Art Books

Edited by Olaf Peters On the eve of its subject's centennial, this richly illustrated and meticulously researched catalog celebrates—and reconsiders—one of the twentieth century's most significant artistic movements. Gustav F. Hartlaub’s 1925 exhibition “Neue Sachlichkeit” (New Objectivity) for the Kunsthalle Mannheim was a pivotal event that showcased a new artistic movement in Germany, characterized by its critical realism, social commentary, and detailed depiction of contemporary life; it marked a significant departure from Expressionism’s emotional intensity. But it was divided by two philosophies—the unflinching and socially critical Verists (Otto Dix, George Grosz, Georg Scholz, and others) and the Classicists (Alexander Kanoldt, Georg Schrimpf, and Christian Schad) who focused on harmony and beauty. This wide-ranging survey explores the tension between these camps and interprets it as a coherent chapter in art history. Essays by leading experts shed new light on the movement through the lens of regionality while considering a wide spectrum of media: architecture, design, drawings, film, paintings, photography, and philosophy. Their illuminating texts are accompanied by stunning reproductions of works such as Otto Dix’s Portrait of the Lawyer Dr. Fritz Glaser; Georg Scholz’s Of Things to Come; and Marcel Breuer’s Chair B 33. Impeccably produced and researched, this volume captures the ways that the New Objectivity proponents mirrored the Weimar period’s cultural, political, and social complexities. Hardcover304 pages | 200 color illustrationsPrestel Publishing, 20259.3 x 11.2 inchesISBN 9783791377926Neue Galerie Exhibition Catalogue

Neue Sachlichkeit / New Objectivity Exhibition Catalogue

von Lilli Hollein, Claudia Cavallar, und Anne-Katrin Rossberg Dagobert Peche, einer der exzentrischsten Gestalter*innen der Wiener Moderne, ließ die Formensprache der berühmten Wiener Werkstätte gleichsam explodieren: Mit opulenten, von der Natur inspirierten Dekoren und einer revolutionären Ästhetik verlieh er Gebrauchsgegenständen eine bis dahin unbekannte Vielschichtigkeit. Peche arbeitete mit unterschiedlichsten Materialien - Silber, Glas, Keramik, Leder und Papier - und entwarf Schmuck, Möbel, Ausstellungs-Displays sowie sensationelle Stoffmuster. In wenig mehr als 10 Jahren schuf er ein OEuvre, das die Kunst- und Designwelt bis heute fasziniert und inspiriert. Die Publikation widmet sich dem ureigenen Kosmos des Künstlers in sieben Kapiteln - von "Arkadien " bis "Unheimlich" - und verfolgt seine Ausstrahlung vom Art-déco-Stil über die Postmoderne bis in die Gegenwart. Dagobert Peche, one of the most eccentric designers of Viennese Modernism, virtually blew apart the stylistic idiom of the famous Wiener Werkstätte: with opulent decorations inspired by nature and a revolutionary aesthetic, he lent practical objects a hitherto unknown complexity. Peche worked with a wide range of materials - silver, glass, ceramic, leather, and paper - designing jewelry, furniture, and exhibition displays, as well as sensational fabric patterns. In little over a decade he created an oeuvre that has fascinated and inspired the worlds of art and design ever since. Divided into seven chapters - from "Arcadia" to "Uncanny" - this publication is dedicated to the artist's unique cosmos and traces his impact from Art Deco to Postmodernism to the present day. Paperback306 Seitan | 375 illustrations, 239 colorText in English and GermanWalther König, 20248.23 x 10.98 inchesISBN 9783753307459 Monograph, MAK Exhibition Catalogue

Peche Pop

von Wilfried Rosendahl und Claude W. SuiFotografien von August Sander, Albert Renger-Patzsch & Robert Häusser Der aufwendig gestaltete Band präsentiert nicht nur eine Reihe großartiger Bilder von bleibendem Wert und im hochwertigen Druck, er ist ein wertvolles Dokument zur Geschichte der Fotografie in der Vor- und Nachkriegszeit. Ein Muss für Fotografie- und fotohistorisch Interessierte und für jede Sammlung mit Büchern zur Fotografie! Die Brüchigkeit unseres Seins: Legendäre Aufnahmen der 1920er und 30er Jahre von August Sander (1876–1964) und Albert Renger-Patzsch (1897–1966), den Hauptvertretern der »Neuen Sachlichkeit« in der Fotografie, treffen auf Ikonen von Robert Häusser (1924–2013), einem Klassiker der Nachkriegszeit. In faszinierender Beobachtung zeigen sie Menschen, Arbeitswelten und Natur in Zeiten von Umbruch und Neuanfang. Die »Neue Sachlichkeit« wurde 1925 geboren, als Hartlaub seine legendäre Mannheimer Ausstellung so benannte und damit einen bleibenden Begriff der Kunstgeschichte prägte. Unser Band feiert das 100. Jubiläum mit herausragenden Porträts und Menschendarstellungen, Fotografien von Industrie und Arbeiter:innen sowie von Landschaften und Pflanzen. Sanders Werk »Menschen des 20. Jahrhunderts« oder Renger-Patzschs »Die Welt ist schön« haben Fotogeschichte geschrieben. Im Dialog mit Häusser, der in diesem Jahr seinen 100. Geburtstag hat, offenbaren sich Korrespondenzen wie Besonderheit der jeweiligen Handschrift. Gebunden168 Seiten, 140 Abbildungen in FarbeHirmer Verlag GmbH, 20248.78 x 9.96 inchesISBN 9783777444369Monographs, Photography

