New and Noteworthy

By Sophie Lillie and Georg Gaugusch Few paintings have captured the public's imagination as thoroughly as Gustav Klimt's 1907 Adele Bloch-Bauer I. Klimt's painting of Adele not only rendered her irresistible beauty and sensuality; its intricate ornamentation and exotic motifs heralded the dawn of modernity and a culture intent on radically forging a new identity. But as synonymous as her likeness has become with Vienna’s Golden Age, the real Adele Bloch-Bauer remained somewhat shielded from the public eye. This book attempts to reveal and honor the remarkable life and legacy of Adele Bloch-Bauer and her husband Ferdinand, and their patronage of one of Austria’s most radical forebears of modernity. Hardcover96 pagesNeue Galerie New YorkPrestel, 201511.5 x 9.5 x .5 inchesISBN 9781931794169Neue Galerie Exhibition Catalogue, Biography, Art History, History

Portrait of Adele Bloch-Bauer

By Vivian Endicott Barnett Explore the œuvre of Erich Heckel, one of the most important German Expressionist painters of the twentieth century.Erich Heckel, 1883–1970, was one of the co-founders of the Künstlergruppe Brücke (Artists’ Group Bridge), established in Dresden in June 1905. He remained part of the group until it disbanded in May 1913.Despite his seminal role in the establishment of this critical early manifestation of German Expressionism, he has not garnered the same acclaim as his fellow Die Brücke artists such as Ernst Ludwig Kirchner and Karl Schmidt-Rottluff. As a result, there is a dearth of literature available on him in English and he has never had a solo exhibition in an American museum.This important publication, which accompanies a show at the Neue Galerie New York, aims to redress this oversight. The texts presented in this lavishly illustrated monograph will focus on Heckel’s early career and cover topics ranging from his involvement with Die Brücke; the works he created during his idyllic summers in the Friesian beach resort of Dangast; his military service during World War I; and his bold and expressive woodcuts.Emphasis is placed on his portrait and landscape paintings and his vibrant pictures of bathers, which merge both genres. The authors will address the work he made in Dresden, Berlin, and northern Germany, in addition to his output while serving in Flanders during the war. Hardcover222 pagesPrestel, 20259.25 x 11.252 inchesISBN 9783791376271Neue Galerie Exhibition Catalogue, Erich Heckel

Erich Heckel

Erich Heckel (1883-1970) Bathers in a Pond, 1908

Erich Heckel: Bathers in a Pond [Postcard]

LIMITED EDITION The Neue Galerie Manhattan Diary, produced by Gallery Leather, features endpapers with Viennese architect Josef Hoffmann's Adler pattern from 1910, gilded edges, metal protective corners, and a black full-grain leather binding debossed with our logo. For over 30 years, the Manhattan City Diary has been a must-have resource for everything New Yorkers need to know about the Big Apple. Featuring a wealth of city listings including restaurants, shops, art galleries, nightlife, 24-hour services, and emergency numbers. Packed with useful information like conversion charts, a vintage wine list, holidays, and more. For keeping up to date on your appointments, it offers a week-to-a-spread calendar layout. Full-color street maps to make navigating the city a breeze. MTA, Metro-North, LIRR, and NJ Transit maps ensure you will always be on the right track. Area and zip code maps assist you at all times. Other features: Book Bound 3.25" x 7" Contains week-to-a-spread calendar Over 3,000 Area-Specific Listings Full-color Street, Transit, and Vicinity Maps Black ribbon bookmark 112 Sheets/224 pages

Neue Galerie Manhattan Diary 2026

Dagobert Peche (1887–1923) Harlequin, 1912Wiener Werkstätte Postcard 626

Dagobert Peche: Harlequin [Postcard]

Maria Pranke (1891-1972) Flowers, 1911 Wiener Werkstätte Postcard 478ASingle Postcard

Maria Pranke: Flowers [Postcard]

Gustav Klimt (1862–1918) Portrait of Gertha Loew (detail), 1902

Gustav Klimt: Portrait of Gertha Loew [Postcard]

Gustav Klimt (1862-1918)Portrait of Adele Bloch-Bauer I, 1907 This archival pigment print was custom-printed with wide-gamut archival pigment inks on 100% cotton acid-free fine art paper. The colors will last more than a lifetime. 11"x14"

Gustav Klimt: Portrait of Adele Bloch-Bauer I [Giclée Print]

Gustav Klimt (1862-1918)The Dancer, 1916-18 (unfinished) This archival pigment print was custom-printed with wide-gamut archival pigment inks on 100% cotton acid-free fine art paper. The colors will last more than a lifetime. 11"x14"

Gustav Klimt: The Dancer [Giclée Print]

Gustav Klimt (1862-1918)Forester's House in Weissenbach II (Garden), 1914 This archival pigment print was custom-printed with wide-gamut archival pigment inks on 100% cotton acid-free fine art paper. The colors will last more than a lifetime. 11"x14"

Gustav Klimt: Forester's House in Weissenbach II (Garden) [Giclée Print]

52-card deck features a Dagobert Peche design, gilt edges, and suits in gold foil. Court cards depict Neue Galerie masterworks by Otto Dix, Gustav Klimt, Egon Schiele, and others. Finely crafted with a luxurious finish.

Neue Galerie Playing Cards

A classic collection of Gustav Klimt's finest works, in their glittering glory. A fine new art calendar from Flame Tree. Renowned Austrian artist Gustav Klimt is well known for his golden masterpieces full of sumptuous ornamentation, as well as his incredible portraits and vibrant landscapes. In this opulent art calendar, revel in 12 of Klimt’s fantastic paintings, including The Kiss and Fulfilment. In this wall calendar, informative text accompanies each work, and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging. Paperback12 pagesFlame Tree Calendars, 202511.75 x 0.3 x 11.75 inchesISBN 9781835623459 2026 Calendars

Gustav Klimt Wall Calendar 2026

Gustav Klimt's gorgeous landscape art is an unexpected inspiration. A fine new art calendar from Flame Tree. Renowned Austrian artist Gustav is well known for his richly decorative commissioned artwork and murals, but he also produced a number of beautiful landscape paintings that are unique masterpieces in their own right. The Viennese artist would often experiment with new techniques in these landscapes, and much of the sumptuous patterning and vibrancy of his more famous work can be traced in his landscapes too. This calendar gathers together twelve such examples, including Fruit Trees and Fir Forest I. Informative text accompanies each work, and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging. Paperback12 pagesFlame Tree Calendars, 202511.75 x 0.3 x 11.75 inchesISBN 97818356234662026 Calendars

