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Original Price: $50 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Tobias G. Natter This unique and utterly fascinating appreciation of Gustav Klimt’s oeuvre reveals some of his most famous works in their original settings and offers valuable historic insight into his artistic vision. Interior design was supremely important to Gustav Klimt, and many of his paintings were created for specific settings or spaces. This aspect of Klimt’s practice comes beautifully to life in this book that illustrates how some of the artist’s most beloved canvases appeared in situ—in private dining rooms and salons, galleries, museums, and public exhibition spaces. Works such as the portraits of Emilie Flöge and Hermine Gallia, the shocking Nuda Veritas, and landscapes A Morning by the Pond and The Tall Poplar I are presented in double-page spreads. Full-color reproductions of paintings by Klimt are juxtaposed with black-and-white vintage photographs of the original interiors with the featured paintings overlaid in color. Thoughtful and personal texts by Klimt scholar Tobias Natter accompany each spread, providing invaluable contextual insight about how these pictures were conceived as part of the interior design of their respective rooms and spaces, and the passionate collectors who first owned these pictures. Meticulously produced and packaged, this book provides a refreshing perspective on Klimt’s oeuvre and artistic vision. Hardcover140 pagesPrestel, 20239.5 x 1 x 11.5 inchesISBN 9783791379784Gustav Klimt, Art History

Gustav Klimt: Interiors

Original Price: $49.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Renée Price This expansive book commemorates the fifteenth anniversary of the Neue Galerie New York and includes highlights of the museum’s collection. The Neue Galerie New York opened in November 2001, when it showcased its collection of Austrian and German art from 1890 to 1940. The museum’s Austrian holdings encompass major paintings by Gustav Klimt, Egon Schiele, Oskar Kokoschka, and Richard Gerstl. Decorative arts made by the Wiener Werkstätte (Vienna Workshops, 1903–32) are another strength of the collection. The German holdings emphasize the Expressionist movement, with canvases by members of the Brücke, including Erich Heckel, Ernst Ludwig Kirchner, Max Pechstein, and Karl Schmidt-Rottluff. Artists affiliated with the Blue Rider, such as Vasily Kandinsky, Paul Klee, August Macke, Franz Marc, and Gabriele Münter, figure prominently. The New Objectivity movement is represented with works by Max Beckmann, Otto Dix, George Grosz, and Christian Schad. The Bauhaus is another key area, with designs by Marcel Breuer, Marianne Brandt, Ludwig Mies van der Rohe, and Wilhelm Wagenfeld. Hardcover248 pagesNeue Galerie New YorkPrestel, 20169.5 x 1.1 x 11.5 inchesISBN 9783791355818Neue Galerie Exhibition Catalogue

Masterworks from the Neue Galerie New York

Original Price: $40.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Pamela Kort A founding member of the early twentieth century German avant garde artists' group Die Brücke, Ernst Ludwig Kirchner moved to Berlin in 1912 and became enthralled by what he called "the symphony of the great city." He responded to the intensity of Berlin's street life by recording the urban spectacle around him--most notably in "Berlin Street Scene" (1913-14), which is widely considered one of the greatest German paintings of the twentieth century. This beautifully illustrated, scholarly volume--written and edited by the noted independent curator and art historian Pamela Kort--provides a full exploration of the history and significance of Kirchner's masterpiece. Featuring full reproductions and details of "Berlin Street Scene" and other related artworks, as well as plentiful documentary photographs and supporting materials, this volume illuminates the ominous force of nervous energy and sexual tension that Kirchner sensed lurking beneath the veneer of civilized life. Please note that Rare/Out-of-Print titles are very limited in stock. Hardcover92 pagesNeue Galerie New York, 20080.6 x 9.1 x 11.3 inchesISBN 9781931794152Neue Galerie Exhibition Catalogue, Painting, German History, Urban Studies

Ernst Ludwig Kirchner: Berlin Street Scene

Original Price: $45.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Edited by Jill Lloyd and Michael Peppiatt The paintings of Vincent van Gogh (1853-1890) became the epitome of modern, international art during the period after his death up to the outbreak of World War I. In no other country was Van Gogh so admired as he was in Germany: Ernst Ludwig Kirchner and other artists of Die Brücke were fascinated by Van Gogh's brushwork and strongly contrasting colors as well as by the dynamic aura of his glowing palette. Vasily Kandinsky and the artists of Der Blaue Reiter esteemed Van Gogh for rejecting visible reality and penetrating the essence of nature. Austrian artists Egon Schiele and Oskar Kokoschka, on the other hand, were especially impressed by the soulful expression of Van Gogh's art and his insightful psychological portraits. This catalog examines the enormous influence of Van Gogh on German and Austrian Expressionism. It presents numerous masterpieces by Van Gogh and the Expressionists, including extremely powerful works by the painters of Die Brücke, Der Blaue Reiter, and the Viennese avant-garde. Please note that Rare/Out-of-Print titles are very limited in stock. Hardcover180 pagesNeue Galerie New YorkHatje Cantz, 200711.4 x 9.7 x 0.9 inches ISBN 9783775719162Neue Galerie Exhibition Catalogue, Expressionism, Die Brücke, Blue Rider

Van Gogh and Expressionism Exhibition Catalogue

Original Price: $54.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Edited by Jill Lloyd, Ingrid Pfeiffer, and Raymond CofferRichard Gerstl (1883–1908) has recently emerged from the shadows of his contemporaries Gustav Klimt, Oskar Kokoschka, and Egon Schiele to be ranked by art historians as one of the leading artists of the Vienna-based Austria expressionist movement at the beginning of the twentieth century. This lush catalogue of his work introduces this significant artist to a broad, international audience.Gerstl painted for just four to six years before his tragic suicide at age twenty-five. Because he had refused to show his work during his lifetime, he was for many years largely overlooked. But his portraits and landscapes like Self Portrait Against a Blue Background and The Fey Sisters are today regarded by both the academy and the art world as some of the best examples of Austrian expressionism for their ability to evoke a visceral, emotional response in viewers through their distorted forms and exaggeratedly expressive use of color. With more than eighty works by Gerstl, this book provides a comprehensive portrait of his amazingly short, but powerfully prolific career.Hardcover224 pages | 200 color platesNeue Galerie New YorkHirmer Publishers, 20179.5 x 1.1 x 11 inchesISBN 9783777427546Neue Galerie Exhibition Catalogue, Artist Monograph, Painting, Expressionism

