Design

Text by Diane V. Silverthorne, Dan Reynolds, Megan Brandow-FallerA landmark of graphic modernism, the Vienna Secession’s magazine is brought to life in a complete facsimile reprint with new essays and translationsThe brainchild of Koloman Moser, Alfred Roller, Josef Hoffmann, Bertold Löffler and others—the leading graphic artists of the Vienna Secession and the Wiener Werkstätte—Die Fläche (German for The Surface) laid out an extraordinary group vision for design through adventurous work by these designer-professors and more than 100 of their students. Packed with bold ideas for posters, advertisements, book covers, woodcut prints and much more, the result is an inexhaustibly rich sourcebook of graphic forms, modern ideas and technical experiments, all reflecting a reorientation in design practice and teaching that would resonate around the world.This full-size facsimile of all 14 issues of Die Fläche lets readers experience this rare gem as it was meant to be seen, while new essays and translations explore its significance.Die Fläche is the first volume in Letterform Archive’s facsimile series, which presents landmarks of print and design history with exacting reproductions and new essays that provide rich context and fresh insights. Hardcover344 pages | 400 color, 25 black-and-white imagesLetterform Archive Books, 20238.7 x 1.6 x 13.2 inchesISBN 9781736863312Viennese Secession, Graphic Design

Die Fläche: Design and Lettering of the Vienna Secession, 1902–1911

Von Susanne BisovskyMode für eine große Stadt Wien ist eine alte Dame, die früh zu Bett geht und lange schläft! Eine Stadt wie Wien in einem globalisierten Umfeld ist der Hintergrund für die ersten dreißig Jahre „Bekleidungsentwicklungshilfe“ einer Wiener Modeschöpferin seit 1990. Wider eine glattgebügelte internationalisierte Ästhetik formuliert Susanne Bisovsky tiefgreifende, aber auch spielerische und letztlich selbstbestimmte Wege zu Bekleidung, Mode, Gewandung. Die Modeschöpferin nimmt uns mit auf eine Reise in die Höhen und Tiefen einer textilen Realität, die kaum Vergangenheit und nur Momentchen der Gegenwart kennt. Dabei durchdringt sie für und mit uns die Scheinwelt hysterischer Überproduktion und öffnet ihren realen und imaginären Fundus der Bekleidung einer Stadt, deren Schätze man nur zu heben bräuchte. Unbeirrt von Trends führt sie uns ein scheinbar aus der Zeit gefallenes Bild der „Schönen Wienerin“ vor Augen. Und zwischen den Zeilen des von namhaften Fotograf*innen bebilderten Bandes findet man schließlich eine Stadt, die sich um den Preis der Austauschbarkeit mehr und mehr selbst verliert. Damit das nicht passiert, beschenkt uns die Couturière mit erfrischendem „Wiener Chic“. Couture-Kollektionen von Trachtenpunk bis Teatro alla Scala Mit Textbeiträgen von Helmut Lang, Suzy Menkes, Barbara Vinken, Angela Stief, Elisabeth Längle, Andrea Bonicelli, Hubert Achleitner u. a. m. Fotografiert von Wolfgang Zac, Atelier Olschinsky, Bernd Preiml, Wolfgang Pohn, Jenni Koller, Bianca Hochenauer und Günter Derleth.Vienna, a city in a globalised environment, is the backdrop for the first thirty years of "development aid for clothing" by a Viennese fashion designer, starting in 1990. In contrast to a sleek internationalized aesthetic, Susanne Bisovsky formulates radical yet playful and ultimately self-determined approaches to clothing, fashion and attire.Hardcover304 pagesVerlag Anton Pustet, 2022Text in German and English9.88 x 1.46 x 13.31 inchesISBN 9783702510398 Viennese Fashion, Fashion Photography

Wiener Chic: Mode für eine große Stadt

By Franco Deboni Through the peak period of Art Deco creativity in the 1920s, many artists and studios produced portfolios of original designs for commercial use. Often these original works went unsigned and, after inspiring their limited, exclusive audience, disappeared. Here is one such portfolio (most likely French or German, 1925‒30) recently rediscovered and now reproduced as an original and probably unique document of the Art Deco years. Over 800 royalty-free jewelry designs and motifs dazzle with Art Deco invention: buckles, buttons, clips, belts, mirrors, pendants, cigarette cases, rings, chains, necklaces, watchbands, brooches, studs, clusters of intricate, delicate, sharp-edged Art Deco charms, many graced with the too-often forgotten humor and wit lying just beneath the geometry.Jewelry designers, collectors of Art Deco, and period specialists will find equal amounts of inspiration and aesthetic delight in this rare, precisely executed collection of fresh, authentic Art Deco design, now rescued from oblivion. Artists, designers, and crafters will find it a valuable Art Deco treasury. Paperback80 pagesDover Publications, 19828.3 x 0.2 x 11.2 inchesISBN 9780486243467Jewelry, Art Deco

Authentic Art Deco Jewelry Designs

By Friedrich Wolfrum and Co. The novelty of Art Nouveau derived in part from its innovative approach to the very concept of art. More than just a style, it eliminated the barriers between fine and applied arts and embodied a new way of thinking about modern society and production methods. Art Nouveau attempted nothing less than the redefinition of the meaning and nature of art. This multipurpose treasury features luxuriant patterns and designs that date from the early twentieth century, the heyday of Art Nouveau. Featuring both allover patterns and stand-alone designs, it consists of 49 full-page illustrations, plus eleven pages with numerous individual images. Handsomely reproduced from a rare Viennese publication, this inexpensive volume offers a sumptuous assortment of authentic designs from a revolutionary art movement. Paperback64 pagesDover Publications, 2005 8.4 x 0.2 x 10.7 inchesISBN 9780486445113Art Nouveau, Graphic Design, Decorative Arts

150 Full-Color Art Nouveau Patterns and Designs

This stunning array of stained glass motifs has been carefully hand-picked from rare, original early-twentieth-century Viennese portfolios. Still fresh and contemporary, these sparkling designs offer delightful expressions of the Art Nouveau style. The delicately colored motifs present a variety of natural images, as well as striking geometric forms reminiscent of the work of Frank Lloyd Wright. Immensely useful and moderately priced, this treasury is rich with high quality graphic designs featuring exotic birds and wildlife, jewel-like abstracts, lovely florals and foliate designs, fascinating landscapes, and other stained glass images sure to leave a lasting impression on artists, designers, and craftspeople. This book includes a CD-ROM containing 264 royalty-free images saved in high-quality JPEG format. Paperback48 pagesDover, 2007Dover Electronic Clip Art Series8.21 x 10.95 x 0.21 inchesCD-ROM includedISBN 9780486998817Art Nouveau, Glassware

Viennese Art Nouveau Stained Glass Designs CD-ROM and Book

Edited by Rene BeauclairAt the turn of the twentieth century, the Art Nouveau movement swept the world of decorative arts toward an excitingly modern direction. Inspired by both organic and geometric forms, the new trend abandoned historical styles in favor of flowing, natural forms accented by angular contours. Art Nouveau's curves and floral and animal motifs were particularly suited to adaptations in precious stones and rare metals. The elegant, royalty-free illustrations of this collection, reprinted in their original colors from a rare German edition, offer authentic representations of the craftsmanship and imaginative qualities involved in the creation of Art Nouveau jewelry.This sumptuous assortment presents more than 300 pendants, combs, rings, bracelets, brooches, buttons, clasps, and earrings. The exquisitely detailed jewelry and accessories feature lilies, morning glories, and other floral motifs as well as butterflies, seahorses, birds, and a host of fanciful creatures. René Beauclair, a renowned Art Nouveau designer, includes his own works as well as those of André Petitjean, Jules Armbruster, Paul Liénard, Emile Jammes, and Paul F. Follot. The striking, royalty-free illustrations are readily adaptable to any design use and will serve as a source of inspiration for jewelry designers and crafters of all kinds.Reprint of Neue Ideen für Modernen Schmuck, Verlag von Jul. Hoffmann, Stuttgart, n.d.Paperback48 pagesDover8.25 x 11 inchesISBN 9780486810065Jewelry Design, Art Nouveau