Klimt Landscapes Wall Calendar 2026

A high-quality blank sketchbook with sprayed edges and cloth-bound cover will delight artists and art lovers alike. Crafted for artists and admirers of fine art, this refined blank sketchbook showcases on its cover a delicate detail from Gustav Klimt’s The Kiss. Inside, the pages are high-quality, unruled paper, providing a pristine canvas for sketches, drawings, or notes. The edges of the pages are sprayed, adding an extra touch of elegance to this already exquisite package. This sketchbook seamlessly blends artistic inspiration with practicality, making it an elegant and useful tool for creative minds, especially those who appreciate Klimt’s work and want to be inspired by his artistry every time they open to a new page. Its luxurious design makes it a perfect gift for art lovers, adding a touch of sophistication to their collection of art supplies. Hardcover128 pagesPrestel, 20256.5 x 0.68 x 9.25 inchesISBN 9783791391885Art Supplies, Sketchbook

The Kiss: Gustav Klimt Artist's Sketchbook

By Philippe Thiebaut Gustav Klimt’s visionary talent comes alive in this sumptuous book that features 90 impeccably reproduced works including 6 stunningly detailed fold-out spreads. This stunning volume offers readers an unparalleled opportunity to explore Klimt’s artistry through iconic works such as The Kiss, The Three Ages of Woman, Judith I, and Portrait of Adele Bloch-Bauer I. These large-scale fold-outs reveal intricate details, transforming the book into an immersive journey through Klimt’s extraordinary use of color, pattern, and ornamentation. Philippe Thiébaut’s insightful text incorporates the latest research on Klimt and the historical context of his work, adding depth and perspective. Elegantly designed with a canvas cover, colored edges, and exceptional production quality, the book showcases Klimt’s groundbreaking vision with remarkable clarity. From the golden brilliance of Hope II to the ethereal beauty of Water Serpents I, each page invites readers to explore the textures and emotional resonance that define his style. With its thoughtful design and captivating imagery, this volume brings Klimt’s artistic world to life, illustrating how he transformed portraiture and landscapes into striking symbolic masterpieces. Perfect for both devoted fans and those discovering Klimt for the first time, it offers an essential and unforgettable look at one of Modernism’s most celebrated figures. Hardcover176 pagesPrestel, 20258.75 x 11.75 inchesISBN 9783791393995Monograph

Klimt: The Bigger Picture

By Daniel KehlmannTranslated by Ross Benjamin “Nothing short of brilliant.” —The Wall Street Journal “A surpassingly gifted storyteller.” —The New York Times From “one of the brightest, most pleasure-giving writers at work today” (Jeffrey Eugenides, Pulitzer Prize–winning author), a visionary tale inspired by the life of film director G.W. Pabst, who fled to Hollywood to resist the Nazis only to be forced to return to his homeland and create propaganda films for the German Reich. An artist’s life, a pact with the devil, and the dangerous illusions of the silver screen. G.W. Pabst, one of cinema’s greatest directors of the 20th century, was filming in France when the Nazis seized power. To escape the horrors of the new and unrecognizable Germany, he fled to Hollywood. But now, under the blinding California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, the Hollywood actress whom he made famous, can help him. When he receives word that his elderly mother is ill, he finds himself back in his homeland of Austria, which is now called Ostmark. Pabst, his wife, and his young son are suddenly confronted with the barbaric nature of the regime. So, when Joseph Goebbels—the minister of propaganda in Berlin—sees the potential for using the European film icon for his directorial genius and makes big promises to Pabst and his family, Pabst must consider Goebbels’s thinly veiled order. While Pabst still believes that he will be able to resist these advances, that he will not submit to any dictatorship other than art, he has already taken the first steps into a hopeless entanglement. Kehlmann’s latest oeuvre explores the complicated relationships and distinctions between art and power, beauty and barbarism, cog and conspirator. Hardcover352 pagesSimon & Schuster/Summit Books, 20256 x 1.5 x 9 inchesISBN 9781668087794Historical Fiction, Cinema

The Director

By Maurice BetzTranslated by Will Stone "I owe Betz infinite gratitude…a first-rate poet, a creative spirit, and a friend to all creative spirits…an ornament to literary France…an artist with words, lovable and worthy of love" – Thomas Mann "Maurice Betz is one of those artists whose importance only fully appears after they have disappeared" – Marcel Aymé "The Betz translation of The Notebooks of Malte Laurids Brigge constituted a conversation, even a confidence. And this is what makes its perfection so vital. Rilke is more present there than any author translated from book to book. For here was a translation from heart to heart" –Jean Cassou Walking in the Luxembourg Garden, describing encounters with enigmatic diva Eleonora Duse or an irascible Tolstoy: Rainer Maria Rilke’s French translator Maurice Betz enjoyed a rare intimacy with the great poet. This account of their collaborative translation of Rilke’s only novel brings the reader along on a tour of the glittering cultural scene of interwar Paris. An elegant, poignant look at the great writer’s final years, Betz’s memoir, sensitively translated by Will Stone, is a portrait of genius, an evocation of a lost world, and a testament to enduring friendship. Part of the Pushkin Press Classics series: timeless storytelling by icons of literature, hand-picked from around the globe. Paperback224 pagesPushkin Press, 2025Originally published in 19375.1 x 7.8 inchesISBN 9781805330288Essays, German Literature

Conversations with Rilke

Von Rainer Maria Rilke. Mit einem Vorwort von Ulrich Baer Im Jahr 1902 erhält Rainer Maria Rilke Post von einem jungen Mann, Franz Xaver Kappus, einem literarisch begabten, 19-jährigen Offiziersanwärter. Kappus ist sich nicht sicher, welche Richtung er in seinem Leben einschlagen soll, und fragt daher den großen, nur wenige Jahre älteren Dichter um Rat. Rilke antwortet ihm – auf gänzlich unerwartete Weise. In den folgenden Jahren schreibt er Kappus neun weitere Briefe. Sie reden, mit der ihm eigenen bescheidenen Eindringlichkeit, von nichts Geringerem als dem richtigen Leben. Die von Franz Xaver Kappus 1929 herausgegebene Sammlung der Rilke-Briefe hat Epoche gemacht und ganze Generationen immer wieder inspiriert. Paperback 78 pagesText in German Insel Verlag, 20194.65 x 7.48 inchesISBN 9783458363828Literature