Richard Gerstl Exhibition Catalogue

Original Price: $30.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Hans Haider and Diana Stoll Serge Sabarsky (1912-1996) had a colorful life. Born in Vienna, he worked as a clown and set designer for Simplicissimus, the leading cabaret of the era. He fled his native city in 1938 and settled in New York, where he worked successfully as a contractor before establishing a gallery for Austrian and German Expressionist art. With his friend Ronald Lauder, he established the Neue Galerie. Although Sabarsky died before the museum came to fruition, his passion, expertise, and generosity have informed every aspect of the institution. Hardcover108 pagesNeue Galerie New York Prestel, 20029.1 x 6.6 x 1.1 inchesISBN 9781931794060Biography, Art History, History

Serge Sabarsky: A Full Life

Original Price: $55.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Edited by Josef Helfenstein and Elizabeth Hutton Turner Paul Klee was a leading figure in European Modernism, and his acclaim at home was quickly matched in the United States, where both private collectors and major museums sought out his work. Klee and America explores the reasons for that enthusiastic reception, especially during the 1930s and 1940s while the artist was being targeted in Hitler's campaign against "Degenerate Art". This catalogue presents an impressive selection of Klee's finest "American" works from that period, including both paintings and drawings. Hardcover320 pagesNeue Galerie New YorkThe Menil Collection, 200711.6 x 9.3 x 1.6 inchesISBN 9781931794145Neue Exhibition Catalogue, Artist Monograph, Art History, Essays

Klee and America

Original Price: $18 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Poster for the exhibition, Madame d'Ora (February 20 -June 8, 2020).Elsie Altmann-Loos, 1922Dora Kallmus, 1881-1963Photoarchiv Setzer-Tschiedel16 x 20 inches

Madame d'Ora Exhibition Poster

Original Price: $18 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Poster for the exhibition, Madame d'Ora (February 20 -June 8, 2020). Actress Grete Jacobson in a house dress from the Wiener Werkstätte, 1917Dora Kallmus, 1881-1963 ullstein bild collection — Madame d‘Ora© 2020 NEUE GALERIE NEW YORK© 2020 ULLSTEIN BILD COLLECTION16 x 24 inches

Madame d'Ora Exhibition Poster-Grete Jacobson

Original Price: $9.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Bertolt Brecht “I think The Threepenny Opera and Mother Courage are the great plays of our time.”—Lillian HellmanThe Threepenny Opera broke box-office records in its original Berlin run, 1928-1933, and has had many extremely successful runs in the United States ever since. There have been several English adaptations. The present “book” of Desmond Vesey’s renders every word of the German, including Bertolt Brecht’s Notes. Eric Bentley’s lyrics are also faithful to the German, though they are, of course, written to be sung to the famous Kurt Weill’s music. Kurt Weill’s widow, the great actress and chanteuse Lotte Lenya, has written the introduction, telling the story of how The Threepenny Opera came into being.Paperback128 pagesGrove Press, 1971Originally published in 19284.25 x 0.5 x 7 inchesISBN 9780802150394 Playwriting, Berlin Theater

The Threepenny Opera

Original Price: $200 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERSBy Rainer Willmann and Julia Voss “…as energetic and colorful as Haeckel’s life. It’s scientific eye candy that feels as fresh as Haeckel’s groundbreaking biological art must have seemed more than a century ago.”―The Washington Post“…a glorious book… his influence on art and the natural sciences remains profound, and his stunning artworks continue to stand the test of time.”―American Scientist“This is a bible for those who love pattern.”―The Times Ernst Haeckel (1834–1919) was a German-born biologist, naturalist, evolutionist, artist, philosopher, and doctor, who spent his life researching flora and fauna from the highest mountaintops to deepest ocean. A vociferous supporter and developer of Darwin’s theories of evolution, he denounced religious dogma, abandoned an early career in medicine, authored philosophical treatises, gained a doctorate in zoology, and coined scientific terms which have passed into common usage, including ecology, phylum, and stem cell. Haeckel’s colossal legacy has fascinated, confounded, and polarized generations. But what was at the heart of his extraordinary life’s work? Rather like his intellectual forebear, Alexander von Humboldt, Haeckel was motivated not only to discover but also to explain. To do this, he created hundreds of detailed drawings, watercolors, and sketches of his findings which he published in successive volumes during the 20th century, including several marine organism collections and the majestic Kunstformen der Natur (Art Forms in Nature), which could serve as the cornerstone of Haeckel’s entire life project. Like a meticulous visual encyclopedia of living things, Haeckel’s work was as remarkable for its graphic precision and meticulous shading as for its understanding of organic evolution and cellular development. From bats to the box jellyfish, lizards to lichen, and spider legs to sea anemones, he emphasized the essential symmetries and order of nature, and found biological beauty in even the most unlikely of creatures. The prints not only furthered the study of natural history but also influenced generations of 20th-century artists and architects, from the emerging proponents of Art Nouveau to architects such as Hendrik Petrus Berlage, whose Amsterdam Commodities Exchange was inspired by Haeckel’s illustrations. In this book, we celebrate the scientific, artistic, and environmental importance of Haeckel’s work, with a collection of prints from several of his most important tomes on marine biology, including Die Radiolarien, Monographie der Medusen, Die Kalkschwämme: eine Monographie, and Kunstformen der Natur. At a time when biodiversity is increasingly threatened by human activities, the book is at once a visual masterwork, an underwater exploration, and a vivid reminder of the precious variety of life. Hardcover704 pagesText in English, French and GermanTaschen, 201713.5 x 3.2 x 16.5 inchesISBN 9783836526463Artist Monograph, Illustration, Nature, Marine

