by Jill Lloyd and Janis Staggs With preface by Ronald S. Lauder, foreword by Renée Price, and contributions by Nelson Blitz, Jr., Sharon Jordan, Jill Lloyd, Sherwin Simmons, and Janis Staggs Ernst Ludwig Kirchner is arguably the most outstanding German Expressionist artist of the early twentieth century. This publication and its related exhibition pay tribute to Kirchner’s inventive genius with a focus on his highly individual approach to color, which he viewed as the fundamental building block to his paintings. Yet Kirchner was a multi-talented figure and his work encompassed various media – painting, sculpture, drawing, printmaking, photography, and even the decorative arts. Rather than accepting the traditional hierarchy that placed fine art solely at the pinnacle of an artist’s achievement, Kirchner compared his activity in these various fields to “a tightly woven, organic fabric, in which process and completion go hand in hand and one aspect drives the other on.” Beginning with his Dresden years as a founding member of the artists’ group Brücke, and moving on to the periods he spent in the Berlin metropolis and in the Swiss mountainside resort of Davos, this survey provides a representative overview of Kirchner’s three main phases and charts the transformation in his life’s output. The essays touch on important topics related to his entire career. Jill Lloyd provides an overview and examines how color and technique were crucial, evolving elements throughout his work. Janis Staggs offers new insights into Kirchner’s decorative projects, paying particular attention to his little-known metalwork and its close connection with his work in other media. Sherwin Simmons confronts Kirchner's modernity by relating the color compositions in his Berlin street scenes to the impact of electric light. Sharon Jordan analyzes Kirchner’s colored woodcut series “Peter Schlemihl’s Wondrous Story” in relation to his long-abiding interest in the works of Friedrich Nietzsche. And Nelson Blitz, Jr., provides an original interpretation of Kirchner’s breakdown and suicide by situating the artist’s personal story in its historical and political context. Hardcover262 pages80 color illustrations | 100 b/w illustrations23.5 x 28.5 cmPrestel, 2019ISBN 9783791359342Neue Galerie Exhibition Catalogue, Art History, Essays

Ernst Ludwig Kirchner Exhibition Catalogue

Gustav Klimt (1862-1918) Portrait of Adele Bloch-Bauer I, 1907. 100 Piece Puzzle, 12x12 inches

Adele Bloch-Bauer I Jigsaw Puzzle

Edited by Olaf PetersWith contributions by Stefanie Heckmann, Andreas Huyssen, Alfred Pfabigan, and Ernst Ploil This generously illustrated and comprehensive book examines German and Austrian artists in the 1930s as they reacted to a time of crisis and dissent.The 1930s in Germany and Austria were marked by economic crisis, political disintegration, and social chaos. This beautifully illustrated catalog surveys the development of the arts in these two countries between the two World Wars. Presenting nearly 150 paintings and works on paper, this book reveals artistic developments that foreshadowed, reflected, and accompanied the beginning of World War II. Works by Max Beckmann, Otto Dix, Max Ernst, Oskar Kokoschka, and Alfred Kubin are presented alongside pieces by lesser-known artists such as Friedl Dicker-Brandeis, Albert Paris Gütersloh, Karl Hubbuch, Richard Oelze, Josef Scharl, Franz Sedlacek, and Rudolf Wacker. This book features essays about the appropriation of artistic idioms, the reactions of artists toward their historical circumstances, and major political events that shaped the era. This catalogue carries key works of known artists like Max Beckmann, Otto Dix, Max Ernst, Oskar Kokoschka and Alfred Kubin and less known artist like Friedl Brandeis, Albert Pari Gütersloh. Hardcover288 pagesNeue Galerie New York Prestel, 20189.6 x 1.3 x 11.5 inchesISBN 9783791357607Neue Galerie Exhibition Catalogue, Art History, Essays

