Robert Walser

Edited by Philip Hensher Berlin, in the words of Philip Hensher, editor of this anthology, 'has always been a city of desperate modernity', both in terms of urban architecture—largely a creation of the progressive 19th century, laid waste by World War II, temporary home of the infamous Wall—and in ways of living and behaving. As early as the 1920s it was the gay capital of Europe; the Communist East/free West barrier presented unique problems for a divided population; and in the 1990s, in the aftermath of reunification, the cheap, run-down city became a vibrant centre for creative artists. 'The sense of making it up as you go along is never far away in Berlin.' The stories in this volume are the product of this series of multiple rebirths from the viewpoint of both insiders and outsiders. From pre-1914 there are contributions from Theodor Fontane and Robert Walser; from the Weimar Republic, Alexander Döblin, Vladimir Nabokov, Erich Kästner, Ernst Haffner, Irmgard Keun and Christopher Isherwood; from the Third Reich, Thomas Wolfe, Hans Fallada and Heinz Rein; from the Cold War era, Peter Schneider, Thomas Brussig, Len Deighton, Christa Wolf and Ian McEwan; from post-reunification, Günter Grass, Wladimir Kaminer, Chloe Aridjis, Uwe Timm, Kevin Barry, Jean-Philippe Toussaint and Jenny Erpenbeck. Hardcover400 pagesEveryman Publishing, 2019Originally published in 19794.9 x 1.2 x 7.5 inchesISBN 9781101908174Short Stories, Fiction

Berlin Stories

By Robert WalserTranslated by Christopher Middleton "The moral core of Walser’s art is the refusal of power; of domination....Walser’s virtues are those of the most mature, most civilized art. He is a truly wonderful, heartbreaking writer."—Susan Sontag The Swiss writer Robert Walser (1878-1956) is one of the quiet geniuses of twentieth-century literature. Largely self-taught and altogether indifferent to worldly success, Walser wrote a range of short stories, essays, as well as four novels, of which Jakob von Gunten is widely recognized as the finest. The book is a young man's inquisitive and irreverent account of life in what turns out to be the most uncanny of schools. It is the work of an outsider artist, a writer of uncompromising originality and disconcerting humor, whose beautiful sentences have the simplicity and strangeness of a painting by Henri Rousseau. Paperback200 pagesNYRB Classics, 1999Originally published in 19095 x 0.6 x 8 inchesISBN 9780940322219Fiction, Coming-of-Age

Jakob von Gunten

By Robert WalserTranslated by Tom Whalen with Nicole Kongeter and Annette Wiesner "Considered by contemporaries to be an inspiration for Kafka and a kindred spirit, Walser is generally lighter and more playful and very attuned to detail."—Kirkus Reviews"Walser’s energy, curiosity and observational brilliance never flags, whether it concerns a morning walk, a playful kitten, a moment of transcendence on a terrace above the mist veiled lake of Biel, or a conversation with himself."—Will Stone, TLS"A writer of considerable wit, talent and originality...recognized by such impressive contemporaries as Kafka, Brod, Hesse and Musil [and] primarily known to German literary scholars and to English readers lucky enough to have discovered [his work]...[Walser’s tales] are to be read slowly and savored [and] are filled with lovely and disturbing moments that will stay with the reader for some time to come."—Ronald De Feo, The New York TimesGirlfriends, Ghosts, and Other Stories brings together eighty-one brief texts spanning Robert Walser’s career, from pieces conceived amid his early triumphs to later works written at a psychiatric clinic in Bern. Many were published in the feuilleton sections of newspapers during Walser’s life; others were jotted down on slips of paper and all but forgotten. They are strung together like consciousness, idiosyncratic and vulnerable, genuine in their irony, wistful in their humor. Some dwell on childish or transient topics—carousels, the latest hairstyles, an ekphrasis of the illustrations in a picture book—others on the grand themes of nature, art, and love. But they remain conversational, almost lighter than air. Every emotion ventured takes on the weight of a sincerity that is imperiled as soon as it comes into contact with the outside world, which retains all of the novelty it had in childhood—and all of the danger.Paperback192 pagesNYRB Classics; Main edition, 20165 x 0.4 x 8 inchesISBN 9781681370163Short Stories, Satire, Humor