The Art and Science of Ernst Haeckel

Original Price: $24.95UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Frances Cannon Foreword by Esther Leslie An illuminated tour of Walter Benjamin's ideas; a graphic translation; an encyclopedia of fragments. Walter Benjamin was a man of letters, an art critic, an essayist, a translator, a philosopher, a collector, and an urban flâneur. In his writings, he ambles, samples, and explores. With Walter Benjamin Reimagined, Frances Cannon offers a visual and literary response to Benjamin's work. With detailed and dreamlike pen-and-ink drawings and hand-lettered text, Cannon gives readers an illuminated tour of Walter Benjamin's thoughts—a graphic translation, an encyclopedia of fragments. Cannon has not created a guide to Benjamin's greatest ideas—this is not an illustrated Walter Benjamin cheat sheet—but rather a beautifully rendered work of graphic literature. Cannon doesn't plod through thickets of minutiae; she strolls—a flâneuse herself—using Benjamin's words and her own drawings to construct a creative topography of Benjamin's writing. Phrases from “Unpacking My Library,” for example, are accompanied by images of flying papers, stray books, stacked books—books “not yet touched by the mild boredom of order”—and a bearded mage. Cannon takes the reader through different periods of Benjamin's writing: “Artifacts of Youth,” nostalgic musings on his childhood; “Fragments of a Critical Eye,” early writings, political observations, and cultural criticism; “Athenaeum of Imagination,” meditations on philosophy and psychology; “A Stroll through the Arcades,” Benjamin's unfinished magnum opus; and “A Collection of Dreams and Stories,” experimental and fantastical writings. With drawings and text, Cannon offers a phantasmagorical tribute to Benjamin's wandering eye. Hardcover184 pagesMIT Press, May 20197 x 9 x 0.7 inchesISBN 9780262039963Graphic Novel, Philosophy, Urban Studies, Poetry

Walter Benjamin Reimagined: A Graphic Translation of Poetry, Prose, Aphorisms, and Dreams

Original Price: $39.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Hermann Mayer and Brigitte Salmen James Loeb (1867-1933), the son of a German-Jewish banker in New York, followed his artistic and historical inclinations and used his tremendous financial wealth for the purpose of cultural and social philanthropism. This publication examines the patron's life and work and outlines his scholarly achievements. Hardcover240 pagesText in German and English Hirmer, 20188.2 x 1 x 11.8 inchesISBN 9783777430263Art History, Biography

James Loeb: Collector and Patron in Munich, Murnau and Beyond

Original Price: $26.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Phyllis Rose A fascinating biography of a revolutionary American artist ripe for rediscovery as a photographer and champion of other artists Alfred Stieglitz (1864–1946) was an enormously influential artist and nurturer of artists even though his accomplishments are often overshadowed by his role as Georgia O’Keeffe’s husband. This new book from celebrated biographer Phyllis Rose reconsiders Stieglitz as a revolutionary force in the history of American art. Born in New Jersey, Stieglitz at age eighteen went to study in Germany, where his father, a wool merchant and painter, insisted he would get a proper education. After returning to America, he became one of the first American photographers to achieve international fame. By the time he was sixty, he gave up photography and devoted himself to selling and promoting art. His first gallery, 291, was the first American gallery to show works by Picasso, Rodin, Matisse, and other great European modernists. His galleries were not dealerships so much as open universities, where he introduced European modern art to Americans and nurtured an appreciation of American art among American artists. Hardcover272 pagesYale University Press, 20195.75 x 1 x 8.25 inchesISBN 9780300226485Photography

Alfred Stieglitz: Taking Pictures, Making Painters

Original Price: $15.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Kurt Tucholsky Preface by William Grimes "These lyrical, whimsical, and waspish mordant sermonettes ingeniously trace the warped grain of human nature, exposing pretense and folly at every turn."—William Grimes What happens after you die? Where will you be? What will you do? Do you have a harp? Will you meet Him? Were you happy with your life? And will you get a second chance to return to earth? In this charming book, Kurt Tucholsky discovers the afterlife and what angels are talking about when they are sitting on the clouds and dangle their legs. Hardcover96 pagesBerlinica Publishing LLC, 2018Originally published between 1925 and 19285 x 0.4 x 8 inchesISBN 9781935902898Spiritualism

Hereafter: We Were Sitting On the Cloud, Dangling Our Legs

Original Price: $24.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Reiner StachTranslated by Shelley Frisch One of The Guardian Best Books of 2013, chosen by Colm Tóibín"Most impressive is Stach's recounting of the creation of his subject's writings. . . . Stach's own writing is wonderfully expressive."—Publishers Weekly, starred review"A scrupulous, discriminating, and highly instructive account of Kafka's life."—Robert Alter, New Republic"This extraordinary biography fills the empty spaces between Kafka's own writings and the writings of friends, family, and contemporaries with so much empathy and imagination that one can't put it down."—Frankfurter Rundschau How did Kafka become Kafka? This eagerly anticipated third and final volume of Reiner Stach's definitive biography of the writer answers that question with more facts and insight than ever before, describing the complex personal, political, and cultural circumstances that shaped the young Franz Kafka (1883–1924). It tells the story of the years from his birth in Prague to the beginning of his professional and literary career in 1910, taking the reader up to just before the breakthrough that resulted in his first masterpieces, including "The Metamorphosis". Brimming with vivid and often startling details, Stach’s narrative invites readers deep inside this neglected period of Kafka’s life. The book’s richly atmospheric portrait of his German Jewish merchant family and his education, psychological development, and sexual maturation draws on numerous sources, some still unpublished, including family letters, schoolmates’ memoirs, and early diaries of his close friend Max Brod. The biography also provides a colorful panorama of Kafka’s wider world, especially the convoluted politics and culture of Prague. Before World War I, Kafka lived in a society at the threshold of modernity but torn by conflict, and Stach provides poignant details of how the adolescent Kafka witnessed violent outbreaks of anti-Semitism and nationalism. The reader also learns how he developed a passionate interest in new technologies, particularly movies and airplanes, and why another interest―his predilection for the back-to-nature movement―stemmed from his “nervous” surroundings rather than personal eccentricity. The crowning volume to a masterly biography, this is an unmatched account of how a boy who grew up in an old Central European monarchy became a writer who helped create modern literature. Paperback584 pagesPrinceton University Press; reprint edition, 2017Originally published in 20146.1 x 1.6 x 9.2 inchesISBN 9780691178189Biography, Literary Criticism

Kafka: The Early Years [Paperback]

Original Price: $33.90 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Art Spiegelman "The paperback boxed set of the Pulitzer Prize-winning graphic novel in its original two-volume format, re-released to include a sixteen-page booklet designed by the artist. Acclaimed as "the most affecting and successful narrative ever done about the Holocaust"—Wall Street Journal"Maus is considered "the first masterpiece in comic book history" —The New Yorker A brutally moving work of art—widely hailed as the greatest graphic novel ever written—Maus recounts the chilling experiences of the author's father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats. Maus is a haunting tale within a tale, weaving the author's account of his tortured relationship with his aging father into an astonishing retelling of one of history's most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma. Box Set (Two Paperback Volumes)6.8 x 9.4 x 1 inchesPantheon Books, 1991ISBN 9780679748403Graphic Novel, Biography

