New and Noteworthy

LIMITED EDITION The Neue Galerie Manhattan Diary, produced by Gallery Leather, features endpapers with Viennese architect Josef Hoffmann's Adler pattern from 1910, gilded edges, metal protective corners, and a black full-grain leather binding debossed with our logo. For over 30 years, the Manhattan City Diary has been a must-have resource for everything New Yorkers need to know about the Big Apple. Featuring a wealth of city listings including restaurants, shops, art galleries, nightlife, 24-hour services, and emergency numbers. Packed with useful information like conversion charts, a vintage wine list, holidays, and more. For keeping up to date on your appointments, it offers a week-to-a-spread calendar layout. Full-color street maps to make navigating the city a breeze. MTA, Metro-North, LIRR, and NJ Transit maps ensure you will always be on the right track. Area and zip code maps assist you at all times. Other features: Book Bound 3.25" x 7" Contains week-to-a-spread calendar Over 3,000 Area-Specific Listings Full-color Street, Transit, and Vicinity Maps Black ribbon bookmark 112 Sheets/224 pages

Neue Galerie Manhattan Diary 2026

52-card deck features a Dagobert Peche design, gilt edges, and suits in gold foil. Court cards depict Neue Galerie masterworks by Otto Dix, Gustav Klimt, Egon Schiele, and others. Finely crafted with a luxurious finish.

Neue Galerie Playing Cards

Maria Pranke (1891-1972)Flowers, 1911 Wiener Werkstätte Postcard 478ASingle Postcard

Maria Pranke: Flowers [Postcard]

Gustav Klimt (1862-1918)Portrait of Adele Bloch-Bauer I, 1907 This archival pigment print was custom-printed with wide-gamut archival pigment inks on 100% cotton acid-free fine art paper. The colors will last more than a lifetime. 11"x14"

Gustav Klimt: Portrait of Adele Bloch-Bauer I [Giclée Print]

Gustav Klimt (1862-1918)The Dancer, 1916-18 (unfinished) This archival pigment print was custom-printed with wide-gamut archival pigment inks on 100% cotton acid-free fine art paper. The colors will last more than a lifetime. 11"x14"

Gustav Klimt: The Dancer [Giclée Print]

Gustav Klimt (1862-1918)Forester's House in Weissenbach II (Garden), 1914 This archival pigment print was custom-printed with wide-gamut archival pigment inks on 100% cotton acid-free fine art paper. The colors will last more than a lifetime. 11"x14"

Gustav Klimt: Forester's House in Weissenbach II (Garden) [Giclée Print]

By Daniel KehlmannTranslated by Ross Benjamin “Nothing short of brilliant.” —The Wall Street Journal “A surpassingly gifted storyteller.” —The New York Times From “one of the brightest, most pleasure-giving writers at work today” (Jeffrey Eugenides, Pulitzer Prize–winning author), a visionary tale inspired by the life of film director G.W. Pabst, who fled to Hollywood to resist the Nazis only to be forced to return to his homeland and create propaganda films for the German Reich. An artist’s life, a pact with the devil, and the dangerous illusions of the silver screen. G.W. Pabst, one of cinema’s greatest directors of the 20th century, was filming in France when the Nazis seized power. To escape the horrors of the new and unrecognizable Germany, he fled to Hollywood. But now, under the blinding California sun, the world-famous director suddenly looks like a nobody. Not even Greta Garbo, the Hollywood actress whom he made famous, can help him. When he receives word that his elderly mother is ill, he finds himself back in his homeland of Austria, which is now called Ostmark. Pabst, his wife, and his young son are suddenly confronted with the barbaric nature of the regime. So, when Joseph Goebbels—the minister of propaganda in Berlin—sees the potential for using the European film icon for his directorial genius and makes big promises to Pabst and his family, Pabst must consider Goebbels’s thinly veiled order. While Pabst still believes that he will be able to resist these advances, that he will not submit to any dictatorship other than art, he has already taken the first steps into a hopeless entanglement. Kehlmann’s latest oeuvre explores the complicated relationships and distinctions between art and power, beauty and barbarism, cog and conspirator. Hardcover352 pagesSimon & Schuster/Summit Books, 20256 x 1.5 x 9 inchesISBN 9781668087794Historical Fiction, Cinema

The Director

By Maurice BetzTranslated by Will Stone "I owe Betz infinite gratitude…a first-rate poet, a creative spirit, and a friend to all creative spirits…an ornament to literary France…an artist with words, lovable and worthy of love" – Thomas Mann "Maurice Betz is one of those artists whose importance only fully appears after they have disappeared" – Marcel Aymé "The Betz translation of The Notebooks of Malte Laurids Brigge constituted a conversation, even a confidence. And this is what makes its perfection so vital. Rilke is more present there than any author translated from book to book. For here was a translation from heart to heart" –Jean Cassou Walking in the Luxembourg Garden, describing encounters with enigmatic diva Eleonora Duse or an irascible Tolstoy: Rainer Maria Rilke’s French translator Maurice Betz enjoyed a rare intimacy with the great poet. This account of their collaborative translation of Rilke’s only novel brings the reader along on a tour of the glittering cultural scene of interwar Paris. An elegant, poignant look at the great writer’s final years, Betz’s memoir, sensitively translated by Will Stone, is a portrait of genius, an evocation of a lost world, and a testament to enduring friendship. Part of the Pushkin Press Classics series: timeless storytelling by icons of literature, hand-picked from around the globe. Paperback224 pagesPushkin Press, 2025Originally published in 19375.1 x 7.8 inchesISBN 9781805330288Essays, German Literature

Conversations with Rilke

By Padraig Rooney "At last a biography in English of one of the most interesting women of the twentieth century! Schwarzenbach was so far ahead of her time that we are only now beginning to catch up to her. Little happened in the early decades of the twentieth century to which she didn't have a connection. What a life! And what a great way Padraig Rooney has told it." —Carlos Dews, editor of The Collected Works of Carson McCullers “An empathetic portrait of an audacious woman.” —Kirkus Reviews Annemarie Schwarzenbach was one of the twentieth century’s most remarkable women, possibly the greatest sexual and political radical of the 1930s. But until now she’s been largely ignored. Born to a wealthy family in Switzerland, as a teenager she rebelled against her domineering pro-Nazi mother. She immersed herself in the antifascist, queer and artistic circles of the German diaspora of the 1930s. Her edgy glamour and androgynous beauty turned heads in the lesbian nightclubs of Weimar Berlin, on the ski slopes of St. Moritz, and in New York's luxury hotels and jazz bars. Constantly on the move, Annemarie chronicled the low and dishonest decade leading to war through her unique journalism, writing and photography. Her work was as adventurous and uncompromising as her personal life, and reveals a deep courage, intelligence, and ambition tragically curtailed by her untimely death. Hardcover332 pagesPolity, 20256.3 x 1.4 x 9.1 inchesISBN 9781509566297Biography

Rebel Angel: The Life and Times of Annemarie Schwarzenbach

Von Rainer Maria Rilke. Mit einem Vorwort von Ulrich Baer Im Jahr 1902 erhält Rainer Maria Rilke Post von einem jungen Mann, Franz Xaver Kappus, einem literarisch begabten, 19-jährigen Offiziersanwärter. Kappus ist sich nicht sicher, welche Richtung er in seinem Leben einschlagen soll, und fragt daher den großen, nur wenige Jahre älteren Dichter um Rat. Rilke antwortet ihm – auf gänzlich unerwartete Weise. In den folgenden Jahren schreibt er Kappus neun weitere Briefe. Sie reden, mit der ihm eigenen bescheidenen Eindringlichkeit, von nichts Geringerem als dem richtigen Leben. Die von Franz Xaver Kappus 1929 herausgegebene Sammlung der Rilke-Briefe hat Epoche gemacht und ganze Generationen immer wieder inspiriert. Paperback 78 pagesText in German Insel Verlag, 20194.65 x 7.48 inchesISBN 9783458363828Literature