Briefe an einen jungen Dichter

By Megan Brandow-Faller “The strength of Brandow-Faller's study lies in its ability to yoke together disparate cultural realms-Secessionist Vienna and postwar American childhood, and vastly successful designers and pedagogues with those largely forgotten-to reveal surprising and fascinating points of connection.” ―Laura Morowitz, Associate Professor of Art History at Wagner College, New York “A deeply informed examination of three visionary art educators from Vienna-Franz Cizek, Emmy Zweybruck, and Viktor Lownfeld-and their profound influence on progressive art education in the United States.” ―Ellen Winner, Professor Emerita, Psychology & Neuroscience, Boston College “Insightful and compelling, this book draws on previously unexamined sources to explore how three educators disseminated, popularized, and commodified ideas of child art from the Vienna Secession to mid-century modernism.” ―Mary Ann Stankiewicz, Emerita Professor of Art Education, Penn State University Tracing the dissemination of Secessionist ideas of child creativity – from their origination in early-20th century Vienna through to their eventual commodification in postwar America – this book highlights the central role that visual art has played in child education and in nurturing creativity in elementary and preschool curricula. Taking the reader through the ideas of three artistic visionaries and their students – Franz Cižek, and Austrian-American émigrés Emmy Zweybrück and Viktor Löwenfeld – this book reveals how these ideas developed in postwar America through a focus on child-centered methods of 'learning by doing' in artistic practice. By centring the visual arts as a vital educational medium, we see how these teachings have been popularized as a means of nurturing creativity in childhood. Across three chapter length case studies, interspersed with three 'mini chapters' on the reception of each artist-educator's radical teachings in the American education system, Child Creativity and the Visual Arts provides new interpretations into the impact of these three luminaries' differing philosophies on a broader program of socio-political activism in the USA. Drawing on previously untapped archival and primary source materials, it blends deep material culture analysis with narrative elements to present a compelling account of the unrecognized influence of émigré art pedagogy on progressive, international art education. In doing so, it provides fresh transregional and thematic perspectives on early-1900s Vienna as a hotbed of creative and cultural experimentation and 'mecca' of progressive art education. Hardback264 pages | 70 color illustrationsBloomsbury, 20259 x 6 inchesISBN 9781350456792Viennese History, Secession

Child Creativity and the Visual Arts: From Secessionist Vienna to Postwar America

Edited by Megan Brandow-FallerInformed by the analytical practices of the interdisciplinary 'material turn' and social historical studies of childhood, Childhood By Design: Toys and the Material Culture of Childhood offers new approaches to the material world of childhood and design culture for children. This volume situates toys and design culture for children within broader narratives on history, art, design and the decorative arts, where toy design has traditionally been viewed as an aberration from more serious pursuits. The essays included treat toys not merely as unproblematic reflections of socio-cultural constructions of childhood but consider how design culture actively shaped, commodified and materialized shifting discursive constellations surrounding childhood and children. Focusing on the new array of material objects designed in response to the modern 'invention' of childhood-what we might refer to as objects for a childhood by design-Childhood by Design explores dynamic tensions between theory and practice, discursive const– critically linking historical discourses of childhood with close study of material objects and design culture.Chronologically, the volume spans the 18th century, which witnessed the invention of the toy as an educational plaything and a proliferation of new material artifacts designed expressly for children's use; through the 19th-century expansion of factory-based methods of toy production facilitating accuracy in miniaturization and a new vocabulary of design objects coinciding with the recognition of childhood innocence and physical separation within the household; towards the intersection of early 20th-century child-centered pedagogy and modernist approaches to nursery and furniture design; through the changing consumption and sales practices of the postwar period marketing directly to children through television, film and other digital media; and into the present, where the line between the material culture of childhood and adulthood is increasingly blurred.Paperback352 pagesBloomsbury Visual Arts, 20199 x 6 inchesISBN 9781501358890Design History, Art Education

Childhood by Design: Toys and the Material Culture of Childhood, 1700-Present

Edited by Despina Stratigakos and Elana Shapira Contributions by Barbara Penner, Christine Oertel, Dörte Kuhlmann, Megan Brandow-Faller, Carmen Trifina, Ursula Prokop, Eva Ottillinger, Ulrike Matzer, Celina Kress, Christine Zwingl, Sabrina Rahman, Sabine Plakolm-Forsthuber, Katrin Stingl, and Monika Platzer“Ella Briggs was among the first women in Europe to study architecture and work professionally as an architect. Impeccably researched, this book offers a rich narrative of an important early modernist designer and architect who was well known in her time and then forgotten. In recounting her story, this team of authors laudably contextualize Briggs’s experience within the broader story of early modernism.” —Christopher Long, author of The New Space: Movement and Experience in Viennese Modern Architecture The first biography of an extraordinary woman and architect who left her mark on world capitals and reshaped modern design. Ella Briggs (1880–1977) was a talented architect, designer, and writer whose influence was felt on both sides of the Atlantic. She trained with the Viennese Secessionists and brought their radical ideas to Gilded Age New York. She designed modernist housing for the masses in Austria, was jailed as a suspected spy in Mussolini’s Italy, and thrived in Weimar Germany before suffering persecution under the Nazis. Fleeing to London, she contributed to England’s postwar reconstruction. Yet despite a long and prolific career, her name is largely forgotten today. Finding Ella Briggs restores Briggs to her rightful place in the history of modernist design. Despina Stratigakos and Elana Shapira bring together an international team of historians to provide the defining biography of this boldly unconventional designer. Whether she was fighting for integration at Europe’s architecture schools or writing about innovative houses for American women’s magazines like Good Housekeeping, Briggs embodied the transatlantic flow of modernism. This panoramic book uncovers new findings about Briggs, her networks, and projects, recovering the many facets of a life that spanned global borders and cultures. Beautifully illustrated and drawing on a wealth of previously unpublished research from archives around the world, Finding Ella Briggs is the inspiring story of a woman who defied all obstacles to pursue her dream of designing for the modern client. Hardcover312 PagesPrinceton University Press, 202510 x 6 x 1 inchesISBN 9780691263953Architecture, Women Designers

Finding Ella Briggs: The Life and Work of an Unconventional Architect

By Hermann HesseTranslated by Basil Creighton A semi-surreal masterpiece about a man who believes his life is irredeemable until he ventures into the world of pleasure. The quest for self-discovery never ends, especially for Harry Haller―better known as the Steppenwolf. After a life spent in self-imposed isolation, Harry meets the mysterious Hermine and becomes captivated by her intoxicating power. Through their nighttime adventures, the Steppenwolf experiences the decadent underbelly of the bourgeois society he always despised. Harry becomes a man divided―lost in a surreal underground world of pleasure and set on a collision course with his innermost desires. Paperback256 pagesVintage Classics, 2025Originally published in 19275 3x16 x 8 inchesISBN 9798217006946 Literary Fiction, German Modernism

Steppenwolf

By Rainer Maria RilkeTranslated by Geoffrey Lehmann “The New Poems are for me Rilke’s greatest poems, written under the shadow of ‘mon grand ami Auguste Rodin’ to whom their second volume was dedicated. They are ‘method’ poems. Not waiting for inspiration, but taking the handicraft of a poem, and setting himself subjects, the way a shoemaker might, or a sculptor. ‘Thing-poems,’ Dinggedichte, poems about things, but also poems that are ‘a thing.’ The two volumes are, in my view, two of the most beautifully made poetic sequences ever.” —Michael Hofmann ”In Rilke not only do the stones and trees become human—as they have done always and everywhere poems have been made—but humans become things and nameless beings and only then gain their ultimate humanity.” —Robert Musil Fresh, beautiful new translations of one of the most important poets of all time, publishing in celebration of the 150th anniversary of Rainer Maria Rilke’s birth. Rilke is one of the greatest poets of the twentieth century, revered throughout the world. Geoffrey Lehmann has selected fifty of Rilke’s finest poems from the two volumes of New Poems, considered the center of gravity of Rilke’s achievement. Lehmann’s refined ear and perfect mastery of English verse form give his renderings of Rilke a precision and poise equal to that of the German originals. In celebration of the 150th anniversary of Rilke’s birth, a master poet lives anew. Paperback128 PagesNYRB Poets, 20254.5 x 7 InchesISBN 9781681379944Poetry

