Biography

By Stefan ZweigTranslated by Eden and Cedar Paul "Certainly no one can arise unmoved from the reading of this powerful work."—The New Republic"Stefan Zweig’s remarkable study of Marie Antoinette; A full-bodied biography which bids fair to be the definitive life of that tragic queen."—The New York Times"The most influential biography of Marie Antoinette."—The Guardian Stefan Zweig based his biography of Marie Antoinette, who became the Queen of France at the age of fifteen, on the correspondence between her and her mother, and her great love the Count Axel von Fersen. Zweig analyzes the chemistry of a woman's soul from her intimate pleasures to her public suffering as a Queen under the weight of misfortune and history. Zweig describes Marie Antoinette in the King's bedroom, in the enchanted and extravagant world of the Trianon, and with her children. And in his account of 'The Revolution', he describes her resolve during the failed escape to Varennes, her imprisonment in the Conciergerie and her final tragic destiny under the guillotine. Zweig's account has been the definitive biography of Marie Antoinette since its publication, inspiring Antonia Fraser and the recent film adaptation. Paperback592 pagesPushkin Press, 2017Originally published in 19325.1 x 1.5 x 7.8 inchesISBN 9781906548308Literature, Biography, History

Marie Antoinette

By Elisabeth Young-Bruehl Winner of the 1983 Alfred Harcourt Prize Award for Biography and Memoirs“Both a personal and an intellectual biography...It represents biography at its best.”—Peter Berger, front page, The New York Times Book Review“A story of surprising drama...At last, we can see Arendt whole.”—Jim Miller, Newsweek“Indispensable to anyone interested in the life, the thought, or...the example of Hannah Arendt.”—Mark Feeney, Boston Globe This highly acclaimed, prize-winning biography of one of the foremost political philosophers of the twentieth century is here reissued in a trade paperback edition for a new generation of readers. In a new preface the author offers an account of writings by and about Arendt that have appeared since the book’s 1982 publication, providing a reassessment of her subject’s life and achievement. Paperback620 pagesYale University Press, 20046.2 x 1 x 7.2 inchesISBN 9780300105889Biography, Philosophy

Hannah Arendt: For Love of the World, Second Edition

By Fernando González Viñas and José LázaroEmmy Ball-Hennings war Schriftstellerin und Dichterin, nebenbei galt sie als Muse der Literaten und Künstler der avantgardistischen Bohème-Szene, die sich Anfang des zwanzigsten Jahrhunderts in Berlin und München entwickelte.Sie schrieb Gedichtbände und Romane, kam aber aufgrund ihrer prekären Lebensumstände häufig mit dem Gesetz in Konflikt.Nach einer mehrmonatigen Gefängnisstrafe emigrierte sie in die Schweiz. Gemeinsam mit Hugo Ball gründete Emmy Hennings im Jahre 1916 mit dem Zu?rcher „Cabaret Voltaire“ die Geburtsstätte der Dada-Bewegung.Die zu Unrecht Vergessene, wenn es um diese Zäsur in der Kunstgeschichte geht, hielt das „Cabaret Voltaire“ wirtschaftlich durch ihre Tätigkeit als Sängerin und ihre anziehende Ausstrahlung am Laufen.Fernando Gonzáles Viñas und José Lázaro erzählen in „Alles ist Dada“ die Geschichte eines Lebens, das in seiner Radikalität vollkommen aus der Zeit gefallen zu sein schien.Paperback232 pagesText in GermanAvant Verlag, 20206.9 x 9.3 inches ISBN 9783964450340Biography, Dada, Woman Writer, Graphic Novel

Alles ist Dada: Emmy Ball-Hennings

By Stephen Parker This first English language biography of Bertolt Brecht (1898–1956) in two decades paints a strikingly new picture of one of the twentieth century's most controversial cultural icons. First published in 2014 and now available in paperback, it was critically lauded and declared the definitive life of this great artist and writer. Drawing on letters, diaries and unpublished material, including Brecht's medical records, Parker offers a rich and enthralling account of Brecht's life and work, viewed through the prism of the artist. Tracing his extraordinary life, from his formative years in Augsburg, through the First World War, his politicization during the Weimar Republic and his years of exile, up to the Berliner Ensemble's dazzling productions in Paris and London, Parker shows how Brecht achieved his transformative effect upon world theatre and poetry. Bertolt Brecht: A Literary Life is a powerful portrait of a great, compulsively contradictory personality, whose artistry left its lasting imprint on modern culture. Paperback704 pagesMethuen Drama, 20156.14 x 1.44 x 9.21 inchesISBN 9781474240000Biography, Bertolt Brecht

Bertolt Brecht: A Literary Life

Von Margret Greiner Vom Modell der Wiener Moderne zur erfolgreichen New Yorker Galeristin: Die Romanbiografie einer außergewöhnlichen Frau im 20. Jahrhundert, illustriert mit Bildern und historischen Fotografien. Hardcover304 pagesText in German Verlag Kremayr & Scheriau, 20195.5 x 1 x 8.7 inches ISBN 9783218011853 Art History, Biography

Ich will unsterblich werden!: Friederike Beer-Monti und ihre Maler

By Kirsty Bell“With sleuthing interest and novelistic flair, Kirsty Bell’s The Undercurrents has ruptured familiar terrain…an associative thesis on the dangers of repression, from gargantuan acts of genocide to the comparatively subtle shames of familial collapse…An enchanting and sometimes disturbing symbolism runs through The Undercurrents, as Bell imaginatively weaves the city’s hard factuality with the emotional and physical experience of living in it.”—frieze“From the first moment I heard Kirsty Bell read from her writing, I have yearned for the book she was then working on. And now here it is, perfect and perfectly balanced, a clear-eyed and beautifully written account about place, about consciousness. I treasure The Undercurrents, and so will you.”—Hilton Als, author of White Girls The Undercurrents is a dazzling work of biography, memoir, and cultural criticism told from a precise vantage point: a stately nineteenth-century house on Berlin’s Landwehr Canal, a site at the center of great historical changes, but also smaller domestic ones. The view from this house offers a ringside seat onto the city’s theater of action. The building has stood on the banks of the canal since 1869, its feet in the West but looking East, right into the heart of a metropolis in the making, on a terrain inscribed indelibly with trauma. When her marriage breaks down, Kirsty Bell—a British-American art critic, adrift in her mid-forties—becomes fixated on the history of her building and of her adoptive city. Taking the view from her apartment window as her starting point, she turns to the lives of the house’s various inhabitants, to accounts penned by Walter Benjamin, Rosa Luxemburg, and Gabriele Tergit, and to the female protagonists in the works of Theodor Fontane, Irmgard Keun, and Rainer Werner Fassbinder. A new cultural topography of Berlin emerges, one which taps into energetic undercurrents to recover untold or forgotten stories beneath the city’s familiar narratives.Paperback400 pagesOther Press, 20225.26 x 1.05 x 7.97 inchesISBN 9781635423440Literature, Memoir

The Undercurrents: A Story of Berlin

By Mel Gordon The Seven Addictions and Five Professions of Anita Berber is the first contemporary biography of a notorious actor/dancer/poet/playwright who scandalized sex-obsessed Weimar Berlin during the 1920s. In an era where everything was permitted, Anita Berber‘s celebrations of “Depravity, Horror and Ecstasy” were condemned and censored. She often haunted Weimar Berlin’s hotel lobbies, nightclubs and casinos, radiantly naked except for an elegant sable wrap, a pet monkey hanging from her neck, and a silver brooch packed with cocaine. Multi-talented Anita saw no boundaries between her personal life and her taboo-shattering performances. As such, she was Europe’s first postmodern woman. Among those Anita Berber claimed as members of her vast sexual harem were Marlene Dietrich, Magnus Hirschfeld (the founder of modern sexology and gay liberation), Klaus Mann, Conrad Veidt, Lawrence Durrell, and the King of Yugoslavia. Berber acted in Fritz Lang’s Dr. Mabuse: The Gambler and starred in the silent epic, Lucifer. Even Leni Riefenstahl credits Berber for inspiring her controversial career. After sated Berliners finally tired of Anita Berber’s libidinous antics, she became a “carrion soul that even the hyenas ignored,” dying in 1928 at the age of 29. The Seven Addictions and Five Professions of Anita Berber chronicles a remarkable career, including over 150 photographs and drawings that recreate Anita’s enduring “Repertoire of the Damned.” Paperback200 pagesFeral House Books, 20067 x 0.5 x 10 inchesISBN 9781932595123Biography, Film, Theater

The Seven Addictions and Five Professions of Anita Berber: Weimar Berlin's Priestess of Depravity

By Elias Canetti Translated by Joachim Neugroschel "His exacting presence honors literature"—George Steiner"Canetti is one of our great imaginers and solitary men of genius"—Iris Murdoch"Canetti is someone who has felt in a profound way the responiblity of words. . . There is no doctrine, but there is a great deal of scorn, urgency, grief, and euphoria. The message of the mind's passions is passion. 'I try to imagine someone saying to Shakespeare, "Relax!"' says Canetti. His work eloquently defends tension, exertion, moral and amoral seriousness."—Susan SontagElias Canetti, winner of the 1981 Nobel Prize for Literature, is one of the major intellectual figures of the twentieth century. He is a master of many genres, having written both a great novel—Auto-da-Fe—and a great work of social theory—Crowds and Power. But Canetti's genius is perhaps nowhere more evident than in his autobiography. The Torch in My Ear, the second volume of Canetti's memoirs, is above all else the account of his admiration for the first great mentor of his adulthood, the Viennese writer Karl Kraus. The book is also a portrait of Canetti's first wife, Veza. Within the framework of these great passions, Canetti provides an astonishing account of the Vienna and Berlin of the 1920s. The voices of Kraus, Veza, and Canetti's mother are accompanied by those of Brecht, Isaac Babel, George Grosz, and many others. Paperback384 pagesFarrar Straus & Giroux, 19836 x 9 inchesISBN 9780374518042Biography