Art Nouveau Jewelry Designs

By Klaus-Jürgen Sembach “A picture of artistic revitalization.” ―PerspectiveFor a fruitful period between the 1880s and the First World War, European and North American culture deferred to nature. With a symphony of flowing lines and organic shapes, Art Nouveau (“New Art”) inflected architecture, design, painting, graphic work, applied arts, and illustration.With a spirit of willful reform, its practitioners sought to distance themselves from the imitative historicism that characterized much 19th-century art and replace it with undulating, decorative qualities. Turning to vine tendrils, flowering buds, and bird feathers as ornamental reference, they pursued not only a linear freedom but also liberation from the weight of artistic tradition and expectation.At the same time, Art Nouveau followed the example of the earlier English Aesthetic and Arts and Crafts movements to reject established hierarchies of artistic practice, to emphasize a return to hand-craftsmanship, and to synthesize artistic media and practices into a Gesamtkunstwerk, or total work of art. In this, as in its turn to nature, Art Nouveau is often seen as an aesthetic response to the Industrial Revolution, a recoil from the mass-produced and mechanic, and an elevation of the human hand and wonders of the great outdoors.This fresh TASCHEN edition considers Art Nouveau as a broad historical phenomenon with distinct local features. We consider the style’s wider artistic, economic, and political circumstances, as well as its particular flavor in such hubs as Vienna, Glasgow, Munich, Weimar, and Chicago. Outstanding proponents such as Victor Horta, Antoni Gaudí, and Charles Rennie Mackintosh are featured in connection with the cities of their greatest activity. The result is a vivid portrait of the age and a movement that is as much entrenched in our imagination of the fin de siècle as it is in the trajectory of modernism. Please note that Rare/Out-of-Print titles are very limited in stock.Hardcover240 pagesTaschen; 25th Anniversary Ed., 20169.7 x 0.8 x 12.1 inchesISBN 9783836520966Art Nouveau, Gesamtkunstwerk, Art History

Art Nouveau

By Thomas Negovan Jugendstil 1896: German Art Nouveau Illustrations features a selection of artworks from the first year of the magazine Jugend - the namesake of the jugendstil movement. Over two hundred rare and fantastic illustrations, as well as German Art Nouveau vignettes and framing elements, are included in this limited edition three volume book set. These works are often mystical in nature, sometimes whimsical, other times eccentric– but always beautiful and fascinating. To ensure maximum clarity and detail, all of the images in these books are captured directly from original books and magazines in the Century Guild collection using high-resolution photography and professional grade scans. The illustrations are supported with narrative about the period, as well as information about the artists and images; in many cases, we've been able to thoroughly research and identify artists often not attributed and identify historical background that had been previously unpublished. Included in this set: Jugendstil 1896: German Art Nouveau Illustrations Volume 1Jugendstil 1896: German Art Nouveau Illustrations Volume 2Jugendstil 1896: German Art Nouveau Illustrations Volume 3 Paperback80 pages | Full color illustrationsOriginally published in 1896Century Guild, 20246 x 9 inches eachISBN 9781947528284Art Nouveau, Jugendstil

Jugendstil 1896: German Art Nouveau Illustrations Box Set

By Thomas Negovan Bitter Blossoms: The Art of Der Orchideengarten Vol. 7 thoroughly covers the entirety of the magnificent and macabre illustrations in issues #1-6 of Der Orchideengarten magazine from the year 1921. The illustrations are captured from high-resolution scans made from a pristine collection in the Century Guild museum archive, and the accompanying text documents our extensive research to support the artworks and verify the artists whose names were not credited in the magazine. About Der Orchideengarten Magazine: Der Orchideengarten is a legendary supernatural horror magazine, published in Germany from January 1919 until November 1921. Founded four years before the iconic American magazine Weird Tales launched in March 1923, Der Orchideengarten is considered to be the first fantasy magazine. Published after the First World War when German art was at its height of decadence and debauchery, the magazine included a wide selection of new and reprinted stories by both German-language and foreign writers ranging from suspense and terror to crime and the eerily-erotic. While the literary content is historically significant, many of the stories have been reprinted in multiple places across the last century; we have focused our attention on what has gone undocumented: the incredible artworks that illustrated these stories. The artworks range from peculiar medieval etchings to occult woodblocks to expressionist visions—all balancing the romantic and the gothic with hyper-elegant sophistication. Paperback80 pages | full-color illustrationsOriginally published between 1919-1921Century Guild, 20215.5 x 8.5 inchesISBN 9781947528161 Horror Magazine, Interwar Design

Bitter Blossoms: The Art of Der Orchideengarten Vol. 7

By Thomas Negovan Diabolical Fantasia: The Art of Der Orchideengarten Vol. 1 thoroughly covers the entirety of the magnificent and macabre illustrations in issues #1-6 of Der Orchideengarten magazine from the year 1919. The illustrations are captured from high-resolution scans made from a pristine collection in the Century Guild museum archive, and the accompanying text documents our extensive research to support the artworks and verify the artists whose names were not listed in the publication. About Der Orchideengarten Magazine: Der Orchideengarten is a legendary supernatural horror magazine, published in Germany from January 1919 until November 1921. Founded four years before the iconic American magazine Weird Tales launched in March 1923, Der Orchideengarten is considered to be the first fantasy magazine. Published after the First World War when German art was at its height of decadence and debauchery, the magazine included a wide selection of new and reprinted stories by both German-language and foreign writers ranging from suspense and terror to crime and the eerily-erotic. While the literary content is historically significant, many of the stories have been reprinted in multiple places across the last century; we have focused our attention on what has gone undocumented: the incredible artworks that illustrated these stories. The artworks range from peculiar medieval etchings to occult woodblocks to expressionist visions- all balancing the romantic and the gothic with hyper-elegant sophistication. Paperback80 pages | full-color illustrationsOriginally published in 1919Century Guild, 20185.5 x 8.5 inchesISBN 9781947528017 Horror Magazine, Interwar Design

Diabolical Fantasia: The Art of Der Orchideengarten Vol. 1

By Thomas Negovan SINISTER HARVEST: THE ART OF DER ORCHIDEENGARTEN Vol. 2 thoroughly covers the magnificent and macabre illustrations from issues #7-12 of the German magazine Der Orchideengarten, first published in 1919. The illustrations are captured from high-resolution scans made from a pristine collection in the Century Guild museum archive, and the accompanying text documents our extensive research to support the artworks and verify the artists whose names were not listed. About Der Orchideengarten Magazine: Der Orchideengarten is a legendary supernatural horror magazine, published in Germany from January 1919 until November 1921. Founded four years before the iconic American magazine Weird Tales launched in March 1923, Der Orchideengarten is considered to be the first fantasy magazine. Published after the First World War when German art was at its height of decadence and debauchery, the magazine included a wide selection of new and reprinted stories by both German-language and foreign writers ranging from suspense and terror to crime and the eerily-erotic. While the literary content is historically significant, many of the stories have been reprinted in multiple places across the last century; we have focused our attention on what has gone undocumented: the incredible artworks that illustrated these stories. The artworks range from peculiar medieval etchings to occult woodblocks to expressionist visions- all balancing the romantic and the gothic with hyper-elegant sophistication. Paperback80 pages | full-color illustrationsOriginally published between 1919 and 1923Century Guild, 20185.5 x 8.5 inchesISBN 9781947528024 Horror Magazine, Interwar Design

Sinister Harvest: The Art of Der Orchideengarten Vol. 2

By Thomas Negovan Wicked Pursuits: The Art of Der Orchideengarten Vol. 8 thoroughly covers the entirety of the magnificent and macabre illustrations in issues #7-12 of Der Orchideengarten magazine from 1921, its final year of publication. The illustrations are captured from high-resolution scans made from a pristine collection in the Century Guild museum archive, and the accompanying text documents our extensive research to support the artworks and verify the artists whose names were not credited in the magazine. About Der Orchideengarten Magazine: Der Orchideengarten is a legendary supernatural horror magazine, published in Germany from January 1919 until November 1921. Founded four years before the iconic American magazine Weird Tales launched in March 1923, Der Orchideengarten is considered to be the first fantasy magazine. Published after the First World War when German art was at its height of decadence and debauchery, the magazine included a wide selection of new and reprinted stories by both German-language and foreign writers ranging from suspense and terror to crime and the eerily-erotic. While the literary content is historically significant, many of the stories have been reprinted in multiple places across the last century; we have focused our attention on what has gone undocumented: the incredible artworks that illustrated these stories. The artworks range from peculiar medieval etchings to occult woodblocks to expressionist visions- all balancing the romantic and the gothic with hyper-elegant sophistication. Paperback80 pages | full-color illustrationsOriginally Published between 1919-1921Century Guild, 20225.5 x 8.5 inchesISBN 9781947528185Horror Magazine, Interwar Design