Before the Fall: German and Austrian Art of the 1930s Exhibition Catalogue

Edited by Olaf PetersTexts by Olaf Peters, Dietrich Schubert, Ernst Kallai, Willi Wolfradt, Karsten Mueller and James Van Dyke More than almost any other German painter, Otto Dix and his works have profoundly influenced the popular notion of the Weimar Republic. His paintings were among the most graphic visual representations of that period, exposing with wicked wit the instability and contradictions of the time. The particular role that Dix played as an artist in the Weimar Republic can only be understood against the backdrop of the painter's experiences during the First World War, from 1914 to 1918. The essay in the present volume by Dietrich Schubert discusses this theme using Dix's war-era self-portraits as examples. The artist's wartime experiences also shaped his shockingly brutal depictions of sexual murders and his paintings of prostitutes, the subject of another of the essays in this publication. Please note that Rare/Out-of-Print titles are very limited in stock. Hardcover258 pagesNeue Galerie New YorkPrestel, 20101.1 x 9.7 x 11.5 inchesISBN 9783791350202Neue Galerie Exhibition Catalogue, Art History

Otto Dix Exhibition Catalogue

Gustav Klimt (1862-1918)Adele Bloch-Bauer I, 1907 (detail) Matte laminate finish2.75” x 8.25”1 bookmark

Adele Bloch-Bauer Bookmark

Egon Schiele (1890-1918), Portrait of the Artist's Wife Standing (Edith Schiele in Striped Dress), 1915 Exhibition poster for "Egon Schiele: Portraits" 18 x 24 inches

Egon Schiele: Portraits Exhibition Poster

“A timeline provides the major dates of artists, exhibitions, and publications during Munch’s lifetime. Munch both inspired and participated in expressionism. His innovations stimulated the expressionists, and he responded to their new styles and drew on common sources of inspiration. Munch’s graphics, notably the woodcuts, were central . . . The exhibition, and thus this catalogue, is more of a dialogue than a study of influences. Highly recommended.”―Choice Examining Edvard Munch's influence on his Austrian and German contemporaries, this book offers a fascinating new look at the Norwegian artist, whose painting The Scream has become a symbol of modern angst. Edvard Munch came of age during an artistic period that celebrated beauty and design. But in his own art, Munch explored darker themes--alienation, sin, and human vulnerability. His resulting work incorporated the vivid colors of previous styles but intensified their emotional power and paved the way for an entirely new approach to painting. Although much has been written about Munch's life and its influence on his art, there has not been a study of the artist's influence on his German and Austrian peers--until now. Featuring contributions by leading scholars in the field, including Patricia Bermann, Alison Chang, Jay Clarke, Reinhold Heller, Jill Lloyd, Nils Ohlsen, and Oystein Uvstedt, this authoritative and beautifully illustrated book explores Munch's impact on Austrian and German artists of the period within an Expressionist context. It also examines work in specific media, such as Munch's seminal contributions to printmaking. The artist's thematic and stylistic leitmotifs are highlighted, including self-portraiture, urban scenes, landscapes, couples, and the artist and his model. Vibrant reproductions of works from throughout Munch's oeuvre, including such icons as The Scream, Madonna, and The Kiss, make this a splendid introduction to the artist as well as an exciting springboard to the study of European Expressionism. Hardcover231 pagesNeue Galerie New York Prestel, 20169.5 x 1.1 x 11.4 inchesISBN 9783791355269Neue Galerie Exhibition Catalogue, Art History, Expressionism, Painting, Printmaking

Munch and Expressionism Exhibition Catalogue

Gustav Klimt (1862-1918) Forester’s House in Weissenbach II (Garden), 1914

Gustav Klimt: Forester’s House in Weissenbach II (Garden) [Postcard]

Gustav Klimt (1862-1918)Forester's House in Weissenbach II (Garden), 1914 1 notecard and envelope4 ¼ x 6 inches

Gustav Klimt: Forester's House in Weissenbach II (Garden), 1914 [Single Card]

By Vivian Endicott Barnett, Erich Franz, Ursula Heiderich, Annegret Hoberg, Isabelle Jansen, and Olaf PetersForeword by Ronald S. Lauder and Renée Price. This generously illustrated volume focuses on the poignant friendship of Franz Marc and August Macke, two innovative members of the Blue Rider group. During the five years Franz Marc and August Macke knew each other, the two men carried on an artistic and personal friendship that had an immense impact on each of their careers. This book traces their relationship and features meticulously reproduced images that bring their paintings—and the bond they shared—to life. In addition to paintings, watercolors, and drawings from both artists, this book includes documents that show their connection to one another. A series of essays explores the artists’ conversations about color theory and non-representational painting, their work with the Blue Rider group, their joint mural Paradise, and the influence of French painters on their art. This book also reveals how 20th-century Expressionism evolved during Marc and Macke’s collaboration. While celebrating the two men’s obvious differences, this volume shows how their distinct artistic styles influenced one another. Hardcover 208 pages | 159 color and 23 black-and-white illustrations Neue Galerie New York Prestel, 2018 9.5 x 1 x 11.5 inches ISBN 9783791358291 Neue Galerie Exhibition Catalogue, Painting, Art History, Essays, Blue Rider