Fifty Poems

By Helen Wolff and Marion Detjen Translated by Tristram Wolff and Jefferson Chase A lush autobiographical story of young love, 1930s Côte d’Azur, and rising fascism in Nazi Germany—by the famed publisher of Calvino, Pasternak, and Gunter Grass “Wolff may not have wanted her book to be seen by outside eyes, but her summer of love is a tale so rich, evocative and forbidden, it is irresistible.”—British Vogue In a giddy rush, a young woman and her older lover leave 1930s Berlin for a summer vacation on the Côte d’Azur. As they drive along stunning bays, linger over sumptuous meals and steal kisses on the street, they seem marvelously in sync, each enchanted by the other. But as she observes her lover’s wandering eye and rigid world-view, the woman decides to leave in search of a cottage of her own near Saint-Tropez. There, amid the vineyards and lemon trees, she will forge startling new connections and pass an unforgettable summer of independence and freedom. Background for Love is an irresistible autobiographical novel by the great publisher Helen Wolff, who together with her husband, Kurt Wolff, Kafka’s first publisher, set up Pantheon Books in America after fleeing Nazi Germany. In the fascinating companion essay, historian Marion Detjen, the author’s great-niece, delves into Helen’s path to writing and the autobiographical context of the novel in her early life with Kurt. Helen is remembered as a great publisher, a multilingual reader who brought authors such as Italo Calvino and Georges Simenon to English-speaking readers – only now is her own reputation as a writer coming to the fore. Recently recovered from the archive and translated for the 1st time by Tristram Wolff, the author’s grandson, this is a a fast-paced, highly intense, and emotionally gripping novel of passion and self-discovery. Paperback256 pagesPushkin Press Classics, 20255.06 x 7.76 inches ISBN 9781805330745Literature, Historical Fiction

Background for Love

Pepin Press’ Watercolor Postcard Books contain 16 cards made of the finest 250 gsm watercolor paper. The paper is acid-free, FSC-certified and quite thick to make the cards suitable for mailing. They are a joy to color with a wide range of techniques, such as watercolor, ink, color pencil, crayon, etc. All our coloring books match the quality of the finest professional coloring pads. In order to get the best results, we recommend the use of high-quality coloring materials. Paperback16 Pages/CardsPepin, 20254 x 6 InchesISBN 9789460096433Coloring Books, Crafts

Art Nouveau: Watercolor Postcard Books

By Hannah ArendtEdited by Jerome Kohn and Thomas Wild A deluxe expanded edition of the masterpiece of political philosophy that transformed how the world thinks about fascism and authoritarianism Includes two fascinating chapters that were later cut and are available in no other edition In 1951, a monumental book by a relatively unknown German-Jewish émigré addressed the terrifying new mode of political organization underlying the twin horrors of Stalinism and Nazism. Herself a refugee from Nazi persecution, Hannah Arendt sought, from her exile in New York City, to answer the unfathomable questions raised by the Soviet gulag and the Holocaust: How could there be such barbarism in the midst of civilization? How had governments exerted such absolute control over citizens, terrorizing them and enlisting them to commit atrocities on their behalf? Arendt’s historical and cultural analyses extend to a thorough examination of nineteenth-century antisemitism in Europe, including a trenchant account of the Dreyfus Affair in France and brilliant insights into imperialism, racism, and their role in totalitarianism’s rise in the 1920s and 1930s. Arendt contends that totalitarianism, as a political system, is now embedded in contemporary life and is, as she would later remark, “the central event of our world.” Her clear-eyed warning that totalitarianism is not merely a historical episode but is rather a permanent feature of modernity and beyond—a danger never to be fully eradicated, and a continual temptation for anti-democratic demagogues—makes Arendt, a half-century after her death, a preeminent thinker and political philosopher for the twenty-first century. The Library of America edition of this indispensable and influential work, based on the final version she revised in her lifetime, also restores to print Arendt’s “Concluding Remarks” to the 1951 first American edition and a chapter on the Soviet suppression of the Hungarian revolt of 1956, both of which were cut from later editions. The first annotated edition of Origins, the volume contains concise and thorough glosses on Arendt’s many historical and cultural references, and its Chronology provides a detailed portrait of her remarkable life. Hardcover900 pagesLibrary of America, 20254.8 x 7.8 inchesISBN 9781598538069Political Theory, Philosophy

Hannah Arendt: The Origins of Totalitarianism Expanded Edition

By Siegfried KracauerAfterword by Johannes von MoltkeTranslated by Carl Skoggard “The reissue of this novel now is valuable, beyond its considerable historical and aesthetic virtues, because it makes pertinent points about today’s world, bedeviled by war, misery, poverty, and the enticing lure of despotism as an answer to democracy’s shortcomings.” —Thomas Filbin, The Arts Fuse “Ginster’s name belongs with modern literature’s antiwar activists from the Good Soldier Švejk to Yossarian.” —Kirkus Reviews When World War I breaks out, a young architecture student in Munich does everything in his power to avoid being enlisted into the German military in this perceptive, wickedly humorous novel by a prominent twentieth-century writer, journalist, and film critic. Siegfried Kracauer’s Ginster is the great World War I novel you’ve never heard of. Here, the sheer horrors are kept offstage, as in Greek tragedy, and merely reported from time to time. The setting is the German home front. Its Chaplinesque antihero—Ginster—spends the war gumming up the German war machine as he maneuvers to stay out of its clutches and save his own skin. Which he does; however, there is a deeper struggle going on between Ginster’s dreamy self-absorption and the pitiless organization of society, war or no war. Ginster has no wish to do anything. Alas, his reveries are forever being interrupted by the demands of an other-minded world. All the scenes of Ginster are well to the rear of the military action, yet with Kracauer narrating, military language saturates all aspects of civilian life in the homeland. Ginster’s nearest and dearest are so gung-ho, he feels that he’s at the front when he visits them. War, the author seems to say, is merely ordinary life seen from the back instead of the front. As a new European war darkens our horizon, one no more expected than was World War I, Kracauer’s novel feels timelier than ever. Paperback336 pagesNYRB Classics, 2025Originally Published in 19285 x 8 inchesISBN 9781681378145German Literature

Ginster

By Ludwig Wittgenstein Introduction by Jan Zwicky Translated by Alexander Booth One of the greatest philosophical works of all time, in a new translation for the twenty-first century Widely regarded as one of the most influential philosophical works of the twentieth century, Ludwig Wittgenstein’s Tractatus Logico-Philosophicus is a succinct yet wide-ranging exploration of language and logic, science and mysticism, which has inspired generations of thinkers, artists and poets. In a series of short, bold statements, Wittgenstein seeks to define the limits of language, its relation to logic, its power and its inherent failings. Originally published in the early 1920s, it is the only book-length work the renowned philosopher published in his lifetime. In this thrilling new translation, Alexander Booth displays an extraordinary sensitivity to the subtle influence on Wittgenstein’s gem-like prose–at once specialist and, often, remarkably plain-spoken–considering his background in mechanical engineering, while highlighting the underlying poetry of this seminal text. Paperback 144 pages Penguin Classics, 2025 5.06 x 7.76 inches ISBN 9780241484173 Philosophy