Wicked Pursuits: The Art of Der Orchideengarten Vol. 8

By James M. BradburneWhen a puppet breaks the "fourth wall"- that is, the capacity for emotional involvement of a successful performance - it wins the trust of the audience, giving the show the power to blur the division between stage and world, between art and life. Understanding this were those artists, leading figures in the world of Art and Figure Theater, who looked to "creative play" as a source of aesthetic inspiration to seek new modes of visual expression.This volume and the accompanying exhibition Puppets and the Avantgarde. Picasso - Depero - Klee - Sarzi, curated by James M. Bradburne - from November 2023 at the Fondazione Palazzo Magnani in Reggio Emilia - open up a space for the imagination by tracing the cultural and social role of puppets in the European avant-garde at the beginning of the 20th century. An itinerary that places alongside the great names of Pablo Picasso, Fortunato Depero and Paul Klee, that of Otello Sarzi, a poetic figure who marked the artistic and educational history of Reggio Emilia. In order to understand their appeal, puppets are examined in the broadest sense: puppets operated from above – common in the palaces of princes and the drawing rooms of the bourgeoisie; and puppets manipulated from below – inhabitants of the popular world of fairs and the public square.Hardcover324 pagesText in Italian and EnglishIdea Books, 202325.5 x 21.5 cmISBN 9791254930762Movements, Avant-Garde

Puppets and the Avantgarde | Marionette e Avan Guardia

By Pasquale Gagliardi, Valerio Terraroli, Christoph Thun-Hohenstein, Andreas Vass, and Rainald Franz. The second catalog dedicated to international developments in twentieth-century glass, after Glass from Finland in the Bischofberger Collection. Published in collaboration with the MAK Vienna and LE STANZE DEL VETRO on the occasion of the exhibition in Venice, this volume presents over 300 works from the collection of the MAK Austrian Museum of Applied Arts/Contemporary Art in Vienna and private collections. It focuses, for the first time, on the history of glassmaking in Austria from 1900 to 1937, a period spanning the last decades of the Austro-Hungarian Empire and the First Republic. In the early twentieth-century, a group of young architects, designers, and fine arts and architecture students developed a special interest in the process of glassmaking. They paved the way to the first pioneering developments in twentieth-century glass production as they gained a thorough understanding of the material. The collaboration between architects and designers created the style of Viennese glass, found in new projects such as the Wiener Werkstätte or the Austrian Werkbund. Hardcover328 pagesSkira, 20179.5 x 1.4 x 12.2 inchesISBN 9788857232447Austrian Glassmaking, Architecture

The Glass of the Architects: Vienna 1900-1937

By Gerhard Dietrich and Eckard Wagner The first comprehensive reference work on Kayserzinn from the Jugendstil era, with an index of all 1000 models and illustrations, descriptions and data about the era in which they were created and their designers. Kayserzinn today is nearly a synonym for exceptionally high-quality German Jugendstil pewter ware. Engelbert Kayser (1840-1911)—an art dealer and entrepreneur residing in Cologne—founded the trademark of the same name in 1895. His aim was to lead the still historical characterized fine pewter of his parent’s foundry in Krefeld, now managed by his younger brother Johann Peter (Jean) Kayser, into the Jungendstil era that was beginning. In his own atelier established in Cologne several well-known sculptors, such as Hugo Leven, Hermann Fauser and Karl Berghof, developed a characteristic an individual style in the context of Europe under the aegis of the skilled pewterer Engelsbery Kayser. At the international Exhibitions in Paris in 1900, in St. Louis in 1904 and at the epoch-making exhibition of applied arts in Turin 1902 Kayser pewter won gold medals. Catalog of an exhibition held at the Museum für Angewandte Kunst, Köln, 4 September-20 November 2011. Please note that Rare/Out-of-Print titles are very limited in stock. Hardcover256 pages9.5 x 0.9 x 11.8 inchesText in German and EnglishArnoldsche Verlagsanstalt, 2011ISBN 9783897903579Design, Jugendstil

Kayserzinn: Engelbert Kayser, Jugenstil Pewter from Cologne

Edited by Elizabeth Otto and Patrick Rössler “Bauhaus Bodies addresses gender issues more broadly, with fourteen essays by established and newer scholars on body culture, spirituality, dance, androgyny, clothing, experimental photography, and the unsung contributions of Bauhaus wives and female wall painters.” ―Woman's Art Journal“Dispensing with the usual focus on a monolithic school and its leaders, this collection will prove an indispensable resource for investigating the Bauhaus' immediate social impact, historical context, and far-reaching historical implications.” ―CHOICEA century after the Bauhaus's founding in 1919, this book reassesses it as more than a highly influential art, architecture, and design school. In myriad ways, emerging ideas about the body in relation to health, movement, gender, and sexuality were at the heart of art and life at the school. Bauhaus Bodies reassesses the work of both well-known Bauhaus members and those who have unjustifiably escaped scholarly scrutiny, its women in particular.In fourteen original, cutting-edge essays by established experts and emerging scholars, this book reveals how Bauhaus artists challenged traditional ideas about bodies and gender. Written to appeal to students, scholars, and the broad public, Bauhaus Bodies will be essential reading for anyone interested in modern art, architecture, design history, and gender studies; it will define conversations and debates during the 2019 centenary of the Bauhaus's founding and beyond.Paperback392 pages | 12 color and 110 black-and-white illustrationsBloomsbury Publishing, 20199 x 6 inchesISBN 9781501344787Bauhaus History, Gender Studies, Essays

Bauhaus Bodies: Gender, Sexuality, and Body Culture in Modernism’s Legendary Art School

By Frank Whitford"Concise, well constructed, entertaining and eminently readable"—Architects’ Journal"A much needed and very lucid account"—The Times Educational SupplementThe aesthetic of our contemporary environment, including everything from housing developments to furniture and websites, is partly the result of a school of art and design founded in Germany in 1919, the Bauhaus. While in operation for only fourteen years before being shut down by the Nazis in 1933, the school left an indelible mark on design as well as the practice of art education throughout the world.Placing the Bauhaus into its socio-historic context, Frank Whitford traces the ideas behind the school’s conception and describes its teaching methods. He examines the activities of the teachers, who included artists as eminent as Paul Klee, Josef Albers and Wassily Kandinsky, and the daily lives of the students. This remains the most accessible and highly illustrated introduction to perhaps the most significant design movement of the last hundred years. Paperback216 pagesThames & Hudson, 20206 x 8.4 x 0.7 inchesISBN 9780500204627Movements

Bauhaus (World of Art)

By Oliver Zybok, et al.Works from the Stifting Bauhaus Dessau CollectionDespite the famous pedagogical philosophy and teachers of the Bauhaus, the school’s students have never received their due recognition. This historic publication includes works by Theo Balden, Eugen Batz, Max Bill, Marianne Brandt, Werner Drewes, Werner Gilles, Werner Graeff, Carl Marx, Erich Mende, Karl Peter Röhl, Wera Meyer-Waldeck and Fritz Winter.Hardcover192 pages | 179 color illustrationsText in English and GermanHatje Cantz, 20149.1 x 0.8 x 11.2 inchesISBN 9783775736008Bauhaus, Art Theory, Anthology

Bauhaus. Die Kunst der Schüler (Bauhaus. The Art of the Students)