Briefe an einen jungen Dichter

By Helen Wolff and Marion Detjen Translated by Tristram Wolff and Jefferson Chase A lush autobiographical story of young love, 1930s Côte d’Azur, and rising fascism in Nazi Germany—by the famed publisher of Calvino, Pasternak, and Gunter Grass “Wolff may not have wanted her book to be seen by outside eyes, but her summer of love is a tale so rich, evocative and forbidden, it is irresistible.”—British Vogue In a giddy rush, a young woman and her older lover leave 1930s Berlin for a summer vacation on the Côte d’Azur. As they drive along stunning bays, linger over sumptuous meals and steal kisses on the street, they seem marvelously in sync, each enchanted by the other. But as she observes her lover’s wandering eye and rigid world-view, the woman decides to leave in search of a cottage of her own near Saint-Tropez. There, amid the vineyards and lemon trees, she will forge startling new connections and pass an unforgettable summer of independence and freedom. Background for Love is an irresistible autobiographical novel by the great publisher Helen Wolff, who together with her husband, Kurt Wolff, Kafka’s first publisher, set up Pantheon Books in America after fleeing Nazi Germany. In the fascinating companion essay, historian Marion Detjen, the author’s great-niece, delves into Helen’s path to writing and the autobiographical context of the novel in her early life with Kurt. Helen is remembered as a great publisher, a multilingual reader who brought authors such as Italo Calvino and Georges Simenon to English-speaking readers – only now is her own reputation as a writer coming to the fore. Recently recovered from the archive and translated for the 1st time by Tristram Wolff, the author’s grandson, this is a a fast-paced, highly intense, and emotionally gripping novel of passion and self-discovery. Paperback256 pagesPushkin Press Classics, 20255.06 x 7.76 inches ISBN 9781805330745Literature, Historical Fiction

Background for Love

By Ingeborg BachmannTranslated by Tess Lewis "Equal to the best of Virginia Woolf and Samuel Beckett."―The New York Times Book Review "Bachmann’s vision is so original that the effect is like having a new letter of the alphabet."―The Guardian A powerful historical work about war and its victims, never before in English, from the celebrated author of Malina Written when Ingeborg Bachmann was only eighteen, The Honditsch Cross, her second-longest completed work of prose, is a historical novella set during the final days of the Napoleonic occupation of Austria in 1813. A young theology student, returning from Vienna to his family home in Carinthia, finds the invading troops stationed there, led by a despotic officer, who has been exploiting and terrorizing his family and friends. He is immediately thrown into the center of the conflict, torn between defending his homeland, the pull of physical desire, and the pursuit of his theological studies In this gripping work, Bachmann begins to explore themes that will preoccupy her for the rest of her writing career: complex notions of nationality and patriotism, the roles and rights of women in patriarchal societies, the meaningless destruction of war and its aftermath, and the bitter moments of disillusionment that lead to intellectual maturity. Paperback 80 pagesNew Directions, 20255.5 x 0.3 x 8.5 inchesISBN 9780811238564 Fiction

The Honditsch Cross

By Hannah ArendtEdited by Jerome Kohn and Thomas Wild A deluxe expanded edition of the masterpiece of political philosophy that transformed how the world thinks about fascism and authoritarianism Includes two fascinating chapters that were later cut and are available in no other edition In 1951, a monumental book by a relatively unknown German-Jewish émigré addressed the terrifying new mode of political organization underlying the twin horrors of Stalinism and Nazism. Herself a refugee from Nazi persecution, Hannah Arendt sought, from her exile in New York City, to answer the unfathomable questions raised by the Soviet gulag and the Holocaust: How could there be such barbarism in the midst of civilization? How had governments exerted such absolute control over citizens, terrorizing them and enlisting them to commit atrocities on their behalf? Arendt’s historical and cultural analyses extend to a thorough examination of nineteenth-century antisemitism in Europe, including a trenchant account of the Dreyfus Affair in France and brilliant insights into imperialism, racism, and their role in totalitarianism’s rise in the 1920s and 1930s. Arendt contends that totalitarianism, as a political system, is now embedded in contemporary life and is, as she would later remark, “the central event of our world.” Her clear-eyed warning that totalitarianism is not merely a historical episode but is rather a permanent feature of modernity and beyond—a danger never to be fully eradicated, and a continual temptation for anti-democratic demagogues—makes Arendt, a half-century after her death, a preeminent thinker and political philosopher for the twenty-first century. The Library of America edition of this indispensable and influential work, based on the final version she revised in her lifetime, also restores to print Arendt’s “Concluding Remarks” to the 1951 first American edition and a chapter on the Soviet suppression of the Hungarian revolt of 1956, both of which were cut from later editions. The first annotated edition of Origins, the volume contains concise and thorough glosses on Arendt’s many historical and cultural references, and its Chronology provides a detailed portrait of her remarkable life. Hardcover900 pagesLibrary of America, 20254.8 x 7.8 inchesISBN 9781598538069Political Theory, Philosophy

Hannah Arendt: The Origins of Totalitarianism Expanded Edition

By Toon Tellegen "A woodland reflection on the perils of overthinking… all contained within a delightful little volume with line illustrations by Annemarie van Haeringen. Just as The Boy, The Mole, The Fox and The Horse threaded the line between adult and younger readers, so too has Tellegen written a tale that speaks equally eloquently to an audience of all ages… Those in search of a cosy, gently delivered philosophy will melt." —Financial Times INTERNATIONAL BESTSELLER: The first in a series of witty, philosophical animal stories with whimsical illustrations—for adult fans of The Boy, The Mole, The Fox and His Horse! We’ve all been there: When a lonely hedgehog hosts a party for his friends, he’s suddenly wracked by social anxiety and self-doubt… The hedgehog is feeling rather lonely, so one day he decides to invite all the other animals for a party. But the hedgehog is also rather a shy, reserved animal, and is terribly worried about doing or saying something he shouldn't, and about all the things that could go wrong. What if nobody comes? What if too many of them come? What if the elephant shows up and breaks all the furniture? Will anyone be able to hear the hedgehog talk above the frog's croaking? Maybe inviting the others over wasn't such a good idea after all... An international bestseller, with more than 1 million copies sold in the Netherlands, The Hedgehog’s Dilemma is the perfect gift for the shy, retiring ‘hedgehog’ in your life. This lovely—and loving book—addresses deep emotional and philosophical themes with humor, kindness, and intelligence. Hardcover176 pagesPushkin Press, 20255.35 x 0.69 x 7.28 inchesISBN 9781805331711Fiction