Maus I & II Paperback Box Set

Original Price: $16.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Art Spielgelman PULITZER PRIZE WINNER One of Variety’s “Banned and Challenged Books Everyone Should Read”The first installment of the graphic novel acclaimed as “the most affecting and successful narrative ever done about the Holocaust.”—The Wall Street Journal “The first masterpiece in comic book history.”—The New YorkerA brutally moving work of art—widely hailed as the greatest graphic novel ever written—Maus recounts the chilling experiences of the author’s father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.Maus is a haunting tale within a tale, weaving the author’s account of his tortured relationship with his aging father into an astonishing retelling of one of history’s most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma. Paperback160 pagesPantheon, 19866.56 x 0.41 x 9.13 inchesISBN 9780394747231Graphic Novel, Biography

Maus I: A Survivor's Tale, My Father Bleeds History

Original Price: $65 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Christoph Thun-Hohenstein and Rainald FranzOtto Prutscher (1880-1949) was an architect and a designer in all applied arts media, as well as an exhibition designer, teacher and member of all the important arts and crafts movements, from the Secession to the Wiener Werkstätte and the Werkbund. The MAK - Museum of Applied Arts in Vienna—possesses a comprehensive graphic bequest and many significant objects from Prutscher's design oeuvre. Selected examples of Prutscher's creative work document his long-lasting influential role as a designer and artistic adviser for decorative art companies from Johann Loetz to Thonet. The publication conducts an audit of Prutscher's work as a pacemaker of Viennese modernism—over twenty years since the last show in Vienna and seventy years on from his death. Paperback160 pagesText in English and German Arnoldsche Verlagsanstalt, 20198.4 x 0.7 x 10.2 inchesISBN 9783897905696Artist Monograph, Architecture, Design

Otto Prutscher: Universal Designer of Viennese Modernism

Original Price: $50.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Edited by Timothy O. Benson and Éva Forgács The avant-garde movements of Central Europe were an integral part of modernism’s evolution as it reached its peak throughout the continent during the 1920s. Written documents—manifestoes, artists’ statements, and reviews—were the lifeblood of these movements and, during the periods when political events conspired to isolate them, one of their few means of communication and exchange. Much of this crucial evidence has become lost to us, and the artistic avant-gardes of Central Europe have been a blind spot of modernist studies. Until their narratives have been recovered, the story of modernism will remain incomplete. In this book an international team of scholars has selected an essential compendium of documents that take an important step toward regaining this lost perspective. Between Worlds contains primary documents of the avant-gardes in Austria, the Czech lands, Germany, Hungary, Poland, Romania, and Yugoslavia from 1910 to 1930. The manifestoes and magazines of Western European radical art circles are well known to Western scholars, but few have researched the pages of magazines such as Zenit, Integral, Punct, 75 HP, Tank, and Ma. We know about Italian Futurism but not about Polish Futurism. Few Westerners are aware that French surrealist magazines drew much of their inspiration from Czech publications. The hundreds of documents in the book, almost all of them translated into English for the first time, bring back into circulation landmark texts by the major writers, editors, artists, magazines, and movements of Central Europe. With this publication they are restored to their rightful place in the pantheon of modernism. Between Worlds is distributed for the Los Angeles County Museum of Art. Please note that Rare/Out-of-Print titles are very limited in stock. Hardcover736 pages | 32 illustrationsMIT Press, 20026.6 x 2 x 9.9 inchesISBN 9780262025300Avant-garde, Modernism

Between Worlds: A Sourcebook of Central European Avant-Gardes, 1910-1930

Original Price: $70 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Edited by Matthias Frehner and Daniel Spanke Kunstmuseum Bern, the oldest museum in Switzerland, turns its gaze toward its own acquisition history in this lavish book that features artistic masterpieces considered worthless by the Nazis, and the stories of how they came to Switzerland. As a result of the Nazi regime’s scorn for modern art, virtually all non-traditional art between 1933 and 1945 was banned in Germany on the grounds that it was un-German, Jewish, or Communist in nature. Those identified as “degenerate” artists were dismissed from teaching positions and forbidden to exhibit or to sell their works. This book sheds light on the historical significance and provenance of nearly 525 works by modernist greats, such as Picasso, Chagall, and Kandinsky, which were acquired by the Kunstmuseum Bern through a combination of auctions and private donations. The book traces the fates of artists who suffered under the Nazi regime and who had connections to Switzerland, including Kirchner, Klee and Dix, and contrasts the cultural policies of the Third Reich with those of Switzerland in the same period. Finally, it details the dramatic events and unprecedented efforts that went into preserving invaluable works of art. Please note that Rare/Out-of-Print titles are very limited in stock. Hardcover376 pagesPrestel, 20169.2 x 1.4 x 11.2 inchesISBN 9783791355368Art History, Museum Studies

Modern Masters: "Degenerate" Art at the Kunstmuseum Bern

Original Price: $34.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Please note that this book is shelf-worn. By Paul J. Karlstrom “[Peter Selz] is a readable account packed with information about the workings of art museums on both coasts, but in a larger sense, it is an intellectual bildungsroman recounting a life in art that never stopped evolving.”—Artillery“A fascinating account of an individual who has made many contributions to art history and who has advocated on behalf of critical, often controversial or unrecognized artists here and abroad.”—Washington Independent Review Of Books“While few great biographies are written of a living subject, Karlstom’s book is like a moving still life, a black-and-white painting richly colored, a silent movie in which every character speaks to be heard. Peter Selz was a great subject, and Karstrom matched him with a great biography.”—European Legacy This absorbing biography, often conveyed through Peter Selz’s own words, traces the journey of a Jewish-German immigrant from Hitler’s Munich to the United States and on to an important career as a pioneer historian of modern art. Paul J. Karlstrom illuminates key historical and cultural events of the twentieth-century as he describes Selz’s extraordinary career—from Chicago’s Institute of Design (New Bauhaus), to New York’s Museum of Modern Art during the transformative 1960s, and as founding director of the University Art Museum at UC Berkeley. Karlstrom sheds light on the controversial viewpoints that at times isolated Selz from his colleagues but nonetheless affirmed his conviction that significant art was always an expression of deep human experience. The book also links Selz’s long life story—featuring close relationships with such major art figures as Mark Rothko, Dore Ashton, Willem de Kooning, Sam Francis, and Christo—with his personal commitment to political engagement. Hardcover286 pagesUniversity of California Press, 20126 x 1 x 9 inchesISBN 9780520269354German History, Biography