Sachlich Neu

Edited with text by Theodora Vischer Text by Tere Arcq, Andreas Beyer, Tamar Garb, Peter Geimer, Anna-Carola Krausse, Sylvie Patry, Uwe M. Schneede, Jennifer Thompson, and Hilda Trujillo. Gender interventions and formal innovations in female portraiture, through works by Berthe Morisot, Mary Cassatt, Paula Modersohn-Becker, Lotte Laserstein, Frida Kahlo, Alice Neel, Marlene Dumas, Cindy Sherman, Elizabeth Peyton This superbly conceived publication looks at nine women artists whose careers were devoted primarily to portraiture, analyzing both the work they produced and the unique ways in which each artist captured her subjects’ likenesses and the spaces they inhabited. These artists represent the development of modernist art since 1870; each has made significant contributions to art history as they complicate long-held notions of the gaze and explore the relationship between the self, the subject and the artist. Close-Up examines women painters and photographers who are known primarily for self-portraiture, such as Paula Modersohn-Becker, Frida Kahlo and Cindy Sherman; it also looks at female artists who depicted the daily lives of women and children in a creative environment that was largely disinterested in such subjects, such as Berthe Morisot, Mary Cassatt and Lotte Laserstein. Still other women—Alice Neel, Marlene Dumas and Elizabeth Peyton—embrace familiarity completely and depict friends and family as well as famous figures in their paintings. In essays by nine different authors, these artists and their subjects are considered individually and as part of a chronology of modern portraiture, with an emphasis on the dynamics of gender. Paperback344 pages | 215 color illustrationsHatje Cantz, 2021ISBN 97837757475787.5 x 10.25 inchesWomen Artists, Painting, Photography

Close-Up

By Thomas Negovan Jugendstil 1896: German Art Nouveau Illustrations features a selection of artworks from the first year of the magazine Jugend - the namesake of the jugendstil movement. Over two hundred rare and fantastic illustrations, as well as German Art Nouveau vignettes and framing elements, are included in this limited edition three volume book set. These works are often mystical in nature, sometimes whimsical, other times eccentric– but always beautiful and fascinating. To ensure maximum clarity and detail, all of the images in these books are captured directly from original books and magazines in the Century Guild collection using high-resolution photography and professional grade scans. The illustrations are supported with narrative about the period, as well as information about the artists and images; in many cases, we've been able to thoroughly research and identify artists often not attributed and identify historical background that had been previously unpublished. Included in this set: Jugendstil 1896: German Art Nouveau Illustrations Volume 1Jugendstil 1896: German Art Nouveau Illustrations Volume 2Jugendstil 1896: German Art Nouveau Illustrations Volume 3 Paperback80 pages | Full color illustrationsOriginally published in 1896Century Guild, 20246 x 9 inches eachISBN 9781947528284Art Nouveau, Jugendstil

Jugendstil 1896: German Art Nouveau Illustrations Box Set

By Eeva-Liisa Pelkonen A novel exploration of the idea of nonlinear time and its place at the heart of modern art and architecture “This book joins the growing body of 21st-century research that successfully unpacks accepted histories to offer fuller, more nuanced interpretations of specific times, places, and concepts. As Pelkonen demonstrates with Untimely Moderns, such reevaluation proves quite timely.”— A. Krista Sykes, Architectural Record Through much of the twentieth century, a diverse group of thinkers engaged in an interdisciplinary conversation about the meaning of time and history for modern art and architecture. The group included architects Louis Kahn, Everett Victor Meeks, James Gamble Rogers, Paul Rudolph, and Eero Saarinen; artists Anni and Josef Albers; philosopher Paul Weiss; and art historians Henri Focillon, George Kubler, Sibyl Moholy-Nagy, and Vincent Scully. These figures were unified by their resistance to the idea that, to be considered modern, art and architecture had to be of its time, as well as by the pivotal role that Yale University held as a backdrop to their thinking. These thinkers sponsored a new kind of approach, one that Eeva-Liisa Pelkonen terms “untimely,” emphasizing a departure from a sequential course of events. Ideas about temporal duration, new tradition, the presence of the past, and the shape of time were among the concepts they explored. With an interdisciplinary focus, Pelkonen reveals previously unexplored connections among key figures of American intellectual and artistic culture at midcentury whose works and words would shape modern architecture. Hardcover216 pages |10 color + 95 b/w illustrationsYale University Press, 20237.00 x 10.00 inchesISBN 9780300263954Architecture

Untimely Moderns: How Twentieth-Century Architecture Reimagined the Past

By Florian Heine Brimming with stunning reproductions and illuminating texts, this handy and accessible book is the perfect introduction to one of European modern art’s most important movements. Founded in Munich in 1911, the Blue Rider Group was a revolutionary collective of artists that pioneered German Expressionism. Including Wassily Kandinsky, Franz Marc, Natalia Goncharova, Gabriele Münter, and Marianne von Werefkin, the group rejected the prevailing formal and academic artistic trends of their time, sought to break free from the constraints of traditional painting, transcend the material world, and explore emotional and spiritual truths in their art. This book spotlights 35 important works that embody the artists’ pioneering achievements and radical innovations. It features stunning reproductions that highlight the movement’s use of luminous colors, symbolic forms, and expressive brushwork. Paperback112 pagesPrestel, 20246.75 x 0.39 x 8.25 inchesISBN 9783791377339Blue Rider, German Expressionism