The Hedgehog's Dilemma

By Wassily KandinskyIntroduction by Lisa FlormanTranslated by Ruth Ahmedzai KempNotes by Lisa Florman A treatise on the spiritual in contemporary painting to adopt new, metaphysical ways of conceiving of and creating art, by one of the most impactful and recognized artists of the twentieth century, in a new translation for the first time since publication A Penguin Classic In Concerning the Spiritual in Art, Wassily Kandinsky, one of the most famous abstract painters of all time, urges the reader to free themselves from art’s traditional bonds to material reality. In this radical theoretical work, he calls for a spiritual revolution in painting, arguing that artists, much like musicians, should be allowed to express their own inner lives in abstract, non-material terms. Investigating form and colour, spirituality and tradition, Kandinsky explores art’s resonance with the soul, its purpose and nature, and its power to inspire us, to stir our emotions and to help us see beyond the limits of our world. A significant contribution to the understanding of non-objectivism in art, this book serves as an important landmark in modern art history and is necessary reading for every artist and art-lover. Paperback192 pagesPenguin Classic, 20255.1 x 7.75 inchesISBN 9780241384800Philosophy, Art Theory

Concerning the Spiritual in Art

By Christopher Long How the architects of the Vienna Secession turned their principles inward, creating a new trend in interior design In The New Interior, architectural historian Christopher Long examines how, over the course of the seven years preceding World War I, three leading Viennese modernists—Josef Hoffmann, Adolf Loos and Oskar Strnad—redefined the idea of the modern interior. While their building designs shaped Vienna’s urban landscape and exemplified the famous Secession movement, these three architects also applied their eclectic principles to domestic interiors, or Wohnkultur (meaning "living" or "dwelling culture"). This book follows the progress of their debates and works, and how each designer sought to frame his own distinctive vision of living. The result was a split between the imperatives of style, function and livability that is still in play today. Christopher Long is the Martin S. Kermacy Centennial Professor in the School of Architecture at the University of Texas at Austin. Flexi128 pagesKant, 20255.75 x 9 inchesISBN 9788074374296Interior Design, Architecture, Viennese Modernism

The New Interior: Viennese Domestic Design and the Beginnings of the Wiener Wohnkultur 1907-1914

By Sandra Dzialek, Kerstin Jesse, Jane Kallir, Hannes Leidinger, Edith Schiele, Hans-Peter Wipplinger, Simone HöniglEdited by Kerstin Jesse, Jane Kallir, Hans-Peter Wipplinger This spring, the Leopold Museum is dedicating a large-scale monographic exhibition to the central artist of the Leopold Collection, Egon Schiele (1890–1918). Changing Times. Egon Schiele’s Last Years: 1914–1918 is the first presentation to shine the spotlight on the artist’s late oeuvre. The eccentric exceptional artist only had around ten years of activity before he died at the age of 28 from the “Spanish Flu.” Throughout this decade, Schiele created a comprehensive oeuvre, which is best known for his key paintings and the drawings he realized between 1910 and 1913, in which he addressed his own mental states as well as the self-questioning and inner conflicts of an entire generation. From 1914, right in the middle of his professional career, Schiele faced dramatic changes both of a private and historical nature, which he was forced to adapt to and which impacted on his oeuvre. His previous introspection gave way to a new focus on external realities and novel themes, altering his artistic style. Hardcover336 pages | 362 illustrationsWALTHER KONIG, 20259.25 x 1.22 x 11.02 inchesISBN 9783753308166Monographs

Changing Times. Egon Schiele's Last Years: 1914-1918

Edited by Olaf Peters On the eve of its subject's centennial, this richly illustrated and meticulously researched catalog celebrates—and reconsiders—one of the twentieth century's most significant artistic movements. Gustav F. Hartlaub’s 1925 exhibition “Neue Sachlichkeit” (New Objectivity) for the Kunsthalle Mannheim was a pivotal event that showcased a new artistic movement in Germany, characterized by its critical realism, social commentary, and detailed depiction of contemporary life; it marked a significant departure from Expressionism’s emotional intensity. But it was divided by two philosophies—the unflinching and socially critical Verists (Otto Dix, George Grosz, Georg Scholz, and others) and the Classicists (Alexander Kanoldt, Georg Schrimpf, and Christian Schad) who focused on harmony and beauty. This wide-ranging survey explores the tension between these camps and interprets it as a coherent chapter in art history. Essays by leading experts shed new light on the movement through the lens of regionality while considering a wide spectrum of media: architecture, design, drawings, film, paintings, photography, and philosophy. Their illuminating texts are accompanied by stunning reproductions of works such as Otto Dix’s Portrait of the Lawyer Dr. Fritz Glaser; Georg Scholz’s Of Things to Come; and Marcel Breuer’s Chair B 33. Impeccably produced and researched, this volume captures the ways that the New Objectivity proponents mirrored the Weimar period’s cultural, political, and social complexities. Hardcover304 pages | 200 color illustrationsPrestel Publishing, 20259.3 x 11.2 inchesISBN 9783791377926Neue Galerie Exhibition Catalogue

Neue Sachlichkeit / New Objectivity Exhibition Catalogue

Exhibition notecard for "Neue Sachlichkeit / New Objectivity" February 20—May 26, 2025 Otto Dix (1891-1969)Dr. Mayer-Hermann, 1926 1 notecard and envelope5.75 x 8.75 inches

Otto Dix: Neue Sachlichkeit Exhibition Notecard [Single Card]

Hg. Anke Blümm, Elizabeth Otto, Patrick Rössler für die Klassik Stiftung Weimar Bauhaus-Künstlerinnen und -Künstler haben im Nationalsozialismus im Umgang mit dem totalitären Herrschaftssystem vielfältige Wege eingeschlagen. Der Band erzählt ausgehend von einschlägigen Objekten der Zeit vom Leben und Wirken ehemaliger Bauhaus-Angehöriger und legt einen Schwerpunkt auf ihre Verstrickungen in das nationalsozialistische Regime. Hardcover256 Seiten | 159 FarbabbildungenHirmer Verlag, 202422 x 28 cmISBN 9783777443379Exhibition Catalogue, Bauhaus

Bauhaus und Nationalsozialismus

By Paul KleeTexts by Michael Baumgartner, Dr. Christine Hopfengart, Fabienne Eggelhöfer, Osamu Okuda Back in print, the most authoritative overview on the beloved Bauhaus Renaissance man and pioneer of abstraction, the first artist to "take a line for a walk" Paul Klee (1879-1940) is one of the most important representatives of modern art. His oeuvre is as universal as it is individual, standing tall among all of the currents and "isms" of his day. His overwhelming body of paintings, drawings, and other visual works; his letters, journal entries, and, last but not least, his teaching notes form the background for this pointed depiction of the life and work of the meditative artist and visual thinker. This richly illustrated volume traces Klee's eventful biography, ranging from his artistic beginnings with caricature-like drawings and nudes, his encounter with the avant-garde and the famous watercolors from his journey to Tunisia, the abstract color compositions from the Bauhaus era, to the mysterious, inventive images of his last years in Bern. Hardcover344 pages, 488 photosHatje Cantz, 202010.1 x 11.7 inchesISBN 9783775747196Monographs

Paul Klee: Life and Work

Edited by Christian Hiller, Stephan Müller. Edition Bauhaus 38 In 1921, Walter Gropius founded a theater workshop at the Bauhaus. It conducted new research and experiments on the relationship between humans and technology. The central protagonists Lothar Schreyer, Oskar Schlemmer, and László Moholoy-Nagy investigated the issues of mechanization, machine industrialization, and rationalization. They sought a new, meaningful relationship with the dynamized, increasingly technically animated environment. In their stage laboratory, they developed abstract motion studies, designed atmosphere machines, and built theater apparatus. They also organized the famous Bauhaus celebrations, where they staged themselves as a collective of new humans. For the first time, an exhibition and a catalog with sketches, drawings, photographs as well as films, figurines, costumes, models, and apparatus are now devoted to the experiments and concepts of the legendary Bauhaus stage. Paperback256 pagesSpector Books, 2014 9.25 x 12 inches ISBN 9783944669229Design History