Peter Selz: Sketches of a Life in Art

Original Price: $45.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Roman Zieglgänsberger and Evelyn Bergner “The Museum Weisbaden’s monograph introduces an underknown artist and underscores the vibrancy of the interwar avant-garde. . . .Recommended.”—CHOICEPainter, graphic artist, typographer, photographer, and sculptor, Werner Graeff (1901–78) was a key figure in the Bauhaus and the Constructivism movements. Alongside reproductions of his major works, including pictograms, multiples, drawings, and other graphic works, this book presents the story of Graeff’s life—including, for the first time, the moving autobiography he wrote at the urging of his friend Mies van der Rohe, The Obstacle Race of the Twentieth Century. Through an analysis of Graeff’s work with the Bauhaus and the De Stijl group of Dutch artists, as well as the Ring Neue Werbegestalter founded by Kurt Schwitters, we see his prominent place in the vibrant life and culture of the German art world of the period.Hardcover288 pagesHirmer Publishers, 20177.5 x 1.3 x 9.8 inchesISBN 9783777427973Bauhaus, Graphic Design, Monograph

Werner Graeff: Recollection of a Bauhaus Artist

Original Price: $45.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Signed copies from translator Ross Benjamin are available. This book was featured as part of our Literatur Café series. By Franz Kafka Translated by Ross Benjamin “Essential . . . The new volume, in a sensitive and briskly idiomatic translation by Ross Benjamin, offers revelation upon revelation. It’s an invaluable addition to Kafka’s oeuvre.”—The New York Times “Franz Kafka’s inner life has always been a bit of a mystery. The expurgated diaries in their original German and English versions hinted at his complicated, often confused relationship to sex, politics, illness, and being Jewish. This readable new translation of the complete German version of the diary transforms the silent Kafka of a century ago into a Kafka not only of his times but of ours.”—Sander Gilman, author of Franz Kafka, The Jewish PatientAn essential new translation of the author’s complete, uncensored diaries—a revelation of the idiosyncrasies and rough edges of one of the twentieth century’s most influential writers.Dating from 1909 to 1923, the handwritten diaries contain various kinds of writing: accounts of daily events, reflections, observations, literary sketches, drafts of letters, accounts of dreams, as well as finished stories. This volume makes available for the first time in English a comprehensive reconstruction of the diary entries and provides substantial new content, including details, names, literary works, and passages of a sexual nature that were omitted from previous publications. By faithfully reproducing the diaries’ distinctive—and often surprisingly unpolished—writing in Kafka’s notebooks, translator Ross Benjamin brings to light not only the author’s use of the diaries for literary experimentation and private self-expression, but also their value as a work of art in themselves.Hardcover704 pagesSchocken, 20236.2 x 9.25 inchesISBN 9780805243550Literature, Kafka

The Diaries of Franz Kafka

By Elizabeth Otto "Haunted Bauhaus is as eye-opening as it is door-opening… Haunted by utopian aspirations and its own history, the Bauhaus helped remake (and unmake) the world in ways its founders could never have anticipated." —J. Hoberman, Artforum"Otto shows us that the dominant Bauhaus narrative erased valuable stories. One realizes that there cannot be one complete account of the non-compliant lives that passed through its doors. Yet, by tying these hidden and diverse stories together, the book provides a necessary starting point for future investigations into our marginalized pasts." —Paprika! The Yale Architecture Newspaper"With Haunted Bauhaus, Otto brilliantly demonstrates that the history of modern art can be revised to make room for ideas, aesthetics, and agents previously forced to haunt its margins." —Afterimage The Bauhaus (1919–1933) is widely regarded as the twentieth century's most influential art, architecture, and design school, celebrated as the archetypal movement of rational modernism and famous for bringing functional and elegant design to the masses. In Haunted Bauhaus, art historian Elizabeth Otto liberates Bauhaus history, uncovering a movement that is vastly more diverse and paradoxical than previously assumed. Otto traces the surprising trajectories of the school's engagement with occult spirituality, gender fluidity, queer identities, and radical politics. The Bauhaus, she shows us, is haunted by these untold stories. The Bauhaus is most often associated with a handful of famous artists, architects, and designers—notably Paul Klee, Walter Gropius, László Moholy-Nagy, and Marcel Breuer. Otto enlarges this narrow focus by reclaiming the historically marginalized lives and accomplishments of many of the more than 1,200 Bauhaus teachers and students (the so-called Bauhäusler), arguing that they are central to our understanding of this movement. Otto reveals Bauhaus members' spiritual experimentation, expressed in double-exposed “spirit photographs” and enacted in breathing exercises and nude gymnastics; their explorations of the dark sides of masculinity and emerging female identities; the “queer hauntology” of certain Bauhaus works; and the role of radical politics on both the left and the right—during the school's Communist period, when some of the Bauhäusler put their skills to work for the revolution, and, later, into the service of the Nazis. With Haunted Bauhaus, Otto not only expands our knowledge of a foundational movement of modern art, architecture, and design, she also provides the first sustained investigation of the irrational and the unconventional currents swirling behind the Bauhaus's signature sleek surfaces and austere structures. This is a fresh, wild ride through the Bauhaus you thought you knew. Hardcover296 pagesMIT Press, 20197 x 0.9 x 9 inchesISBN 9780262043298Bauhaus, Art Criticism, Gender Studies

Haunted Bauhaus

Original Price: $48.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Michael YonanThis book examines a famous series of sculptures by the German artist Franz Xaver Messerschmidt (1736–1783) known as his "Character Heads." These are busts of human heads, highly unconventional for their time, representing strange, often inexplicable facial expressions. Scholars have struggled to explain these works of art. Some have said that Messerschmidt was insane, while others suggested that he tried to illustrate some sort of intellectual system. Michael Yonan argues that these sculptures are simultaneously explorations of art’s power and also critiques of the aesthetic limits that would be placed on that power.Paperback206 pagesRoutledge, 20217.01 x 0.47 x 10 inchesISBN 9781032096308Art History, Artist Monograph

Messerschmidt's Character Heads: Maddening Sculpture and the Writing of Art History

