Otto Dix

Edited by Olaf PetersTexts by Olaf Peters, Dietrich Schubert, Ernst Kallai, Willi Wolfradt, Karsten Mueller and James Van Dyke More than almost any other German painter, Otto Dix and his works have profoundly influenced the popular notion of the Weimar Republic. His paintings were among the most graphic visual representations of that period, exposing with wicked wit the instability and contradictions of the time. The particular role that Dix played as an artist in the Weimar Republic can only be understood against the backdrop of the painter's experiences during the First World War, from 1914 to 1918. The essay in the present volume by Dietrich Schubert discusses this theme using Dix's war-era self-portraits as examples. The artist's wartime experiences also shaped his shockingly brutal depictions of sexual murders and his paintings of prostitutes, the subject of another of the essays in this publication. Please note that Rare/Out-of-Print titles are very limited in stock. Hardcover258 pagesNeue Galerie New YorkPrestel, 20101.1 x 9.7 x 11.5 inchesISBN 9783791350202Neue Galerie Exhibition Catalogue, Art History

Otto Dix Exhibition Catalogue

Original Price: $70 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Edited by Matthias Frehner and Daniel Spanke Kunstmuseum Bern, the oldest museum in Switzerland, turns its gaze toward its own acquisition history in this lavish book that features artistic masterpieces considered worthless by the Nazis, and the stories of how they came to Switzerland. As a result of the Nazi regime’s scorn for modern art, virtually all non-traditional art between 1933 and 1945 was banned in Germany on the grounds that it was un-German, Jewish, or Communist in nature. Those identified as “degenerate” artists were dismissed from teaching positions and forbidden to exhibit or to sell their works. This book sheds light on the historical significance and provenance of nearly 525 works by modernist greats, such as Picasso, Chagall, and Kandinsky, which were acquired by the Kunstmuseum Bern through a combination of auctions and private donations. The book traces the fates of artists who suffered under the Nazi regime and who had connections to Switzerland, including Kirchner, Klee and Dix, and contrasts the cultural policies of the Third Reich with those of Switzerland in the same period. Finally, it details the dramatic events and unprecedented efforts that went into preserving invaluable works of art. Please note that Rare/Out-of-Print titles are very limited in stock. Hardcover376 pagesPrestel, 20169.2 x 1.4 x 11.2 inchesISBN 9783791355368Art History, Museum Studies

Modern Masters: "Degenerate" Art at the Kunstmuseum Bern

Printed on archival paper, 8 x 12 inches Mounted on a 14 3/4 x 16 5/8 inch matte.Designed and printed at Thornwillow Press in Newburgh, New York under the direction of Luke Ives Pontifell. Limited Edition Print, Painting, Neue Sachlichkeit (New Objectivity) Movement

Otto Dix: Half-Nude, 1926 [Print]

Original Price: $15.00 UP TO 20% ADDITIONAL SAVINGS FOR MEMBERS Otto Dix (1891-1969), Portrait of the Dancer Anita Berber, 1925 Exhibition poster for "Otto Dix" 26.75 x 38.75 inches

Otto Dix Exhibition Poster

Otto Dix (1891-1969) Portrait of the Art Dealer Alfred Flechtheim, 1926

Otto Dix: Portrait of the Art Dealer Alfred Flechtheim [Postcard]

Otto Dix (1891-1969) Liegende auf Leopardenfell (Reclining Woman on Leopard Skin), 1927

Otto Dix: Reclining Woman on Leopard Skin [Postcard]

Otto Dix (1891-1969) Self-Portrait with Nude Model, 1923

Otto Dix: Self-Portrait with Nude Model [Postcard]

By E. Atlan, P. Chametzky, V. Hein, K. Hille, I. Jessen, C. Klingsöhr-Leroy, K. Krenzlin, M. Oucherif, O. Peters, C. Thiele, I. Voermann, and M. Weinland An exploration of the artistic life of non-conformists under the Third Reich. Between 1933 and 1945, artistic creativity within the German Reich was almost totally under the control of the National Socialist state. Many artists emigrated. But what about the ones who remained in Germany? Under what social and economic conditions did they focus on their art and what options for activity were open to them? For artists who did not conform to the system, the years of National Socialism were an era of standstill and isolation. This volume examines the different ways fourteen artists dealt with ostracism, the lack of audience, and the absence of exchange under National Socialism, as well as what possibilities they had for selling and exhibiting their works and to what extent they adapted to the requirements of the Nazi regime. Some 140 paintings, sculptures, drawings and photographs reflect graphically the contradictions of this time.Artists:Willi Baumeister, Otto Dix, Hans Grundig, Lea Grundig, Hannah Höch, Werner Heldt, Marta Hoepffner, Karl Hofer, Edmund Kesting, Jeanne Mammen, Ernst Wilhelm Nay, Franz Radziwill, Hans Uhlmann, Fritz WinterHardcover296 pages | 220 color platesText in German and EnglishHirmer, 20228 x 10.75 inchesISBN 9783777438528Movements