The Blue Rider (Masters of Art)

Edited by Elizabeth DutzText by Elizabeth Dutz, Brigitte Holzinger and Natalie Lettner For Austrian artist Alfred Kubin (1877–1959), evil was intrinsic to his life and work. After a traumatic childhood growing up in Zell am See and subsequent mental crises, he began his artistic training in Munich in 1898. He processed his nightmares and obsessions in a large number of fantastical drawings. His subjects, perpetually pessimistic, remain relevant a century later: war, famine, pestilence, death and every horror in between. Kubin had a pronounced fear of the feminine, sexuality, night time and of being at the mercy of fate, all of which visited him in uncanny dreams. For Kubin, the aesthetic of evil proved to be the antithesis of the idyll: the deliberate suppression of a hideous reality. Drawn from the Albertina Museum’s collection of over 1,800 drawings by the artist, The Aesthetic of Evil displays Kubin’s grotesque vision as well as his superb draftsmanship. Amid the violent, haunting atmosphere of his graphic works it is easy to see how Kubin became trapped in his dark visions, to the point where the inexhaustible, intangible specter of evil consumed his life. Essays by Elisabeth Dutz, Natalie Lettner and Brigitte Holzinger explore Kubin’s cosmos of the sinister: his personal iconography of evil fueled by his nightmares and obsessions. Hardcover224 pages | 180 color illustrationsHatje Cantz, 20249.75 x 9.75 inchesISBN 9783775757737Monographs, Drawings

Alfred Kubin: The Aesthetic of Evil

By Scott Colman “This insightful book is a vital contribution to our understanding of Ludwig Hilberseimer's impact on modern architecture and urbanism. It presents a fresh and nuanced appraisal of this extraordinary designer's modernism and its larger cultural relevance in the twentieth century.” ―Robin Schuldenfrei, The Courtauld Institute of Art, University of London, UK and author of Objects in Exile: Modern Art and Design across Borders, 1930-1960 This book brings to light the work and influence of the German-American architect, art critic, and urban planner Ludwig Hilberseimer – a central figure of the Weimar Republic avant-garde, an important Bauhaus teacher, and long-standing collaborator of leading modernist architect Ludwig Mies van der Rohe. Despite being internationally-known for his work on Lafayette Park in Detroit, Hilberseimer's legacy as a whole has been obscured in the history of modern architecture. Whether this is due to the intense shadow cast by Mies, or by his oeuvre being split between the differing languages and contexts of interwar Germany and post-war North America, this book argues that the time is now right for a critical reassessment of Hilberseimer's work and writings. Published as part of the Bloomsbury Studies in Modern Architecture series, which explores the work of significant yet overlooked modernist architects, this study clarifies and situates Hilberseimer's ideas both as an architect and writer, and examines their influence on modern and contemporary architecture and urbanism. The first account of Hilberseimer in English, it provides a contextual account of Hilberseimer's works which have until now been subject to fragmentary or highly specialized interpretations. By demonstrating the influence of Hilberseimer's ideas on the architecture of Mies van der Rohe, the book also lends Mies's work a newfound urban significance. Paperback392 pages | 54 black and white illustrationsBloomsbury Visual Arts, 20249 x 6 inchesISBN 9781350369412Architecture, Weimar Design

Ludwig Hilberseimer: Reanimating Architecture and the City

Edited with text by Jordan Troeller Text by Oliver A.I. Botar, Annie Bourneuf, Hana Buddeus, Özge Baykan Calafato, Meghan Forbes, Christelle Havranek, Michelle Henning, Rolf Sachsse, Robin Schuldenfrei, Steffen Siegel, Jan Tichy, Jordan Troeller A prolific writer, photographer, portraitist and documentarian, Lucia Moholy (1894–1989) defies categorization. She was as active in avant-garde circles as she was in the field of information science, advancing an expansive understanding of visual reproduction. While previous publications on Moholy have limited her accomplishments to the five years she spent at the Bauhaus, Exposures presents the full breadth of her writings and photographs for the first time. Extensive essays drawing on new archival discoveries offer insights into her early life in turn-of-the-century Prague, her involvement in the radical social movements of the 1920s in Weimar Germany, her wartime documentations via microfilm and her work in the Middle East on behalf of UNESCO. Acknowledging her reception by contemporary artists such as Jan Tichy, the publication demonstrates how Moholy’s interdisciplinary approach to photography anticipated the medium’s post-analog present. Hardcover300 pages | 160 colorHatje Cantz, 20248.25 x 11 inchesISBN 9783775756327 Photography, Modernism