Original Price: $15.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Tyler Mills "In City Scattered, through gorgeous strands of speech, Tyler Mills perceptively reintegrates our sacred, forgotten past into a portrait of a woman whose self-possession and complexity are palpably rendered. Only a poet with such sensitivities of language can so clearly hear and interpret the immortal silence of history; only a poet attuned to her own incandescent spirit can test the oneiric nature of poetry with such vigor of mind."—Major Jackson "Tyler Mills’ The City Scattered is a rich document of the “inner architecture” and social displacements that occur under the “skies / of capital.” Its choral structure deftly links the late days of the Weimar Republic to labor in the age of Amazon. Through swift images and attention to the complexity of pleasure, Mills’ poems show the independence and alienation of workers, particularly women, for whom the “purse thickens” while unemployment rises and money is “losing value.” Her crisp, suggestive case study illuminates the confluence of precarity and prosperity at the heart of our era. “Do not lean out,” warns a sign on a window in one poem; but we’re already leaning closer to read."—Zach Savich Goblets of gin, fans of feathers, war-bombed bricks, loaves of bread, soot, smoke, and paper money—such are the tangible things that touched the lives of women who worked as wage laborers during an era of Europe of cabaret and hyperinflation. The crises of modernity and capital, as well as the human experiences of women and who loved, lost, and fought against the structures of privilege that all the while aided them during a fraught stretch of time between wars, come alive in City Scattered, a chapbook of poems that invite us to experience and examine the conditions of labor that echo those of our current day.Paperback44 pagesTupelo Press, 20228.27 x 5.83 x 0.11 InchesISBN 9781946482686Poetry, Literature

City Scattered: Cabaret for Four Voices

Original Price: $90.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Edited by Lidia Gluchowska and Vojtech LahodaAn examination of the cultural and artistic consequences of post-WWI nationalism in Europe.World War I was a seismic event in Europe whose most concrete ramifications were the sweeping changes made to maps of the continent after 1918. A number of new, independent states were established in the wake of the Armistice, and these tectonic developments found varied expression in the arts, transforming the image of the continent both cartographically and artistically. This new edited collection focuses primarily on how modernism and the avant-garde responded to these geographic changes in Central and Eastern Europe, the Baltic States, and Scandinavia. The contributors explore the clashes between the national, the transnational, and the cosmopolitan as they played out in diverse artistic genres. In many countries across Europe, the struggle for national independence—which in many cases began in the nineteenth century and culminated only after World War I—had important cultural and artistic consequences, which are only beginning to be understood. This book—co-published with Artefactum—provides a crucial new lens to rethink the methodological tools used to understand the complexity and the multiplicity of avant-garde forms in twentieth-century Europe, encouraging scholars to reconstruct global cultural history without tired nationalistic approaches.Paperback321 pages | 151 color platesKarolinum Press, 20226.5 x 9.25 inchesISBN 9788024651217History, Art Criticism

Nationalism and Cosmopolitanism in Avant-Garde and Modernism: The Impact of World War I

Original Price: $50.00UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Edited by Tobias G. Natter Oskar Kokoschka (1886-1980) is considered one of the leading figures of the Expressionist movement. This catalogue provides an in-depth analysis of the sitters for his earliest portraits, painted in Vienna and Berlin on the eve of World War I, including Alma Mahler, Adolf Loos, and Peter Altenberg. In addition to the oil portraits, the catalogue includes a rare selection of the artist’s drawings, as well as examples of Kokoschka’s work for the Wiener Werkstätte, such as designs for postcards, fans and an illustrated book. Special attention is devoted to the architect Adolf Loos, who had a guiding role in the artistic development of the young Kokoschka. Please note that Rare/Out-of-Print titles are very limited in stock. Also available in German. Hardcover256 pagesNeue Galerie New YorkDumont Buchverlag, 20029.2 x 1 x 11 inches ISBN 9781931794046Neue Galerie Exhibition Catalogue, Expressionism, Drawing, Painting, Portraiture

Oskar Kokoschka: Early Portraits from Vienna and Berlin 1909-1914

Original Price: $50.00UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Bei Tobias G. NatterDie Neue Galerie New York und die Hamburger Kunsthalle widmen den frühen Bildnissen von Oskar Kokoschka eine erste große Gesamtschau und konzentrieren sich damit auf das zentrale Werksegment der Jahre 1909 bis 1914, mit dem der Maler seinen Ruhm begründete und zur Leitfigur des Expressionismus wurde. Das Katalogbuch zur Ausstellung, herausgegeben von Tobias Natter, verbindet die Wiedergabe der frühen Bildnisse mit einfühlsamen Werkinterpretationen und Hinweisen auf die porträtierten Personen, unter denen sich zum weitaus überwiegenden Teil Freunde, Förderer und Gleichgesinnte des Malers befinden. Die Essays zeichnen ein plastisches Zeitkolorit der Metropolen Wien und Berlin unter den Vorzeichen eines tiefgreifenden Umbruchs. In Wien von dem Architekten Adolf Loos und später in Berlin von dem Herausgeber der Zeitschrift "Der Sturm", Herwald Walden, ermutigt und tatkräftig unterstützt, konnte sich Kokoschka von den malerischen Konventionen der Porträtaufträge befreien und seine eigenen expressiven Bildmittel einsetzen. Nachdenklichkeit, eindringliche Gestik der Hände und psychische Spannungen verdrängen alle posenhafte Eleganz gesellschaftlicher Repräsentation. Rascher Farbauftrag und nervöse Ritzungen greifen den Porträtierten unter die Oberfläche ihrer Haut, um ihre Physiognomien für den Blick auf innere Vorgänge durchlässig zu machen. In Kokoschkas frühen Bildnissen spiegelt sich daher nicht nur die Seele der Personen, sie sind auch Reflexe auf die abgrundtiefe Krise dieser Zeit vor dem ersten Weltkrieg. Please note that Rare/Out-of-Print titles are very limited in stock. Also available in English.Hardcover256 pagesText in GermanDuMont Verlag, 20029.2 x 11.2 inchesISBN 9781931794053Neue Galerie Exhibition Catalogue, Expressionism, Portraiture

Oskar Kokoschka: Das Moderne Bildnis 1909 bis 1914

Original Price: $18 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Max Beckmann (1884-1950)Carnival, 1920 Poster for the exhibition Max Beckmann: The Formative Years, 1915-1925. 16 x 20 inches