The Torch in My Ear

By Otto DixOtto Dix (1891–1969) is considered one of the true lions of 20th-century art, a man who established himself as an uncompromising artist that refused to temper how he rendered the realities that he witnessed. Dix’s early works often depict the true brutalities of the WWI battlefields and trenches he served in for over three years, as well as the decadent underworld of 1920s Berlin.With the publication of this first of three volumes of an extensive selection of letters, the most comprehensive collection of Otto Dix texts at last comes into print in English. Encompassing well over 1,000 letters, and ranging from friends and family to other artists, collectors, colleagues, critics & biographers, the letters offer a personal portrait of six decades of the 20th century.Dix himself was a controversial figure throughout his life, and while he claimed never to write self-testimonials, the artist had much to say about the widest range of subjects in his private correspondence. Therein, we discover much about a figure who exhibited a gruff, often abrasive persona to many, a man who depicted war with unrepentant brutality yet who could at the same time pen the most romantic, schmaltzy letters to his wife and sketch amusing caricatures to his daughter.Following his experiences throughout WWI, Dix immediately took up with the dadaists in Dresden in 1919 and became an established figure as part of the Sezession. A few years later, after his first portrait commission in Dusseldorf in 1922, Dix met his future wife, Martha, with whom he would go on to raise three children, and who is one of the principle correspondents in this volume of letters. Some of his most significant work was produced in the 1920s, including his powerful Krieg (War) portfolio, for which the Nazis branded him a “degenerate artist” and forced him to resign his professorship in 1933. Condemned to internal exile, Dix thereafter resided in Hemmenhofen, in the extreme southwest part of Germany. Twelve years later, he would suffer further indignities from the Nazis when ordered to join the Volkssturm in 1945. Dix ended up in a prisoner-of-war camp, again a survivor of a second harrowing cataclysm. After his release, from 1946 onwards, the painter lived between East and West Germany, never truly at home in either ideologically, yet he remained prolific, continuing to produce art until the end of his life, having lived through two World Wars as well as the “Cold War.”​This first volume covers the period 1904–1927 and the heart of it is a selection of Dix’s postcards from the WWI front written to his school friend in Dresden, Helene Jakob, a form of artistic reportage of uncanny power. Recipient of the Die schönsten Deutschen Bücher shortlist in 2014, Dix’s letters will prove to be of considerable interest to art historians, scholars of Expressionism, and aficionados of Dix, all of whom will encounter the artist as never before.Hardcover284 pages Contra Mundum Press, 20165.98 x 0.75 x 9.02 inchesISBN 9781940625188History, Literary Letters

Letters, Vol. 1 (Otto Dix)

By Irene Gammel "Irene Gammel's Baroness Elsa mounts an enthusiastic case for her as one of the great unsung modernists."—Village Voice"The Baroness could not have asked for a more thoughtful and engaged monument than Gammel's book."—The New York Times Book Review Elsa von Freytag-Loringhoven (1874-1927) is considered by many to be the first American dadaist as well as the mother of dada. An innovator in poetic form and an early creator of junk sculpture, "the Baroness" was best known for her sexually charged, often controversial performances. Some thought her merely crazed, others thought her a genius. The editor Margaret Anderson called her "perhaps the only figure of our generation who deserves the epithet extraordinary." Yet despite her great notoriety and influence, until recently her story and work have been little known outside the circle of modernist scholars. In Baroness Elsa, Irene Gammel traces the extraordinary life and work of this daring woman, viewing her in the context of female dada and the historical battles fought by women in the early twentieth century. Striding through the streets of Berlin, Munich, New York, and Paris wearing such adornments as a tomato-soup can bra, teaspoon earrings, and black lipstick, the Baroness erased the boundaries between life and art, between the everyday and the outrageous, between the creative and the dangerous. Her art objects were precursors to dada objects of the teens and twenties, her sound and visual poetry were far more daring than those of the male modernists of her time, and her performances prefigured feminist body art and performance art by nearly half a century. Paperback562 pagesThe MIT Press, 20037 x 1.3 x 9 inchesISBN 9780262572156Dada

Baroness Elsa: Gender, Dada, and Everyday Modernity

By Edward Skidelsky "Skidelsky gives a close, technical account of the ways in which Cassirer was never just a Marburg School stereotype; but he aligned himself neither with the logical positivists nor with the Heideggerian, existentialist tradition which between them carved up the field of 20th-century philosophy, as they arguably continue to do."—David Simpson, London Review of Books"Skidelsky's book is a must read for those interested in the history of ideas in general and for academic philosophers in particular. Indeed, philosophers, particularly of the Anglo-American variety, will find this book especially enlightening."—Kevin Aho, European Legacy"A major accomplishment and an excellent introduction to Cassirer's philosophy. Most important, Skidelsky shows that Cassirer did not simply align himself with the tradition of German political thought reaching from Humboldt and Goethe to the later Thomas Mann, but that his entire philosophy was actually subservient to the project of rethinking the basis of political liberalism. Skidelsky overturns the widely accepted view that Cassirer was an apolitical epistemologist."—John Michael Krois, author of Cassirer: Symbolic Forms and History This is the first English-language intellectual biography of the German-Jewish philosopher Ernst Cassirer (1874-1945), a leading figure on the Weimar intellectual scene and one of the last and finest representatives of the liberal-idealist tradition. Edward Skidelsky traces the development of Cassirer's thought in its historical and intellectual setting. He presents Cassirer, the author of The Philosophy of Symbolic Forms, as a defender of the liberal ideal of culture in an increasingly fragmented world, and as someone who grappled with the opposing forces of scientific positivism and romantic vitalism. Cassirer's work can be seen, Skidelsky argues, as offering a potential resolution to the ongoing conflict between the "two cultures" of science and the humanities--and between the analytic and continental traditions in philosophy. The first comprehensive study of Cassirer in English in two decades, this book will be of great interest to analytic and continental philosophers, intellectual historians, political and cultural theorists, and historians of twentieth-century Germany. Paperback304 pagesPrinceton University Press, 20086.1 x 0.8 x 9.2 inchesISBN 9780691152356Biography, Philosophy

Ernst Cassirer: The Last Philosopher of Culture

By Andreas PlatthausEr prägte das von Walter Gropius gegründete Bauhaus, dem er als einziger Meister vom ersten bis zum letzten Tag angehörte – von 1919 bis zur Auflösung durch die Nationalsozialisten 1933 –, wie kaum ein Zweiter. Mit seinen Freunden Paul Klee und Wassily Kandinsky revolutionierte er die Kunst. Später wurde er so populär und von der Alltagskultur eingemeindet, dass man Bilder von ihm als Plakate bei einem großen schwedischen Möbelhaus kaufen konnte: Lyonel Feininger. 1871 in New York geboren, hielt er sich von seinem siebzehnten Lebensjahr an fast ein halbes Jahrhundert lang in Deutschland auf. Den Großteil dieser Zeit verbrachte er in Berlin, wo sich auch die rätselhaftesten Episoden seines Lebens abspielten. Warum blieb er, obwohl als "feindlicher Ausländer" registriert, während des Ersten Weltkriegs? Und warum verließ er, obwohl mit einer Jüdin verheiratet und Vater dreier Söhne, Nazi-Deutschland erst 1937? In der Persönlichkeit des Malers spiegelt sich das Dilemma einer doppelten Exil-Existenz im 20. Jahrhundert.Andreas Platthaus, der für dieses Buch zahlreiche Archivbestände auswerten konnte, erzählt das Leben eines Mannes, der sich im steten Zwiespalt zwischen amerikanischem und deutschem Selbstverständnis befand.Hardcover448 pagesText in GermanRowohlt Berlinm, 20215.7 x 8.6 inchesISBN 9783737101165Biography

Lyonel Feininger - Porträt eines Lebens

Von Margret GreinerEmilie Flöge lernte als junges Mädchen Gustav Klimt kennen und führte mit ihm ein Leben lang eine Beziehung jenseits aller Konventionen. Vor allem aber war sie eine herausragende Modeschöpferin. Im Wien um 1900, wo Malerei, Architektur, Kunsthandwerk und Mode eine Blütezeit erlebten, schuf Emilie Flöge einen bahnbrechenden Mode-Stil, der die Frauen – fünfzehn Jahre vor Coco Chanel – von Korsett und Mieder befreite. Paperback303 SeitanKremayr & Scheriau, 20164.65 x 0.94 x 7.36 inchesISBN 9783442714131 Literature

Auf Freiheit zugeschnitten: Emilie Flöge: Modeschöpferin und Gefährtin Gustav Klimts