Tractatus Logico-Philosophicus: The New Translation

By Christopher Long How the architects of the Vienna Secession turned their principles inward, creating a new trend in interior design In The New Interior, architectural historian Christopher Long examines how, over the course of the seven years preceding World War I, three leading Viennese modernists—Josef Hoffmann, Adolf Loos and Oskar Strnad—redefined the idea of the modern interior. While their building designs shaped Vienna’s urban landscape and exemplified the famous Secession movement, these three architects also applied their eclectic principles to domestic interiors, or Wohnkultur (meaning "living" or "dwelling culture"). This book follows the progress of their debates and works, and how each designer sought to frame his own distinctive vision of living. The result was a split between the imperatives of style, function and livability that is still in play today. Christopher Long is the Martin S. Kermacy Centennial Professor in the School of Architecture at the University of Texas at Austin. Flexi128 pagesKant, 20255.75 x 9 inchesISBN 9788074374296Interior Design, Architecture, Viennese Modernism

The New Interior: Viennese Domestic Design and the Beginnings of the Wiener Wohnkultur 1907-1914

By Andreas RüfenachtEdited by Museum zu Allerheiligen Schaffhausen Adolf Dietrich and Otto Dix both achieved success as representatives of New Objectivity. Different though their artistic work appears initially, as representatives of this movement they covered considerable common ground. Their points of contact can be found in gallery owners and artist friends, in museum collections and group exhibitions. After the National Socialists removed Dix from his professorship at Dresden Art Academy in 1933, he settled near the Swiss border, initially at Schloss Randegg and from 1936 onwards in Hemmenhofen. Separated by the Untersee, he and Dietrich then lived in close proximity. Both artists found motifs in the landscapes of the Lake Constance region. It is not known whether Dix and Dietrich ever visited each other, but each was certainly aware of the other. They probably meet for the first time in this publication. Andreas Rüfenacht, curator of the Collection of Art until 1945 at the Museum zu Allerheiligen Schaffhausen since 2018. Studied art history, history and architectural history at the University of Bern; dissertation at the University of Zurich Hardcover152 pages + 87 color illustrationsText in GermanDeutscher Kunstverlag, 2025ISBN 9783422802902Monographs

Otto Dix – Adolf Dietrich

Hg. Anke Blümm, Elizabeth Otto, Patrick Rössler für die Klassik Stiftung Weimar Bauhaus-Künstlerinnen und -Künstler haben im Nationalsozialismus im Umgang mit dem totalitären Herrschaftssystem vielfältige Wege eingeschlagen. Der Band erzählt ausgehend von einschlägigen Objekten der Zeit vom Leben und Wirken ehemaliger Bauhaus-Angehöriger und legt einen Schwerpunkt auf ihre Verstrickungen in das nationalsozialistische Regime. Hardcover256 Seiten | 159 FarbabbildungenHirmer Verlag, 202422 x 28 cmISBN 9783777443379Exhibition Catalogue, Bauhaus

Bauhaus und Nationalsozialismus

Edited with text by Jordan Troeller Text by Oliver A.I. Botar, Annie Bourneuf, Hana Buddeus, Özge Baykan Calafato, Meghan Forbes, Christelle Havranek, Michelle Henning, Rolf Sachsse, Robin Schuldenfrei, Steffen Siegel, Jan Tichy, Jordan Troeller A prolific writer, photographer, portraitist and documentarian, Lucia Moholy (1894–1989) defies categorization. She was as active in avant-garde circles as she was in the field of information science, advancing an expansive understanding of visual reproduction. While previous publications on Moholy have limited her accomplishments to the five years she spent at the Bauhaus, Exposures presents the full breadth of her writings and photographs for the first time. Extensive essays drawing on new archival discoveries offer insights into her early life in turn-of-the-century Prague, her involvement in the radical social movements of the 1920s in Weimar Germany, her wartime documentations via microfilm and her work in the Middle East on behalf of UNESCO. Acknowledging her reception by contemporary artists such as Jan Tichy, the publication demonstrates how Moholy’s interdisciplinary approach to photography anticipated the medium’s post-analog present. Hardcover300 pages | 160 colorHatje Cantz, 20248.25 x 11 inchesISBN 9783775756327 Photography, Modernism

Lucia Moholy: Exposures

By Paul KleeTexts by Michael Baumgartner, Dr. Christine Hopfengart, Fabienne Eggelhöfer, Osamu Okuda Back in print, the most authoritative overview on the beloved Bauhaus Renaissance man and pioneer of abstraction, the first artist to "take a line for a walk" Paul Klee (1879-1940) is one of the most important representatives of modern art. His oeuvre is as universal as it is individual, standing tall among all of the currents and "isms" of his day. His overwhelming body of paintings, drawings, and other visual works; his letters, journal entries, and, last but not least, his teaching notes form the background for this pointed depiction of the life and work of the meditative artist and visual thinker. This richly illustrated volume traces Klee's eventful biography, ranging from his artistic beginnings with caricature-like drawings and nudes, his encounter with the avant-garde and the famous watercolors from his journey to Tunisia, the abstract color compositions from the Bauhaus era, to the mysterious, inventive images of his last years in Bern. Hardcover344 pages, 488 photosHatje Cantz, 202010.1 x 11.7 inchesISBN 9783775747196Monographs

Paul Klee: Life and Work

Edited by Ortrud Westheider and Michael Philipp Spanning six decades, three continents, and multiple mediums, this exhibition catalog explores one of the most significant and influential artistic movements of the twentieth century. At the beginning of the twentieth century, painting underwent a profound transformation. Artists no longer wanted to depict the visible; they aspired to a new visual language that reduced artistic expression to an interplay of colors, lines, and shapes; reflected the modern world; and transcended national boundaries. A central figure of this art movement was Wassily Kandinsky, who laid the theoretical foundations with his work Point and Line to Plane. This lushly illustrated and highly researched volume showcases how Geometric Abstraction found radical expression in all its variations in Europe, the USA and beyond. It features more than one hundred works by over seventy artists, including Josef Albers, Sonia Delaunay, Barbara Hepworth, El Lissitzky, Agnes Martin, Piet Mondrian, Bridget Riley, Frank Stella, and Victor Vasarely. Essays by leading scholars illuminate the ways these artists were inspired by the advanced technologies and theories of their time, including concepts of the fourth dimension and the space- time continuum. The authors explore the movement through a transnational lens—from Belgium, Germany, and Great Britain, to France, Italy, the Netherlands, Russia, Spain, and the United States; and emphasize the long-neglected role of women in the movement’s advancement. Through its insightful essays and stunning visuals, this volume offers a definitive exploration of how geometric abstraction revolutionized modern art and continues to inspire artists across the globe. Hardcover 320 pagesPrestel, 20259.5 x 11.75 inchesISBN 9783791377919Art History, Movements

