László Moholy-Nagy

Edited by Walter Gropius and László Moholy-Nagy. A facsimile of the gorgeous Bauhaus edition of Malevich's classic treatise on Suprematism. Kasimir Malevich (1879–1935) debuted his new creative theory of basic geometric shapes with the publication of his Suprematist manifesto in 1915. He later published a follow-up entitled The Non-Objective World in 1927, which further elucidated his vision of an art that emphasized the “primacy of pure feeling.” With Suprematism, Malevich strove to move his artistic focus away from representation, choosing instead to evoke emotion through a fundamental grammar system of squares, circles and other basic shapes. Though he was not an official member of the Bauhaus, Malevich’s emphasis on simplified forms provided an important link between the school of design and the Suprematist movement.As part of the publisher’s ongoing Bauhausbücher series, Lars Müller’s facsimile edition of Malevich’s text is translated into English with the original design and typography. Hardcover102 pages | 92 black-and-white illustrations7 x 9 inchesLars Müller Publishers, 2021ISBN 9783037786642Bauhaus, Facsimile

Kasimir Malevich: The Non-Objective World (Bauhausbücher 11)

By Hans-Michael KoetzleLászló Moholy-Nagy (1895–1946) was a painter, photographer, Bauhaus teacher, and founder of the New Bauhaus and the School of Design in Chicago—one of the most important artistic figures of the twentieth century. As one of the first artists to work across such a wide range of media—including painting, sculpture, photography, film, and design—Moholy-Nagy set standards that remain potent today, particularly in photography, which had hitherto not been regarded as art. And his influence extended far beyond his actual work: as a teacher, first at the Bauhaus in Weimar and Dessau, then, after fleeing the Nazis, in Chicago, Moholy-Nagy shared his revolutionary vision of uniting art and life in order to permit artistic activities to overflow into everyday life.This volume in the Great Masters of Art series offers an accessible, insightful account of Moholy-Nagy’s life and work, one that puts him in context of his times and assesses his ongoing influence and legacy.Hardcover80 pages | 58 illustrations Hirmer Publishers, 20205.5 x 8 x 0.5 inchesISBN 9783777434032Artist Monographs, Bauhaus

László Moholy-Nagy (Great Masters in Art)

Edited by Walter Gropius, László Moholy-NagyThe foundational curriculum of the Bauhaus as outlined by one of its foremost theoristsHungarian painter and photographer László Moholy-Nagy (1895–1946) was one of the Bauhaus’ most esteemed faculty members as coteacher of the school’s foundational course and the director of the metalworking studio. This 1929 text explores the educational ethos that informed Moholy-Nagy’s personal teaching approach as well as the Bauhaus school on the whole: “Jedermann ist begabt” (everyone is talented). This publication focuses on the foundational course developed by Moholy-Nagy, a curriculum built on structure, texture and organization, with observational exercises for students that emphasize tactility. It also touches upon Moholy-Nagy’s interest in photographic technology and its effects on human perception.As the final volume in the publisher’s Bauhausbücher series, Lars Müller has released a facsimile edition of Moholy-Nagy’s text translated into English with the original design and typography.Hardcover244 pagesLARS MÜLLER PUBLISHERS, 20217 x 9 inchesISBN 9783037786673 Bauhaus, Architecture, Education

László Moholy-Nagy: From Material to Architecture (Bauhausbücher 14)

By Robin Schuldenfrei "One of the most interesting and essential texts on modernism to be written in the last decade. . . . Schuldenfrei has made a fairly niche art historical subject incredibly approachable with brilliant but accessible text. . . . [Objects in Exile] is a phenomenally well researched and important text on the subject and should be required reading for anyone interested in modern art and design."---Angelina Lippert, New York Journal of Books "A thought-provoking read that sheds light on the hidden narratives of objects and their profound influence on our collective heritage."-- "Metropolis" In the fraught years leading up to World War II, many modern artists and architects emigrated from continental Europe to the United States and Britain. The experience of exile infused their modernist ideas with new urgency and forced them to use certain materials in place of others, modify existing works, and reconsider their approach to design itself. In Objects in Exile, Robin Schuldenfrei reveals how the process of migration was crucial to the development of modernism, charting how modern art and architecture was shaped by the need to constantly face—and transcend—the materiality of things. Taking readers from the prewar era to the 1960s, Schuldenfrei explores the objects these émigrés brought with them, what they left behind, and the new works they completed in exile. She argues that modernism could only coalesce with the abandonment of national borders in a process of emigration and resettlement, and brings to life the vibrant postwar period when avant-garde ideas came together and emerged as mainstream modernism. Examining works by Walter Gropius, László Moholy-Nagy, Lucia Moholy, Herbert Bayer, Anni and Josef Albers, and others, Schuldenfrei demonstrates the social impact of art objects produced in exile. Shedding critical light on how the pressures of dislocation irrevocably altered the course of modernism, Objects in Exile shows how artists and designers, forced into exile by circumstances beyond their control, changed in unexpected ways to meet the needs and contexts of an uncertain world. Hardcover352 pages | 76 color + 82 black-and-white illustrations Princeton University Press, 20247.5 x 10.5 inchesISBN 9780691232669 Modernism

Objects in Exile: Modern Art and Design across Borders, 1930–1960

Edited by Lars Müller "The handsome hardcover reprint is most valuable as a historical artifact."—A Daily Dose of Architecture Books When the Bauhaus moved to Dessau in 1924, it was finally possible to publish the first of the Bauhausbücher that Walter Gropius (1883–1969) and László Moholy-Nagy (1895–1946) had first conceived of in Weimar. The series was intended to give insight into the teachings of the Bauhaus and the possibilities it offered for incorporating modern design into everyday aspects of an ever-more-modern world. First in the series was Gropius’ International Architecture, an overview of the modern architecture of the mid-1920s and an early attempt to articulate what would come to be known as International Style architecture. In a brief preface, Gropius summarized the guiding principles he identified uniting the avant-garde around the world. But the real thrust of the book is visual, with an extensive illustrated section showing buildings in Europe and the Americas. According to Gropius, these illustrations show the “development of a consistent worldview” that dispensed with the prior decorative role of architecture and expressed itself in a new language of exactitude, functionality and geometry. Published for the first time in English, this new edition of the first of the Bauhausbücher is accompanied by a brief scholarly commentary. Presented in a design true to Moholy-Nagy’s original, International Architecture offers readers the opportunity to explore the Bauhaus’ aesthetic and its place in the world as Gropius himself was trying to define them. Hardcover108 pagesLARS MÜLLER PUBLISHERS, 20197 x 9 inchesISBN 9783037785843Bauhaus, Architecture

Shop at Neue
László Moholy-Nagy

Kasimir Malevich: The Non-Objective World (Bauhausbücher 11)

László Moholy-Nagy (Great Masters in Art)

László Moholy-Nagy: From Material to Architecture (Bauhausbücher 14)

Objects in Exile: Modern Art and Design across Borders, 1930–1960

Walter Gropius: International Architecture (Bauhausbücher 1)

Shop at Neue László Moholy-Nagy

Kasimir Malevich: The Non-Objective World (Bauhausbücher 11)

László Moholy-Nagy (Great Masters in Art)

László Moholy-Nagy: From Material to Architecture (Bauhausbücher 14)

Objects in Exile: Modern Art and Design across Borders, 1930–1960

Walter Gropius: International Architecture (Bauhausbücher 1)

Shop at Neue
László Moholy-Nagy