Franz Marc and August Macke: 1909-1914 Exhibition Catalogue

Original Price: $15.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Otto Dix (1891-1969), Portrait of the Dancer Anita Berber, 1925 Exhibition poster for "Otto Dix" 26.75 x 38.75 inches

Otto Dix Exhibition Poster

Egon Schiele (1890-1918), Sunflower (Sonnenblume), 1916 16 x 20 inches

Egon Schiele Sunflower Poster

Edited by Olaf Peters This generously illustrated and comprehensive book focuses on a decisive decade in Max Beckmann’s career as one of the leading figurative painters of the twentieth century. This publication will provide insight into a critical period in the artist’s development and the accomplishments that earned him such high esteem. Beckmann’s brief but profoundly jarring service as a medical orderly during World War I led to a nervous breakdown. He assimilated his experiences and incorporated recent and radical developments in art, such as Cubism and Expressionism, leading him to advance new pictorial conceptions beginning in 1915.To many of his contemporaries, the work Beckmann created between 1917 and 1925 placed him at the forefront of the latest developments in representational painting. In 1925, Beckmann’s celebrated status was confirmed by his prominence in the groundbreaking “Neue Sachlichkeit” (New Objectivity) exhibition in Mannheim, although he later distanced himself from the term.This book will situate Beckmann artistically and historically. Essays by both established experts and emerging scholars investigate the seminal energy found in the work he created between 1915 to 1925—a period to which the artist himself repeatedly returned over the course of his lifetime.The self-referential aspect of Beckmann’s output is key to understanding his progression as an artist, which comes more clearly into focus via an analysis of these critical early years. Hardcover256 pagesPrestel, 20239.25 x 2.05 x 11.22 inchesISBN 9783791379944Neue Galerie Exhibition Catalogue

Max Beckmann: The Formative Years, 1915-25 Exhibition Catalogue

Edited by Annegret HobergWith contributions by Annegret Hoberg, Klaus Albrecht Schroder, Peter Assmann, Andreas Geyer, Werner Hofmann, and Olaf PetersAlfred Kubin (1877-1959) created drawings that plumb the depths of the shadow world of the human subconscious, with its unguarded impulses and fears. Though a contemporary of artist Gustav Klimt and designer Josef Hoffmann, Kubin eschewed the decorative impulses found in their work. Instead, he produced dark, hallucinatory visions of violence and eroticism.This catalogue accompanied an exhibition that featured more than 100 works on paper. Essays examine the artist’s early career, his status as a literary figure, and his development of a form of Modernism that ran counter to prevailing trends. Please note that Rare/Out-of-Print titles are very limited in stock.Hardcover230 pagesNeue Galerie New York Prestel, 200811.5 x 9.4 x 1 inchesISBN 9783791340944Neue Galerie Exhibition Catalogue, Illustration, Expressionism, Essays

Alfred Kubin: Drawings 1897-1909 Exhibition Catalogue

The decorative motifs employed on this card set are drawn from one of Gustav Klimt’s most famous works—the mosaic frieze that was installed in the dining room of the Palais Stoclet in Brussels. This building was the crowning achievement of Josef Hoffmann and the Wiener Werkstätte, and the collaboration with Hoffmann marked a turning point in Klimt’s career. One of the most prominent elements of the Stoclet frieze was the so-called “Tree of Life”—a reference to a utopian garden paradise untouched by death and disease. Klimt frequently included spirals and other geometric elements in his work. He also favored highly stylized elements of nature frequently interspersed with the “all-seeing eye,” demonstrating his careful study of ancient art and his skillful ability to employ centuries-old motifs in new guises for an entirely modern interpretation. Greeting cards with artwork adapted from designs for the Palais Stoclet dining room Frieze I, 1910-11, by Gustav Klimt. Notecard Box Set:12 square embossed cards with envelopes3 each of 4 images4 ¾ x 4 ¾ inches

