Christian Schad

Original Price: $49.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Renée Price This expansive book commemorates the fifteenth anniversary of the Neue Galerie New York and includes highlights of the museum’s collection. The Neue Galerie New York opened in November 2001, when it showcased its collection of Austrian and German art from 1890 to 1940. The museum’s Austrian holdings encompass major paintings by Gustav Klimt, Egon Schiele, Oskar Kokoschka, and Richard Gerstl. Decorative arts made by the Wiener Werkstätte (Vienna Workshops, 1903–32) are another strength of the collection. The German holdings emphasize the Expressionist movement, with canvases by members of the Brücke, including Erich Heckel, Ernst Ludwig Kirchner, Max Pechstein, and Karl Schmidt-Rottluff. Artists affiliated with the Blue Rider, such as Vasily Kandinsky, Paul Klee, August Macke, Franz Marc, and Gabriele Münter, figure prominently. The New Objectivity movement is represented with works by Max Beckmann, Otto Dix, George Grosz, and Christian Schad. The Bauhaus is another key area, with designs by Marcel Breuer, Marianne Brandt, Ludwig Mies van der Rohe, and Wilhelm Wagenfeld. Hardcover248 pagesNeue Galerie New YorkPrestel, 20169.5 x 1.1 x 11.5 inchesISBN 9783791355818Neue Galerie Exhibition Catalogue

Masterworks from the Neue Galerie New York

With a foreword by Ronald S. Lauder and a preface by Renée PriceThis sumptuous book commemorates the twentieth anniversary of the Neue Galerie New York and includes highlights of the museum’s collection. Austrian and German Masterworks: Twentieth Anniversary of the Neue Galerie New York printed by Prestel in 2021, is the updated version of the Masterworks from Neue Galerie New York catalogue. Modern Worlds: Austrian and German Art, 1890-1940, printed by Prestel in 2021, is the unabridged Neue Galerie collection catalogue, complete with extensive essays and 286 plates. The Neue Galerie New York opened in November 2001, showcasing its collection of Austrian and German art from 1890 to 1940. This publication is issued in celebration of the museum’s twentieth anniversary and includes a number of major new acquisitions. The Austrian holdings encompass significant paintings by Gustav Klimt, Egon Schiele, Oskar Kokoschka, Carl Moll, and Richard Gerstl. Decorative arts made by the Wiener Werkstätte (Vienna Workshops, 1903-32) are another area of strength, in particular the designs of Josef Hoffmann, Koloman Moser, and Dagobert Peche. The German holdings emphasize the Expressionist movement, with canvases by members of the Brücke, including Erich Heckel, Ernst Ludwig Kirchner, Max Pechstein, and Karl Schmidt-Rottluff. Artists affiliated with the Blaue Reiter (Blue Rider), such as Vasily Kandinsky, Paul Klee, August Macke, Franz Marc, and Gabriele Münter, figure prominently. The Neue Sachlichkeit (New Objectivity) movement is well represented by Max Beckmann, Otto Dix, George Grosz, and Christian Schad. Works by leading proponents of Dada are another special interest, with a focus on John Heartfield, Hannah Höch, and Kurt Schwitters. Iconic creations by members of the Bauhaus represent additional highlights, including objects by Marcel Breuer, Marianne Brandt, Ludwig Mies van der Rohe, and Wilhelm Wagenfeld, as well as art by Lyonel Feininger, László Moholy-Nagy, and Oskar Schlemmer.Hardcover280 pages; 327 color illustrations, 3 b/w illustrationsPrestel, 20219.25 x 11.25 inchesISBN 9783791379531Neue Galerie Exhibition Catalogue

Austrian and German Masterworks: Twentieth Anniversary of the Neue Galerie New York

Christian Schad (1894-1982) Two Girls, 1928

Christian Schad: Two Girls [Postcard]

Edited by Ulrike Groos and Anja Richter Text by Jan Bürger Whether in the visual arts, literature, cinema, science or fashion–in the crises after World War I, the fascination with “types” was largely influenced by a debate that was pervasive in the Weimar period: the search for the “face of the era.” People were looking for new role models, and the portraits by artists of the New Objectivity movement such as Otto Dix, George Grosz, Jeanne Mammen and Hanna Nagel testify to this. Many of the clichéd images, such as those of the “new woman” or the “worker,” however, continue to have an effect in the present, reminding us with their classification of individuals of a problem that lives on in today’s bigotry.A broad spectrum of contributors from art history, medical history, media studies, and sociology venture into a detailed investigation of the historical context of the 1920s and the complex interactions between art and its time. An installation developed especially for the exhibition by contemporary artist Cemile Sahin, born in 1990, spans an arc to the present.FEATURED ARTISTS:Atelier Gerstenberg, Hans Baluschek, Rudolf Bergander, Albert Birkle, Richard Birnstengel, Friedrich Bochmann, Steffi Brandl, Gottfried Brockmann, Friedrich Busack, Heinrich Maria Davringhausen, Dodo (Dörte Clara Wolff), Erich Drechsler, Kate Diehn-Bitt, Rudolf Dischinger, Otto Dix, Erich Drechsler,Hermann Fechenbach, Conrad Felixmüller, Fred Goldberg, Otto Griebel, George Grosz, Hans Grundig, Lea Grundig, Elsa Haensgen-Dingkuhn, Hainz Hamisch, Olga Hayduk, Nini und Carry Hess, Heinrich Hoerle, Karl Hubbuch, Lotte Jacobi, Grethe Jürgens, Alexander Kanoldt, Annelise Kretschmer, Bernhard Kretzschmar, Paula Lauenstein, Lotte Lesehr-Schneider, Elfriede Lohse-Wächtler, Jeanne Mammen, Hanna Nagel, Gerta Overbeck, Lotte B. Prechner, Kurt Querner, Anton Räderscheidt, August Sander, Christian Schad, Josef Scharl, Rudolf Schlichter, Wilhelm Schnarrenberger, Georg Scholz, Friedrich Seidensticker, Alice Sommer, Cami Stone, Erika Streit, Ernst Thoms, Adolf Uzarski, Kurt Weinhold, Erik Winnertz,Richard Ziegler and Cemile SahinHardcover304 pages | 180 illustrationsHatje Cantz, 2023Text in German and English11.8 x 9.1 inchesISBN 9783775756006New Objectivity, Portraiture