By Peter Gay "Brilliant.…A dazzling performance.…Gay's ability to integrate into a coherent whole the vast published and unpublished literature on Freud including hundreds of previously unknown or inaccessible letters is awesome.…A work of art."—Jonathan Sharp, San Francisco Examiner-Chronicle"Intelligent and wholly absorbing.…Judicious, original biography, scrupulously grounded in close readings of [Freud's] work."—Michiko Kakutani, The New York Times"Elegant…puts Freud's life into the context of his time while attempting to explain him for readers who cannot escape his shadow. In Gay's hands, the Olympian figure is almost within mortal reach."—Michael Skube, Raleigh News and Observer A New York Times bestseller, this is the most highly regarded biography of Freud ever written. To read this book is to enter the world of Sigmund Freud as never before: his family, his city, his professional struggles, his long fruitful and embattled life. Drawing on a vast store of unpublished documents, including hundreds of hitherto unknown or inaccessible letters, Peter Gay deals frankly with the controversies that have long swirled around Freud's impassioned friendships, his love life, and his theoretical innovations which, as Freud himself put it, agitated the sleep of mankind. Paperback864 pagesW.W. Norton & Co., 20066.2 x 1.6 x 9.2 inchesISBN 9780393328615Biography, Psychology

Freud: A Life For Our Time

By Sigmund Freud and Lou Andreas-SaloméEdited by Ernst PfeifferTranslated by William Robson-Scott and Elaine Robson-Scott Lou Andreas-Salomé (1861-1937) was a writer and disciple of Freud who became a practicing analyst. For over two decades she and Freud kept up an intensive correspondence. Freud found in her a perceptive appreciator and amplifier of his ideas, and Frau Andreas found him a sympathetic critic of her own. Their exchanges on theoretical topics and clinical experiences, their admiring friendship, and the glimpses of their personalities makes this collection invaluable for readers interested in the history of psychoanalysis. Lou Andreas-Salomé wrote her first letter to Freud in 1912, asking his permission to come to Vienna for psychoanalytical training. This extraordinary Russian woman, whose intelligence and beauty captivated Nietzsche and Rilke, now captivated Freud, while she discovered in Freud's psychoanalysis the true fulfillment of her life. Freud's letters contain revealing commentaries on his working methods, his conception of narcissism, and his interpretation of Moses, and they treat the themes that preoccupied him in old age: death, religion, war. Frau Andreas's topics include her relationship to Rilke, and her reaction to his death, and the psychology of the artist. The book includes an introduction and notes by Ernst Pfeiffer, Lou Andreas-Salomé's literary executor. Paperback264 pagesW. W. Norton & Company, 19855.3 x 0.6 x 7.8 inchesISBN 9780393302615Biography, Psychology

Sigmund Freud and Lou Andreas-Salomé: Letters

By Fiona MacCarthy “This is an absolute triumph—ideas, lives, and the dramas of the twentieth century are woven together in a feat of storytelling. A masterpiece."—Edmund de Waal, ceramic artist and author of The White Road The impact of Walter Gropius can be measured in his buildings—Fagus Factory, Bauhaus Dessau, Pan Am—but no less in his students. I. M. Pei, Paul Rudolph, Anni Albers, Philip Johnson, Fumihiko Maki: countless masters were once disciples at the Bauhaus in Berlin and at Harvard. Between 1910 and 1930, Gropius was at the center of European modernism and avant-garde society glamor, only to be exiled to the antimodernist United Kingdom during the Nazi years. Later, under the democratizing influence of American universities, Gropius became an advocate of public art and cemented a starring role in twentieth-century architecture and design. Fiona MacCarthy challenges the image of Gropius as a doctrinaire architectural rationalist, bringing out the visionary philosophy and courage that carried him through a politically hostile age. Pilloried by Tom Wolfe as inventor of the monolithic high-rise, Gropius is better remembered as inventor of a form of art education that influenced schools worldwide. He viewed argument as intrinsic to creativity. Unusually for one in his position, Gropius encouraged women’s artistic endeavors and sought equal romantic partners. Though a traveler in elite circles, he objected to the cloistering of beauty as “a special privilege for the aesthetically initiated.” Gropius offers a poignant and personal story—and a fascinating reexamination of the urges that drove European and American modernism.Hardcover560 pages | 50 photosBelknap Press, 20196.25 x 9.25 inchesISBN 9780674737853Biography, Bauhaus

Gropius: The Man Who Built the Bauhaus

By Hermann HesseTranslated by Basil Creighton "For all its savagely articulate descriptions of torment and isolation, it is most eloquent about something less glamorous but far more important: healing."—The GuardianWith its blend of Eastern mysticism and Western culture, Hesse’s best-known and most autobiographical work is one of literature’s most poetic evocations of the soul’s journey to liberation.Harry Haller is a sad and lonely figure, a reclusive intellectual for whom life holds no joy. He struggles to reconcile the wild primeval wolf and the rational man within himself without surrendering to the bourgeois values he despises. His life changes dramatically when he meets a woman who is his opposite, the carefree and elusive Hermine. The tale of the Steppenwolf culminates in the surreal Magic Theater—For Madmen Only!Originally published in English in 1929, Steppenwolf ’s wisdom continues to speak to our souls and marks it as a classic of modern literature. Also available in German. Paperback224 pagesPicador Publishing, 2002Originally published in 1927ISBN 9780312278670Autobiographical Fiction

Steppenwolf

Edited with text by Nicholas Sawicki and Marie Rakušanová Preface by Zuzana Jürgens Text by Alexander Klee, Marek Nekula, and Miroslav Halak Journey through Kafka’s Prague and discover the art, architecture, media and performances that influenced the author’s oeuvre What did Franz Kafka see and do, whom did he meet and what did he read while roaming the streets of Prague? Through the Eyes of Franz Kafka brings the world of turn-of-the-century Czechoslovakia and its cultural milieu to life. The author’s home city was a heterogeneous and multilingual metropolis whose visual environment shaped his everyday experiences, from local painting and sculpture to architecture, monuments and popular visual media including advertisements, photography and cabaret. Kafka’s attention to the modern visual culture of his era was reflected in his writings and in his interest in drawing, a practice in which he received preliminary training and which he took up in his free time during his years as a university student. This illustrated publication immerses us in Kafka’s world; by following in his footsteps and looking through his eyes, we gain a new understanding of his thoughts, philosophies and inspirations. Hardcover224 pages | 231 color and 16 tri-tone IllustrationsKant, 20258.25 x 11.25 inchesISBN 9788074374265Exhibition Catalogue, Biography

Through the Eyes of Franz Kafka: Between Image and Language

Written and Illustrated by Nicolas MahlerTranslated by Alexander Booth "If you are Nicolas Mahler, the writer and illustrator of a short but engaging graphic biography of the man, you’d see [Kafka] as a sort of blob of hair and eyebrows on a stick. The illustrations of Completely Kafka may look rudimentary, but they work. In fact they’re similar in style to the doodles Kafka himself would make in his notebooks."—Spectator "Much the best thing about the book are the charming black and white drawings. The best are the drawings of Kafka himself, drawn in thick brushstroke. Some are like cartoons, a few are more like Kafka’s own drawings, angular, isolated."—Jewish Chronicle A delightfully witty and original graphic biography of Kafka, published to coincide with the centenary of the author’s death The young Franz Kafka has too many fears to name. Mirrors, clothing, his own body, almost everything causes him to fret. How did this ‘anxious and small bundle of bones’ become one of the world’s great writers? With telling details and sharply minimal illustrations, Nicolas Mahler tells a wickedly funny story of the development of Kafka’s genius, offering a tribute that is as playful as it is profound. Paperback128 pages Pushkin Press, 20245.35 x 8.44 inchesISBN 9781805331582Biography, Historic Graphic Novel

Completely Kafka: A Comic Biography

Original Price: $45.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Signed copies from translator Ross Benjamin are available. This book was featured as part of our Literatur Café series. By Franz Kafka Translated by Ross Benjamin “Essential . . . The new volume, in a sensitive and briskly idiomatic translation by Ross Benjamin, offers revelation upon revelation. It’s an invaluable addition to Kafka’s oeuvre.”—The New York Times “Franz Kafka’s inner life has always been a bit of a mystery. The expurgated diaries in their original German and English versions hinted at his complicated, often confused relationship to sex, politics, illness, and being Jewish. This readable new translation of the complete German version of the diary transforms the silent Kafka of a century ago into a Kafka not only of his times but of ours.”—Sander Gilman, author of Franz Kafka, The Jewish PatientAn essential new translation of the author’s complete, uncensored diaries—a revelation of the idiosyncrasies and rough edges of one of the twentieth century’s most influential writers.Dating from 1909 to 1923, the handwritten diaries contain various kinds of writing: accounts of daily events, reflections, observations, literary sketches, drafts of letters, accounts of dreams, as well as finished stories. This volume makes available for the first time in English a comprehensive reconstruction of the diary entries and provides substantial new content, including details, names, literary works, and passages of a sexual nature that were omitted from previous publications. By faithfully reproducing the diaries’ distinctive—and often surprisingly unpolished—writing in Kafka’s notebooks, translator Ross Benjamin brings to light not only the author’s use of the diaries for literary experimentation and private self-expression, but also their value as a work of art in themselves.Hardcover704 pagesSchocken, 20236.2 x 9.25 inchesISBN 9780805243550Literature, Kafka

The Diaries of Franz Kafka

Original Price: $35 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Diethard Leopold In the 1950s, as the world continued to recover from war and artists were grappling with new conditions in striking new ways, Rudolf Leopold (1925–2010) achieved something impressive: he built up a large, aesthetically sophisticated and historically relevant art collection of international renown. This book draws on the memories of Leopold’s son, Diethard, to tell Leopold’s story, presenting him as a fascinating collector. It shows how Leopold, beginning his collection around a core of works by Egon Schiele, branched out to collect major works by Klimt, Kokoschka, Gerstl, Egger-Lienz, and Kubin, as well as by German expressionists—thus bringing together a representative grouping of the key artists of the period.Hardcover320 pagesHirmer Publishers, 20186.5 x 1.1 x 9.2 inchesISBN 9783777428673Biography, Art History, Museum Studies