Embossed card set:  Gustav Klimt, Tree of Life

This item is available for pre-order.By Tobias G. Natter “Guaranteed to work up a fervour.”—Harpers Bazaar, London"...one of the most covetable books ever. The reproductions are breathtakingly good, as are the excellent essays and commentaries on paintings."—The Sunday Times Magazine, LondonA century after his death, Viennese artist Gustav Klimt (1862–1918) still startles with his unabashed eroticism, dazzling surfaces, and artistic experimentation. This monograph gathers all of Klimt’s major works alongside authoritative art historical commentary and privileged access to the artist’s archive.With top quality illustration, including new photography of the celebrated Stoclet Frieze, the book follows Klimt through his prominent role in the Secessionist movement of 1897, his candid rendering of the female body, and his lustrous “golden phase” when gold leaf brought a shimmering tone and texture to such beloved works as The Kiss and Portrait of Adele Bloch-Bauer I, also known as The Woman in Gold.Through luminous spreads and carefully curated details, the monograph traces the repertoire of Japanese, Byzantine, and allegorical stimuli that informed Klimt’s flattened perspectives, his symbolic vocabulary, and his mosaic-like textures. Drawing upon contemporary critics and voices, the book also examines the art world’s polarized reception to Klimt’s pictures as much as his own stylistic trajectory. From his landscape painting to erotic works to the controversial ceiling for the Great Hall of the University of Vienna, we see how Klimt’s admixture of tradition and daring divided the press and public—becried by some as a pornographer, hailed by others as a modern maestro. Hardcover676 pagesTaschen, 201216 x 12 x 2 inchesISBN 9783836527958Artist Monographs, Viennese Secession

Gustav Klimt: The Complete Paintings

By Bérénice Capatti and Shannon A. WhiteIllustrated by Octavia Monaco Bank Street College, Best Children's Books of the Year, 2006"This quirky distillation of Klimt's essence is particularly notable for its luminous, gold-leafed multimedia paintings that effectively evoke the Viennese Secessionist painter's individualistic style. . . . Monaco's illustrations are so unique that libraries with strong artistic picture-book collections won't want to pass this by."—Kirkus Reviews"The depiction of an artist to whom work is more important than family, wealth, or recognition, comes through with force ? and with great charm."—Publishers Weekly Katze, the loyal cat of Gustav Klimt, takes readers on an exciting journey into the world of the famous Viennese painter. From distracting Gustav’s models to tagging along with Gustav on vacations, Katze always provides keen insight into the artist’s work and thoughts. Enchanting illustrations, suggestive of Gustav Klimt’s own style and enlivened by the lovable and curious Katze, make Klimt and His Cat a book for readers of all ages. This book not only teaches about the artwork of the Secessionist artist but also suggests the importance of hard work, dedication, and being true to oneself. Hardcover40 pagesAge range: 8-12 yearsEerdmans Books, 20048.6 x 0.3 x 12.2 inchesISBN 9780802852823Children's Books, Art History

Klimt and His Cat

Austrian painter Gustav Klimt (1862-1918) is renowned for his provocative allegories and for his sensuous portraits of women—commissions of the latter supported him financially for the last twenty years of his career. During the same period, he also devoted considerable energies to contemplative landscapes, which were undertaken during his Sommerfrische (summer holidays) spent in the region near Salzburg renowned for its lakes and alpine terrain. Although these paintings were created purely for Klimt's pleasure, they became among the most sought-after canvases by the artist. Contained in this boxed set are reproductions of six of Klimt's most important landscapes. Completed between 1900 and 1914, these pictures demonstrate the range of the artist's fascination with the locale. He focused on fruiting orchards and reflecting ponds, flowering gardens and blooming meadows, as well as distinct architectural structures situated in bucolic settings. This selection of verdant scenes has a universal appeal, capturing nature at the height of its beauty and affirming Klimt's unique artistic achievements. Images include:The Large Poplar I, 1900Avenue in the Park of Schloss Kammer, 1912Forester's House in Weissenbach II (Garden), 1914Park at Kammer Castle, 1909Sunflower, 1907-08Poppy Field, 1907 Notecard Box Set:12 square notecards and envelopes2 each of 6 images6 x 6 inches

Gustav Klimt Landscapes Notecard Set

Original Price: $18.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS George Grosz (1893-1959), Panorama (Down with Liebknecht), 1919 Exhibition poster for Berlin Metropolis: 1918-1933. 20 x 30 inches