By Ellen Lupton"Edited by two renowned graphic designers, The ABC's of Triangle, Square, Circle lives up to its subject in its own design, which elegantly integrates copious drawings, photographs, and typographic samples."―CityLab"This rare beauty is among the early joint works of its illustrious editors. It is also an extremely important primer for anyone who knows the legend but not the story of the Bauhaus and its methods....The Princeton Architectural Press new hardcover version is a standard for any design history class."―Steven Heller, The Daily Heller"From graphic design to psychoanalysis, childhood education and beyond, [the Bauhaus's] influence is undeniable. Along with typographical design, diagrams, symbols and various illustrations, [The ABCs of Triangle, Square, Circle: The Bauhaus and Design Theory] is a fascinating lesson in a wildly significant movement."―Cool HuntingThe Bauhaus, the legendary school in Dessau, Germany, transformed architecture and design around the world. This book broke new ground when first published in 1991 by introducing psychoanalysis, geometry, early childhood education, and popular culture into the standard political history of the Bauhaus. The ABC's of Triangle, Square, Circle also introduced two young designers, Ellen Lupton and J. Abbott Miller, whose multidisciplinary approach changed the field of design writing and research. With a new preface by Lupton and Miller, this collection of visually and intellectually stimulating essays is a must-read for educators and students.Hardcover 256 pagesPrinceton Architectural Press, 201910.8 x 8.7 x 0.5 inchesISBN 9781616897987Bauhaus, Design

The ABC's of Triangle, Square, Circle: The Bauhaus and Design Theory

By Walter GropiusThe Bauhaus sought to unite life, craftsmanship, and art under one roof. In this volume, Walter Gropius provides a comprehensive overview of the Bauhaus workshops. He explains the basic principles guiding the teaching, describes contemporary developments in architecture, and illuminates the Bauhaus point of view on household utensils, which was geared toward finding the most suitable form for the respective object. Here, Gropius presents the Bauhaus workshops in Weimar devoted to furniture, metals, textiles, and ceramics, among other subjects.The series is published with the generous support of the Rudolf-August Oetker-Stiftung.In collaboration with Bauhaus-Archiv / Museum für Gestaltung, BerlinHardcover124 pages, 112 illustrationsLars Müller Publishers, 20207 × 9 x 0.5 inchesISBN 9783037786307Bauhaus

New Works from the Bauhaus Workshops (Bauhausbücher 7)

By Adolf MeyerWith a contribution by Walter Gropius, Georg MucheDesigned by László Moholy-Nagy (original German edition)Adolf Meyer was Walter Gropius’s right-hand man, his planner and close confidant. As early as 1910, they jointly created the Fagus Factory, one of the most important modernist buildings. The experimental single-family home “Haus am Horn” was built for the first Bauhaus exhibition, in the summer of 1923 in Weimar. The house was planned by Georg Muche (design) and the architectural department at the Bauhaus. Adolf Meyer and Walter March were responsible for construction management.The book about the project was compiled in the summer of 1924 and became the third volume of the Bauhausbücher. Following an essay by Walter Gropius that supplies information on the “Housing Industry,” Georg Muche presents the design of the model building. Adolf Meyer then describes its technical execution, giving details on the companies involved.The series is published with the generous support of the Rudolf-August Oetker-Stiftung.Hardcover82 pages | 60 illustrationsLars Müller Publishers, 20207 × 9 x 0.4 inchesISBN 9783037786277Bauhaus

A Bauhaus Experimental House (Bauhausbücher 3)

By Ingolf Kern The Bauhaus building in Dessau, designed by Walter Gropius and built in 1926, is the built manifestation of a revolution in design and education. Today, it is accepted worldwide as the ultimate symbol of 'white modernism'. But what is it that gives it its lasting stylistic influence? How is Gropius‘s play with transparency, lightness and colour achieved? How was the building used, and how has it changed over the decades since its inauguration? This architectural guide looks behind the distinctive curtain wall, quite literally examines what lies beneath the building‘s facade and reveals frequently overlooked facets of this illustrious building. In concise chapters, the book takes the reader on a tour of the Bauhaus building and its history and thereby prompts an invitation to visit on a journey of rediscovery. The small and handy books, designed by the Berlin-based graphic designer Eike König, accompany the exhibitions and are also intended as practical guidebooks for the Bauhaus buildings. The Bauhaus paperback 5 on the Bauhaus Dessau is the first to also appear in English. Please note that Rare/Out-of-Print titles are very limited in stock. Paperback176 pagesSpector Books, 20144.1 x 0.5 x 5.7 inchesISBN 9783944669267Bauhaus, Architecture

The Bauhaus Building in Dessau

Edited by Laura Forlano, Molly Wright Steenson and Mike Ananny What would keep the Bauhaus up at night if it were practicing today? A century after its founding by Walter Gropius in Weimar, Germany, as an “experimental laboratory of the future,” who are the pioneering experimentalists who reinscribe or resist Bauhaus traditions? This book explores the varied legacies, influences, and futures of the Bauhaus. Many of the animating issues of the Bauhaus―its integration of research, teaching, and practice; its experimentation with materials; its democratization of design; its open-minded, heterogeneous approach to ideas, theories, methods, and styles―remain relevant. The contributors to Bauhaus Futures address these but go further, considering issues that design has largely ignored for the last hundred years: gender, race, ethnicity, class, sexuality, and disability. Their contributions take the form of essays, photo-essays, interviews, manifestos, diagrams, and even a play. They discuss, among other things, the Bauhaus curriculum and its contemporary offshoots; Bauhaus legacies at the MIT Media Lab, Black Mountain College, and elsewhere; the conflict between the Bauhaus ideal of humanist universalism and current approaches to design concerned with race and justice; designed objects, from the iconic to the precarious; textile and weaving work by women in the Bauhaus and the present day; and design and technology. Hardcover376 pagesThe MIT Press, 20197 x 1.1 x 9 inchesISBN 9780262042918 Art History, Architecture, Design

Bauhaus Futures

By Ellen Lupton Known for its bold sans-serif typefaces, crisp asymmetrical grids and clean use of negative space, the Bauhaus emerged as the forbearer of a new look—one that seized the tools of mass production in the creation of a radical new art. Today, just over 100 years after the Bauhaus’s opening in 1919, the school’s visual hallmarks have come to define modernity as it appears on the printed page.The official catalog for Letterform Archive’s inaugural gallery exhibition, Bauhaus Typography at 100 explores the school’s legacy in graphic and typographic design through artifacts of its own making—its books, magazines, course materials, product catalogs, stationery, promotional fliers and other ephemera. From the book’s beautifully designed pages, readers learn of typographic masters László Moholy-Nagy, Herbert Bayer and Joost Schmidt, who channeled Constructivism’s geometric forms and optimism for industry into printed vehicles for the school’s teachings. Here is where Bauhaus typography—its rejection of serifs and capitals, embrace of experimental alphabets, insistence on universal clarity, and innovation in layering and hierarchy—took its distinctive shape. The catalog also shines light on the Bauhaus’s lesser-known early forays into expressive lettering and illustration, also tracing the school’s immediate impact on seminal design movements such as the New Typography and, of course, on design practitioners working today. Lavishly illustrated, carefully researched and written, and accompanied by an in-depth introduction from noted Bauhaus expert, author and curator Ellen Lupton, Bauhaus Typography at 100 is a must-have for any fan of modern design.Hardcover280 pages | 500 imagesLetterform Archive Books, 20219.5 x 7.5 inchesISBN 9780998318097Typography, Bauhaus Design

Bauhaus Typography at 100

Presented as a set of three copies each of the original 20 cards inside a giftable hardcover box, these bold, colorful postcards preserve a major early design statement of the Bauhaus. In 1923, Bauhaus founder Walter Gropius commissioned 20 postcards from artists such as Paul Klee and Wassily Kandinsky to use as promotional flyers for the school’s first exhibition. Issued here for the first time in their original format, these rare and priceless postcards perfectly express the spirit of the early Bauhaus.Featuring artwork digitized using state-of-the-art capture technology, and printed stochastically at 100 percent of the original size, with space on the back for messages, each postcard is a miniature piece of art. From the expressionism of Klee and Kandinsky to the modernism of Herbert Bayer and László Moholy-Nagy, Bauhaus Postcards allows readers to send (or keep!) a precious piece of design history.Artists include: Rudolf Baschant, Herbert Bayer, Lyonel Feininger, Paul Häberer, Dörte Helm, Ludwig Hirschfeld-Mack, Wassily Kandinsky, Paul Klee, Gerhard Marcks, László Moholy-Nagy, Farkas Molnár, Oskar Schlemmer, Kurt Schmidt and Georg Teltscher.60 postcardsLetterform Archive Books, 20225 x 7 inchesISBN 9781736863398Postcards, Stationery