Look at the People!/Sieh Dir Die Menschen An!: The New Objectivity "Type" Portrait in the Weimar Period

A portfolio of prints featuring twelve works exhibited at the Neue Galerie New York with an introduction by Dr. Olaf Peters and an essay by Alfred Döblin.Designed and printed at Thornwillow Press in Newburgh, New York under the direction of Luke Ives Pontifell.Each image is printed on archival paper and mounted on a 14 3/4 x 16 5/8 in. matte.The largest print measures 9 3/4 x 12 1/4 in.Housed in a suede-lined clamshell box with a tooled leather spine label.15 3/4 x 18 1/8 x 2 1/8 in.Limited to 185 numbered copies Included are exact reproductions of the following prints:I and the City, 1913 Ludwig MeidnerPanorama (Down with Liebknecht), 1919 George GroszDiabolo Player, 1920 George GroszA Bourgeois Precision Brain Incites a World Movement (later known as Dada Triumphs), 1920 Raoul HausmannThe Singer, 1926 Hannah HöchThe Racing Reporter (Egon Erwin Kisch), 1926 Umbo (Otto Umbehr)Half-Nude, 1926 Otto DixTwo Girls, 1928 Christian SchadCollage, 1930 Lilly ReichFilm still of Marlene Dietrich in Josef von Sternberg’s “Shanghai Express,” 1932The Thousand-Year Reich, 1934 John HeartfieldLonely Metropolitan, 1932 Herbert Bayer

Berlin Metropolis Folio

By Helen Adkins and Ines Otschik Christian Schad created what were probably the world’s first artistic photograms and abstract photographs. The third volume of his catalogue raisonné is dedicated to his so-called ‘Schadographs’. Schad arranged materials – including waste paper, fabric remnants, or even lint – on light-sensitive paper and exposed these with the help of the sun shining on the windowsill. The results are abstract compositions in the experimental spirit of Dada. Hardcover368 pagesWienand, 20199.5 x 12.5 inchesISBN 9783879099344Monograph

Christian Schad: Schadographs, Catalogue Raisonné Vol.III

von Thomas Richter Christian Schad – Bausteine zur Biographie (Band 1) Das in Aschaffenburg, der Wahlheimat des Künstlers, erhaltene Privatarchiv Christian Schads sowie der mehr als 3.200 Werke umfassende Nachlass erlauben erstmals einen Gesamtüberblick über das Schaffen des international anerkannten ›Meisters der Neuen Sachlichkeit‹. Exemplarisch werden die Ziele und Strategien eines Künstlers in ihrem Zeitkontext zwischen Erstem Weltkrieg, Weimarer Republik, NS-Diktatur und deutscher Nachkriegszeit dargestellt.Christian Schad – Bildlegenden und Texte (Band 2)Christian Schad, berühmter Vertreter der Neuen Sachlichkeit und ›Erfinder‹ der Schadographie, verfasste als umfassend gebildeter und interessierter Literat in Jahrzehnten zahlreiche Texte zur Kunst sowie Kurzgeschichten und Gedichte, esoterische und okkultistische Studien, die einen neuen Zugang zu seinem bildkünstlerischen Schaffen eröffnen. Neben einer Auswahl aus diesen Texten werden auch erstmals Schads eigene Interpretationen seiner Hauptwerke, die 54 »Bildlegenden«, vollständig publiziert und abgebildet.HardcoverVolume 1: 479 pages; Volume 2: 176 pagesText in GermanImhof Verlag, 202010.35 x 12.72 InchesISBN 9783731907909Monographs

Christian Schad: Künstler im 20. Jahrhundert (2 Volume Set)

Von Thomas Richter Das Werk Christian Schads (1894-1982) ist geprägt von künstlerischem Experimentieren, einer permanenten Auseinandersetzung mit wechselnden Stilen und einem rastlosen Leben mit vielen Auslandsaufenthalten. In den 1920er und 1930er Jahren entstanden die Bilder, die der Gesellschaft der Goldenen Zwanziger schonungslos den Spiegel vorhielten. Es sind diese Hauptwerke der Neuen Sachlichkeit, die besonders in Erinnerung geblieben sind.Hardcover96 SeitanText in GermanWienand Verlag, 20224.96 x 0.59 x 7.32 inchesISBN 9783868325737New Objectivity, Christian Schad

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