Lucia Moholy: Exposures

By Michael Lobel “[A] revealing study. . . . The fine-grained analysis and lively prose delight. Art history buffs will want to add this to their bookshelves.”—Publishers Weekly “To situate Van Gogh, the celebrated ‘painter of nature,’ as a witness, a critic, and at the same time an aesthete of the industrial despoliation of nature that inevitably marked the age of coal everywhere is a stunning achievement. Michael Lobel’s elegant—and cogently argued—book will fundamentally change our view of this important artist and greatly advance the conversation already underway between art history and the environmental humanities. A must-read for anyone interested in that conversation.” —Dipesh Chakrabarty, author of The Climate of History in a Planetary Age A groundbreaking reassessment that foregrounds Van Gogh’s profound engagement with the industrial age while making his work newly relevant for our world today. Vincent van Gogh (1853–1890) is most often portrayed as the consummate painter of nature whose work gained its strength from his direct encounters with the unspoiled landscape. Michael Lobel upends this commonplace view by showing how Van Gogh’s pictures are inseparable from the modern industrial era in which the artist lived—from its factories and polluted skies to its coal mines and gasworks—and how his art drew upon waste and pollution for its subjects and even for the very materials out of which it was made. Lobel underscores how Van Gogh’s engagement with the environmental realities of his time provides repeated forewarnings of the threats of climate change and ecological destruction we face today. Van Gogh and the End of Nature offers a radical revisioning of nearly the full span of the artist’s career, considering Van Gogh’s artistic process, his choice of materials, and some of his most beloved and iconic pictures. Merging a timely sense of environmental urgency with bold new readings of the work of one of the world’s most acclaimed artists, this book weaves together detailed historical research and perceptive analysis into an illuminating portrait of an artist and his changing world. Hardcover200 pages | 77 color + 7 black-and-white imagesYale University Press, 20247.2 x 0.8 x 10 inchesISBN 9780300274363Vincent van Gogh, Monograph

Van Gogh and the End of Nature

Edited by Anke Finger and Julie Shoults This collection, for the first time, explores women’s self-conceptions and representations of women’s and gender roles in society in their own Expressionist works. How did women approach themes commonly considered to be characteristic of the Expressionist movement, and did they address other themes or aesthetics and styles not currently represented in the canon? Women in German Expressionism centers its analysis on gender, together with difference, ethnicity, intersectionality, and identity, to approach artworks and texts in more nuanced ways, engaging solidly established theoretical and sociohistorical approaches that enhance and update our understanding of the material under investigation. It moves beyond the masculine, “New Man,” viewpoint so firmly associated with German Expressionism and examines alternative, critical, and divergent interpretations of the changing world at the time. This collection seeks to broaden the theorization, scholarship, and reception of German Expressionism by—much belatedly—including works by women, and by shifting or redefining firmly established concepts and topics carrying only the imprint of male authors and artists to this day. Paperback372 pagesUniversity of Michigan Press, 20236 x 0.84 x 9 inchesISBN 9780472039388Women's Studies, German Expressionism

Women in German Expressionism: Gender, Sexuality, Activism

By Patrick Mackie “Erudite, ambitious and elegantly written . . . Mackie’s assertions about the ways Mozart’s identification with his era come through in the music are intriguing and insightful . . . His writing is fresh and imaginative, showing feeling for the musical character and dramatic narrative of a piece.” —Anthony Tommasini, The New York Times Book Review “Mackie’s approach is to situate the composer as an avatar of modernism, facing a fragmented high culture—caught between dry, ritualized forms of courtly music and the ‘hedonistic levity’ betokened by Enlightenment individualism. By laying such tensions bare, Mackie achieves for Mozart what Mozart himself did for music, time and time again: to make the old new, and intelligible as such.” —Robert Erickson, The New Criterion In exhilarating, transformative prose, the poet Patrick Mackie reveals a musician in dialogue with culture at its most sweepingly progressive. Mozart is one of the most familiar and beloved icons of our culture, but how much do we really understand about his music, and what can it reveal to us about the great composer? Following Mozart from his youth in Salzburg to his early death, from his close and rivalrous relationship with his father to his romantic attachments, from his hugely successful operas to intimate compositions on the keyboard, Patrick Mackie leads the reader through the major and lesser-known moments of the composer’s life and brings alive the teeming, swiveling modernity of eighteenth-century Europe. In this era of rococo painting, surrealist aesthetics, and political turbulence, Mozart reckoned with a searing talent that threatened to overwhelm him, all the while pushing himself to extraordinary feats of musicianship. In Mozart in Motion, we are returned to the volatility of the eighteenth century and hear Mozart’s music in all its audacious vividness, gaining fresh perspectives on why his works still move us so intensely today as we continue to search for a modernity he imagined into being. Paperback368 pagesPicador, 20245.65 x 0.95 x 8.7 inchesISBN 9781250335715Biography, Austrian Composer

Mozart in Motion: His Work and His World in Pieces

By Detlef Mertins 'Puts Mies’s work back at the center of the architectural debate.'—Barry Bergdoll, Acting Chief Curator of Architecture and Design at MoMA 'A formidable commitment to understanding both the man and the work.'—John Pawson 'By providing a rich texture of details, Professor Mertins succeeds in making his book an enlightening and enjoyable journey for both serious students of architecture and design as well as those interested in learning more about the creative genius [Mies van der Rohe].'—Maurice D. Parrish, Executive Director of the Farnsworth House Known for the beauty and purity of his work, Ludwig Mies van der Rohe built remarkable houses, skyscrapers, museums, and multibuilding campuses. Accompanied by more than 700 drawings, photographs, plans, and diagrams, Mertins’ rich and highly readable text traces the aesthetic and intellectual context for all of Mies van der Rohe’s work, with in-depth discussions of his most important buildings and projects. The clarity of Mies’s architecture belies the diversity of his interests, which included philosophy and science as well as design, and Mertin’s rigorous and accessible text gives the reader a clear description of all the most important of Mies’s buildings as well as the intellectual contexts for their design. Hardcover544 pagesPhaidon, 202412 x 9.4 inchesISBN 9781838668174Architecture