Bauhaus Postcards: Invitations to the First Exhibition

By Elizabeth Otto and Patrick Rössler The story of the Bauhaus has usually been kept narrow, localized to its original time and place and associated with only a few famous men such as Walter Gropius, Marcel Breuer, Paul Klee, Wassily Kandinsky, and László Moholy-Nagy. Bauhaus Women: A Global Perspective bursts the bounds of this slim history by revealing fresh Bauhaus faces: Forty-five Bauhaus women unjustifiably forgotten by most history books. This book also widens the lens to reveal how the Bauhaus drew women from many parts of Europe and beyond, and how, through these cosmopolitan female designers, artists, and architects, it sent the Bauhaus message out into the world and to a global audience. Essential reading on the Bauhaus or for anyone interested in the too-often missed centrality of women artists to modern art and design, Bauhaus Women: A Global Perspective reclaims the other half of Bauhaus history, yielding a new understanding of the radical experiments in art and life undertaken at the Bauhaus and the innovations that continue to resonate with viewers around the world today. Hardcover192 pagesHerbert Press, 20198.8 x 0.8 x 11.2 inchesISBN 9781912217960Bauhaus, Women Artists

Bauhaus Women: A Global Perspective

Edited by Barry Bergdoll and Jonathan Massey Marcel Breuer (1902–1981) is celebrated as a furniture designer, teacher, and architect who changed the American house after his emigration from Hungary to the U.S.A. in 1937. More recently historians, architects, and—with the reopening in New York of the great megalith of his Whitney Museum as the Met Breuer—a larger public are gaining new insights into the cities and large-scale buildings Breuer planned. Often seen as a pioneer of a "Brutalist modernism" of reinforced concrete, Breuer might best be understood through the lens of the changing institutional structures in and for which he worked, a vantage developed in the fresh approaches gathered here in essays by a group of younger scholars. These essays draw on an abundance of newly available documents held in the Breuer Archive at Syracuse University, now accessible online. Paperback400 pagesLars Müller, 20186.6 x 1.3 x 9.4 inchesISBN 9783037785195Brutalism, Modernism, Architecture

Marcel Breuer: Building Global Institutions

By Arnt Cobbers In 1956, TIME magazine called him one of the defining “form-givers of the 20th century.” Today, Marcel Breuer (1902–1981) remains a locus classicus of modernism for architects and designers alike. As a Bauhaus pioneer, even his earliest work was marked by a material restraint; the balance of texture, color, and shape; and a symbiosis of local and global, big and small, rough and smooth.In this essential introductory monograph, we survey Breuer’s complete career through some of his most influential projects and ideas, from his landmark tubular furniture to the MoMA Research House to his innovation of “binuclear” housing, splitting living and sleeping areas into separate wings. Along the way, we follow Hungarian-born Breuer’s journey to international acclaim, with featured projects from Germany, France, England, Switzerland, and across the United States contributing to his global status as a modernist maestro. Hardcover96 pagesTaschen, 20178.4 x 0.5 x 10.3 inchesISBN 9783836544733Modernism, Bauhaus

Breuer (Basic Art Series 2.0)

Original Price: $45.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Roman Zieglgänsberger and Evelyn Bergner “The Museum Weisbaden’s monograph introduces an underknown artist and underscores the vibrancy of the interwar avant-garde. . . .Recommended.”—CHOICEPainter, graphic artist, typographer, photographer, and sculptor, Werner Graeff (1901–78) was a key figure in the Bauhaus and the Constructivism movements. Alongside reproductions of his major works, including pictograms, multiples, drawings, and other graphic works, this book presents the story of Graeff’s life—including, for the first time, the moving autobiography he wrote at the urging of his friend Mies van der Rohe, The Obstacle Race of the Twentieth Century. Through an analysis of Graeff’s work with the Bauhaus and the De Stijl group of Dutch artists, as well as the Ring Neue Werbegestalter founded by Kurt Schwitters, we see his prominent place in the vibrant life and culture of the German art world of the period.Hardcover288 pagesHirmer Publishers, 20177.5 x 1.3 x 9.8 inchesISBN 9783777427973Bauhaus, Graphic Design, Monograph

Werner Graeff: Recollection of a Bauhaus Artist

By Veena Duncker, Lynn Springer Roberts, Reinhard Sanger, Eric Turner, and Mienke Simon Thomas. Original Price: $55.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Silver has been a cherished heirloom and gift for centuries. Historians claim that by 3100 B.C. ambassadors to the Egyptian king from Crete brought silver vases as gifts. Today, sterling silver is a favorite medium for creative and innovative designers because of its malleability. The mystical white metal has marked historical milestones throughout the ages, served as a medium of exchange and become an essential metal in today's world of high-tech consumer goods. Part of silver's intrigue is found in its versatility. Its unique properties include beauty, strength, sensitivity to light, malleability and ductility, electrical and thermal conductivity, reflectivity and the ability to endure extreme temperature changes. These properties allow scientists and engineers around the world to undertake groundbreaking research that changes the way we live. This generously illustrated volume presents almost 200 beautiful and rare pieces of utilitarian silver from the Art Nouveau and Art Deco period, selected from a private silver collection. It brings together objects by various renowned silversmiths, including Christopher Dresser, Charles Robert Ashbee, Omar Ramsden and Alwin Carr, and Edward Spencer, Henry Wilson and Paul Cooper. American silversmiths include the Kalo Shop, the International Silver Company of Meriden, The Gorham Manufacturing Company and Howard Crisp. The color photographs of the objects are accompanied by extensive captions, monograms and hallmarks, providing substantial new information. In addition, A Personal Touch includes essays by silver specialists: Eric Turner, of the Victoria & Albert Museum in London, examines reforms in the work of English silversmiths and describes the pieces in this collection that illustrate these developments. Lynn Springer Roberts, former curator at The Art Institute of Chicago, writes about American silverware from the early 20th century, and Reinhard Sanger, of the Badisches Landesmuseum in Karlsruhe, focuses on continental silver, paying special attention to beautifully decorated cutlery. Please note that Rare/Out-of-Print titles are very limited in stock. Hardcover263 pagesNAi Publishers/Museum Boijmans Van Beuningen, 2003 12.9 x 9.7 x 1 inchesISBN 9789056623128Metalwork

A Personal Touch: Late 19th and 20th Century Silver From The Seawolf Collection

Texts by Markus Brüderlin, William D. Godsey, Jr., Diether Halama, Michael Huey, J.S. Marcus, Joseph Rykwert, Elisabeth Schmuttermeier, Christopher Wilk This sumptuously illustrated volume presents over 180 outstanding Viennese silver objects representing the period from Neoclassicism to the Wiener Werkstätte. Comparing early eighteenth-century works with examples of twentieth-century design and architecture, it offers a fascinating look at Vienna's contribution to the development of modern decorative arts. The authors demonstrate how the roots of modern design go back further than is generally assumed. Achieving remarkable clarity and formal reduction, Viennese Biedermeier designers created everyday objects of silver with astonishingly straightforward and purposeful forms that remain as progressive as ever today. In turn-of-the-century Vienna, Josef Hoffmann and Koloman Moser drew inspiration from the intellectual legacy of the period in their designs for the Wiener Werkstätte. Many of the ideas introduced by the Viennese avant-garde were later expressed in such movements as the Bauhaus and De Stijl. By examining this history in all its complexity, the book traces the development of the vocabulary for contemporary design. Please note that this item is Out of Stock. Hardcover400 pagesHatje Cantz, 20038.0 x 11.5 inchesISBN 9783775713177Neue Exhibition Catalogue, Applied Arts, Silverware