Berlin Metropolis: 1918-1933 Exhibition Poster

Gustav Klimt (1862-1918)The Park, 1909Poster for the exhibition Klimt Landscapes.16 x 20 inches

Klimt Landscapes Exhibition Poster

Egon Schiele usually carried a small sketchbook with him, jotting down his compositional ideas and other personal notions on the go. This facsimile edition provides unusual insight into the artist's mind and working methods. Twenty-two of these small scale sketchbooks are known to have survived. Most of them are now preserved in the Egon Schiele Archiv of the Albertina in Vienna. The one reproduced here includes sketches for a number of important paintings from this period. In addition to the numerous drawings relating to Schiele’s artistic oeuvre, there are several architectural sketches among the pages. There are also fashion sketches, miscellaneous notations, addresses, and calculations. A reproduction based on the original from the Serge Sabarsky collection. Limited edition, numbered set of 1000 Neue Galerie exclusive Limited Edition, Drawing

Egon Schiele's Sketchbook 1910-1913

Gustav Klimt (1862-1918) Portrait of Adele Bloch-Bauer I, 1907

Gustav Klimt: Portrait of Adele Bloch-Bauer I [Postcard]

Gustav Klimt (1862-1918)Forester's House in Weissenbach II (Garden), 1914. 100 Piece Puzzle, 12x12 inches

Forester's House in Weissenbach II (Garden) Jigsaw Puzzle

Gustav Klimt (1862-1918), Portrait of Adele Bloch-Bauer I, 1907 16 x 20 inches

Gustav Klimt: Adele Bloch-Bauer I Poster [Small]

Edited by Renée PriceWith this exhibition, Neue Galerie New York pays tribute to its cofounder, Serge Sabarsky. A tireless advocate for German and Austrian art, Sabarsky was the driving force behind the creation of the museum. He was also a dedicated collector, who acquired numerous masterworks by the artists he cherished.The catalog demonstrates the range and quality of the Sabarsky Collection, with its holdings in works by Austrian artists Gustav Klimt, Egon Schiele, and Oskar Kokoschka, and German artists Max Beckmann, Otto Dix, Ernst Ludwig Kirchner, among many others. Please note that Rare/Out-of-Print titles are very limited in stock.Hardcover124 pagesNeue Galerie New YorkPrestel, 20099.1 x 6.6 x 1.1 inchesISBN 9781931794244Neue Galerie Exhibition Catalogue

From Klimt to Klee: Masterworks from the Serge Sabarsky Collection

Gustav Klimt (1862-1918) The Dancer, 1916-18 (unfinished)

Gustav Klimt: The Dancer [Postcard]

By Christian Witt-DörringThe Austrian architect Josef Hoffmann (1870-1956) is recognized as one of the leading figures in the modern movement. This catalog takes as its point of departure four rooms designed during his most creative period, the years between 1902 and 1913.Covering such diverse topics as interior design, literature, fashion, and psychoanalysis, the catalog examines the social and artistic developments occurring in Vienna during this period. An analysis of the design scene in Germany at the time helps establish a contrasting vision to Hoffmann’s own sensibility. Finally, Hoffmann’s private dwellings are revealed in photographs shown for the first time. Please note that Rare/Out-of-Print titles are very limited in stock.Hardcover224 pages | black-and-white and color illustrationsNeue Galerie New YorkPrestel, 20069 x 12 x 1.5 inchesISBN 9783791337104Neue Galerie Exhibition Catalogue, Interior Design

Josef Hoffmann: Interiors, 1902-1913

This extraordinary object is a flawless reproduction of a rare Egon Schiele sculpture. The original was created by Schiele when he was briefly imprisoned in April 1912. It conveys a remarkable sense of angst in a highly compressed form. Cast bronze (original modeled from kneaded and carved bread) 1.5 x 1.25 x 1.5 in. (3.8 x 3.2 x 3.8 cm) Limited edition, numbered set of 200

Egon Schiele's Portrait of a Sankt Pölten Prisoner (Bronze), 1912

Original Price: $18.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Ernst Ludwig Kirchner (1880-1938), Berlin Street Scene, 1913-14 Poster for the exhibition, Ernst Ludwig Kirchner (2019-2020). 16 x 24 inches