Kandinsky's Universe: Geometric Abstractions in the 20th Century

By Florian Heine Brimming with stunning reproductions and illuminating texts, this handy and accessible book is the perfect introduction to one of European modern art’s most important movements. Founded in Munich in 1911, the Blue Rider Group was a revolutionary collective of artists that pioneered German Expressionism. Including Wassily Kandinsky, Franz Marc, Natalia Goncharova, Gabriele Münter, and Marianne von Werefkin, the group rejected the prevailing formal and academic artistic trends of their time, sought to break free from the constraints of traditional painting, transcend the material world, and explore emotional and spiritual truths in their art. This book spotlights 35 important works that embody the artists’ pioneering achievements and radical innovations. It features stunning reproductions that highlight the movement’s use of luminous colors, symbolic forms, and expressive brushwork. Paperback112 pagesPrestel, 20246.75 x 0.39 x 8.25 inchesISBN 9783791377339Blue Rider, German Expressionism

The Blue Rider (Masters of Art)

Edited by Lærke Rydal Jørgensen, Kaspar ThormodForeword by Poul Erik Tøjner, Mathias Ussing SeebergIntroduction by Mathias Ussing SeebergText by Alexander Tovborg, Joe Graham Influenced by Byzantine art, Fauvism and German Expressionism, Jawlensky explored color, religious iconography and portraiture in his masterful serial paintings Russian German painter Alexej Jawlensky (1864–1941) found his own artistic voice late in life. He was part of the revitalization of painting in the early 20th century, developing his Expressionist style through exchanges with the Fauves in Paris and his peers in Germany, including friends in and around Der Blaue Reiter. Until arthritis ended his ability to paint, Jawlensky explored color, religious iconography and portraiture in his masterful serial paintings. His last series of works, Meditations, comprises more than 1,000 paintings: modest in format, yet sensational. These paintings, which he described as "prayers in color," became an artistic redemption for Jawlensky, who throughout his life sought to connect his spiritual reflections with his painting. Featuring a clothbound spine, this small, slender and appealing volume features essays on Jawlensky's unique artistic projects, as well as an encyclopedia of his life and work. Paperback 152 pagesLouisiana Museum of Modern Art, 20255 x 9 inches ISBN 9788793659889 Monographs

Alexej Jawlensky: Variations

Edited by Iris Müller-WestermannWith Essays by Meike Hoffmann, Christiane Remm, Lisa Marie Schmidt, Aya Soika, and Gitte Ørskou Reverberations of the young rebels and influencers in the artist group Brücke. The artist group Brücke is Germany’s most important contribution to international modernism. The group was formed in Dresden in 1905 by four young architecture students: Ernst Ludwig Kirchner, Otto Bleyl, Erich Heckel, and Karl Schmidt-Rottluff. Together they developed a painting style with vivid colors, simplified forms, and large color fields that express internal feelings rather than reproducing an external reality. The group disbanded in 1913, but their collaboration and marketing strategies have been inspirational for several generations of artists. These young artists wanted to renew art and life in the German Imperial Empire and break with the prevailing moral norms of the day. They were interested in topics like man and nature; the naked body; portraits; self-portraits; the merging of life and art; and life in the vibrant metropolis of Berlin. In a time like the present, when a young generation feels the need for a new way of living, thinking, and organizing, reflecting on Brücke feels particularly relevant. Paperback240 pagesHirmer Publishers, 20248.54 x 11.02 inchesISBN 9783777443973Art History, Movements

German Expressionism: The Artist Group Brücke and the Beginnings of Modernism

Edited by Aya Soika, Eveline Suter, and Annika Weise This publication magnificently illustrates the diversity and depth of Max Pechstein’s oeuvre. The Expressionist and “Brücke” artist Max Pechstein was a pioneering representative of modernism in Germany. His intensely colorful depictions of people and nature are regarded as foundational to Expressionism and were a defining inspiration for an entire epoch. Many of his paintings are regarded as icons of Expressionism, yet the stylistic breadth of Max Pechstein’s art extends well beyond his works from the “Brücke” period. He found inspiration in his visits to what he called “painter’s paradises” on the Baltic Sea and the South Pacific, where his focus on the unity of man and nature was crystallized. Pechstein’s art and his yearning for harmony in an unstable world reflect our current and increasingly appreciative view of nature and the environment, and thus serve as a bridge to the present time. PB/Hardcover not yet listed on publisher website224 pages | 150 color platesText in English and GermanHirmer Publishers, 20259.84 x 11.02 inchesISBN 9783777445694German Expressionism

Max Pechstein: Vision und Werk/Vision and Work

Edited by Anja Richter and Florence Thurmes A collection of art works from Europe in the 1920s and 30s, an exceptionally diverse period of art presented as never before. Three hundred works from twenty-one countries form a European panorama of the many facets of realism in art that were ubiquitous in Europe during the 1920s and 1930s. They tell of poverty and misery, economic upheaval, artistic flourishing and progress, urban culture, nightlife, emancipation, and diversity. A devastating world war, the Spanish flu, poverty, global economic crisis, National Socialism—such was the 1920s. No other epoch has as many parallels to today as the period between the two world wars. This richly illustrated volume brings together realist treasures from across Europe, offering fresh inspiration through superb works of art that remain strikingly relevant. The eclectic period known as the Golden Twenties promises to be a magnet for visitors in Chemnitz, the European Capital of Culture in 2025. Featured artists include Aleksandra Belcova, Maria Blanchard, Otto Dix, Pranas Domšaitis, Stina Forssell, August Jansen, Jean Jacoby, Alexander Kanoldt, Pyke Koch, Béla Kontuly, Ivan Kos, Sonja Kovacic-Tajcevic, Lotte Laserstein, Rafal Malczewski, Milada Marešová, Ubaldo Oppi, Sergius Pauser, Cagnaccio di San Pietro, William Roberts, Ángeles Santos, Franz Sedlacek, Ilona Singer-Weinberger, Ludomir Slendzinski, Niklaus Stoecklin, Marijan Trepše, Kiril Tsonev, Gerda Wegener, and Carel Willink. Hardcover384 Pages | 300 colorHirmer Publishers, 20259.45 x 11.61 inchesISBN 9783777445793 Modern European Art