SOLD OUT - Viennese Silver: Modern Design 1780-1918

By Kevin W. TuckerWith contributions by Fran Baas and Elisabeth Schmuttermeier “This slim, beautifully produced volume celebrates [an] important acquisition.”—Kevin W. Tucker, Art NewspaperThe Wittgenstein Vitrine, a monumental silver and gemstone-encrusted cabinet, is one of the most important and complex works produced by Austria’s Wiener Werkstätte. Kevin W. Tucker weaves together a fascinating portrait of the vitrine, examining its stylistic origins and context, the powerful Wittgenstein family, and Vienna during its apogee of artistic ferment. His essay explores how the vitrine and its presentation at the 1908 Kunstschau embodied the debate over progressive ornamentation and suggested the evolving definition of modernity in the early 20th century. A companion essay by Fran Baas details the fascinating eight-month process of conserving the cabinet, revealing construction details unseen since its original assembly. Lavish photography throughout the book includes details of the vitrine’s floral and faunal ornamentation as well as contextual images of related works by the Wiener Werkstätte. This book also serves as the only English-language publication detailing the work and biography of the vitrine’s designer, Carl Otto Czeschka (1878–1960). Hardcover88 pagesDallas Museum of ArtYale University Press, 201610 x 0.2 x 14 inchesISBN 9780300214574Applied Arts, Wiener Werkstätte, Decorative Arts

The Wittgenstein Vitrine: Modern Opulence in Vienna

By Valerio Terraroli This book gathers the covers of Ver Sacrum, the official magazine of the Vienna Secession, which ran from 1898 to 1903. Published for the 120th anniversary of this historic magazine, it reproduces all 120 regular issues―plus some special, limited-edition covers―in 1:1 scale, alongside a selection of block prints, lithographs and copper engravings. Ver Sacrum (meaning "Sacred Spring" in Latin) was conceived by Gustav Klimt, Max Kurzweil and Ludwig Hevesi. During its six years of activity, 471 original drawings were made specifically for the magazine, along with 55 lithographs and copper engravings and 216 block prints, by artists such as Gustav Klimt, Egon Schiele, Koloman Moser, Otto Wagner, Max Fabiani, Joseph Maria Olbrich and Josef Hoffmann. Writers such as Rainer Maria Rilke, Hugo von Hofmannsthal, Maurice Maeterlinck, Knut Hamsun, Otto Julius Bierbaum, Richard Dehmel, Ricarda Huch, Conrad Ferdinand Meyer and Arno Holz were published in its pages. Ver Sacrum reveals the tremendous originality of the Jugendstil language, a cornerstone of modernity that elaborated new forms of design, illustration and print/editorial composition.Hardcover320 pagesSkira, 201811.5 x 0.5 x 11.5 inchesISBN 9788857238760Austrian Art, Magazine, Art History, Design

Ver Sacrum: The Vienna Secession Art Magazine 1898–1903: Gustav Klimt, Egon Schiele, Koloman Moser, Otto Wagner, Max Fabiani, Joseph Maria Olbrich, Josef Hoffmann

Edited by Lilli Hollein and Bärbel Vischer With contributions by Kimberly Bradley, Lilli Hollein, Nina Schedlmayer, and Bärbel Vischer The iconic designs that are still handcrafted today by the Auböck workshop, now in its fourth generation in Vienna, were ahead of their time from the beginning and shaped Austrian design across generations. The book and exhibition focus on the defining era of the interwar and post-war periods and also refer to the experimental 1980s. The works are viewed through the lens of surrealism. For the first time, works by the sculptor and textile artist Mara Uckunowa-Auböck (1895-1987), who met Carl Auböck II (1900-1957) at the Bauhaus in Weimar, are also presented. The book contains, among other things, newly published photographs of the essential, original works shown in the exhibition, as well as a foreword by Lilli Hollein, texts by Kimberly Bradley on the workshop in the international design context, by Nina Schedlmayer on the history of the workshop, and by Bärbel Vischer on the surrealist perspective on the comprehensive oeuvre of the Auböck workshop. The work of the celebrated workshop for mid-century home decor Furniture, cutlery, key rings, smoking utensils, and much more Exhibition at the MAK, Vienna, 15.5.2024-13.10.2024 Paperback186 pages | 1 b&w and 120 color illustrationsBirkhäuser, 2024Text in German and English6.7 x 9.4 inchesISBN 9783035629057Architecture and Interior Design, Exhibition Catalog

Iconic Auböck: A Workshop Shapes Austria's Concept of Design

By Christian Witt-Dorring and Janis StaggsThe Wiener Werkstätte, founded by Josef Hoffmann, Koloman Moser, and Fritz Waerndorfer, was an artists’ and craftsmen’s collective that existed in Vienna from 1903 until 1932. The artists’ goal was to bring high-quality design and craft into all areas of life and to elevate everyday objects into pieces of art. During that time, the collective produced items in a variety of media including ceramics, furniture, glass, jewelry, metalwork, and textiles. The Wiener Werkstätte style influenced generations of architects from Bauhaus to Art Deco. This book features the work of well-known Wiener Werkstätte members such as Josef Hoffmann, Koloman Moser, and Dagobert Peche along with lesser known designers such as Gudrun Baudisch, Carl Otto Czeschka, and Ugo Zovetti. It also includes in-depth essays that explore the Wiener Werkstätte’s long history and legacy.Hardcover577 pagesNeue Galerie New YorkPrestel, 20179.5 x 2.2 x 11.5 inchesISBN 9783791357164Neue Galerie Exhibition Catalogue, Jewelry, Applied Arts, Design

Wiener Werkstätte 1903-1932: The Luxury of Beauty Exhibition Catalogue

Edited by Janis Staggs This publication accompanied the first major museum exhibition devoted exclusively to Wiener Werkstätte jewelry. It highlights masterpieces created by Josef Hoffmann, Koloman Moser, Carl Otto Czeschka, and Dagobert Peche, among others. Supplemental materials include design drawings, as well as historic photographs of prominent clients. There is a particular emphasis on fashion designer Emilie Flöge, confidante of Gustav Klimt, who assembled a large jewelry collection. The central essay by Neue Galerie Director of Curatorial and Manager of Publications, Janis Staggs examines the founding of the Wiener Werkstätte, the development of its working program, the role of key designers and patrons, and the legacy of this unique form. Hardcover118 pagesNeue Galerie New YorkHatje Cantz, 2008; Reprinted 201711.5 x 9.25 x 0.75 inchesISBN 9781931794190Neue Galerie Exhibition Catalogue, Jewelry

Wiener Werkstätte Jewelry

By Christian Witt-DörringThe Austrian architect Josef Hoffmann (1870-1956) is recognized as one of the leading figures in the modern movement. This catalog takes as its point of departure four rooms designed during his most creative period, the years between 1902 and 1913.Covering such diverse topics as interior design, literature, fashion, and psychoanalysis, the catalog examines the social and artistic developments occurring in Vienna during this period. An analysis of the design scene in Germany at the time helps establish a contrasting vision to Hoffmann’s own sensibility. Finally, Hoffmann’s private dwellings are revealed in photographs shown for the first time. Please note that Rare/Out-of-Print titles are very limited in stock.Hardcover224 pages | black-and-white and color illustrationsNeue Galerie New YorkPrestel, 20069 x 12 x 1.5 inchesISBN 9783791337104Neue Galerie Exhibition Catalogue, Interior Design

Josef Hoffmann: Interiors, 1902-1913

By Christian Witt-Dörring This publication serves as a companion volume to Josef Hoffmann: Interiors, 1902-1913. It documents the installation of this extraordinary exhibition, which opened at the Neue Galerie New York in November 2006. Four entire Hoffmann rooms were recreated for this exhibition. Christian Witt-Dörring, curator of decorative arts for the Neue Galerie, details the painstaking process of assembling materials for these interiors, both from an aesthetic and a practical standpoint. In the process, he reveals how a curator takes on the challenge of bringing the work of a major designer to life. Please note that this item is Out of Stock. Hardcover88 pages | black-and-white and color illustrationsNeue Galerie New YorkPrestel, 20099.8 x 0.8 x 11.5 inchesISBN 9781931794206Neue Galerie Exhibition Catalogue, Interior Design, Museum Studies