Ernst Ludwig Kirchner Exhibition Poster

Images include: Portrait of Adele Bloch-Bauer I, 1907Portrait of Gertha Loew, 1902The Dancer, 1916-17Pale Face, 1903Portrait of Ria Munk III, 1917 (unfinished)Portrait of Adele Bloch-Bauer I (detail), 1907 Notecard Box Set:18 cards and envelopes3 each of 6 images4 3/4 x 6 7/8 inches

Gustav Klimt Notecard Set

Original Price: $14.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS German artists Franz Marc (1880-1916) and August Macke (1887-1914) met in January 1910, when they were twenty-nine and twenty-three years old, respectively. At that time, they had already traveled to France, were familiar with French art, and admired the work of artist Paul Cezanne. Marc and Macke enjoyed a close artistic and personal friendship that had a profound impact on their work during the five years that they knew each other. They often visited each other's studios, engaged in an extensive correspondence, responded to each other's paintings, and exhibited their work side by side on numerous occasions. Both Marc and Macke died in combat during World War I. Notecard Box Set:18 cards and envelopesBox includes removable band3 each of 6 images4 ¾ x 6 ⅞ inches

Franz Marc and August Macke Notecard Set

Gustav Klimt (1862-1918)Park at Kammer Castle, 1909 1 notecard and envelope4 ¼ x 6 inches

Gustav Klimt: Park at Kammer Castle, 1909 [Single Card]

Gustav Klimt (1862-1918)The Dancer, 1916-18 (detail) Matte laminate finish2.75” x 8.25”1 bookmark

The Dancer Bookmark

Gustav Klimt (1862-1918)Adele Bloch-Bauer I, 1907 (detail)1 notecard and envelope5.75 x 8.75 in.

Gustav Klimt: Adele Bloch-Bauer I Notecard, Large [Single Card]

Edited by Roland Marz With contributions by Peter-Klaus Schuster, Ronald Marz, Olaf Peters, Anke Daemgen, and Andrea Hollmann This exhibition presented a selection of important paintings from the Nationalgalerie, Berlin, one of Germany's major collections of twentieth-century art. Major Expressionist and Neue Sachlichkeit artists represented include Max Beckmann, Otto Dix, George Grosz, Erich Heckel, Ernst Ludwig Kirchner, Emil Nolde, Max Pechstein, and Karl Schmidt-Rotluff. Arranged thematically and with in-depth explanatory texts, the catalog traces the evolution of German art as it moved from the mountains to city life, from optimism to bitter disillusionment. Essays by key scholars and curators examine these artists’ varied responses to their country’s abrupt encounter with industrialization and urbanization. Please note that this book is Out of Stock. Hardcover164 pagesNeue Galerie New YorkPrestel, 200411.5 x 9.6 x 0.8 inches ISBN 9783791330419Neue Galerie Exhibition Catalogue, Expressionism

SOLD OUT - Arcadia and Metropolis: Masterworks of German Expressionism from the National Galerie Berlin

Original Price: $50 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Tobias G. Natter This unique and utterly fascinating appreciation of Gustav Klimt’s oeuvre reveals some of his most famous works in their original settings and offers valuable historic insight into his artistic vision. Interior design was supremely important to Gustav Klimt, and many of his paintings were created for specific settings or spaces. This aspect of Klimt’s practice comes beautifully to life in this book that illustrates how some of the artist’s most beloved canvases appeared in situ—in private dining rooms and salons, galleries, museums, and public exhibition spaces. Works such as the portraits of Emilie Flöge and Hermine Gallia, the shocking Nuda Veritas, and landscapes A Morning by the Pond and The Tall Poplar I are presented in double-page spreads. Full-color reproductions of paintings by Klimt are juxtaposed with black-and-white vintage photographs of the original interiors with the featured paintings overlaid in color. Thoughtful and personal texts by Klimt scholar Tobias Natter accompany each spread, providing invaluable contextual insight about how these pictures were conceived as part of the interior design of their respective rooms and spaces, and the passionate collectors who first owned these pictures. Meticulously produced and packaged, this book provides a refreshing perspective on Klimt’s oeuvre and artistic vision. Hardcover140 pagesPrestel, 20239.5 x 1 x 11.5 inchesISBN 9783791379784Gustav Klimt, Art History

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