Human–Space–Machine Stage Experiments At The Bauhaus

By Florian Heine Brimming with stunning reproductions and illuminating texts, this handy and accessible book is the perfect introduction to one of European modern art’s most important movements. Founded in Munich in 1911, the Blue Rider Group was a revolutionary collective of artists that pioneered German Expressionism. Including Wassily Kandinsky, Franz Marc, Natalia Goncharova, Gabriele Münter, and Marianne von Werefkin, the group rejected the prevailing formal and academic artistic trends of their time, sought to break free from the constraints of traditional painting, transcend the material world, and explore emotional and spiritual truths in their art. This book spotlights 35 important works that embody the artists’ pioneering achievements and radical innovations. It features stunning reproductions that highlight the movement’s use of luminous colors, symbolic forms, and expressive brushwork. Paperback112 pagesPrestel, 20246.75 x 0.39 x 8.25 inchesISBN 9783791377339Blue Rider, German Expressionism

The Blue Rider (Masters of Art)

Edited by Aya Soika, Eveline Suter, and Annika Weise This publication magnificently illustrates the diversity and depth of Max Pechstein’s oeuvre. The Expressionist and “Brücke” artist Max Pechstein was a pioneering representative of modernism in Germany. His intensely colorful depictions of people and nature are regarded as foundational to Expressionism and were a defining inspiration for an entire epoch. Many of his paintings are regarded as icons of Expressionism, yet the stylistic breadth of Max Pechstein’s art extends well beyond his works from the “Brücke” period. He found inspiration in his visits to what he called “painter’s paradises” on the Baltic Sea and the South Pacific, where his focus on the unity of man and nature was crystallized. Pechstein’s art and his yearning for harmony in an unstable world reflect our current and increasingly appreciative view of nature and the environment, and thus serve as a bridge to the present time. PB/Hardcover not yet listed on publisher website224 pages | 150 color platesText in English and GermanHirmer Publishers, 20259.84 x 11.02 inchesISBN 9783777445694German Expressionism

Max Pechstein: Vision und Werk/Vision and Work

Edited by Lisa Hörstmann and Lisa Marei SchmidtWith Essays by Irene Below, LaNitra M. Berger, Lisa Hörstmann, Gcotyelwa Mashiqa, Athi-Patra Ruga, and Lisa Marei Schmidt In the art of the German–South African artist Irma Stern, motifs from her South African homeland meet the Expressionism of the Brücke artists. After the First World War, Irma Stern (1894–1966) was a well-known figure in the Berlin art scene, where she was celebrated for her “exotic” paintings, until she was forced to leave Germany forever in 1933 due to Nazi persecution of the Jews. She later became a prominent artist in South Africa. Her complex body of work was shaped both by emancipation and by cultural appropriation; while marginalized as a woman and threatened by antisemitism, she was also a beneficiary of South Africa’s apartheid regime. This richly illustrated volume focuses on Irma Stern’s highly expressive portraits and addresses questions regarding the contexts in which the works were created and how they are seen today. Paperback280 pages | 90 color platesHirmer Verlag, 20258.94 x 10.83 inchesISBN 3777445290 Visual Art, Women Artists

Irma Stern: A Modern Artist Between Berlin and Cape Town

Edited by Lisa Marei Schmidt, Sabine Maria Schmidt, and Florence Thurmes Eine Aufständische für die Moderne. A Rebel for Modern Art Art collector, patron and arbiter – Hanna Bekker vom Rath (1893–1983) was a trailblazer for the artistic avant-garde and one of the most important female personalities in Germany during the pre-war and post-war modern periods. She was a friend of Karl Schmidt-Rottluff, Alexej von Jawlensky, Ida Kerkorius and Paul Klee. This lavishly illustrated volume provides a lively picture of a remarkable woman. A refuge for modernism: Hanna Bekker vom Rath promoted the art of the Brücke artists and the avant-garde in a variety of ways. Even during the National Socialist era her “Blue House” in Hofheim served as an intimate space for exchanges and exhibitions for the artists who were her friends. After the war she founded the Kunstkabinett in Frankfurt, the city’s first postwar gallery, and she undertook numerous international journeys on behalf of modern art. The texts and images sketch a multi-faceted portrait of an “ambassador of art” and document the influence of her achievements. Paperback256 pages | 180 color IllustrationsText in English and GermanHirmer, 20247.8 x 10 inchesISBN 9783777443546 Monograph

Hanna Bekker vom Rath: A Rebel for Mordern

Edited by Anja Richter and Florence Thurmes A collection of art works from Europe in the 1920s and 30s, an exceptionally diverse period of art presented as never before. Three hundred works from twenty-one countries form a European panorama of the many facets of realism in art that were ubiquitous in Europe during the 1920s and 1930s. They tell of poverty and misery, economic upheaval, artistic flourishing and progress, urban culture, nightlife, emancipation, and diversity. A devastating world war, the Spanish flu, poverty, global economic crisis, National Socialism—such was the 1920s. No other epoch has as many parallels to today as the period between the two world wars. This richly illustrated volume brings together realist treasures from across Europe, offering fresh inspiration through superb works of art that remain strikingly relevant. The eclectic period known as the Golden Twenties promises to be a magnet for visitors in Chemnitz, the European Capital of Culture in 2025. Featured artists include Aleksandra Belcova, Maria Blanchard, Otto Dix, Pranas Domšaitis, Stina Forssell, August Jansen, Jean Jacoby, Alexander Kanoldt, Pyke Koch, Béla Kontuly, Ivan Kos, Sonja Kovacic-Tajcevic, Lotte Laserstein, Rafal Malczewski, Milada Marešová, Ubaldo Oppi, Sergius Pauser, Cagnaccio di San Pietro, William Roberts, Ángeles Santos, Franz Sedlacek, Ilona Singer-Weinberger, Ludomir Slendzinski, Niklaus Stoecklin, Marijan Trepše, Kiril Tsonev, Gerda Wegener, and Carel Willink. Hardcover384 Pages | 300 colorHirmer Publishers, 20259.45 x 11.61 inchesISBN 9783777445793 Modern European Art

European Realities

von Lilli Hollein, Claudia Cavallar, und Anne-Katrin Rossberg Dagobert Peche, einer der exzentrischsten Gestalter*innen der Wiener Moderne, ließ die Formensprache der berühmten Wiener Werkstätte gleichsam explodieren: Mit opulenten, von der Natur inspirierten Dekoren und einer revolutionären Ästhetik verlieh er Gebrauchsgegenständen eine bis dahin unbekannte Vielschichtigkeit. Peche arbeitete mit unterschiedlichsten Materialien - Silber, Glas, Keramik, Leder und Papier - und entwarf Schmuck, Möbel, Ausstellungs-Displays sowie sensationelle Stoffmuster. In wenig mehr als 10 Jahren schuf er ein OEuvre, das die Kunst- und Designwelt bis heute fasziniert und inspiriert. Die Publikation widmet sich dem ureigenen Kosmos des Künstlers in sieben Kapiteln - von "Arkadien " bis "Unheimlich" - und verfolgt seine Ausstrahlung vom Art-déco-Stil über die Postmoderne bis in die Gegenwart. Dagobert Peche, one of the most eccentric designers of Viennese Modernism, virtually blew apart the stylistic idiom of the famous Wiener Werkstätte: with opulent decorations inspired by nature and a revolutionary aesthetic, he lent practical objects a hitherto unknown complexity. Peche worked with a wide range of materials - silver, glass, ceramic, leather, and paper - designing jewelry, furniture, and exhibition displays, as well as sensational fabric patterns. In little over a decade he created an oeuvre that has fascinated and inspired the worlds of art and design ever since. Divided into seven chapters - from "Arcadia" to "Uncanny" - this publication is dedicated to the artist's unique cosmos and traces his impact from Art Deco to Postmodernism to the present day. Paperback306 Seitan | 375 illustrations, 239 colorText in English and GermanWalther König, 20248.23 x 10.98 inchesISBN 9783753307459 Monograph, MAK Exhibition Catalogue