European Realities

von Lilli Hollein, Claudia Cavallar, und Anne-Katrin Rossberg Dagobert Peche, einer der exzentrischsten Gestalter*innen der Wiener Moderne, ließ die Formensprache der berühmten Wiener Werkstätte gleichsam explodieren: Mit opulenten, von der Natur inspirierten Dekoren und einer revolutionären Ästhetik verlieh er Gebrauchsgegenständen eine bis dahin unbekannte Vielschichtigkeit. Peche arbeitete mit unterschiedlichsten Materialien - Silber, Glas, Keramik, Leder und Papier - und entwarf Schmuck, Möbel, Ausstellungs-Displays sowie sensationelle Stoffmuster. In wenig mehr als 10 Jahren schuf er ein OEuvre, das die Kunst- und Designwelt bis heute fasziniert und inspiriert. Die Publikation widmet sich dem ureigenen Kosmos des Künstlers in sieben Kapiteln - von "Arkadien " bis "Unheimlich" - und verfolgt seine Ausstrahlung vom Art-déco-Stil über die Postmoderne bis in die Gegenwart. Dagobert Peche, one of the most eccentric designers of Viennese Modernism, virtually blew apart the stylistic idiom of the famous Wiener Werkstätte: with opulent decorations inspired by nature and a revolutionary aesthetic, he lent practical objects a hitherto unknown complexity. Peche worked with a wide range of materials - silver, glass, ceramic, leather, and paper - designing jewelry, furniture, and exhibition displays, as well as sensational fabric patterns. In little over a decade he created an oeuvre that has fascinated and inspired the worlds of art and design ever since. Divided into seven chapters - from "Arcadia" to "Uncanny" - this publication is dedicated to the artist's unique cosmos and traces his impact from Art Deco to Postmodernism to the present day. Paperback306 Seitan | 375 illustrations, 239 colorText in English and GermanWalther König, 20248.23 x 10.98 inchesISBN 9783753307459 Monograph, MAK Exhibition Catalogue

Peche Pop

By Franz WerfelTranslated by Geoffrey Dunlop and James Reidel This title is now available for pre-order. “In every sense a true and thrilling novel....It tells a story which it is almost one’s duty as an intelligent human being to read. And one’s duty here becomes one's pleasure also.” —New York Times Book Review “For Armenians, it remains unique and precious...it’s the one work whose urgency and passion keeps the truth of their genocide before the eyes of a world that would prefer to forget about it. For Jewish readers, Werfel’s epic about the choice between submitting to the killers or dying on the barricade is still poignant. In several ghettos where the Nazis held Jewish populations before murdering them, The Forty Days of Musa Dagh was passed from hand to hand and became the inspiration—almost the manual—for the sacrificial ghetto risings that followed. Werfel wins an argument with the world’s indifference—and wins it crushingly.” —London Review of Books The heroic story of resistance during the Armenian genocide. When the Turkish government ordered the deportation of Armenians, several villages in the mountains chose not to obey. Instead, they fortified a plateau on the slopes of Musa Dagh and repelled Turkish soldiers and military police during the summer of 1915 while holding out hope that the warships of the Allies would save them. An international bestseller when first published in 1933, and the first novel in modern times to capture genocide by a state, Franz Werfel's masterpiece brought the world's attention to this devastating crime against humanity and the Armenian people. Paperback936 PagesVerba Mundi, 2025Originally published in 19335.5 x 1.97 x 8.5 inchesISBN 9781567928211Literature, History

The Forty Days of Musa Dagh

Edited by Markus Kristan »Josef Hoffmann hat alle seine Gedanken und Eingaben und Aufsätze immer mit der Hand zu Papier gebracht. Ich habe ihn niemals an einer Schreibmaschine ­sitzen gesehen und er ist doch der modernste Mensch, dem man begegnen kann, der alle Strömungen und Bewegungen in sich aufgenommen hat, der stets der erste war, neue Impulse auszuteilen und die Jugend zu entflammen. Er hat Architektur und Kunsthandwerk aus der Zeit wachsen lassen, er ist der Meister der großen Form und der klaren Linie. Die Kraft, die ihn dazu befähigte, liegt nicht nur in seiner Geburt und Kindheit gesichert, sie hat ihre ewige Geborgenheit in der Idee, die ihn umfing, die ihn zuerst zur Kunst hinführte. Andere Menschen haben nur den irdischen Gewinn am Ausgang und Ziel ihres Weges und damit vergeuden sie Erbschaft, Leben und Freude.«(L. W. Rochowanski 1951) Hardcover192 pagesText in GermanBibliothek der Provinz, 202415.5 x 22 x 2 cmISBN 9783991262329Art and Architecture

Essays & Texte

Romy Cockx, Robin Schuldenfrei and Lara Steinhäußer Exploring fashion and interior design through a gender lens, from the Victorian era to contemporary designers like Martin Margiela and Raf Simons Fashion & Interiors: A Gendered Affair explores the relationship between fashion and interiors from a gender perspective. In the second half of the nineteenth century, bourgeois ladies embellished both their bodies and their homes with drapes, fringing and ruches. Male designers such as Henry van de Velde and Josef Hoffmann waged war on that decorative excess and designed women’s clothing and interiors as part of a well-thought-out total work of art. Fashion designers Paul Poiret and Jeanne Lanvin drew inspiration from this approach and used interior design to create a powerful brand for their fashion houses. The impact of clothing also resonated with modernist (interior) architects such as Adolf Loos, Lilly Reich and Le Corbusier. This complex history is reflected in surprising ways in the visual language and creations of contemporary fashion designers such as Ann Demeulemeester, Martin Margiela, and Raf Simons. Hardcover224 pagesHannibal Publishers, 202527.5 x 20.5 cmISBN 9789464941937Fashion, Design History

Fashion & Interiors: A Gendered Affair

A set of creature-themed cards featuring images from the Wiener Werkstätte. The Wiener Werkstätte, or Vienna Workshops, designed and produced a series of nearly one thousand postcards from 1911 to 1912 until the beginning of the First World War. The visionary artists and designers behind the movement valued the postcard as an ideal format for their own social and aesthetic program: to imbue objects of daily use with beauty and the elements of good design. In 2010, the Neue Galerie presented an exhibition of Wiener Werkstätte postcards generously donated by the Leonard A. Lauder Collection, and celebrated the exhibition with the publication Postcards from the Wiener Werkstätte: A Catalogue Raisonné. In this set, postcards have been formatted as greeting cards, but maintain the true spirit of the originals. Notecard Box Set:12 cards and envelopes2 each of 6 images5 x 7 inches

Wiener Werkstätte Creatures Notecard Set

By Irmgard KeunTranslated by Kathie von Ankum “A highly original, extremely stylish novel...The narrator is a young woman whose irreverent and funny voice you will not easily forget.” —Daniel Kehlmann, New York Times Book Review “A young girl navigates interwar German society and the expectations—or lack thereof—placed upon women, in this poignant, melancholy novel from the late Keun…[This] heartbreaking story of dashed hopes is one that still has the power to affect and inspire.” —Publishers Weekly This enthralling tale of a “material girl” in 1930s Berlin is the masterpiece of a literary icon, rediscovered and restored to the same heights as such luminaries as Isherwood and Brecht. In 1931 a young woman writer living in Germany penned her answer to Anita Loos’s Gentlemen Prefer Blondes and the era of cinematic glamour: The Artificial Silk Girl. Though a Nazi censorship board banned Irmgard Keun’s work in 1933 and destroyed all existing copies, the novel survived, as fresh and relevant today as the day it was written. The Artificial Silk Girl is the story of Doris, beautiful and striving, who vows to write down all that happens to her as the star of her own life story. But instead of scripting what she hopes will be a quick rise to fame and fortune as either an actress or the mistress/wife of a wealthy man, she describes a slow descent into near prostitution and homelessness. Prewar Berlin is not the dazzling and exciting city of promise it seems; Doris unwittingly reveals a bleak, seamy urban landscape. Paperback224 pagesOther Press, 20255.24 x 8 inchesISBN 9781635425086Fiction, Literature