Girlfriends, Ghosts, and Other Stories

By Robert WalserTranslated by Christopher Middleton, Susan Bernofsky, and Tom Whalen "It is no wonder that Walser has been so influential to artists and writers whose work is similarly charged with social criticism, examinations of the individual in relation to the world, and the attempt to fathom artistic inspiration."—K. Thomas Kahn, The Quarterly Conversation A Little Ramble: In the Spirit of Robert Walser is a project initiated by the gallerist Donald Young, who saw in Walser an exemplary figure through whom connections between art and literature could be discussed anew. He invited a group of artists to respond to Walser’s writing. A Little Ramble is a result of that collaboration. The artists have chosen stories by Robert Walser (1878-1956) as well as excerpts from Walks with Robert Walser, conversations with the writer recorded by his guardian Carl Seelig. Much of this material appears in English for the first time. Accompanying these pieces are over fifty color artworks created specifically for this project, a preface by Donald Young, and an afterword by Lynne Cooke. Hardcover176 pages | 50 color illustrationsNew Directions/Christine Burgin, 2013 6.7 x 0.9 x 9.1 inchesISBN 9780811220996Literary Criticism

A Little Ramble: In the Spirit of Robert Walser

By Robert WalserTranslated by Susan BernofskyThe Robber, Robert Walser’s last novel, tells the story of a dreamer on a journey of self-discovery. It is a hybrid of love story, tragedy, and farce, with a protagonist who sweet-talks teaspoons, flirts with important politicians, plays maidservant to young boys, and uses a passerby’s mouth as an ashtray. Walser’s novel spoofs the stiff-upper-lipped European petit bourgeois and its nervous reactions to whatever threatens the stability of its worldview.Paperback141 pagesUniversity of Nebraska Press, 2007Originally published in 19255 x 8.5 inchesISBN 9780803298095Fiction, Satire

The Robber

By Robert WalserTranslated by Susan Bernofsky "The magnificently humble. The enormously small. The meaningfully ridiculous. Robert Walser’s work often reads like a dazzling answer to the question, How immense can modesty be? If Emily Dickinson made cathedrals of em dashes and capital letters and the angle of winter light, Walser accomplishes the feat with, well, ladies’ feet and trousers, and little emotive words like joy, uncapitalized."—Rivka Galchen, Harper’s"I think it was Herman Hesse who said that if you can stomach Robert Walser’s prose, you can’t help but fall in love with it, and I fell in love with it pretty quickly. He’s guileless but not stupid, an admiring observer of the inconsequential...He became a chronicler of the ordinary (interestingly, at around the same time Joyce, on the other side of Europe, was doing the same). And in this unbelievably delightful and timeless collection of short pieces, we can recover the delight of ordinary, uncondescending appreciation, places where the vacant-minded stroller can take ‘peculiar pleasure.’"—Nicholas Lezard, The Guardian In 1905 the young Swiss writer Robert Walser arrived in Berlin to join his older brother Karl, already an important stage-set designer, and immediately threw himself into the vibrant social and cultural life of the city. Berlin Stories collects his alternately celebratory, droll, and satirical observations on every aspect of the bustling German capital, from its theaters, cabarets, painters’ galleries, and literary salons, to the metropolitan street, markets, the Tiergarten, rapid-service restaurants, and the electric tram. Originally appearing in literary magazines as well as the feuilleton sections of newspapers, the early stories are characterized by a joyous urgency and the generosity of an unconventional guide. Later pieces take the form of more personal reflections on the writing process, memories, and character studies. All are full of counter-intuitive images and vignettes of startling clarity, showcasing a unique talent for whom no detail was trivial, at grips with a city diving headlong into modernity. Paperback160 pagesNew York Review of Books, 20125 x 0.4 x 8 inchesISBN 9781590174548Short Stories

By Robert WalserTranslated by Christopher Middleton "The poems also give us Walser’s manner in concentrated miniature, and it could be that rhyme—joining the disparate, cultivating the arbitrary - is at the heart of what he is doing. They are odd, whimsical, insouciant things, exhilarating in their ability to be what they are."—The Times Literary Supplement"The magnificently humble. The enormously small. The meaningfully ridiculous. Robert Walser’s work often reads like a dazzling answer to the question, How immense can modesty be?"—Rivka Galchen, Harper’s MagazineIn a small, exquisite clothbound format resembling the early Swiss and German editions of Walser’s work, Thirty Poems collects famed translator Christopher Middleton’s favorite poems from the more than five hundred Walser wrote. The illustrations range from an early poem in perfect copperplate handwriting, to one from a 1927 Czech-German newspaper, to a microscript.Hardcover64 pagesNew Directions, 20125.3 x 0.4 x 7.3 inchesISBN 9780811220019Poetry

Shop at Neue Robert Walser

Berlin Stories

Jakob von Gunten

Girlfriends, Ghosts, and Other Stories

A Little Ramble: In the Spirit of Robert Walser

The Robber

Berlin Stories

Thirty Poems

Shop at Neue
Robert Walser