Mies

Edited by Natalia Sidlina "The story of the friendships that made modern art. Brought together in the UK for the first time in 80 years, this exhibition book offers unprecedented access to the landmark exhibition's collection of masterpieces. Expressionists is a story of friendships told through art - the groundbreaking work of a circle of friends and close collaborators known as The Blue Rider. In the early twentieth century they came together to form, in their own words, 'a union of various countries to serve one purpose' - to tr "--From the Back Cover A crucial introduction to the origins of the German Expressionist movement and the influential Blue Rider group, focusing on their relationships and transcultural interests Founded in Munich in the 1910s, the Blue Rider (Der Blaue Reiter) was a revolutionary collective of artists, musicians, performers and writers that included Wassily Kandinsky, Paul Klee, Franz Marc, Gabriele Münter and Marianne Werefkin, among many others. Their experiments with color, sound and light were key to the development of Expressionism, and their practice was stunningly varied. The group’s works encompassed painting, sculpture, design, curation, publishing, printmaking, textiles, performative arts, and even branched into sound and spirituality. This book offers an essential overview of the Blue Rider collective. Often described in conjunction with the German Expressionist movement, the Blue Rider was in fact one of the first transnational modern art collectives. This is a key focus of the book, along with along with new research foregrounding the relationships, gender dynamics and multimedia practices of the collective. New scholarship from more than a dozen international experts illuminates these themes as well as questions of spatiality, studio practice and creative community, with particular focus on the contributions of women associated with the Blue Rider circle. This richly illustrated publication features works by these acclaimed artists along with a trove of materials from their personal collections, including photography, international art, crafts and vernacular artifacts, and a comprehensive biographical section that serves as an important introduction to the circle of the Blue Rider creatives, including overlooked artists such as Wladimir Burliuk and Maria Franck-Marc. Hardcover240 Pages | 200 color + black-and-white illustrationsYale University Press, 20249 x 10.7 inchesISBN 9780300278330 Blue Rider, Expressionism

Expressionists: Kandinsky, Münter and the Blue Rider

Text by Antonín Dufek This previously unpublished album contains 72 photographs by Czech photographer Jaromír Funke (1896–1945) that were likely taken in 1923, only four years into Funke’s career. These photographs feature important buildings and monuments, as well as journeys undertaken with fellow Czech photographer Josef Sudek. Hardcover92 pages | 72 color plates Kant, 20189 x 8.5 inches ISBN 9788074372377 Photography

Jaromír Funke: Kolín 1923

By Yoshio Futagawa Designed by Adolf Loos in his later years, these two houses are twin examples of the architect’s plain, unadorned style of architecture, despite their difference in size and budget. Both Villa Moller (1926–27) in Vienna and Villa Müller (1928–30) in Prague are illustrative of his ‘Raumplan’ design method. Loos applied a utilitarian approach in using the entire floor plan that would only later receive greater appreciation with the advent of postmodernism, an innovative spatialisation comprising sequences of spaces drawn in three dimensions. Photographed by Yoshio Futagawa, the two houses and the spatial brilliance of Loos come to life in an eclectic symbiosis with modernism. Paperback78 pages | color + black-and-white illustrationsText in Japanese and EnglishAda Edita, 201710.28 x 0.47 x 14.49 inchesISBN 9784871405584 Adolf Loos, Modernist Architecture

Residential Masterpieces 25: Adolf Loos Villa Muller / Villa Moller

By Adolf Loos Throughout his life Adolf Loos raised his eloquent voice against the squandering of fine materials, frivolous ornamentation and unnecessary embellishments. His admirers consider him to be the inspiration for all modern architecture. Yet, few are acquainted with his amusing, incisive, critical and philosophical literary work reflecting on applied design and the essence of clothing in fin de siècle Vienna. Adolf Loos often had a radical, yet innovative outlook on life that made him such a nuisance for many of his contemporaries. His provocative musings on many subjects portray him as a man of varied interests and intellectual refinement as well as possessing a keen sense of style, which still has value today. For the first time the ‘Loos Dress Code’ is available in English. Included is a short social/historical look as the birth of Modernism in Adolf Loos’ Vienna. Hardcover128 pagesMetroverlag, 20115.2 x 0.63 x 7.52 inchesISBN 9783993000400 Aesthetics

Why A Man Should Be Well Dressed

By Thomas Negovan Eldritch Bloom: The Art of Der Orchideengarten Vol. 3 thoroughly covers the entirety of the magnificent and macabre illustrations in issues #13-18 of Der Orchideengarten magazine from the year 1919. The illustrations are captured from high-resolution scans made from a pristine collection in the Century Guild museum archive, and the accompanying text documents our extensive research to support the artworks and verify the artists whose names weren’t listed. About Der Orchideengarten Magazine: Der Orchideengarten is a legendary supernatural horror magazine, published in Germany from January 1919 until November 1921. Founded four years before the iconic American magazine Weird Tales launched in March 1923, Der Orchideengarten is considered to be the first fantasy magazine. Published after the First World War when German art was at its height of decadence and debauchery, the magazine included a wide selection of new and reprinted stories by both German-language and foreign writers ranging from suspense and terror to crime and the eerily-erotic. While the literary content is historically significant, many of the stories have been reprinted in multiple places across the last century; we have focused our attention on what has gone undocumented: the incredible artworks that illustrated these stories. The artworks range from peculiar medieval etchings to occult woodblocks to expressionist visions- all balancing the romantic and the gothic with hyper-elegant sophistication. Paperback80 pages | full-color illustrationsOriginally published between 1919-1921Century Guild, 20185.5 x 8.5 inchesISBN 9781947528031 Horror Magazine, Interwar Design