Peche Pop

Edited by Bernadette Reinhold and Patrick Wekner The photographic estate of Oskar and Olda Kokoschka comprises approximately 5.000 photographs. It contains portraits by renowned photographers, including Madame d’Ora (Dora Kallmus), Hugo Erfurth, Brassaï, George Platt Lynes, René Burri, Trude Fleischmann or Erich Lessing. Apart from artistically composed images, the estate also features numerous press photographs and astonishing snapshots. With its extensive commentary, this first photo-biography of Kokoschka provides an insight into the artist’s many-faceted work and eventful life. The publication offers a vivid record of the evolution of photography and a historico-cultural journey through the 20th century as reflected by the mirror of this extraordinary artist. Paperback208 pages | 206 colored illustrationsText in English and GermanAmbra Verlag, 20139 x 0.75 x 11 inchesISBN 9783990435656 Monograph, Photographs

Oskar Kokoschka - ein Künstlerleben in Lichtbildern | Oskar Kokoschka - An Artist's Life in Photographs

Edited by Markus Kristan »Josef Hoffmann hat alle seine Gedanken und Eingaben und Aufsätze immer mit der Hand zu Papier gebracht. Ich habe ihn niemals an einer Schreibmaschine ­sitzen gesehen und er ist doch der modernste Mensch, dem man begegnen kann, der alle Strömungen und Bewegungen in sich aufgenommen hat, der stets der erste war, neue Impulse auszuteilen und die Jugend zu entflammen. Er hat Architektur und Kunsthandwerk aus der Zeit wachsen lassen, er ist der Meister der großen Form und der klaren Linie. Die Kraft, die ihn dazu befähigte, liegt nicht nur in seiner Geburt und Kindheit gesichert, sie hat ihre ewige Geborgenheit in der Idee, die ihn umfing, die ihn zuerst zur Kunst hinführte. Andere Menschen haben nur den irdischen Gewinn am Ausgang und Ziel ihres Weges und damit vergeuden sie Erbschaft, Leben und Freude.«(L. W. Rochowanski 1951) Hardcover192 pagesText in GermanBibliothek der Provinz, 202415.5 x 22 x 2 cmISBN 9783991262329Art and Architecture

Essays & Texte

By Robert SeethalerTranslated by Katy Derbyshire “Calming, gentle and unsentimental.”—The Guardian “A reminder of the strength and importance of human connections.”—New York Journal of Books Warm, fleeting, and profoundly human.”—Independent Book Review “A humble café in post-World War II Vienna serves as backdrop for all the large and small dramas of everyday life in this subtly scintillating novel... While Seethaler's characters face significant difficulties, the story never feels grim, but rather steadfast and even hopeful. Katy Derbyshire translates Seethaler’s prose from the German with calm delivery, charming descriptions, and understated humor. This lovely novel sweetly and simply emphasizes built family, resilience, and rebirth.”—Julia Kastner, Shelf Awareness From one of Austria’s most beloved and best-selling authors, comes this vibrant tale of love, companionship, and renewal set against the transformations of 1960s Vienna. Summer 1966. Robert Simon is in his early thirties and has a dream: to open a café that welcomes all kinds of customers. Raised in a home for war orphans, Robert has miraculously grown into a warm-hearted, hard-working, and determined man. When the corner café in the Carmelite market square closes, Robert realizes that his chance has come. The place, dark and dilapidated, is in a poor neighborhood of the Austrian capital, but for some time now a new wind has been blowing, and the air is filled with an inexplicable energy and a desire for renewal. In the newspapers with which fishmongers wrap the char and trout from the Danube, one can read about great things to come, a bright future beginning to rise from the quagmire of the past. Enlivened by these promises, Robert refurbishes the café, painting the walls, varnishing the furniture, and polishing the stove plates. Rewarding Robert’s efforts and in search of a congenial place to gather, talk, read, or just sit and be, customers arrive, bringing their stories of passions, friendships, abandonments, and bereavements. Some are in search of company, others long for love, or just a place where they can feel understood. As the city is transformed, Robert's café becomes at once a place of refuge and one from which to observe and rejoice. Combining the enchantment of warm prose with tender humor, Robert Seethaler has written a charming parable of human existence animated by unforgettable characters and a kaleidoscope of human stories. Hardcover208 pagesEuropa Editions, 20255.28 x 8.27 inchesISBN 9798889660644Literary Fiction

The Café with No Name

von Robert Seethaler An Deck eines Schiffes auf dem Weg von New York nach Europa sitzt Gustav Mahler. Er ist berühmt, der größte Musiker der Welt, doch sein Körper schmerzt, hat schon immer geschmerzt. Während ihn der Schiffsjunge sanft, aber resolut umsorgt, denkt er zurück an die letzten Jahre, die Sommer in den Bergen, den Tod seiner Tochter Maria, die er manchmal noch zu sehen meint. An Anna, die andere Tochter, die gerade unten beim Frühstück sitzt, und an Alma, die Liebe seines Lebens, die ihn verrückt macht und die er längst verloren hat. Es ist seine letzte Reise. Paperback138 pages Text in GermanGoldmann Verlag, 20214.92 x 0.55 x 7.4 inches ISBN 9783442493104Fiction

Der letzte Satz

A set of creature-themed cards featuring images from the Wiener Werkstätte. The Wiener Werkstätte, or Vienna Workshops, designed and produced a series of nearly one thousand postcards from 1911 to 1912 until the beginning of the First World War. The visionary artists and designers behind the movement valued the postcard as an ideal format for their own social and aesthetic program: to imbue objects of daily use with beauty and the elements of good design. In 2010, the Neue Galerie presented an exhibition of Wiener Werkstätte postcards generously donated by the Leonard A. Lauder Collection, and celebrated the exhibition with the publication Postcards from the Wiener Werkstätte: A Catalogue Raisonné. In this set, postcards have been formatted as greeting cards, but maintain the true spirit of the originals. Notecard Box Set:12 cards and envelopes2 each of 6 images5 x 7 inches