Max Beckmann: The Formative Years Exhibition Poster

Original Price: $18.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Ernst Ludwig Kirchner (1880-1938), Berlin Street Scene, 1913-14 Poster for the exhibition, Ernst Ludwig Kirchner (2019-2020). 16 x 24 inches

Ernst Ludwig Kirchner Exhibition Poster

Original Price: $18.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Exhibition poster for "Franz Marc and August Macke: 1909-1914"August Macke (1887-1914), Four Girls, 1912-14 18 x 24 inches

August Macke Exhibition Poster

Original Price: $18.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Exhibition poster for "Franz Marc and August Macke: 1909-1914" Franz Marc (1880-1916), Horse and Donkey, 1912 18 x 24 inches

Franz Marc Exhibition Poster

Original Price: $18.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Edvard Munch (1863-1944), The Scream, 1895 Exhibition poster for "Munch and Expressionism" 17.5 x 30 inches

Munch and Expressionism Exhibition Poster

Original Price: $18.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS George Grosz (1893-1959), Panorama (Down with Liebknecht), 1919 Exhibition poster for Berlin Metropolis: 1918-1933. 20 x 30 inches

Berlin Metropolis: 1918-1933 Exhibition Poster

Original Price: $18.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Poster for Wiener Werkstätte Fashions, ca. 1919 Exhibition poster for "Dagobert Peche and the Wiener Werkstätte" 16 x 20 inches

Dagobert Peche and the Wiener Werkstätte Poster

Original Price: $18.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Alexei Jawlensky (1864-1941), Byzantine Woman (Bright Lips), 1913 Exhibition poster for "Alexei Jawlensky" 16 x 24 inches

Alexei Jawlensky Poster

Original Price: $18.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Heinrich Kühn (1866-1944), Study in Tonal Values III, 1908 Exhibition poster for Heinrich Kühn and his American Circle. 18 x 24 inches

Heinrich Kühn Exhibition Poster

Original Price: $15.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Franz Xaver Messerschmidt (1736-1783), A Strong Man, 1771-83 Exhibition poster for Franz Xaver Messerschmidt 1736-1783: From Neoclassicism to Expressionism. 18 x 24 inches

Franz Xaver Messerschmidt Exhibition Poster

Original Price: $25.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Georg Scholz (1890-1945), Industrial Farmers, 1920 Exhibition poster for Comic Grotesque: Wit and Mockery in German Art, 1870-1940. 22 x 36 inches

Comic Grotesque Exhibition Poster

Original Price: $15.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Oskar Kokoschka (1886-1980), Martha Hirsch (Dreaming Woman), 1909 Exhibition poster for "Oskar Kokoschka: Early Portraits from Vienna and Berlin, 1909-1914" 24 x 36 inches

Oskar Kokoschka Exhibition Poster

Original Price: $10.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Alfred Kubin (1877-1959), "Self-Observation," 1901-02 Exhibition poster for "Alfred Kubin: Drawings, 1897-1909" 16 x 19.5 inches

Alfred Kubin Exhibition Poster

Original Price: $18.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Vincent van Gogh (1853-1890), Self-Portrait, 1889 Exhibition poster for Van Gogh and Expressionism. 16 x 24.5 inches

Van Gogh Exhibition Poster

Original Price: $25.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Max Beckmann (1884-1950), Self-Portrait with Horn, 1938 24 x 36 inches

Max Beckmann: Self-Portrait with Horn Poster

Original Price: $18.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Alexander Wolff Named a Best Nonfiction Book of the Year by the Washington Post "An event-filled biography and, along the way, a captivating case study in the challenges faced by refugees attempting to remake a life . . . Part of Mr. Wolff's chronicle has to do with the family lineage of which he is a part, not least the experience of his own father, Kurt's son Niko . . . Not content with registering the tectonic shifts of the times, [Kurt] Wolff brought about convulsions of his own, shaking up the American postwar literary scene. His grandson's book, as enlightening as it is engaging, measures the effects." —Benjamin Balint, Wall Street Journal A sweeping portrait of the turmoil of the twentieth century and the legacy of immigration, as seen through the German-American family of the celebrated book publisher Kurt Wolff A literary gem researched over a year the author spent living in Berlin, Endpapers excavates the extraordinary histories of the author’s grandfather and father: the renowned publisher Kurt Wolff, dubbed “perhaps the twentieth century’s most discriminating publisher” by the New York Times Book Review, and his son Niko, who fought in the Wehrmacht during World War II before coming to America. Kurt Wolff was born in Bonn into a highly cultured German-Jewish family, whose ancestors included converts to Christianity, among them Baron Moritz von Haber, whose desire to demand satisfaction in a duel sparked off bloody anti-Semitic riots. Always bookish, Kurt became a publisher at twenty-three, setting up his own firm and publishing Franz Kafka, Joseph Roth, Karl Kraus, and many other authors whose books would soon be burned by the Nazis. Fleeing Germany in 1933, a day after the Reichstag fire, Kurt and his second wife, Helen, sought refuge in France, Italy, and ultimately New York, where in a small Greenwich Village apartment they founded Pantheon Books. Pantheon would soon take its own place in literary history with the publication of Nobel laureate Boris Pasternak’s novel Doctor Zhivago, and as the conduit that brought major European works to the States. But Kurt’s taciturn son Niko, offspring of his first marriage to Elisabeth Merck, was left behind in Germany, where despite his Jewish heritage he served the Nazis on two fronts. As Alexander Wolff visits dusty archives and meets distant relatives, he discovers secrets that never made it to the land of fresh starts, including the connection between Hitler and the family pharmaceutical firm E. Merck, and the story of a half-brother Niko never knew. With surprising revelations from never-before-published family letters, diaries, and photographs, Endpapers is a moving and intimate family story, weaving a literary tapestry of the perils, triumphs, and secrets of history and exile. Paperback400 pagesGrove Press, 20225.75 x 8.25 inchesISBN 9780802158260Biography, History

Endpapers: A Family Story of Books, War, Escape, and Home [Paperback]