Art For No One: 1933–1945

Exhibition notecard for "Neue Sachlichkeit / New Objectivity" February 20—May 26, 2025 Otto Dix (1891-1969)Dr. Mayer-Hermann, 1926 1 notecard and envelope5.75 x 8.75 inches

Otto Dix: Neue Sachlichkeit Exhibition Notecard [Single Card]

By Andreas RüfenachtEdited by Museum zu Allerheiligen Schaffhausen Adolf Dietrich and Otto Dix both achieved success as representatives of New Objectivity. Different though their artistic work appears initially, as representatives of this movement they covered considerable common ground. Their points of contact can be found in gallery owners and artist friends, in museum collections and group exhibitions. After the National Socialists removed Dix from his professorship at Dresden Art Academy in 1933, he settled near the Swiss border, initially at Schloss Randegg and from 1936 onwards in Hemmenhofen. Separated by the Untersee, he and Dietrich then lived in close proximity. Both artists found motifs in the landscapes of the Lake Constance region. It is not known whether Dix and Dietrich ever visited each other, but each was certainly aware of the other. They probably meet for the first time in this publication. Andreas Rüfenacht, curator of the Collection of Art until 1945 at the Museum zu Allerheiligen Schaffhausen since 2018. Studied art history, history and architectural history at the University of Bern; dissertation at the University of Zurich Hardcover152 pages + 87 color illustrationsText in GermanDeutscher Kunstverlag, 2025ISBN 9783422802902Monographs

Otto Dix – Adolf Dietrich

Von Kai Hohenfeld, Melanie Löckel (Herausgeber) Alpha und Omega stehen für den unstillbaren Drang von Otto Dix, mit seiner Kunst die menschliche Existenz in ihrer Gesamtheit, mit allen Höhen und Abgründen, abzubilden und zu durchleben. In der Unmittelbarkeit der Zeichnungen und Grafiken eröffnen sich berührende Einblicke in das exzessive Schaffen und die Gefühlswelt eines der größten Künstler des 20. Jahrhunderts.Die mit 420 Zeichnungen und Druckgrafiken in Anzahl wie Qualität spektakuläre Albstädter Sammlung zeigt in herausragender Weise den ganzen Otto Dix: einen Künstler, der vor nichts die Augen verschloss und der sich mit der gleichen Gier nach Erfahrung unterschiedliche künstlerische Stile aneignete. Geburt und Vernichtung, Freude und Verzweiflung, Schönheit und Abscheulichkeit – anhand von Schlüsselwerken begegnet uns Dix als ein Künstler, dem nichts Menschliches fremd war. Hardcover160 PagesText in GermanHirmer, 202510 x 8.75 inISBN 9783777445038 German Expressionism, Monograph

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Otto Dix

Otto Dix Exhibition Catalogue

Modern Masters: "Degenerate" Art at the Kunstmuseum Bern

Otto Dix: Half-Nude, 1926 [Print]

Otto Dix Exhibition Poster

Otto Dix: Portrait of the Art Dealer Alfred Flechtheim [Postcard]

Otto Dix: Reclining Woman on Leopard Skin [Postcard]

Otto Dix: Self-Portrait with Nude Model [Postcard]

Art For No One: 1933–1945

Otto Dix: Neue Sachlichkeit Exhibition Notecard [Single Card]

Otto Dix – Adolf Dietrich

Otto Dix - Alpha Omega : Der komplette Bestand im Kunstmuseum Albstadt

Shop at Neue Otto Dix

Otto Dix Exhibition Catalogue

Modern Masters: "Degenerate" Art at the Kunstmuseum Bern

Otto Dix: Half-Nude, 1926 [Print]

Otto Dix Exhibition Poster

Otto Dix: Portrait of the Art Dealer Alfred Flechtheim [Postcard]

Otto Dix: Reclining Woman on Leopard Skin [Postcard]

Otto Dix: Self-Portrait with Nude Model [Postcard]

Art For No One: 1933–1945

Otto Dix: Neue Sachlichkeit Exhibition Notecard [Single Card]

Otto Dix – Adolf Dietrich

Otto Dix - Alpha Omega : Der komplette Bestand im Kunstmuseum Albstadt

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Otto Dix