Rudolf Leopold

By James Reidel "A remarkable book, Manon’s World brilliantly evokes an extraordinary set of individuals in an urgent time and place: Austria during and after the First World War. Reidel’s sure hand weaves together the stories of the people surrounding and interacting with Manon. The result is a dazzling narrative that transports us to a lost world peopled by some of the remarkable characters in recent history. A story so compelling it is hard to put down."―Mary Dearborn, biographer and authorManon Gropius (1916–1935) was the daughter of Alma Mahler, the widow of Gustav Mahler, and the architect Walter Gropius, the founder of the Bauhaus, and the stepdaughter of the writer Franz Werfel. In Manon’s World, James Reidel explores the life and death of a child at the center of a broken love triangle. The story takes a unique course, describing a peripheral figure but in a context where her significance and centrality in the lives of her famous parents and circles comes into relief. Reidel reveals a neglected and fascinating life in a world gone by—Vienna, Venice, and Berlin of the interwar years. Not just a narrative biography, Manon’s World is also a medical history of the polio that killed Manon and a personal cultural history of the aspirations projected on her—and seen as lost by such keen observers as Elias Canetti, who devoted two chapters of his Nobel Prize–winning memoirs to his encounters with Manon and her funeral. That event led Alban Berg to dedicate his signature Violin Concerto “to an angel.” Reidel reveals a more complex image of a young woman who desired to be an actress and artist in her own right despite being her mother’s intended protégé, an inspiration to her father who rarely saw her, and her stepfather Franz Werfel, who obsessively wrote her into his novels, beginning with The Forty Days of Musa Dagh and as a revenant in all the books that followed.Hardcover324 pages | 10 halftonesSeagull Books, 20216 x 9 x 1.2 inchesISBN 9780857427496Biography

Manon's World: A Hauntology of a Daughter in the Triangle of Alma Mahler, Walter Gropius and Franz Werfel

By Eric Torgersen "It was not until I read Requiem for a Friend in Eric Torgersen's translation that I understood what a great and tragic poem it is: guilt-ridden, impassioned, intimate, a sublimated howl. Torgersen's version is one of those rare complete successes in the absolutely impossible art of translation."—Galway Kinnell"A brilliant and valuable study, written with grace and passion, Torgesen's work could scarcely be bettered, both for the delight of reading it provides and for the insights into the lives it exposes."—Choice"As a guide through the intersecting lives and relevant work of Rilke, Modersohn-Becker, and Westhoff, this study has qualitatively and in its focus no parallel in either English or German."—Reinhold Heller, University of ChicagoIn 1908, Rainer Maria Rilke wrote Requiem for a Friend in memory of Paula Moderson-Becker, the German painter who had profoundly affected him and who had died a year earlier. Although one of the great modern painters, Modersohn-Becker is remembered primarily as she is portrayed in Rilke's poem. Dear Friend looks at the relationship of two great artists whose often-strained friendship was extraordinarily productive for both. Paperback 276 pagesNorthwestern University Press, 20006 x 0.8 x 9 inchesISBN 9780810118195Biography, Letters, Poetry

Dear Friend: Rainer Maria Rilke and Paula Modersohn-Becker

By Uwe M. Schneede A highly illustrated critical biography of groundbreaking artist Paula Modersohn-Becker, harbinger of the modernist movement. Nineteenth-century German artist Paula Modersohn-Becker (1876-1907) defied every convention of an artist at the time: she was a professional female artist, she painted everyday scenes of women’s life and self-portraits―including during her pregnancy―and she used a rich, earthy palette, including many pinks. In this accessible introduction to the artist, art historian Uwe M. Schneede tells the story of how Modersohn-Becker became one of the most important artists of the modern movement. Schneede conducts a thorough visual analysis of Modersohn-Becker’s paintings, examining how she painted women, including herself, in a way that had not been seen before and unpacking why her images have remained so significant. This study is paired with a revealing discussion of the artist’s short life, from her early classes at the Association of Berlin Women Artists to creating the first-known female nude self-portraits. Featuring rarely seen images from Modersohn-Becker’s archive, as well as fascinating insight into her life and work, Paula Modersohn-Becker presents a welcome opportunity to get to know this key modern artist. Hardcover 240 pages | 120 illustrations Thames & Hudson, 2023 6.4 x 1.1 x 9.3 inches‎ISBN 9780500025628Artist Monographs

Paula Modersohn-Becker: A Life in Art

By Patrick Mackie “Erudite, ambitious and elegantly written . . . Mackie’s assertions about the ways Mozart’s identification with his era come through in the music are intriguing and insightful . . . His writing is fresh and imaginative, showing feeling for the musical character and dramatic narrative of a piece.” —Anthony Tommasini, The New York Times Book Review “Mackie’s approach is to situate the composer as an avatar of modernism, facing a fragmented high culture—caught between dry, ritualized forms of courtly music and the ‘hedonistic levity’ betokened by Enlightenment individualism. By laying such tensions bare, Mackie achieves for Mozart what Mozart himself did for music, time and time again: to make the old new, and intelligible as such.” —Robert Erickson, The New Criterion In exhilarating, transformative prose, the poet Patrick Mackie reveals a musician in dialogue with culture at its most sweepingly progressive. Mozart is one of the most familiar and beloved icons of our culture, but how much do we really understand about his music, and what can it reveal to us about the great composer? Following Mozart from his youth in Salzburg to his early death, from his close and rivalrous relationship with his father to his romantic attachments, from his hugely successful operas to intimate compositions on the keyboard, Patrick Mackie leads the reader through the major and lesser-known moments of the composer’s life and brings alive the teeming, swiveling modernity of eighteenth-century Europe. In this era of rococo painting, surrealist aesthetics, and political turbulence, Mozart reckoned with a searing talent that threatened to overwhelm him, all the while pushing himself to extraordinary feats of musicianship. In Mozart in Motion, we are returned to the volatility of the eighteenth century and hear Mozart’s music in all its audacious vividness, gaining fresh perspectives on why his works still move us so intensely today as we continue to search for a modernity he imagined into being. Paperback368 pagesPicador, 20245.65 x 0.95 x 8.7 inchesISBN 9781250335715Biography, Austrian Composer

Mozart in Motion: His Work and His World in Pieces

By Friedrich Nietzsche Introduction by Michael TannerTranslated by R.J. HollingdaleIn late 1888, only weeks before his final collapse into madness, Nietzsche (1844-1900) set out to compose his autobiography, and Ecce Homo remains one of the most intriguing yet bizarre examples of the genre ever written. In this extraordinary work Nietzsche traces his life, work and development as a philosopher, examines the heroes he has identified with, struggled against and then overcome—Schopenhauer, Wagner, Socrates, Christ—and predicts the cataclysmic impact of his ‘forthcoming revelation of all values’. Both self-celebrating and self-mocking, penetrating and strange, Ecce Homo gives the final, definitive expression to Nietzsche’s main beliefs and is in every way his last testament.Paperback122 pages Penguin, 2004Originally published in 19087 x 0.3 x 10 inches ISBN 9780140445152Autobiographical, Philosophy, Existentialism

Ecce Homo

By Katharina Rich Perlow At various times throughout her adult life in the United States, Katharina Rich Perlow was asked how her family survived World War II in Vienna, Austria. She was reluctant to conjure up the harrowing events of her childhood—until now. As the number of Jewish survivors of the Holocaust diminishes rapidly, and for the sake of her children and grandchildren, Katharina felt compelled to tell her story. Her memoir is the story of six-year-old Katharina, her two older siblings, her Catholic mother and her Jewish father, forcibly moved from a quiet, small-town life into a tiny apartment in the heart of wartime, working-class Vienna. It is the story of her soon-to-be widowed mother trying desperately to conceal from neighbors the secret that meant the difference between life and death. Despite being deprived of all the normal hallmarks of childhood, including school, social life, and even food, Katharina tells her story from the point of view of the energetic, curious, and insightful girl that she was, and the woman she was to become. From learning to dance the waltz in her tiny kitchen, to hiding in the catacombs during the Allied bombing, this is a story of bravery, family sacrifice, and survival under the most horrific of circumstances—and ultimately, of hope and resilience. Paperback202 pagesWalter Press, 20146 x 0.5 x 9 inchesISBN 9780615926292Memoir, Biography, Austrian History

Obstructed View: A Memoir of a Young Girl Growing Up in Wartime Vienna

By Marjorie Perloff "One of our finest critics and a tireless advocate for the avant-garde….To have this memoir now is a boon."—Andrew DuBois, Harvard ReviewA fascinating memoir of refugee flight and survival, intellectual yet highly personal, by one America's eminent literary critics.The Vienna Paradox is Marjorie Perloff's memoir of growing up in pre-World War II Vienna, her escape to America in 1938 with her upper-middle-class, highly cultured, and largely assimilated Jewish family, and her self-transformation from the German-speaking Gabriele Mintz to the English-speaking Marjorie—who also happened to be the granddaughter of Richard Schüller, the Austrian foreign minister under Chancellor Dollfuss and a special delegate to the League of Nations. Compelling as the story is, this is hardly a conventional memoir. Rather, it interweaves biographical anecdote and family history with speculations on the historical development of early 20th-century Vienna as it was experienced by her parents' generation, and how the loss of their "high" culture affected the lives of these cultivated refugees in a democratic United States that was, and remains, deeply suspicious of perceived "elitism." This is, in other words, an intellectual memoir, both elegant and heartfelt, by one of America's leading critics, a narrative in which literary and philosophical reference is as central as the personal. Paperback224 pagesNew Directions, 20045.2 x 0.8 x 8 inchesISBN 9780811215718Memoir, Biography, Austrian History