By Veena Duncker, Lynn Springer Roberts, Reinhard Sanger, Eric Turner, and Mienke Simon Thomas. Original Price: $55.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Silver has been a cherished heirloom and gift for centuries. Historians claim that by 3100 B.C. ambassadors to the Egyptian king from Crete brought silver vases as gifts. Today, sterling silver is a favorite medium for creative and innovative designers because of its malleability. The mystical white metal has marked historical milestones throughout the ages, served as a medium of exchange and become an essential metal in today's world of high-tech consumer goods. Part of silver's intrigue is found in its versatility. Its unique properties include beauty, strength, sensitivity to light, malleability and ductility, electrical and thermal conductivity, reflectivity and the ability to endure extreme temperature changes. These properties allow scientists and engineers around the world to undertake groundbreaking research that changes the way we live. This generously illustrated volume presents almost 200 beautiful and rare pieces of utilitarian silver from the Art Nouveau and Art Deco period, selected from a private silver collection. It brings together objects by various renowned silversmiths, including Christopher Dresser, Charles Robert Ashbee, Omar Ramsden and Alwin Carr, and Edward Spencer, Henry Wilson and Paul Cooper. American silversmiths include the Kalo Shop, the International Silver Company of Meriden, The Gorham Manufacturing Company and Howard Crisp. The color photographs of the objects are accompanied by extensive captions, monograms and hallmarks, providing substantial new information. In addition, A Personal Touch includes essays by silver specialists: Eric Turner, of the Victoria & Albert Museum in London, examines reforms in the work of English silversmiths and describes the pieces in this collection that illustrate these developments. Lynn Springer Roberts, former curator at The Art Institute of Chicago, writes about American silverware from the early 20th century, and Reinhard Sanger, of the Badisches Landesmuseum in Karlsruhe, focuses on continental silver, paying special attention to beautifully decorated cutlery. Please note that Rare/Out-of-Print titles are very limited in stock. Hardcover263 pagesNAi Publishers/Museum Boijmans Van Beuningen, 2003 12.9 x 9.7 x 1 inchesISBN 9789056623128Metalwork

A Personal Touch: Late 19th and 20th Century Silver From The Seawolf Collection

By Élisabeth RoudinescoTranslated by Catherine Porter Original Price: $35.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS “Through seamlessly and eloquently weaving together details from Freud’s time and our own, [Roudinesco] provides a refreshingly new and welcome account—warts and all.”—Janet Sayers, Times Higher Education“What makes Freud: In His Time And Ours…such a captivating read, is the author’s ability to explain what are often complex, deeply-layered, and dark taboo subjects, into a language that is easily understood…[A] brilliant biography.”—J. P. O’Mallery, The Irish Examiner“[Roudinesco] provides an insightful, balanced, and sympathetic portrait of Freud. As she assesses Freud’s revolutionary ideas about rationality, sexuality, and the unconscious, Roudinesco demonstrates that Freud was less a scientific thinker who uncovered universal truths than a product of his time: a genius, to be sure, but very much a bourgeois shaped by society, family, and politics in the late 19th century… Her critique has an especially persuasive force because it is grounded not only in an analysis of Freud’s books, diaries, and letters but from accounts of his sessions with patients.”—Glenn C. Altschuler, Psychology Today Élisabeth Roudinesco offers a bold and modern reinterpretation of the iconic founder of psychoanalysis. Based on new archival sources, this is Freud’s biography for the twenty-first century—a critical appraisal, at once sympathetic and impartial, of a genius greatly admired and yet greatly misunderstood in his own time and in ours.Roudinesco traces Freud’s life from his upbringing as the eldest of eight siblings in a prosperous Jewish-Austrian household to his final days in London, a refugee of the Nazis’ annexation of his homeland. She recreates the milieu of fin de siècle Vienna in the waning days of the Habsburg Empire—an era of extraordinary artistic innovation, given luster by such luminaries as Gustav Klimt, Stefan Zweig, and Gustav Mahler. In the midst of it all, at the modest residence of Berggasse 19, Freud pursued his clinical investigation of nervous disorders, blazing a path into the unplumbed recesses of human consciousness and desire.Yet this revolutionary who was overthrowing cherished notions of human rationality and sexuality was, in his politics and personal habits, in many ways conservative, Roudinesco shows. In his chauvinistic attitudes toward women, and in his stubborn refusal to acknowledge the growing threat of Hitler until it was nearly too late, even the analytically-minded Freud had his blind spots. Alert to his intellectual complexity—the numerous tensions in his character and thought that remained unresolved—Roudinesco ultimately views Freud less as a scientific thinker than as the master interpreter of civilization and culture. Hardcover592 pagesHarvard University Press, 20166.2 x 9.25 inchesISBN 9780674659568Biography, Psychology

Freud: In His Time and Ours

Von Kay Heymer und Jürgen Weichardt Original Price: $31.37 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Der Maler Franz Radziwill (1895-1983) entwickelte eine einzigartige Bildsprache, zu deren Merkmalen ein unverkennbarer Umgang mit Fläche gehört. Mit avantgardistischem Anspruch setzt Radziwill Figuren und Gegenstände in rhythmisch gesetzte Farbflächen. Im Zuge der Neuen Sachlichkeit hebt Radziwill die Flächigkeit durch bildparallele Darstellungen hervor. Im Spätwerk kombinierte er häufig räumliche Darstellung und flächenhafte Gestaltung. Ab 1950 integriert er Schachbrettmuster und Gitterstrukturen in seine Bildräume. Auf diese Weise werden abwechselnd Räumlichkeit als auch Zweidimensionalität der Fläche als Träger der Farbe wahrnehmbar. Mit dieser Bildkonzeption verknüpft Radziwill Moderne mit Tradition. Please note that Rare/Out-of-Print titles are very limited in stock. Hardcover88 pagesText in GermanKerber Verlag; Auflage: 1, 20188.5 x 0.6 x 9.6 inchesISBN 9783735604118Artist Monographs, Painting, Still-Lifes

Franz Radziwill: Fläche wird Bild

Original Price: $15 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Frank LaukötterWhen Paula Modersohn-Becker’s artist friends examined her extensive estate a few weeks after her death in 1907, they were overwhelmed. Only gradually did they realize that in the painter, dead at thirty-one, they had had an outstanding artist in their midst. Today Modersohn-Becker is regarded as one of the pioneers of Expressionism.Sculptor Bernhard Hoetger was one of the few people who recognized Modersohn-Becker’s talent from an early stage. In 1920, he published a book collecting his memories of her, and they are reproduced as facsimile here. In addition to Hoetger’s writings, the book offers an essay tracing Modersohn-Becker’s life and work from a present-day perspective, together with a traditional biographical sketch and reproductions of forty of her most important works.Hardcover72 pages | 49 color platesHirmer Publishers, 20205.3 x 8 inches ISBN 9783777434896Artist Monograph, Expressionism

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