SOLD OUT - Josef Hoffmann: Interiors, 1902-1913; The Making of an Exhibition

By Adrián Prieto and Christian Witt-Dörring The Viennese architect and ‘allround designer’ Josef Hoffmann (1870–1956) is much more than just the founder of the Wiener Werkstätte. This book offers a wide-ranging look at his oeuvre, which took shape over no less than sixty years. The timeless beauty of Hoffmann’s creations demonstrates his importance not just as a historical figure, but as a source of inspiration for several generations.Richly illustrated with furniture, objects, designs, textiles, photos, drawings and documents. Special attention is paid to his creative method and his misunderstood use of color.The project was developed in collaboration with Vienna’s Museum of Applied Arts (MAK) and is one of the eye-catchers of Art Nouveau Brussels 2023. This monograph accompanies the exhibition Josef Hoffmann – Falling for Beauty at the Art & History Museum in Brussels from 6 October 2023 to 14 April 2024.Hardcover208 pages | 67 color and 98 black-and-white illustrationsHannibal Books, 20239.45 x 10.63 inchesISBN 9789464666779 Artist Monograph, Design

Josef Hoffmann: Falling for Beauty

Edited by Christian Witt-DörringTracing the career of Koloman Moser, one of the most influential figures in 20th-century design, this stunning book focuses on Moser’s accomplishments in the decorative arts.During his short career, Koloman Moser became a towering figure in Viennese culture. His varied work in interior and graphic design, furniture, textiles, jewelry, metalwork, glass, and earthenware helped usher in the modern era. This book surveys the entirety of Moser’s oeuvre. It examines his work as a graphic designer and his involvement with the Vienna Secession, with special focus given to his role as an illustrator for the journal Ver Sacrum (Sacred Spring). Moser’s forays into textile design and ceramic work are also introduced. The book features his designs for the Vienna Secession, Thonet Brothers, and the Mautner family, among others that characterize his early modern style. The book also explores Moser’s seminal role as a founding member of the Vienna Workshops, along with architect Josef Hoffmann and patron Fritz Waerndorfer. Included are many reproductions of Moser’s masterpieces, including the window of the Steinhof Chapel, his exhibition posters, postage stamps and currency, and elegant examples from his design portfolio, “The Source."Hardcover400 pages | 400 color illustrations, 70 black-and-white illustrationsNeue Galerie New YorkPrestel, 20139.6 x 1.6 x 11.5 inchesISBN 9783791352947Neue Galerie Exhibition Catalogue, Design

Koloman Moser: Designing Modern Vienna 1897-1907 Exhibition Catalogue

Edited by Christoph Thun-Hohenstein, Elisabeth Schmuttermeier, Christian Witt-Dörring, and MAK Vienna. Koloman Moser was one of the most important universal artists in fin-de-siècle Vienna and is one of the leading representatives of Art Nouveau. His oeuvre includes painting, graphics, and crafts, as well as designs for fashion, lighting, and furniture, stage decoration, stained glass windows, book illustrations, and even banknotes. Blazing a trail for the art of his age, he was a founding member of the Vienna Secession and, together with the architect Josef Hoffmann and the industrialist Fritz Wärndorfer, he established the Wiener Werkstätte in 1903. The objective of this collective of fine artists was to realize the Gesamtkunstwerk or total work of art at the highest caliber of arts and crafts. Some 400 objects, presented systematically and explained with essays, open up a new perspective on his impressive oeuvre. Published for the exhibition 'Koloman Moser: Universal Artist between Gustav Klimt and Josef Hoffmann', at the MAK Vienna. Hardcover288 pagesText in German and English Birkhauser Verlag, 20189 x 1.2 x 12 inchesISBN 9783035618495Exhibition Catalogue, Graphic Design, Architecture

Koloman Moser: Universal Artist between Klimt and Hoffmann

By Elisabeth Leopold and Stefan Kutzengerber “An excellent and inexpensive introduction to the life and career of a truly remarkable artist. . . . Recommended."―Choice Admired by contemporaries as an artistic jack-of-all-trades, Koloman Moser (1868–1918) is regarded today as one of the most important representatives of the Viennese Secession art movement, alongside Gustav Klimt. As a graphic artist and designer, Moser was unparalleled in his artistic diversity, applying his virtuosity to everything from furniture, textiles, and objects to paintings, posters, and exhibitions. This beautifully illustrated volume presents an overview of the artist’s life and work, from the posters he designed for the Secession, to his collaborations with Josef Hoffmann and Fritz Waerndorfer in the Viennese Workshop of the early twentieth century, to his return to painting in the last decade of his life. Situating the artist’s work in its biographical and art historical context, Koloman Moser presents the expansive range and incredible fantasy of one of the icons of modernist art. Hardcover80 pagesHirmer, 20185.5 x 0.5 x 8 inchesISBN 9783777430720Artist Monograph, Design, Painting, Viennese Secession

Koloman Moser (Great Masters in Art)

von Lilli Hollein, Claudia Cavallar, und Anne-Katrin Rossberg Dagobert Peche, einer der exzentrischsten Gestalter*innen der Wiener Moderne, ließ die Formensprache der berühmten Wiener Werkstätte gleichsam explodieren: Mit opulenten, von der Natur inspirierten Dekoren und einer revolutionären Ästhetik verlieh er Gebrauchsgegenständen eine bis dahin unbekannte Vielschichtigkeit. Peche arbeitete mit unterschiedlichsten Materialien - Silber, Glas, Keramik, Leder und Papier - und entwarf Schmuck, Möbel, Ausstellungs-Displays sowie sensationelle Stoffmuster. In wenig mehr als 10 Jahren schuf er ein OEuvre, das die Kunst- und Designwelt bis heute fasziniert und inspiriert. Die Publikation widmet sich dem ureigenen Kosmos des Künstlers in sieben Kapiteln - von "Arkadien " bis "Unheimlich" - und verfolgt seine Ausstrahlung vom Art-déco-Stil über die Postmoderne bis in die Gegenwart. Dagobert Peche, one of the most eccentric designers of Viennese Modernism, virtually blew apart the stylistic idiom of the famous Wiener Werkstätte: with opulent decorations inspired by nature and a revolutionary aesthetic, he lent practical objects a hitherto unknown complexity. Peche worked with a wide range of materials - silver, glass, ceramic, leather, and paper - designing jewelry, furniture, and exhibition displays, as well as sensational fabric patterns. In little over a decade he created an oeuvre that has fascinated and inspired the worlds of art and design ever since. Divided into seven chapters - from "Arcadia" to "Uncanny" - this publication is dedicated to the artist's unique cosmos and traces his impact from Art Deco to Postmodernism to the present day. Paperback306 Seitan | 375 illustrations, 239 colorText in English and GermanWalther König, 20248.23 x 10.98 inchesISBN 9783753307459 Monograph, MAK Exhibition Catalogue

Peche Pop

Edited by Peter NoeverDagobert Peche (1887-1923) was one of the key figures of the Austrian arts and crafts movement. Along with Josef Hoffmann and Koloman Moser, Peche determined the character of the Wiener Werkstätte with his designs. This catalog aims to expand the understanding of Austrian arts and crafts at the turn of the twentieth century and to give Peche’s work—which ranges from interior and exhibition design to furniture, fashion and textile design, ceramics, glass, metalwork, jewelry, and wallpaper—its proper due in this rich context. Please note that this book is Out of Stock.Hardcover512 pages | color and black-and-white illustrationsNeue Galerie New YorkYale University Press, 20029.5 x 1.8 x 11.2 inchesISBN 9781931794077Neue Galerie Exhibition Catalogue, Design

SOLD OUT - Dagobert Peche and the Wiener Werkstätte

Original Price: $65 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Christoph Thun-Hohenstein and Rainald FranzOtto Prutscher (1880-1949) was an architect and a designer in all applied arts media, as well as an exhibition designer, teacher and member of all the important arts and crafts movements, from the Secession to the Wiener Werkstätte and the Werkbund. The MAK - Museum of Applied Arts in Vienna—possesses a comprehensive graphic bequest and many significant objects from Prutscher's design oeuvre. Selected examples of Prutscher's creative work document his long-lasting influential role as a designer and artistic adviser for decorative art companies from Johann Loetz to Thonet. The publication conducts an audit of Prutscher's work as a pacemaker of Viennese modernism—over twenty years since the last show in Vienna and seventy years on from his death. Paperback160 pagesText in English and German Arnoldsche Verlagsanstalt, 20198.4 x 0.7 x 10.2 inchesISBN 9783897905696Artist Monograph, Architecture, Design

