Irmgard Keun

By Irmgard Keun Translated by Anthea Bell Depicting a young woman's life in Nazi Germany, a masterpiece from the author of Child of All Nations "I cannot think of anything else that conjures up so powerfully the atmosphere of a nation turned insane" —Sunday Telegraph Arrested in Cologne for remarking that the Fuhrer looked sweaty, nineteen-year-old Sanna has fled to Frankfurt. But her troubles are far from over. Her best friend Gerti has fallen for a Jewish boy, her brother writes books that have been blacklisted, and her own aunt could turn her in to the authorities at any moment. Darkly humorous and utterly heart rending, this gripping novel vividly captures the terror and hysteria of pre-war Nazi Germany. Paperback 144 pagesPenguin Classics, 20207.8 x 5.04 inchesISBN 9780241391822Literature, Fiction

After Midnight

By Irmgard KeunTranslated by Geoff Wilkes Gilgi knows where she's going in life: she's ambitious, determined and fearless. She's not even derailed when her parents drop a massive bombshell on her twenty-first birthday. But then she meets the charming but aimless Martin, and for the first time, Gilgi finds herself blown bewilderingly and dangerously off-course. Set in Cologne against the backdrop of rising Nazism, Irmgard Keun's astonishing debut electrified Weimar Germany. With its frank exploration of sex, abortion, work and love, it feels as fresh today as when it first appeared. Paperback192 pagesPenguin Classics, 2019Originally published in 19317.76 x 0.43 x 5.04 inchesISBN 9780241391808Weimar Literature, Neue Sachlichkeit

Gilgi, One of Us

By Irmgard KeunTranslated by Kathie von Ankum Doris is going to be a big star. Wearing a stolen fur coat and recently fired from her office job, she takes an all-night train to Berlin to make it in the movies. But what she encounters in the city is not fame and fortune, but gnawing hunger, seedy bars, and exploitative men—and as Doris sinks ever lower, she resorts to desperate measures to survive. Very funny and intensely moving, this is a dazzling portrait of roaring Berlin in the 1920s, and a poignant exploration of the doomed pursuit of fame and glamour. Paperback208 pagesPenguin Classics, 2019Originally published in 19325.08 x 0.35 x 7.76 inchesISBN 9780241382967Weimar Literature

The Artificial Silk Girl

By Irmgard KeunTranslated by Michael Hofmann The last novel from the acclaimed author of The Artificial Silk Girl, this 1950 classic paints a delightfully shrewd portrait of postwar German society. Upon his release from a prisoner-of-war camp, Ferdinand Timpe returns somewhat uneasily to civilian life in Cologne. Having survived against the odds, he is now faced with a very different sort of dilemma: How to get rid of his fiancée? Although he certainly doesn’t love the mild-mannered Luise, Ferdinand is too considerate to break off the engagement himself, so he sets about finding her a suitable replacement husband—no easy task given Luise’s high standards and those of her father, formerly a proud middle-ranking Nazi official.Featuring a lively cast of characters—from Ferdinand’s unscrupulous landlady with her black-market schemes to his beguiling cousin Johanna and the many loves of her life—Ferdinand captures a distinct moment in Germany’s history, when its people were coming to terms with World War II and searching for a way forward. In Irmgard Keun’s effervescent prose, the story feels remarkably modern.Paperback256 pagesOther Press, 20205.24 x 0.68 x 7.96 inchesISBN 9781635420357Literature

Ferdinand, The Man with the Kind Heart: A Novel

Edited by Philip Hensher Berlin, in the words of Philip Hensher, editor of this anthology, 'has always been a city of desperate modernity', both in terms of urban architecture—largely a creation of the progressive 19th century, laid waste by World War II, temporary home of the infamous Wall—and in ways of living and behaving. As early as the 1920s it was the gay capital of Europe; the Communist East/free West barrier presented unique problems for a divided population; and in the 1990s, in the aftermath of reunification, the cheap, run-down city became a vibrant centre for creative artists. 'The sense of making it up as you go along is never far away in Berlin.' The stories in this volume are the product of this series of multiple rebirths from the viewpoint of both insiders and outsiders. From pre-1914 there are contributions from Theodor Fontane and Robert Walser; from the Weimar Republic, Alexander Döblin, Vladimir Nabokov, Erich Kästner, Ernst Haffner, Irmgard Keun and Christopher Isherwood; from the Third Reich, Thomas Wolfe, Hans Fallada and Heinz Rein; from the Cold War era, Peter Schneider, Thomas Brussig, Len Deighton, Christa Wolf and Ian McEwan; from post-reunification, Günter Grass, Wladimir Kaminer, Chloe Aridjis, Uwe Timm, Kevin Barry, Jean-Philippe Toussaint and Jenny Erpenbeck. Hardcover400 pagesEveryman Publishing, 2019Originally published in 19794.9 x 1.2 x 7.5 inchesISBN 9781101908174Short Stories, Fiction

Berlin Stories

By Irmgard KeunTranslated by Kathie von Ankum “A young girl navigates interwar German society and the expectations—or lack thereof—placed upon women, in this poignant, melancholy novel from the late Keun… [This] heartbreaking story of dashed hopes is one that still has the power to affect and inspire.”—Publishers Weekly“Damned by the Nazis, hailed by the feminists … a truly charming window into a young woman’s life in the early 1930s”—Los Angeles Times “The Artificial Silk Girl follows Doris into the underbelly of a city that had once seemed all glamour and promise … Kathie von Ankum’s English translation will bring this masterwork to the foreground once more, giving a new generation the chance to discover Keun for themselves.”—Elle.com In 1931, a young woman writer living in Germany was inspired by Anita Loos's Gentlemen Prefer Blondes to describe pre-war Berlin and the age of cinematic glamour through the eyes of a woman. The resulting novel, The Artificial Silk Girl, became an acclaimed bestseller and a masterwork of German literature, in the tradition of Christopher Isherwood's Berlin Stories and Bertolt Brecht's Three Penny Opera. Like Isherwood and Brecht, Keun revealed the dark underside of Berlin's "golden twenties" with empathy and honesty. Unfortunately, a Nazi censorship board banned Keun's work in 1933 and destroyed all existing copies of The Artificial Silk Girl. Only one English translation was published, in Great Britain, before the book disappeared in the chaos of the ensuing war. Today, more than seven decades later, the story of this quintessential "material girl" remains as relevant as ever, as an accessible new translation brings this lost classic to light once more. Other Press is pleased to announce the republication of The Artificial Silk Girl, elegantly translated by noted Germanist Kathie von Ankum, and with a new introduction by Harvard professor Maria Tatar. Paperback216 pagesOther Press, 2011Originally published in 19335.3 x 0.5 x 8.4 inchesISBN 9781590514542Historical Fiction

Shop at Neue Irmgard Keun

After Midnight

Gilgi, One of Us

The Artificial Silk Girl

Ferdinand, The Man with the Kind Heart: A Novel

Berlin Stories

The Artificial Silk Girl

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Irmgard Keun