Wiener Werkstätte Creatures Notecard Set

By Irmgard KeunTranslated by Kathie von Ankum “A highly original, extremely stylish novel...The narrator is a young woman whose irreverent and funny voice you will not easily forget.” —Daniel Kehlmann, New York Times Book Review “A young girl navigates interwar German society and the expectations—or lack thereof—placed upon women, in this poignant, melancholy novel from the late Keun…[This] heartbreaking story of dashed hopes is one that still has the power to affect and inspire.” —Publishers Weekly This enthralling tale of a “material girl” in 1930s Berlin is the masterpiece of a literary icon, rediscovered and restored to the same heights as such luminaries as Isherwood and Brecht. In 1931 a young woman writer living in Germany penned her answer to Anita Loos’s Gentlemen Prefer Blondes and the era of cinematic glamour: The Artificial Silk Girl. Though a Nazi censorship board banned Irmgard Keun’s work in 1933 and destroyed all existing copies, the novel survived, as fresh and relevant today as the day it was written. The Artificial Silk Girl is the story of Doris, beautiful and striving, who vows to write down all that happens to her as the star of her own life story. But instead of scripting what she hopes will be a quick rise to fame and fortune as either an actress or the mistress/wife of a wealthy man, she describes a slow descent into near prostitution and homelessness. Prewar Berlin is not the dazzling and exciting city of promise it seems; Doris unwittingly reveals a bleak, seamy urban landscape. Paperback224 pagesOther Press, 20255.24 x 8 inchesISBN 9781635425086Fiction, Literature

The Artificial Silk Girl: A Novel

By Irmgard KeunTranslated by Kathie von Ankum Doris is going to be a big star. Wearing a stolen fur coat and recently fired from her office job, she takes an all-night train to Berlin to make it in the movies. But what she encounters in the city is not fame and fortune, but gnawing hunger, seedy bars, and exploitative men—and as Doris sinks ever lower, she resorts to desperate measures to survive. Very funny and intensely moving, this is a dazzling portrait of roaring Berlin in the 1920s, and a poignant exploration of the doomed pursuit of fame and glamour. Paperback208 pagesPenguin Classics, 2019Originally published in 19325.08 x 0.35 x 7.76 inchesISBN 9780241382967Weimar Literature

The Artificial Silk Girl

By Irmgard Keun Translated by Anthea Bell Depicting a young woman's life in Nazi Germany, a masterpiece from the author of Child of All Nations "I cannot think of anything else that conjures up so powerfully the atmosphere of a nation turned insane" —Sunday Telegraph Arrested in Cologne for remarking that the Fuhrer looked sweaty, nineteen-year-old Sanna has fled to Frankfurt. But her troubles are far from over. Her best friend Gerti has fallen for a Jewish boy, her brother writes books that have been blacklisted, and her own aunt could turn her in to the authorities at any moment. Darkly humorous and utterly heart rending, this gripping novel vividly captures the terror and hysteria of pre-war Nazi Germany. Paperback 144 pagesPenguin Classics, 20207.8 x 5.04 inchesISBN 9780241391822Literature, Fiction

After Midnight

By Irmgard KeunTranslated by Geoff Wilkes Gilgi knows where she's going in life: she's ambitious, determined and fearless. She's not even derailed when her parents drop a massive bombshell on her twenty-first birthday. But then she meets the charming but aimless Martin, and for the first time, Gilgi finds herself blown bewilderingly and dangerously off-course. Set in Cologne against the backdrop of rising Nazism, Irmgard Keun's astonishing debut electrified Weimar Germany. With its frank exploration of sex, abortion, work and love, it feels as fresh today as when it first appeared. Paperback192 pagesPenguin Classics, 2019Originally published in 19317.76 x 0.43 x 5.04 inchesISBN 9780241391808Weimar Literature, Neue Sachlichkeit

Gilgi, One of Us

By Joseph RothTranslated by David Le Vay and Beatrice Musgrave. "One of the greatest writers of the first half of the tormented 20th century" —Simon Schama "A master of German prose… Roth understood the subtler acts of violence that war enacts upon the mind" —Spectator At the close of the Great War, a captured Austrian soldier escapes Siberia and sets off in search of his fiancée, her photograph sewn into the lining of his coat. But the old order has vanished, and he is swept along on the current of revolution: first surrendering to his love for a Red Army beauty, then drifting phantom-like through Europe’s cities. Here, Joseph Roth tells one of his most personal stories—that of a man cast adrift in a changed world. Paperback176 pagesPushkin Press, 20245.1 x 0.51 x 7.76 inches ISBN 9781805331216Literature

Flight Without End

By Joseph Roth Translated by David Le Vay “An absorbing, dark, beautifully written” novel on the dissolution of the Austro-Hungarian Empire “written with the melancholy wit and grace of Gogol” (New Statesman, The Times) This deeply moving, deeply philosophical story set in Ukraine touches on timeless themes of uprooted identity, destiny, and loneliness Widely praised and rarely available in English, Weights and Measures builds on Roth’s most famous work, The Radetzky March. Among his final works, this fable about the disintegration of a good man transports us back in time to Eastern Europe’s borderlands in the early 20th century. In this haunting and poetic novel, scrupulous artillery officer Anselm Eibenschütz is persuaded by his wife to leave behind his job as an artilleryman in the Austro-Hungarian army and take up a civilian post as Inspector of Weights and Measures in a secluded territory near the Russian border. Once there, his discipline and quiet dignity begin to dissolve as he encounters a shadowy world of smugglers, fugitives, and runaways. A deeply felt commentary on the dissolution of the Austro-Hungarian Empire, Weights and Measures registers on both a historical and personal level to portray the slow capitulation of a good man to insidious small-time corruption and to his own destructive passion. Part of the Pushkin Press Classics series: outstanding classic storytelling from around the world, in a stylishly original series design. From newly rediscovered gems to fresh translations of the world’s greatest authors, this series includes such authors as Stefan Zweig, Hermann Hesse, Ryūnosuke Akutagawa and Gaito Gazdanov. Paperback112 pagesRandom House, Inc., 2024Originally published in 19375.1 x 0.48 x 7.78 inchesISBN 9781805330653Literary Fiction, Literature

Weights and Measures

Edited by George T. M. Shackelford, Irina Hiebert Grun, and Joachim Jäger This catalogue accompanies an exhibition organized by the Neue Nationalgalerie, Berlin, in cooperation with the Kimbell Art Museum. The most important gathering of works from the distinguished modern art museum in Berlin ever presented in the United States, it features more than seventy paintings and sculptures by artists of international renown including Beckmann, Dix, Grosz, Kirchner, Nolde, Schad, and many others. The book's catalogue entries, accompanied by introductory essays for each section, explore the diverse avant-garde movements that emerged after the end of the Empire, from vividly colored Expressionist paintings to hyper-realistic works of the New Objectivity and to the international art, championed by certain art dealers, whose push toward abstraction had a strong influence on paintings and sculptors in Germany. The catalogue then delves more deeply into politics and war, studying, through the lens of masterworks, the course of events that led from Germany's defeat in 1918 to the rise of militant nationalism and a second defeat in World War II and the equivocal situation of the visual arts in Germany in the aftermath of the war. Hardcover239 pagesKimbell Art Museum, 202511.5 x 10.5 InchesISBN 9780300286243Collection Catalog, Movements