The Vienna Paradox: A Memoir

Original Price: $49.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Von Margret GreinerLeidenschaft für die Wiener Werkstätte!Glanz und Elend, Erfolg und Ruin: Die packende Geschichte der Primavesi-Frauen zwischen Olmütz, Wien und Montréal – zwei Leben für die Kunst.Mäda Primavesi senior und junior waren selbstbestimmte, eigenwillige Frauen, der Kunst und dem Kunstgewerbe verschrieben. Gustav Klimt hat sie beide porträtiert. Die Mutter wagt sich, nachdem sich ihr Mann Otto ruiniert hatte, selbst in die Unternehmensführung der Werkstätte, wirft ihre Person und ihr Vermögen in die Waagschale. Die Tochter geht eigene Wege, widmet sich ebenfalls dem Kunstgewerbe, wandert nach dem 2. Weltkrieg aus, verbindet die Liebe zu Kindern mit erfolgreicher Gründung und Führung eines Kinderheims in Kanada. Die Primavesis – zwei außergewöhnliche Frauen, die ihrer Zeit voraus waren. Hardcover304 SeitenText in GermanKremayr & Scheriau, 20235 1/3 x 8 1/2 InchesISBN 9783218013048Biografie, Wiener Werkstätte

Mäda & Mäda: Gustav Klimt, die Wiener Werkstätte und die Familie Primavesi

By Rachel Corbett Winner of the Marfield Prize for Arts Writing, 2016 “[An] empathetic and imaginative biography, deeply researched.”―The New Yorker "You Must Change Your Life is an enthralling exploration of the complex relationship between two creative giants of art and literature, drawn together in Paris at the birth of a new century...Corbett...sustains the reader’s interest through intellectual rigour, elegance, and above all empathy."—The London Magazine "...she [Rachel Corbett] evokes the interaction between Rodin's and Rilke's circumstances and mental states in vivid detail...The result of her efforts is a beautiful exercise in compact, interwoven double biography."—Times Literary Supplement In 1902, Rainer Maria Rilke―then a struggling poet in Germany―went to Paris to research and write a short book about the sculptor Auguste Rodin. The two were almost polar opposites: Rilke in his twenties, delicate and unknown; Rodin in his sixties, carnal and revered. Yet they fell into an instantaneous friendship―and before long Rodin hired Rilke as his secretary. With verve and great insight, Corbett transports readers to turn-of-the-twentieth-century Paris to explore this surprising friendship and the development of their influential ideas about art and creativity. She captures the dawn of modernism with appearances by such charismatic figures as Paul Cézanne, Henri Matisse, Isadora Duncan, George Bernard Shaw, and Jean Cocteau, as well as the rise of the concept of “empathy” amid the pioneering work of Sigmund Freud, Carl Jung, and Georg Simmel. Corbett also introduces the women in these men’s lives, many of them esteemed writers and artists in their own right: Rodin’s muse Camille Claudel, Rilke’s wife and fellow artist Clara Westhoff, and the remarkable Lou Andreas-Salome, who was Nietzsche’s lover and Rilke’s lifelong friend. You Must Change Your Life is a vibrant portrait of Rilke and Rodin’s singular friendship, heartbreaking rift, and moving reconciliation, and it is a testament to the ways their work continues to reverberate to this day. Paperback320 pagesW. W. Norton & Company, 20175.6 x 0.9 x 8.3 inchesISBN 9780393354928Biography, Art

You Must Change Your Life: The Story of Rainer Maria Rilke and Auguste Rodin [Paperback]

By Meriel Schindler An extraordinary memoir of a Jewish family spanning two world wars and its flight from Nazi-occupied Austria. Meriel Schindler spent her adult life trying to keep her father, Kurt, at bay. But when he died in 2017, he left behind piles of Nazi-era documents related to her family’s fate in Innsbruck, Austria, and a treasure trove of family albums reaching back to before World War I. Meriel was forced to confront not only their fractured relationship, but also the truth behind their family history. The Lost Café Schindler re-creates the journey of an extraordinary family, whose relatives included the Jewish doctor who treated Hitler’s mother when she was dying of breast cancer; the Kafka family; and Alma Schindler, the wife of Gustav Mahler. The narrative centers around the Café Schindler, the social hub of Innsbruck. Famous for its pastries, home-distilled liquors, live entertainment, and hospitality, the restaurant attracted Austrians from all walks of life. But as conditions became untenable for Jews in Austria during the Nazi era, the Schindlers were forced to leave, and their café was expropriated. Meriel reconstructs the color and vibrancy of life in prewar Innsbruck against the majestic backdrop of the Austrian Alps, as well as the creeping menace and, finally, terror of the Nazi occupation. Ultimately, The Lost Café Schindler is a story of tragic loss—several relatives disappeared in Terezín and Auschwitz—but also one of reclamation and reconciliation. Beautifully written, it is an unforgettable portrait of an era and a testament to the pull of family history on future generations.Hardcover432 pagesW.W. Norton, 20215.04 x 1.18 x 7.72 inchesISBN 9780393881622Austrian History, Memoir

The Lost Café Schindler: One Family, Two Wars, and the Search for Truth

By Daniel Paul SchreberTranslated and Edited by Richard A. Hunter and Ida MacalpineIntroduction by Rosemary Dinnage "[Memoirs of My Nervous Illness examines] what happens when the human mind works in ways that are mysterious even to its owner."—The New Yorker "Schreber is appealing because his writing is loose and vague, full of sex and politics—a kind of information pornography. It fulfills the pleasures of his readers whatever their ideological persuasion."—Giovanni Intra, Bookforum "Since...[its publication in 1903] it’s been widely regarded as the most revelatory subjective account of mental illness ever put forward...This edition, the first for decades, represents a very welcome return to print....To call this epiphanic confession a cross between Hildegard of Bingen and Philip K Dick may demarcate its territory, but it gives little idea of the universe of detail and the evangelical white heat of its sustained visionary narrative. Schreber was undoubtedly barking mad, as we’re reminded by the dry psychiatric reports on his progress, which are included in this volume. But we’re also reminded throughout that barking madness can coexist with a razor-sharp legal mind, astonishing personal courage and a boundless love for humanity."—Mike Jay, Fortean Times, The Journal of Strange Phenomena In 1884, the distinguished German jurist Daniel Paul Schreber suffered the first of a series of mental collapses that would afflict him for the rest of his life. In his madness, the world was revealed to him as an enormous architecture of nerves, dominated by a predatory God. It became clear to Schreber that his personal crisis was implicated in what he called a "crisis in God's realm," one that had transformed the rest of humanity into a race of fantasms. There was only one remedy; as his doctor noted: Schreber "considered himself chosen to redeem the world, and to restore to it the lost state of Blessedness. This, however, he could only do by first being transformed from a man into a woman...."Composed while Schreber was confined to a psychiatric hospital and published at the outset of the twentieth century, Memoirs of My Nervous Illness has fascinated and haunted its many readers, including Sigmund Freud, Carl Jung, Elias Canetti, and Gilles Deleuze, and has established itself as a key social and cultural history. As Rosemary Dinnage says in her introduction to this new edition, Schreber wrote "an account of what it is to be forsaken by everything familiar and real, and of the delusionary world that gets invented in their place." His book is perhaps the most revealing dispatch ever received from the far side of madness.Paperback496 pagesNYRB Classics, 2000Originally Published in 19038 x 5 x 1.3 inchesISBN 9780940322202Psychology, Memoir

Memoirs of My Nervous Illness

By Mark Berry "Berry’s perspective on the controversy (still) surrounding the composer is clear-eyed, empathetic, and pleasingly free of polemics of its own...Berry's survey of the individual works is comprehensive and exemplary."—BBC Music Magazine"A superb piece of writing: informative, engaging and compact. It wears its considerable research with a winning lightness of touch. The best introduction to the composer."—Thomas Hyde, composer and Lecturer in Music at Worcester College, Oxford"Arnold Schoenberg lived a “critical life” by any standards, and his entry here into the Critical Lives series of compact volumes devoted to leading cultural figures of the modern period is very welcome. No composer has ever earned quite such a bogeyman reputation, one still widely held if concert and opera programming is any evidence, yet for those of us who actively crave the sound of his music there is also the fascination of the figure himself—and a deeply human side of the composer, to which those who knew him still testify."—OperaThe most radical and divisive composer of the twentieth century, Arnold Schoenberg remains a hero to many, and a villain to many others. Born in the Jewish quarter of his beloved Vienna, Schoenberg’s early career took him to Berlin, as a leading light of Weimar culture, before he fled in the dead of night from Hitler’s Third Reich. He found himself in the United States, settling in Los Angeles, where he would inspire composers from George Gershwin to John Cage. Schoenberg’s revolutionary approach to musical composition incorporated Wagnerian late Romanticism and the brave new worlds of atonality and serialism, and it changed the history of music forever.In this refreshingly balanced biography, Mark Berry tells the story of Schoenberg’s life and work within the wider context of nineteenth and twentieth-century history. He also introduces all of Schoenberg’s major musical works, from his very first compositions such as String Quartet in D Major to his invention of the 12-tone method. This book is essential reading for all those with an interest in the music and history of the twentieth century.Paperback240 pagesReaktion Books, 20195 x 0.6 x 7.8 inchesISBN 9781789140873Music, Biography