Otto Prutscher: Universal Designer of Viennese Modernism

By Martina Bauer Grafiker, Designer, Mosaik- und Glaskunstler, Entwerfer fur Denkmaler, Grabkunst, Innenarchitektur. Leopold Forstner (1878 - 1936) war ein Meister seiner Disziplin. Er interpretierte die Mosaik- und Glaskunst neu und fuhrte sie einer Renaissance zu. Forstner war ein Universalkunstler, der die Kreativitat eines Kunstlers und die Perfektion eines Kunsthandwerkers in einer Person vereinte. Als Maler und Grafiker ware er einer unter vielen gewesen, als Mosaik-, Glas- und Materialkunstler war er ein Visionar. Sein Talent, Entwurf und Umsetzung zu verschmelzen und im Material zu denken, brachte ihm viele Auftrage namhafter Kunstgrossen und Architekten ein, wie etwa Gustav Klimt, Kolo Moser, Otto Wagner und Josef Hoffmann. Das Buch blickt auf die Stationen seines Lebens, auf die Projekte und Meilensteine im Schaffen dieses Kunstlers, der nicht mude wurde, sich immer wieder neu zu erfinden. Please note that Rare/Out-of-Print titles are very limited in stock. Paperback247 pagesText in German Bohlau Verlag, 20168.3 x 9.5 inchesISBN 9783205200871Monograph, Design, Mosaic

Leopold Forstner (1878-1936): Ein Materialkunstler Im Umkreis Der Wiener Secession

By Rebecca Houze "Drawing on a wide variety of contemporary sources and extensive illustrations, and underpinned by sustained, carefully articulated arguments, this book makes a convincing case that notwithstanding the problematics of dress and design reform in Austria and Hungary during the Dual Monarchy, 'clothing motivated programs of change… Throughout the book, the range of sources and illustrations, careful argument, confident style, and the synthesis of fashion, costume, and textiles located within the wider context of design reform ensures that this book is an excellent contribution to scholarship in the field.'"—Journal of Design History Filling a critical gap in Vienna 1900 studies, this book offers a new reading of fin-de-siècle culture in the Austro-Hungarian Monarchy by looking at the unusual and widespread preoccupation with embroidery, fabrics, clothing, and fashion - both literally and metaphorically. The author resurrects lesser known critics, practitioners, and curators from obscurity, while also discussing the textile interests of better known figures, notably Gottfried Semper and Alois Riegl. Spanning the 50-year life of the Dual Monarchy, this study uncovers new territory in the history of art history, insists on the crucial place of women within modernism, and broadens the cultural history of Habsburg Central Europe by revealing the complex relationships among art history, women, and Austria-Hungary. Rebecca Houze surveys a wide range of materials, from craft and folk art to industrial design, and includes overlooked sources-from fashion magazines to World's Fair maps, from exhibition catalogues to museum lectures, from feminist journals to ethnographic collections. Restoring women to their place at the intersection of intellectual and artistic debates of the time, this book weaves together discourses of the academic, scientific, and commercial design communities with middle-class life as expressed through popular culture.Contents: Introduction. Part I: Preliminary remarks on the principles of dress; Collecting textiles at the new museums in Vienna and Budapest; Establishing a program for needlework reform; Exhibiting cloth and culture. Part II: Embroidery and anxiety; Fashion and its discontents; Imperial masquerade. Conclusion; Bibliography; Index. Paperback472 pagesTaylor & Francis, 20186.8 x 9.7 inchesISBN 9781138548213Fashion, Textile Design, Austrian History

Textiles, Fashion, and Design Reform in Austria-Hungary Before the First World War

Edited by Elisabeth Schmuttermeier and Christian Witt-Dörring The Wiener Werkstätte or Vienna Workshops was founded in 1903 by architect Josef Hoffmann and artist Koloman Moser. In 1907, the Wiener Werkstätte began publishing a numbered series of postcards, which would ultimately include nearly 1,000 cards. Many of them were designed to celebrate holidays, such as Christmas and Easter. Fashion, both contemporary and historical, became another popular subject, along with humorous topics and favorite tourist spots of the period.All of the major designers who worked for the firm were contributors in this medium including Josef Hoffmann, Oskar Kokoschka, Egon Schiele, and Dagobert Peche. Other noteworthy artists who were active in this area whose names may be less familiar include Moriz Jung, Rudolf Kalvach, Mela Koehler, and Maria Likarz, among others.This catalog raisonné accompanies the first major museum exhibition ever held in the United States devoted exclusively to the postcards produced by the Wiener Werkstätte. The work in the exhibition is drawn exclusively from The Leonard A. Lauder Collection and coincides with the gift of nearly 1,000 of the cards to the Neue Galerie. A selection of these cards will be on view on a regular basis as part of the museum's permanent collection. Please note that Rare/Out-of-Print titles are very limited in stock. Hardcover336 pagesNeue Galerie New YorkHatje Cantz, 20119.5 x 1.5 x 11.2 inchesISBN 9783775727518Neue Galerie Exhibition Catalogue, Graphic Design, History, Essays

Postcards of the Wiener Werkstätte: A Catalogue Raisonné

By Alena Pomajzlová Josef Capek (1887-1945) was one of Czech modernism's most formative protagonists. The artist first studied weaving before finding his metier as both a painter and designer. During a short stint in Paris, he befriended the poet Guillaume Apollinaire, who was then the leading theorist of and driving force behind Cubism. Capek adopted the Cubist style, fusing it with moodier elements of Expressionism and Symbolism to create a uniquely Czech take on the style. Alongside his work as a painter, Capek designed several hundred book covers from 1918 until his death in 1945 for Czech publications of early twentieth-century authors such as Apollinaire, Karel Capek, Jan Bartos, Josef Hora, Josef Kopta, Pierre Mac Orlan, Giovanni Papini, Pirandello, Miroslav Rutte and Georg Trakl and nineteenth-century authors such as Flaubert, Goethe, Kropotkin, Sheridan Le Fanu and Arthur Machen. Capek's designs were much celebrated in Czechoslavakia for their simplicity and their virtuoso use of linocut. Itself a beautiful publication, The Book Design of Josef Capek: Seeing The Book presents a fully-illustrated and complete survey of this rarely seen work.Hardcover328 pagesKant, 20119.1 x 1.2 x 11 inchesISBN 9788074370144Graphic Design

Book Design of Josef Capek: Seeing the Book

By Robert Elton Brooker III and Adam ErdeszForeword by Marton Orosz “Albert Kner is a hidden treasure of the design world, and deserves far greater recognition for his many achievements. This book presents not only his later, important work in package design and consumer research, but also explores his extensive work in graphic design when he was still living in Europe. Brooker and Erdész have done a superb job in presenting Kner’s remarkable life in all its phases; their narrative is supported by 112 inspiring illustrations in black-and-white and full color. A wonderful book from start to finish.” —Bruce Kennett, author and designer of W. A. Dwiggins: A Life in Design Albert Kner (1899-1976) invented hundreds of things we encounter in our daily lives, such as the cardboard six pack and the flip top cigarette box. Yet his name is almost unknown. He started his life in Hungary in the book arts, having designed and typeset his first book at age 12. His artistic training was interrupted by World War I, where he suffered a paralyzing war injury that forced him to tape one eye shut in order to sleep. He did not enter the family printing business, a decision that saved his life, but also led to decades of artistic struggle as a designer of books, posters, packaging, stage sets, and furniture. In 1940, with limited English, Albert emigrated to Chicago with his wife and two young children. Almost instantly he was hired as Design Director of the largest cardboard manufacturer in America. His charge: make cardboard beautiful. Hardcover222 pagesCorvina Books and the Club of Odd Volumes; First Edition, 2023ISBN 9789631369236Design

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