Modern Art and Politics in Germany 1910–1945

By Frank Meier, Edited by Philippe Collin, Cover Design or Artwork by Delius This volume is the ultimate bartender’s manual—a delightful concoction of vintage cocktails with Art Deco style and glamour. Originally self-published in 1936 and offered only to a select group of Meier’s friends and favorite guests, this edition is enhanced by stylish, vintage-inspired illustrations. With over 300 recipes, this is Meier’s personal mixology bible. While all the classics are here, it includes many of Meier’s own creations such as the Bees Knees (a gin sour where honey replaces simple syrup) and the Seapea Fizz (created for Cole Porter, whose initials provided its name). Also included are all manner of libations—sours, toddies, flips, egg nogs, slings, fizzes, coolers, rickeys, juleps, punches, and some nonalcoholic drinks—as well as extensive coverage of wines, eaux de vies, and even stylish sandwiches. Laced throughout are Meier’s wit and wisdom, life lessons, etiquette, and invaluable advice on a range of topics from horseracing to how to help with a snakebite. A fixture of Parisian nightlife, Meier was especially popular with US expats and visitors including Ernest Hemingway, F. Scott Fitzgerald, Noël Coward, and Cole Porter. He even served passionate martini aficionado Franklin D. Roosevelt. Hardcover176 pagesRizzoli, 20255 1/4 x 8 inchesISBN 9780847847860Culinaria

The Art of Cocktails: By The Legendary Bartender at the Ritz

By Walter SernerIntroduction and translation by Erik Butler "These ‘outlandish’ stories relate casual pranks and complicated grifts that are by turns comic and calamitous: some read like games of Cluedo with the players amped up on coke, while others suggest scenes pulled from a film noir, a genre they anticipate by twenty years."―London Review of Books, Hal Foster "At the Blue Monkey offers pieces of a life that don’t fit together, its mystery never solved. There’s no closure to speak of, but if it raises any questions about the nature of fiction and life, its job is done." ―Spectrum Culture, Pat Padua Walter Serner’s first story collection, published in German in 1921, brought to narrative form the philosophy of his earlier Dada manifesto/handbook, Last Loosening: A Handbook for the Con Artist & Those Who Wish to Be One—life is a con job and demands the skills of a swindler. With its depiction of a world of appearances in which nothing can be trusted, At the Blue Monkey helped establish the ex-doctor and renounced Dadaist as a literary “Maupaussant of crime” and offers in this first English translation 33 stories of criminals, con artists and prostitutes engaged in varieties of financial insolvency, embezzlement, sexual hijinks, long and short cons, and dalliances with venereal diseases and drugs. Told in a baroque, sometimes baffling poetry of underworld slang in an urban world of bars and rent-a-rooms, these short tales are presented to the reader like so many three-card Montes in which readers come to realize too late that they may well themselves be the literary mark. Paperback192 pagesWakefield Press, 20205.5 x 8 inchesISBN 9781939663467Literature & Fiction, Short Stories

At The Blue Monkey: 33 Outlandish Stories

By Larry Wolff "In Larry Wolff's brilliant telling, an opera's fairy-tale empress and a real-life Habsburg empress come to embody the phantom political culture of an empire that to this day maintains a powerful hold over Central and Eastern European institutions and imagination."—Pieter M. Judson, author of The Habsburg Empire: A New History "This alluring and original work of history explores the parallel lives of a twentieth century opera, the twilight of the Habsburg Empire, and its last emperor and empress. Politics is woven into the opera's creation and its later life. In this brilliant book, art imitates life, and life art, through mirror images, shadows and the unexpected destinies of historic personages."—Leon Botstein, Bard College "The Shadow of the Empress has many virtues: great erudition, lively writing, and undeniable energy."—Celia Applegate, Austrian History Yearbook A beguiling exploration of the last Habsburg monarchs' grip on Europe's historical and cultural imagination. In 1919 the last Habsburg rulers, Emperor Karl and Empress Zita, left Austria, going into exile. That same year, the fairy-tale opera Die Frau ohne Schatten (The Woman Without a Shadow), featuring a mythological emperor and empress, premiered at the Vienna Opera. Viennese poet Hugo von Hofmannsthal and German composer Richard Strauss created Die Frau ohne Schatten through the bitter years of World War I, imagining it would triumphantly appear after the victory of the German and Habsburg empires. Instead, the premiere came in the aftermath of catastrophic defeat. The Shadow of the Empress: Fairy-Tale Opera and the End of the Habsburg Monarchy explores how the changing circumstances of politics and society transformed their opera and its cultural meanings before, during, and after the First World War. Strauss and Hofmannsthal turned emperors and empresses into fantastic fairy-tale characters; meanwhile, following the collapse of the Habsburg monarchy after the war, their real-life counterparts, removed from political life in Europe, began to be regarded as anachronistic, semi-mythological figures. Reflecting on the seismic cultural shifts that rocked post-imperial Europe, Larry Wolff follows the story of Karl and Zita after the loss of their thrones. Karl died in 1922, but Zita lived through the rise of Nazism, World War II, and the Cold War. By her death in 1989, she had herself become a fairy-tale figure, a totem of imperial nostalgia. Wolff weaves together the story of the opera's composition and performance; the end of the Habsburg monarchy; and his own family's life in and exile from Central Europe, providing a rich new understanding of Europe's cataclysmic twentieth century, and our contemporary relationship to it. Paperback452 pagesStanford Press, 20236 x 9 inchesISBN 9781503635647European History, Performing Arts History

The Shadow of the Empress: Fairy-Tale Opera and the End of the Habsburg Monarchy

By Milo Todd “REMINISCENT OF ANTHONY DOERR’S ALL THE LIGHT WE CANNOT SEE . . . Its propulsive narrative, at times heart-stopping in its suspense and dramatic reveals, is interwoven with rich descriptions and historical passages that give context to a society held in the brutal grip of fascism.” —The Boston Globe A moving and deeply humane story about a trans man who must relinquish the freedoms of prewar Berlin to survive first the Nazis then the Allies while protecting the ones he loves “reclaims a powerful piece of trans history” —Christina Baker Kline, #1 New York Times-bestselling author of Orphan Train "In The Lilac People, Milo Todd brings to life the hope, joy, and complexities of trans identity and community in Weimar Berlin and beyond. At once a celebration of what becomes possible when humans truly accept one another and a stark reminder of the precipice between personal freedom and catastrophe, the story of Bertie Durchdenwald’s fight for autonomy, dignity, and love cuts through history to underline what’s at stake in our present moment." —Jason Lutes, creator of Berlin In 1932 Berlin, a trans man named Bertie and his friends spend carefree nights at the Eldorado Club, the epicenter of Berlin’s thriving queer community. An employee of the renowned Dr. Magnus Hirschfeld at the Institute of Sexual Science, Bertie works to improve queer rights in Germany and beyond. But everything changes when Hitler rises to power. The Institute is raided, the Eldorado is shuttered, and queer people are rounded up. Bertie barely escapes with his girlfriend, Sofie, to a nearby farm. There they take on the identities of an elderly couple and live for more than a decade in isolation. In the final days of the war, with their freedom in sight, Bertie and Sofie find a young trans man collapsed on their property, still dressed in Holocaust prison clothes. They vow to protect him—not from the Nazis, but from the Allied forces who are arresting queer prisoners while liberating the rest of the country. Ironically, as the Allies’ vise grip closes on Bertie and his family, their only salvation is to flee to the United States. Brimming with hope, resilience, and the enduring power of community, The Lilac People tells an extraordinary story inspired by real events and recovers an unknown moment of World War II and trans history. Hardcover 320 pagesCounterpoint, 20255.5 x 8.25 inchesISBN 9781640097032Historical Fiction, LGBT History