Arnold Schoenberg

By Bojan Bujic "Includes rare and revealing illustrations...[A] sane and sensitive biography...A readable illustrated biography of Schoenberg is such an obvious idea what one wonders why it has taken so long for one to appear. Certainly Phaidon's 20th Century Composers series [...] is an ideal format...Bojan Bujic [...] has performed his task with skill and sympathy. It is refreshing to see Schoenberg treated as a passionate human being...Bujic's explication of the serial method and its imaginative origins is sensible and concise...He is also ingenious in using his pictorial material to illuminate musical issues...Overall an extremely useful introduction."—BBC Music"The major (and rare) achievement of the book is its slow but sure description of Schoenberg's move through post-romantic tonality, atonality and serialism. The explanation of musical language is always tricky […] but Bujic remains clear and honest without baffling...particularly deft is his invitation to listen to Schoenberg in a different way…Bujic's biography, like its subject, dazzles and delights."—Classical Music Arnold Schoenberg (1874–1951) was arguably the central musical personality of the 20th century, whose innovative, uncompromising musical language opened up new possibilities for composers and influenced generations of musicians and listeners. A major force in the development of modern music, Schoenberg is famous for abandoning tonality and introducing the 12-tone 'serial' method of composition. In addition to his groundbreaking work as a composer, Schoenberg was an important theorist and an enormously influential teacher, with Anton Webern and Alban Berg among his most famous pupils. This book presents a clear narrative history of Schoenberg’s life, work and cultural context along with essential reference material and striking illustrations, making it a vital purchase for anyone interested in the composer. Brought up in the rich and cosmopolitan cultural life of Vienna, Schoenberg started to play the violin at the age of nine and began experimenting with composition almost immediately, but had no formal training in music until his late teens. Schoenberg first composed in the late Romantic tradition, and his earliest acknowledged works, including the string sextet 'Verklärte Nacht', date from the turn of the century. Over the next decade in Vienna, he developed his musical style, in due course causing a sensation with the dissonance of his 'serial' technique and the harmonic strangeness and complexity of his material. Hardcover240 pages | 80 black-and-white illustrationsPhaidon Press, 20116.8 x 1 x 9 inchesISBN 9780714846149Biography, Music, Vienna

Original Price: $30 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Judith Chernaik “This densely informative biography also provides a comprehensive listening guide to [Schumann’s] music. . . . For Chernaik, the music illuminates the story of a man with ‘more feeling than judgment,’ who emerged as one of the most influential Romantic composers, before a harrowing descent into madness.”—The New Yorker“Chernaik is an enthusiastic student of Schumann’s music and a fine chronicler of his turbulent life. Schumann: The Faces and the Masks is a well-proportioned, highly readable biography for general readers that establishes Schumann as a man thoroughly of his time. The book’s greatest contribution is to situate Schumann in a remarkable fraternity of 19th-century composers.”—Michael O’Donnell, The Wall Street Journal“Engrossing . . . A most touching and moving story, beautifully told . . . [Chernaik] understands the poetry of Schumann’s soul and she communicates with quiet urgency the pity of his story and the beauty of his music. If her intention was that by reading this, we’d be inspired to go back to his music with a deeper appreciation, it has worked for me.”—Ysenda Maxtone Graham, Daily Mail A groundbreaking account of Robert Schumann, a major composer and key figure of Romanticism, whose life and works have been the subject of intense controversy since his early death in a mental asylum. Schumann: The Faces and the Masks draws us into the milieu of the Romantic movement, which enraptured poets, musicians, painters, and their audiences in the early nineteenth century and beyond, even to the present day. It reveals how Schumann (1810-1856) embodied all the contrasting themes of Romanticism—he was intensely original and imaginative but also worshiped the past; he believed in political, personal, and artistic freedom but insisted on the need for artistic form based on the masters: Bach, Haydn, Mozart, and Beethoven. It details his deep involvement with other composers of his time, such as Chopin and Mendelssohn, Liszt and Brahms, as well as the literary lights of the age––Johann Wolfgang von Goethe, Heinrich Heine, E.T.A. Hoffmann—whose works gave inspiration to his compositions and words to his songs. Drawing on hitherto unpublished archive material, as well more established sources of journals, letters, and publications, Judith Chernaik provides enthralling new insight into Schumann's life and his music: his sexual escapades, his fathering of an illegitimate child, the facts behind his courtship of Clara Wieck—already a noted young concert pianist––his passionate marriage to her despite the opposition of her manipulative father, his passionate marriage, and the ways his many crises fed into the dreams and fantasies of his greatest works, turning his tumultuous life into music that speaks directly to the heart. Hardcover349 pagesFaber & Faber, 20186.6 x 1.5 x 9.5 inchesISBN 9780571331260Biography, Music

Schumann: The Faces and the Masks

By Padraig Rooney "At last a biography in English of one of the most interesting women of the twentieth century! Schwarzenbach was so far ahead of her time that we are only now beginning to catch up to her. Little happened in the early decades of the twentieth century to which she didn't have a connection. What a life! And what a great way Padraig Rooney has told it." —Carlos Dews, editor of The Collected Works of Carson McCullers “An empathetic portrait of an audacious woman.” —Kirkus Reviews Annemarie Schwarzenbach was one of the twentieth century’s most remarkable women, possibly the greatest sexual and political radical of the 1930s. But until now she’s been largely ignored. Born to a wealthy family in Switzerland, as a teenager she rebelled against her domineering pro-Nazi mother. She immersed herself in the antifascist, queer and artistic circles of the German diaspora of the 1930s. Her edgy glamour and androgynous beauty turned heads in the lesbian nightclubs of Weimar Berlin, on the ski slopes of St. Moritz, and in New York's luxury hotels and jazz bars. Constantly on the move, Annemarie chronicled the low and dishonest decade leading to war through her unique journalism, writing and photography. Her work was as adventurous and uncompromising as her personal life, and reveals a deep courage, intelligence, and ambition tragically curtailed by her untimely death. Hardcover332 pagesPolity, 20256.3 x 1.4 x 9.1 inchesISBN 9781509566297Biography

Rebel Angel: The Life and Times of Annemarie Schwarzenbach

Original Price: $34.95 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Please note that this book is shelf-worn. By Paul J. Karlstrom “[Peter Selz] is a readable account packed with information about the workings of art museums on both coasts, but in a larger sense, it is an intellectual bildungsroman recounting a life in art that never stopped evolving.”—Artillery“A fascinating account of an individual who has made many contributions to art history and who has advocated on behalf of critical, often controversial or unrecognized artists here and abroad.”—Washington Independent Review Of Books“While few great biographies are written of a living subject, Karlstom’s book is like a moving still life, a black-and-white painting richly colored, a silent movie in which every character speaks to be heard. Peter Selz was a great subject, and Karstrom matched him with a great biography.”—European Legacy This absorbing biography, often conveyed through Peter Selz’s own words, traces the journey of a Jewish-German immigrant from Hitler’s Munich to the United States and on to an important career as a pioneer historian of modern art. Paul J. Karlstrom illuminates key historical and cultural events of the twentieth-century as he describes Selz’s extraordinary career—from Chicago’s Institute of Design (New Bauhaus), to New York’s Museum of Modern Art during the transformative 1960s, and as founding director of the University Art Museum at UC Berkeley. Karlstrom sheds light on the controversial viewpoints that at times isolated Selz from his colleagues but nonetheless affirmed his conviction that significant art was always an expression of deep human experience. The book also links Selz’s long life story—featuring close relationships with such major art figures as Mark Rothko, Dore Ashton, Willem de Kooning, Sam Francis, and Christo—with his personal commitment to political engagement. Hardcover286 pagesUniversity of California Press, 20126 x 1 x 9 inchesISBN 9780520269354German History, Biography

Peter Selz: Sketches of a Life in Art

Original Price: $18.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Art Spielgelman PULITZER PRIZE WINNER One of Variety’s “Banned and Challenged Books Everyone Should Read”The first installment of the graphic novel acclaimed as “the most affecting and successful narrative ever done about the Holocaust.”—The Wall Street Journal “The first masterpiece in comic book history.”—The New YorkerA brutally moving work of art—widely hailed as the greatest graphic novel ever written—Maus recounts the chilling experiences of the author’s father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.Maus is a haunting tale within a tale, weaving the author’s account of his tortured relationship with his aging father into an astonishing retelling of one of history’s most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma. Paperback160 pagesPantheon, 19866.56 x 0.41 x 9.13 inchesISBN 9780394747231Graphic Novel, Biography

Maus I: A Survivor's Tale, My Father Bleeds History

Original Price: $18.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Art Spiegelman “The most affecting and successful narrative ever done about the Holocaust.”—The Wall Street Journal “In part two of Maus, Art Spiegelman finishes his masterpiece . . . You can’t help witnessing—even feeling—the act of private pain being transformed into lasting truth.”—The Boston Globe “One of the most powerful and original memoirs to come along in recent years . . . An epic story told in tiny pictures.”—The New York Times A brutally moving work of art—widely hailed as the greatest graphic novel ever written—Maus recounts the chilling experiences of the author’s father during the Holocaust, with Jews drawn as wide-eyed mice and Nazis as menacing cats.Maus is a haunting tale within a tale, weaving the author’s account of his tortured relationship with his aging father into an astonishing retelling of one of history’s most unspeakable tragedies. It is an unforgettable story of survival and a disarming look at the legacy of trauma.Paperback144 pagesPantheon, 19926.5 x 0.39 x 9.12 inchesISBN 9780679729778Graphic Novel, Biography