Eldritch Bloom: The Art of Der Orchideengarten Vol. 3

By Thomas Negovan Diabolical Fantasia: The Art of Der Orchideengarten Vol. 1 thoroughly covers the entirety of the magnificent and macabre illustrations in issues #1-6 of Der Orchideengarten magazine from the year 1919. The illustrations are captured from high-resolution scans made from a pristine collection in the Century Guild museum archive, and the accompanying text documents our extensive research to support the artworks and verify the artists whose names were not listed in the publication. About Der Orchideengarten Magazine: Der Orchideengarten is a legendary supernatural horror magazine, published in Germany from January 1919 until November 1921. Founded four years before the iconic American magazine Weird Tales launched in March 1923, Der Orchideengarten is considered to be the first fantasy magazine. Published after the First World War when German art was at its height of decadence and debauchery, the magazine included a wide selection of new and reprinted stories by both German-language and foreign writers ranging from suspense and terror to crime and the eerily-erotic. While the literary content is historically significant, many of the stories have been reprinted in multiple places across the last century; we have focused our attention on what has gone undocumented: the incredible artworks that illustrated these stories. The artworks range from peculiar medieval etchings to occult woodblocks to expressionist visions- all balancing the romantic and the gothic with hyper-elegant sophistication. Paperback80 pages | full-color illustrationsOriginally published in 1919Century Guild, 20185.5 x 8.5 inchesISBN 9781947528017 Horror Magazine, Interwar Design

Diabolical Fantasia: The Art of Der Orchideengarten Vol. 1

By Thomas Negovan SINISTER HARVEST: THE ART OF DER ORCHIDEENGARTEN Vol. 2 thoroughly covers the magnificent and macabre illustrations from issues #7-12 of the German magazine Der Orchideengarten, first published in 1919. The illustrations are captured from high-resolution scans made from a pristine collection in the Century Guild museum archive, and the accompanying text documents our extensive research to support the artworks and verify the artists whose names were not listed. About Der Orchideengarten Magazine: Der Orchideengarten is a legendary supernatural horror magazine, published in Germany from January 1919 until November 1921. Founded four years before the iconic American magazine Weird Tales launched in March 1923, Der Orchideengarten is considered to be the first fantasy magazine. Published after the First World War when German art was at its height of decadence and debauchery, the magazine included a wide selection of new and reprinted stories by both German-language and foreign writers ranging from suspense and terror to crime and the eerily-erotic. While the literary content is historically significant, many of the stories have been reprinted in multiple places across the last century; we have focused our attention on what has gone undocumented: the incredible artworks that illustrated these stories. The artworks range from peculiar medieval etchings to occult woodblocks to expressionist visions- all balancing the romantic and the gothic with hyper-elegant sophistication. Paperback80 pages | full-color illustrationsOriginally published between 1919 and 1923Century Guild, 20185.5 x 8.5 inchesISBN 9781947528024 Horror Magazine, Interwar Design

Sinister Harvest: The Art of Der Orchideengarten Vol. 2

By Thomas Negovan Wicked Pursuits: The Art of Der Orchideengarten Vol. 8 thoroughly covers the entirety of the magnificent and macabre illustrations in issues #7-12 of Der Orchideengarten magazine from 1921, its final year of publication. The illustrations are captured from high-resolution scans made from a pristine collection in the Century Guild museum archive, and the accompanying text documents our extensive research to support the artworks and verify the artists whose names were not credited in the magazine. About Der Orchideengarten Magazine: Der Orchideengarten is a legendary supernatural horror magazine, published in Germany from January 1919 until November 1921. Founded four years before the iconic American magazine Weird Tales launched in March 1923, Der Orchideengarten is considered to be the first fantasy magazine. Published after the First World War when German art was at its height of decadence and debauchery, the magazine included a wide selection of new and reprinted stories by both German-language and foreign writers ranging from suspense and terror to crime and the eerily-erotic. While the literary content is historically significant, many of the stories have been reprinted in multiple places across the last century; we have focused our attention on what has gone undocumented: the incredible artworks that illustrated these stories. The artworks range from peculiar medieval etchings to occult woodblocks to expressionist visions- all balancing the romantic and the gothic with hyper-elegant sophistication. Paperback80 pages | full-color illustrationsOriginally Published between 1919-1921Century Guild, 20225.5 x 8.5 inchesISBN 9781947528185Horror Magazine, Interwar Design

Wicked Pursuits: The Art of Der Orchideengarten Vol. 8

By Thomas Negovan Bitter Blossoms: The Art of Der Orchideengarten Vol. 7 thoroughly covers the entirety of the magnificent and macabre illustrations in issues #1-6 of Der Orchideengarten magazine from the year 1921. The illustrations are captured from high-resolution scans made from a pristine collection in the Century Guild museum archive, and the accompanying text documents our extensive research to support the artworks and verify the artists whose names were not credited in the magazine. About Der Orchideengarten Magazine: Der Orchideengarten is a legendary supernatural horror magazine, published in Germany from January 1919 until November 1921. Founded four years before the iconic American magazine Weird Tales launched in March 1923, Der Orchideengarten is considered to be the first fantasy magazine. Published after the First World War when German art was at its height of decadence and debauchery, the magazine included a wide selection of new and reprinted stories by both German-language and foreign writers ranging from suspense and terror to crime and the eerily-erotic. While the literary content is historically significant, many of the stories have been reprinted in multiple places across the last century; we have focused our attention on what has gone undocumented: the incredible artworks that illustrated these stories. The artworks range from peculiar medieval etchings to occult woodblocks to expressionist visions—all balancing the romantic and the gothic with hyper-elegant sophistication. Paperback80 pages | full-color illustrationsOriginally published between 1919-1921Century Guild, 20215.5 x 8.5 inchesISBN 9781947528161 Horror Magazine, Interwar Design