The Lilac People

By Else Lasker-SchülerTranslated and Introduction by Jean M. Snook Concert was one of the last books published by a Jew in Germany before Hitler came to power. The work is autobiographical, a collection of essays and vignettes that both entertain and engage the reader at a deeper level. Like Robert Schumann's piano suites, each in itself a perfect concert, Else Lasker-Schüler's Concert contains pieces that vary greatly in theme, mood, length, and complexity, yet they are unified by the medium and by the distinct and lyrical personality of the artist. Lasker-Schüler is able to transform and transcend the everyday scenery and events that are her points of departure. She makes magical an unmagical corner of Germany, discerns the miraculous in the neglected and ignored, and finds wisdom and comfort in prayer and cosmic perspective.Lasker-Schüler was attuned to the world and in some ways uncannily prophetic. It may come as a surprise to some readers that Concert, published in German in 1932, contains a warning about the climatic dangers of interfering 'with the merry green leaf people who give us ozone and the breath of life.' With her respect for the natural environment and her emphasis on spiritual development rather than the materialistic, Lasker-Schüler's voice remains relevant to our own times. A recent German edition of her complete works has proven immensely popular. Prior to the Third Reich, Lasker-Schüler had a well-established reputation in her native Germany as a poet, dramatist, and prose writer, as well as for her work in the visual arts, and she received the Kleist Prize for Literature. As a Jew, though, she was increasingly threatened by 'people wearing swastikas,' and was forced to flee the country in 1933, never to return. She died in exile in Palestine in 1945. This is the first English translation of any of Lasker-Schüler's prose: a challenging task because she includes sections in dialect, poems, numerous neologisms, witty alterations of German sayings, and structural emulations with phonetic echoes of famous German art songs. Hardcover164 pagesUniversity of Nebraska Press, 1994Originally published in 19325.78 x 7.92 inchesISBN 9780803229006Essays, Autobiographical Short Stories

Concert

By Rainer Maria RilkeTranslated from the German by Vita Sackville-West & Edward Sackville-WestIntroduction by Lesley Chamberlain The first-ever English translation of Rilke’s landmark poetry cycle, by Vita and Edward Sackville-West—reissued for the first time in 90 years In 1931, Virginia and Leonard Woolf’s Hogarth Press published a small run of a beautiful edition of Rainer Maria Rilke’s Duino Elegies, in English translation by the writers Vita and Edward Sackville-West. This marked the English debut of Rilke’s masterpiece, which would eventually be rendered in English over 20 times, influencing countless poets, musicians and artists across the English-speaking world. Published for the first time in 90 years, the Sackville-Wests’ translation is both a fascinating historical document and a magnificent blank-verse rendering of Rilke’s poetry cycle. Featuring a new introduction from critic Lesley Chamberlain, this reissue casts one of European literature’s great masterpieces in fresh light. Paperback109 pagesPushkin Press, 2025Originally published in 19235.11 x 0.37 x 7.77 inchesISBN 9781782277804Poetry

Duino Elegies [Paperback]

By Mascha Kaléko Translated and edited by Andreas Nolte For much of her lifetime, and for decades after her death, Mascha Kaléko was a forgotten poet. With his publications, Andreas Nolte has played a role in changing this. To him, she personifies an all-too-typical example of a German-Jewish artist who was marginalized, intimidated, expelled into exile, and then forgotten. What adds to her obscurity is that her life’s intriguing story is not well known, unless one speaks German and can read her poems, or what little has been written about her. This book provides a significant number of translated poems and biographical information from every stage of Kaléko’s remarkable life in Berlin, New York, and Jerusalem to an English-speaking audience. Her story and her powerful poetry need to be heard: they shine a light on the darkest of times in the last century and remind us of the lessons that history teaches us. Paperback204 pagesFomite, 2017Text in German and English6 x 0.51 x 9 inchesISBN 9781942515920 Poetry

Mascha: The Poems of Mascha Kaléko

By Paul CelanEdited by Bertrand BadiouTranslated by Jason Kavett Insightful and provocative letters by a great twentieth-century poet to his artist wife about life and, revealingly, his own writing. An intimate look at this canonical poet’s process, mental health, and quotidian moments during the early 1950s. One of the most significant European poets of the twentieth century, Paul Celan came from an Eastern European Jewish family and lost his parents to the death camps of World War II. Transplanted to Paris, he produced a body of work that was an ongoing confrontation with that history of loss and with the German language. His poems, anguished and unsleeping, have by now been translated into many languages, becoming a touchstone for poets, writers, and philosophers. Letters to Gisèle presents the letters Celan wrote to his wife, the French visual artist Gisèle Celan-Lestrange, over the course of close to twenty years, along with letters to the couple’s son, Eric, and letters from Gisèle to Paul. They provide an intimate view of his literary career and troubled life, which was marked by repeated stays in psychiatric clinics. They also provide an unparalleled glimpse into Celan’s poetic workshop, including his own word-for-word renderings from German into French of more than a dozen of his poems. These he addressed to Gisèle as an ongoing, informal German lesson. They figure too as messages from the heart. Presented here trilingually, these overlapping versions of Celan’s poems open up new dimensions of his famously hermetic poetry, as dazzling as it is dark. This edition includes some poems in the original German and Celan’s own translations of them. Paperback544 pagesNYRB Poets, 20245.71 x 1.31 x 8.18 inchesISBN 9781681378305Letters, Essays

Letters to Gisèle

Text by Paul CelanTranslated by Holly Cundif Retranslating Celan's translations of Shakespeare, Dickinson, Rimbaud and more reveals new insights on the circularity of language. Born in Romania into a German-speaking family and recognized as one of the most important postwar poets, Paul Celan (1920–70) is also celebrated for his meticulous German translations of a wide range of works by such luminaries as Dickinson, Mandelstam, Rimbaud, Shakespeare and Ungaretti. Inspired by the close relation between Celan’s work as Überträger, or "transmitter," and his own poetry, Holly Cundiff has retranslated some of these works into English to illuminate the interstices in which we catch a glimpse of Celan’s own perspective. Each selection in The Other Voice is presented in three versions: the poem in its original language, Celan’s translation into German and Cundiff’s translation into English directly from Celan’s translation. This circular process highlights the generative and transformative force of language, which Celan viewed as a means not only of sculpting the world but also of forming new worlds. Hardcover92 pagesMarquand Books, 20258 x 11 inchesISBN 9781646570430 Literature

The Other Voice: Translations from the Übertragungen of Paul Celan

By Bertolt Brecht with an introduction by Marc Silberman Edited by John Willett & Ralph Manheim “Casual wickedness, moral hypocrisy, determined self-interest - such are the familiar residents of Brecht's milieu . . .in this complete collection of his known finished stories . . . Chilling perfection.” ―Times Literary Supplement “Highly anecdotal, humourously accepting of the facts of life, like tales told by a clever seaman in a pub.” ―Guardian “These tales are the least known of Brecht's work, yet they underlie most of his major writings in other fields. Terse, mild-voiced, with piercing detail―a mine for short story addicts.” ―Observer Everyone knows that Bertolt Brecht was one of the great 20th-century innovators in theatre―the literary-theatrical equivalent of a Picasso or Stravinsky―and Germany's greatest poet of the last century, but the playwright was also a dazzling writer of stories. Storytelling permeated his art as a dramatist; fundamentally in his plays he was a storyteller. This volume collects the complete short stories written by Brecht, including the prize-winning 'The Monster', and the fragmentary memoir ghost-written by Brecht, 'Life Story of the boxer Samson-Körner'. Brecht scholar Marc Silberman provides an introduction and editorial notes. Paperback342 pagesBloomsbury Publishing, 20158 x 5 inchesISBN 9781472577511Drama, Poetry Anthology

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