Maus II: A Survivor's Tale, And Here My Troubles Began

﻿﻿By Franz Schulze and Edward Windhorst “This excellent revised edition of a work originally published in 1985, has 138 illustrations, incisive descriptions of Mies’ innovative creations and a fascinating account of his Pyrrhic victory in a lawsuit against his disaffected client Edith Farnsworth.”—Booklist, Starred Review“Franz Schulze’s 1985 biography of Ludwig Mies van der Rohe has always been acknowledged as the most comprehensive and thoughtful biography of one of the key figures in twentieth-century architecture. This revised edition with significant new scholarship by its two authors will undoubtedly come to occupy the same position.”—Dietrich Neumann, Brown University“This authoritative biography of Mies van der Rohe has been updated through building records, the recollections of students and a court transcript. It’s a gripping read, even if you’re not a fan.”—Christopher Woodword, Building Design Mies van der Rohe: A Critical Biography is a major rewriting and expansion of Franz Schulze’s acclaimed 1985 biography, the first full treatment of the master German-American modern architect. Coauthored with architect Edward Windhorst, this revised edition, three times the length of the original text, features extensive new research and commentary and draws on the best recent work of American and German scholars. The authors’ major new discoveries include the massive transcript of the early-1950s Farnsworth House court case, which discloses for the first time the facts about Mies’s epic battle with his client Edith Farnsworth. Giving voice to dozens of architects who knew and worked with (and sometimes against) Mies, this comprehensive biography tells the compelling story of how Mies and his students and followers created some of the most significant buildings of the twentieth century. Paperback512 pagesUniversity Of Chicago Press; 2 edition, 20147 x 1.3 x 10 inchesISBN 9780226151458Biography, Architecture, Modernism

Mies van der Rohe: A Critical Biography, New and Revised Edition

By Marius Hentea The first biography in English of Tristan Tzara, a founder of Dada and one of the most important figures in the European avant-garde. Tristan Tzara, one of the most important figures in the twentieth century's most famous avant-garde movements, was born Samuel Rosenstock (or Samueli Rosenștok) in a provincial Romanian town, on April 16 (or 17, or 14, or 28) in 1896. Tzara became Tzara twenty years later at the Cabaret Voltaire in Zurich, when he and others (including Marcel Janco, Hugo Ball, Richard Huelsenbeck, and Hans Arp) invented Dada with a series of chaotic performances including multilingual (and nonlingual) shouting, music, drumming, and calisthenics. Within a few years, Dada (largely driven by Tzara) became an international artistic movement, a rallying point for young artists in Paris, New York, Barcelona, Berlin, and Buenos Aires. With TaTa Dada, Marius Hentea offers the first English-language biography of this influential artist. As the leader of Dada, Tzara created “the moment art changed forever.” But, Hentea shows, Tzara and Dada were not coterminous. Tzara went on to publish more than fifty books; he wrote one of the great poems of surrealism; he became a recognized expert on primitive art; he was an active antifascist, a communist, and (after the Soviet repression of the Hungarian Revolution) a former communist. Hentea offers a detailed exploration of Tzara's early life in Romania, neglected by other scholars; a scrupulous assessment of the Dada years; and an original examination of Tzara's life and works after Dada. The one thing that remained constant through all of Tzara's artistic and political metamorphoses, Hentea tells us, was a desire to unlock the secrets and mysteries of language. Paperback368 pages | 60 black-and-white illustrationsMIT press, 20149 x 7 x 1.2 inchesISBN 9780262027540Dadaism, Biography

TaTa Dada: The Real Life and Celestial Adventures of Tristan Tzara

By Philippe Sands“Gripping . . . fascinating and important, told in vivid detail . . . fiercely inquiring . . . suspenseful . . . extraordinary.”—The New York Times Book Review“Hypnotic, shocking, and unputdownable.” —John le Carré, internationally renowned bestselling author“A burningly necessary book. Sands makes a gently unsparing dissection of deception, love, delusion, and ineradicable evil. Elegant, painstaking, passionate, and quietly enraging.”—A.L. KennedyBaron Otto von Wächter, Austrian lawyer, husband, father, high Nazi official, senior SS officer, former governor of Galicia during the war, creator and overseer of the Krakow ghetto, indicted after as a war criminal for the mass murder of more than 100,000 Poles, hunted by the Soviets, the Americans, the British, by Simon Wiesenthal, on the run for three years, from 1945 to 1948. . .Philippe Sands pieces together, in riveting detail, Wächter’s extraordinary, shocking story. Given full access to the Wächter family archives–journals, diaries, tapes, and more–and with the assistance of the Wächters’ son Horst, who believes his father to have been a “good man,” Sands writes of Wächter’s rise through the Nazi high command, his “blissful” marriage and family life as their world was brought to ruin, and his four-year flight to escape justice–to the Tirol, to Rome, and the Vatican; given a new identity, on his way to a new life via “the Ratline” to Perón’s Argentina, the escape route taken by Eichmann, Mengele, and thousands of other Nazis. Wächter’s escape was cut short by his mysterious, shocking death in Rome, in the midst of the burgeoning Cold War (was he being recruited in postwar Italy by the Americans and the U.S. Army Counter Intelligence Corps or by the Soviet NKVD or by both; or was he poisoned by one side or the other, as his son believes–or by both?). . . An extraordinary discovery, told up-close through access to a trove of family correspondence between Wächter and his wife–part historical detective story, part love story, part family memoir, part Cold War espionage thriller.Paperback448 pages | 83 illustrations and 4 mapsAlfred A. Knopf Publishers, 20216.5 x 9.5 inchesISBN 9780525562535History, Biography, Politics

The Ratline: The Exalted Life and Mysterious Death of a Nazi Fugitive [Paperback]

By Oliver Hilmes Translated by Stewart Spencer “A compelling and critical picture of a clever and powerful woman . . . well-documented [and] absorbing.”—Library Journal"More than everything you ever needed to know about Cosima Wagner, this well-written book (translated brilliantly—as ever—by Stewart Spencer) offers a clear and scrupulous insight into how she created and stoked the peculiar mania that infected the Wagner cult."—Della Couling, Classical Music“Bastard daughter of touring music celebrity, unfaithful wife of great conductor, marries genius and becomes one of the leading influences on Western culture. As the Aussies say, you couldn’t read about it. But, here in the pages of Cosima Wagner, you certainly can. And the story is enriched by the author’s access to available documentation at Bayreuth.…This [is] illuminating work”—Robert Giddings, TribuneSelected as a Choice Outstanding Academic Title for 2010 in the Music category. In this meticulously researched book, Oliver Hilmes paints a fascinating and revealing picture of the extraordinary Cosima Wagner—illegitimate daughter of Franz Liszt, wife of the conductor Hans von Bülow, then mistress and subsequently wife of Richard Wagner. After Wagner’s death in 1883 Cosima played a crucial role in the promulgation and politicization of his works, assuming control of the Bayreuth Festival and transforming it into a shrine to German nationalism. The High Priestess of the Wagnerian cult, Cosima lived on for almost fifty years, crafting the image of Richard Wagner through her organizational ability and ideological tenacity. The first book to make use of the available documentation at Bayreuth, this biography explores the achievements of this remarkable and obsessive woman while illuminating a still-hidden chapter of European cultural history. Paperback400 pages | 30 black-and-white illustrationsYale University Press, 20116 x 9 inchesISBN 9780300170900Biography, Music

Cosima Wagner: The Lady of Bayreuth

By Joseph McBrideA trenchant reappraisal of Wilder’s half-century-long career.―Noah Isenberg, The Nation[A] brilliant exegesis of Wilder’s life and work . . . [McBride's] approach works well, illuminating Wilder’s themes and obsessions across the entire span of a lifetime, and therefore across almost the entire twentieth century. ―A. S. Hamrah, BookforumEasily the most insightful, lively, and thought-provoking book on film I’ve come across this year; no one is better than McBride when it comes to exploring and clarifying the complex intersection between cultural, historical, and psychological forces that yields an artist’s work, and his volume on Wilder is as good as anything he’s ever written – which means it’s as good as anything any film critic has ever written.― Jim Hemphill, Filmmaker MagazineThe director and cowriter of some of the world's most iconic films-including Double Indemnity, Sunset Blvd., Some Like It Hot, and The Apartment-Billy Wilder earned acclaim as American cinema's greatest social satirist. Though an influential fixture in Hollywood, Wilder always saw himself as an outsider. His worldview was shaped by his background in the Austro-Hungarian Empire and work as a journalist in Berlin during Hitler's rise to power, and his perspective as a Jewish refugee from Nazism lent his films a sense of the peril that could engulf any society. In this critical study, Joseph McBride offers new ways to understand Wilder's work, stretching from his days as a reporter and screenwriter in Europe to his distinguished as well as forgotten films as a Hollywood writer and his celebrated work as a writer-director. In contrast to the widespread view of Wilder as a hardened cynic, McBride reveals him to be a disappointed romantic. Wilder's experiences as an exile led him to mask his sensitivity beneath a veneer of wisecracking that made him a celebrated caustic wit. Amid the satirical barbs and exposure of social hypocrisies, Wilder's films are marked by intense compassion and a profound understanding of the human condition. Mixing biographical insight with in-depth analysis of films from throughout Wilder's career as a screenwriter and director of comedy and drama, and drawing on McBride's interviews with the director and his collaborators, this book casts new light on the full range of Wilder's rich, complex, and distinctive vision.Paperback680 pagesColumbia University Press, 20246.14 x 1.5 x 9.21ISBN 9780231216616Artist Biography, Film