Bitter Blossoms: The Art of Der Orchideengarten Vol. 7

Edited by Waleria Dorogova and Laura MicroulisBy Rachel Silveri, Cécile Godefroy, Gail Levin, Margarete Zimmermann, Hilde D’haeyere, Steven Jacobs, Tamar Kharatishvili, Celeste Day Moore, Dirk Van Oost, Ruth Hommelen, Maude Bass-Krueger, Marjan Sterckx, Werner Adriaenssens, Kasia Stempniak, Noah Dubay, Emilie Hammen, Laurent Cotta, Christoph Benjamin Schulz, Geoffrey Ripert, Kaat Obbels and Patrick Raynaud A richly crafted tribute to the avant-garde artist and designer Sonia Delaunay, whose boundary-breaking approach is echoed in the volume’s interdisciplinarity and its inspired design Described as “the most significant contribution to Sonia Delaunay studies in a decade,” this catalogue sets a new standard for the study of this pioneering avant-garde artist, designer, and entrepreneur (1885–1979). Eschewing traditional chronological structures to better showcase groundbreaking research unifying the artist’s timeless oeuvre across mediums, this publication demonstrates Delaunay’s innate versatility and willingness to create without material limitation using her unique language of light and color. Textiles, fashion, interiors, book art, and more are highlighted across 26 chapters by leading international scholars to give new insight into Delaunay’s strategies of self-promotion, entrepreneurial endeavors, legacy-building efforts, and vast network of collaborators. These in-depth analyses, including previously underinvestigated material such as film, mosaics, tapestries, and interior design, offer a comprehensive perspective on Delaunay’s lifelong effort to unite art with life by harnessing the energy of technological advancement and the beauty of artisanal craftsmanship. Finally, an appendix provides a unique personal note—an epilogue by Patrick Raynaud, the last living member of Delaunay’s atelier—is a touching firsthand account of the artist’s working practices toward the end of her life. The design, by award-winning book creator Irma Boom, embraces Sonia Delaunay’s own approach to layout and typography, rendering a book that unites past and present to become a work of art in its own right. Hardcover540 pages | 375 color, 150 black-and-white illustrationsYale University Press, 202410.5 x 10.5 inchesISBN 9780300275766Avant-Garde

Sonia Delaunay: Living Art

By Gilles Néret Tamara de Lempicka (1898–1980) lived art in the fast lane. With an appetite for glamour and fame as much as Left Bank bohemianism, she fled St. Petersburg after the Bolshevik revolution and set about taking Paris by storm. Her prolific, monumental oeuvre remains one of the most vivid visual documents of 1920s Art Deco. De Lempicka’s style deployed cool colors and tight post-cubist forms into an at once neoclassical and voluptuous figuration. Her subjects are often nude and always sensual, aloof, and powerful. Bedecked in seductive light and textures, they command our attention but typically avert their gaze with an aspect of haughty grandeur. They include both high-society patrons and progressive portraits of emancipated and lesbian women, such as Women Bathing and Portrait of Suzy Solidor. De Lempicka’s notorious Self-Portrait in the Green Bugatti, meanwhile, was commissioned for the cover of German magazine Die Dame and became an icon of speed, sophistication, and female independence. Through some of de Lempicka’s finest, most compelling portraits, this introduction explores the artist’s unique visual language and its privileged place not only in the annals of interwar art but also in the history of female artists and our collective consciousness of the Roaring Twenties. Hardcover96 pagesTaschen, 20178.46 x 0.47 x 10.43 inchesISBN 9783836532273 Post-Cubism, Art Deco

de Lempicka

Edited by Christian Bauer This book highlights the intimate relationship between landscape and portraiture in the work of the Austrian Expressionist artist Egon Schiele (1890-1918).Plants, natural environments, and townscapes determine the spaces Egon Schiele created in his paintings, and they also reflect the rich symbolism he employed that is centered around the human condition. In particular, plants are often endowed with an allegorical meaning. Flowers and trees assume the role of portrait subjects and convey an almost human appearance. Schiele’s landscapes always represent more than their apparent subject matter. His portrayal of nature and his rendering of towns and trees epitomize the life cycle and the human condition. This catalogue, accompanying a spectacular exhibition on view at the Neue Galerie New York, will investigate the importance of landscape in the artist’s work. The contributing authors are internationally distinguished experts on Schiele’s landscapes and representatives of museums and universities in Europe and the United States. Hardcover220 pagesPrestel, 20249.25 x 11.25 inchesISBN 9783791377483Egon Schiele, Neue Galerie Exhibition Catalogue