The Artificial Silk Girl: A Novel

By Joseph RothTranslated by David Le Vay and Beatrice Musgrave. "One of the greatest writers of the first half of the tormented 20th century" —Simon Schama "A master of German prose… Roth understood the subtler acts of violence that war enacts upon the mind" —Spectator At the close of the Great War, a captured Austrian soldier escapes Siberia and sets off in search of his fiancée, her photograph sewn into the lining of his coat. But the old order has vanished, and he is swept along on the current of revolution: first surrendering to his love for a Red Army beauty, then drifting phantom-like through Europe’s cities. Here, Joseph Roth tells one of his most personal stories—that of a man cast adrift in a changed world. Paperback176 pagesPushkin Press, 20245.1 x 0.51 x 7.76 inches ISBN 9781805331216Literature

Flight Without End

By Robert WalserTranslated from German by Susan Bernofsky "A clairvoyant of the small." — W.G. Sebald "Walser has in recent years regained some of the status he enjoyed in the 1920s. Instead of Kafka and Benjamin, we have Sebald and Lydia Davis championing him. But we still don’t know where we stand with him. Are we dealing with pure literature, the vagaries of the everyday, jokes, or empty fancies? The writing is radical and elegant enough to encompass all these possibilities and many more. Is it the stuff of life? Perhaps." —The Times Literary Supplement A Chirstine Burgin co-publication Now in paperback, with newly translated, additional microscripts and full-color paintings by Maira Kalman. Robert Walser wrote many of his manuscripts in a highly enigmatic, shrunken-down form. These narrow strips of paper (many of them written during his hospitalization in the Waldau sanatorium) covered with tiny ant-like markings only a millimeter or two high, came to light only after the author’s death in 1956. At first considered a secret code, the microscripts were eventually discovered to be a radically miniaturized form of a Germanic script: a whole story could fit on the back of a business card. Selected from the six-volume German transcriptions from the original microscripts, these twenty-five short pieces are gathered in this gorgeously illustrated co-publication with the Christine Burgin Gallery. Each microscript is reproduced in full color in its original form: the detached cover of a trashy crime novel, a disappointing letter, a receipt of payment. Sometimes Walser used the pages of small tear-off calendars (but only after cutting them lengthwise and filling up each half with text). Schnapps, rotten husbands, small town life, the radio, pigs (and how none of us can deny being one), jealousy, Van Gogh and marriage proposals are some of Walser’s subjects. These texts take strength from Walser’s motto: “To be small and to stay small.” Paperback 160 pages New Directions/Christine Burgin, 2012 6 x 9 inches ISBN 9780811220330Literature

Microscripts

By Marlen HaushoferTranslated by Shaun Whiteside "A book that gets more, not less, mysterious as it goes. I am glad that such novels exist; they are the literary equivalent of a sudden plunge into icy waters. They shock, they clarify." —Peter C. Baker, The New York Times Never before in English, Killing Stella is a gripping, razor-sharp novella about a fractured marriage by the ferociously talented author of The Wall. Left alone for the weekend while her husband and two children are visiting her in-laws, Anna recounts the addition of her friend’s daughter, Stella, into their already tense and tumultuous household. Staring out the window at her garden, Anna worries about the baby bird in the linden tree, about her husband, Richard (who flits from one adultery to another), about her son’s gloomy demeanor and her daughter’s obliviousness, and most of all, about Stella, a confused teenager who will meet a sudden and disastrous end. A domestic horror story that blossoms into a catastrophe, Marlen Haushofer's Killing Stella distills many of the themes of Marlen Haushofer’s acclaimed novel The Wall into a claustrophobic, gothic, shattering novella. Paperback80 pagesNew Directions, 20254.5 x 0.3 x 7.3 inchesISBN 9780811238656 Fiction

Killing Stella

Edited by George T. M. Shackelford, Irina Hiebert Grun, and Joachim Jäger This catalogue accompanies an exhibition organized by the Neue Nationalgalerie, Berlin, in cooperation with the Kimbell Art Museum. The most important gathering of works from the distinguished modern art museum in Berlin ever presented in the United States, it features more than seventy paintings and sculptures by artists of international renown including Beckmann, Dix, Grosz, Kirchner, Nolde, Schad, and many others. The book's catalogue entries, accompanied by introductory essays for each section, explore the diverse avant-garde movements that emerged after the end of the Empire, from vividly colored Expressionist paintings to hyper-realistic works of the New Objectivity and to the international art, championed by certain art dealers, whose push toward abstraction had a strong influence on paintings and sculptors in Germany. The catalogue then delves more deeply into politics and war, studying, through the lens of masterworks, the course of events that led from Germany's defeat in 1918 to the rise of militant nationalism and a second defeat in World War II and the equivocal situation of the visual arts in Germany in the aftermath of the war. Hardcover239 pagesKimbell Art Museum, 202511.5 x 10.5 InchesISBN 9780300286243Collection Catalog, Movements

Modern Art and Politics in Germany 1910–1945

By Frank Meier, Edited by Philippe Collin, Cover Design or Artwork by Delius This volume is the ultimate bartender’s manual—a delightful concoction of vintage cocktails with Art Deco style and glamour. Originally self-published in 1936 and offered only to a select group of Meier’s friends and favorite guests, this edition is enhanced by stylish, vintage-inspired illustrations. With over 300 recipes, this is Meier’s personal mixology bible. While all the classics are here, it includes many of Meier’s own creations such as the Bees Knees (a gin sour where honey replaces simple syrup) and the Seapea Fizz (created for Cole Porter, whose initials provided its name). Also included are all manner of libations—sours, toddies, flips, egg nogs, slings, fizzes, coolers, rickeys, juleps, punches, and some nonalcoholic drinks—as well as extensive coverage of wines, eaux de vies, and even stylish sandwiches. Laced throughout are Meier’s wit and wisdom, life lessons, etiquette, and invaluable advice on a range of topics from horseracing to how to help with a snakebite. A fixture of Parisian nightlife, Meier was especially popular with US expats and visitors including Ernest Hemingway, F. Scott Fitzgerald, Noël Coward, and Cole Porter. He even served passionate martini aficionado Franklin D. Roosevelt. Hardcover176 pagesRizzoli, 20255 1/4 x 8 inchesISBN 9780847847860Culinaria

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