Billy Wilder: Dancing on the Edge

By Edward Kanterian Ludwig Wittgenstein is generally considered as the greatest philosopher since Immanuel Kant, and his personal life, work, and his historical moment intertwined in a fascinating, complex web. Noted scholar Edward Kanterian explores these intersections in Ludwig Wittgenstein, the newest title in the acclaimed Critical Lives series. Wittgenstein’s works—from Tractatus Logico-Philosophicus to the posthumously published Philosophical Investigations­—are notoriously dense, and Kanterian carefully distills them here, proposing thought-provoking new interpretations. Yet the philosopher’s passions were not solely confined to theoretical musings, and the book explores Wittgenstein’s immersion in art and music and his social position as a member of the sophisticated Viennese upper class at the turn of the century. His personal and professional relationships also offer insights into his thoughts, as he was friends with the greatest thinkers of the twentieth century, including John Maynard Keynes, George Edward Moore, Bertrand Russell, and Gilbert Royle. The philosopher was also deeply tormented by ethical and religious questions, and his internal turmoil, Kanterian argues, gives us a deeper understanding of the important conflicts and tensions of his age. Ultimately, the author contends, Wittgenstein’s life reveals insights into the ethical quandaries of our own time. A readable and concise account, Ludwig Wittgenstein is an informative, accessible introduction to the one of the greatest thinkers of our age. Paperback222 pages5 x 0.6 x 7.9 inchesReaktion Books, 2007ISBN 9781861893208Philosophy, Biography

Ludwig Wittgenstein (Critical Lives)

By Ilya ZdanevichEdited by Sezgin BoynikTranslated by Pavels Smišlajevs and Michel ChevalierThe second volume of the bie bao series presents a eulogy entitled Iliazda at the Birthday Party, a pseudo-autobiographical lecture delivered by Ilya Zdanevich in Paris in 1922. It reports on Zdanevich's artistic and political adventures up until then. Along with an autobiography full of self-admiration, in this lecture Zdanevich gives an interpretation of his zaum dramas inspired by Freudianism, and humorously describes a colorful image of the Russian microcosm in Montparnasse.Additionally, this second volume also includes Iliazd's letter to Ardengo Soffici from 1964, where one can read, in the most unambiguous terms, about Zdanevich's positions against war, imperialism, and all forms of nationalism. Subtitled 50 Years of Russian Futurism, the letter to Soffici presents us with an altogether new Zdanevich—a "fellow traveller" in both leftist and avant-garde circles. As well as the extended introduction and extensive annotations, the texts are further contextualized with Johanna Drucker's visual presentation of the birth of the Iliazd cult. Paperback96 pagesRab-Rab Press, 20226.6 x 4.3 inchesISBN 9789526938998Autobiography

Iliazda at the Birthday Party: Autiobiographical Lecture, 1922

By Stefan Zweig Translated by Anthea Bell Cover illustration by Edward Steichen Written as both a recollection of the past and a warning for future generations, The World of Yesterday recalls the golden age of literary Vienna—its seeming permanence, its promise, and its devastating fall. Surrounded by the leading literary lights of the epoch, Stefan Zweig draws a vivid and intimate account of his life and travels through Vienna, Paris, Berlin, and London, touching on the very heart of European culture. His passionate, evocative prose paints a stunning portrait of an era that danced brilliantly on the edge of extinction. This new translation by award-winning Anthea Bell captures the spirit of Zweig’s writing in arguably his most revealing work. Stefan Zweig (1881–1942) was born in Vienna, a member of a wealthy Austrian-Jewish family. He studied in Berlin and Vienna and was first known as a poet and translator, then as a biographer. Zweig traveled widely, living in Salzburg between the wars, and enjoyed literary fame. His stories and novellas were collected in 1934. In the same year, with the rise of Nazism, he briefly moved to London, taking British citizenship. After a short period in New York, he settled in Brazil where in 1942 he and his wife were found dead in bed in an apparent double suicide. Also available in German here. Paperback472 pagesNebraska University Press, 2013Originally published in 19415.5 x 1 x 8.5 inchesISBN 9780803226616Biography, History, Travel

The World of Yesterday

By Volker WeidermannTranslated from German by Carol Brown Janeway “Intimate . . . Weidermann gives us a glimpse of what was, to many of these writers, a brief but rare home.”—Claire Hazelton, The Guardian“Potent and melancholy . . . Weidermann has combed letters, books, diaries, and reminiscences and used them to tell his sad tale as if it were a novel."—Michael Prodger, The Times, London“Dazzling. . . Graceful. For such a slim book to convey with such poignancy the extinction of a generation of ‘Great Europeans’ is a triumph.”—The Sunday Telegraph“Beautifully translated by Carol Brown Janeway . . . a short but vital calm-before-the-storm history, one that shines a valuable light on two of the 20th century’s finest writers . . . rich in insight and empathy. This is a sparkling gem.”—Malcolm Forbes, Minneapolis Star-Tribune It’s the summer of 1936, and the writer Stefan Zweig is in crisis. His German publisher no longer wants him, his marriage is collapsing, and his house in Austria—searched by the police two years earlier—no longer feels like home. He’s been dreaming of Ostend, the Belgian beach town that is a paradise of promenades, parasols, and old friends. So he journeys there with his lover, Lotte Altmann, and reunites with fellow writer and semi-estranged close friend Joseph Roth, who is himself about to fall in love. For a moment, they create a fragile haven. But as Europe begins to crumble around them, the writers find themselves trapped on vacation, in exile, watching the world burn. In Ostend, Volker Weidermann lyrically recounts “the summer before the dark,” when a coterie of artists, intellectuals, drunks, revolutionaries, and madmen found themselves in limbo while Europe teetered on the edge of fascism and total war. Ostend is the true story of two of the twentieth century’s great writers, written with a novelist’s eye for pacing, chronology, and language—a dazzling work of historical nonfiction. Hardcover164 pagesPantheon, 2016 5.4 x 0.8 x 7.8 inchesISBN 9781101870266Literature, Biography, European History

Ostend: Stefan Zweig, Joseph Roth, and the Summer Before the Dark

Original Price: $42.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS By Rainer J. Hanshe"With its ingenious orchestration of the archive and its sensitivity to both the depths and inadvertencies of the creative process, Closing Melodies maps the twin stories of the last days of Friedrich Nietzsche and Vincent van Gogh within a phantasmagoria of space, time, and vision. Rainer J. Hanshe has an unparalleled grasp of what might be called the analytics of genius." —Nicholas Birns, New York UniversityAs the 19th century comes to a close, Friedrich Nietzsche and Vincent van Gogh unknowingly traverse proximate geographical terrain, nearly circling one another like close but distant stars as the philosopher wanders between Nizza, Sils Maria, and Torino, and the painter wanders between Paris, Arles, and Saint-Rémy. In the midst of their philosophical and artistic pursuits, simultaneously, the Eiffel Tower, symbol of artistic progress and industrialization, begins to rise in Paris amidst clamors of protest and praise.Through intertwining letters written to (& sometimes by) friends, family, and others, the philosopher and painter are brought into ever-greater proximity as we witness their daily personal and artistic struggles. Woven between and interrupting this panoply of voices are a series of intervals, short illuminating blasts, like a camera’s exploding flash powder, of artistic, scientific, political, and other events spanning 1888 to 1890, drawing Nietzsche and Van Gogh in and out of the wider expanses of history.As construction of the Eiffel Tower comes to completion in Paris and Elisabeth Förster, the sister of the philosopher of the will to power, tries to found a utopic race colony in South America, the lives of Nietzsche and Van Gogh come to their terrible denouements. Her brother now a full-fledged zombie, the former queen of Nueva Germania seizes the reins of his living corpse and rides him into the future.With no deus ex machina in sight, and none possible, WWI and the terrors and the beauties of the 20th century crack the horizon.Paperback836 pagesContra Mundum Press, 20236 x 1.85 x 9 inchesISBN 9781940625522History, Biography

Closing Melodies

By Jennifer HiggieA dazzlingly original and ambitious book on the history of female self-portraiture by one of today's most well-respected art critics.Until the twentieth century, art history was, in the main, written by white men who tended to write about other white men. The idea that women in the West have always made art was rarely cited as a possibility. Yet they have - and, of course, continue to do so - often against tremendous odds, from laws and religion to the pressures of family and public disapproval.In The Mirror and the Palette, Jennifer Higgie introduces us to a cross-section of women artists who embody the fact that there is more than one way to understand our planet, more than one way to live in it and more than one way to make art about it. Spanning 500 years, biography and cultural history intertwine in a narrative packed with tales of rebellion, adventure, revolution, travel and tragedy enacted by women who turned their back on convention and lived lives of great resilience, creativity and bravery.Paperback336 pagesPegasus Books, 20226 x 1.5 x 9 inchesISBN 9781639362936Art History, Biography & Autobiography

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