Egon Schiele: Living Landscapes Exhibition Catalogue

Edited by Jay A. Clarke and Jill Lloyd-Peppiatt This exhibition catalog considers the work of a pioneering artist who subverted conventions in her bold depictions of the nude, self-portraits, and still-lifes. An iconoclast in her own time, Modersohn-Becker is today considered an icon of modernity.Throughout her career, Paula Modersohn-Becker boldly experimented with styles while steadfastly pursuing the truth of everyday life and her own female experience. This monograph looks at the entire spectrum of her work—figure drawings, still-lifes, self-portraiture, landscape, nudes, and portraits of young girls and old women—to illustrate the evolution of an artist reacting to seismic cultural change at the turn of the nineteenth century. Whether she was embracing or subverting the principles of realism, naturalism, impressionism, symbolism, or expressionism, Modersohn-Becker remained interested in issues of identity, peeling away outer layers to uncover what she understood as the true essence of life. This book features numerous examples of Modersohn-Becker’s striking and relatively unknown drawings of men, women, and children facing poverty, as well as her highly original figure paintings and nudes—including her unprecedented nude self-portraits. Accompanying the first museum exhibition of Modersohn-Becker’s work in the United States, it reveals the deeply personal and authentic work of an artist who resolutely forged her own path. Hardcover208 pagesPrestel, 20249.25 x 11.25 x .75 inchesISBN 9783791377346Neue Galerie Exhibition Catalogue

Paula Modersohn-Becker Exhibition Catalogue

By Bryan GilliamRichard Strauss' successful conducting and composing career spanned one of the most fascinating stretches of modern German history, from oil lamps to atomic energy, from a young empire to a divided Germany. This biography covers Strauss' early musical development, his emergence as a tone poet in the late nineteenth century, his turn to the stage at the beginning of the twentieth century, the successes and misfires of the post-World War I era, the turbulent 1930s, and the period of the Second World War and its aftermath. Paperback212 pagesCambridge University Press, 19995.5 x 0.53 x 8.5 inches9780521578950 ISBNMusic, Biography

The Life of Richard Strauss

Edited by Marcel Bois and Bernadette Reinhold Margarete Schütte-Lihotzky (1897–2000) entered the modernist canon with her “Frankfurt Kitchen.” She is also considered a pioneer of social architecture, a women’s rights activist, and, last but not least, a heroine of the resistance to the Nazi dictatorship. In this book, available in English for the first time, recent research in the fields of art history, contemporary history, pedagogy, and gender studies provides a nuanced picture of Schütte-Lihotzky, whose estate is archived at the University of Applied Arts Vienna. The volume explores her rich architectural oeuvre, her transnational experiences and professional networks, her political development as a Communist, and her current reception. It breaks through the mythology to present a rounded picture of Schütte-Lihotzky, an icon of architectural history.Paperback368 pagesBirkhäuser, 20235.75 x 8.25 inchesISBN 9783035626995Architecture, Gender Studies

Margarete Schütte-Lihotzky. Architecture. Politics. Gender.

By Lilli Hollein and Anne-Katrin RossbergFelice Rix-Ueno studied under Josef Hoffmann, a co-founder of the Wiener Werkstätte (1903–1932). Inspired by the Japanese formal language, she formed her own style, which was expressed in particularly imaginative fabric and wallpaper patterns, fashion and home accessories, and wall paintings.After her marriage to the Japanese architect Isaburo Ueno, she moved to Japan in 1926. There they created joint works that received much attention, such as the Star Bar in Kyoto, which was shown in the famous exhibition Modern Architecture in New York’s MoMA in 1932.Felice Rix-Ueno, who was already prominently represented in the successful MAK exhibition Women Artists of the Wiener Werkstätte, is given a substantial monographic treatment for the first time outside Japan with this catalog.Paperback192 pages | 119 color illustrations Text in German and EnglishBirkhäuser, 20236.6 x 9.5 inchesISBN 9783035628401Wiener Werkstätte, Artist Monograph, Japonism

Sterne, Federn, Quasten / Stars, Feathers, Tassels: The Wiener Werkstätte Artist Felice Rix-Ueno

An opulent fusion of sensuality, symbolism, and artistic ingenuity, this magnificent boxed-set features stunning color reproductions of Klimt’s essential works in an accordion-fold format accompanied by a separate booklet with background and descriptions of each painting. Gustav Klimt’s luminous paintings are particularly suited for an accordion-fold presentation. As each painting unfolds into a lavish reproduction, Klimt’s dazzling colors and intricate patterns spring to life. This volume includes several highlights of Klimt’s works including The Kiss, his portraits of Adele Bloch-Bauer, The Tree of Life, Danae, and Death and Life. The stunning reproductions allow readers to experience close up Klimt’s intricate details and artful use of gold leaf; his art’s symbolism and emotional power; his decorative aesthetic, and beguiling landscapes. A separate booklet with explanatory captions providing additional background and historic context accompanies the main volume. Klimt’s many fans will cherish this fresh, unique, extraordinary celebration of the artist’s timeless brilliance and monumental talent.Hardcover240 pages | 192 color illustrationsPrestel, 202418,5 x 26,0 cm, 7.3 x 10.2ISBN 9783791377223Monograph, Reproductions

Klimt: The Essential Paintings

By Mark Escherich, Elke Dallmann, Susanne Knorr, Ulrich WielerIn 2019, the Bauhaus institutions are celebrating the 100th anniversary of the founding of the pioneering school. In the six years up to the move to Dessau in 1925, the first Bauhaus in Weimar left few but notable traces, even beyond the city limits throughout Thuringia. In addition to the World Heritage Sites of the Bauhaus in Weimar, the unknown Bauhaus is in hidden places in Erfurt, Probstzella, Gera or Greiz. In rural areas, former Bauhäusler and their students devoted themselves to projects that in many cases have been unjustly forgotten. The volume invites you to search for clues, to get to know the unknown, early Bauhaus in its effects and after-effects. For example, it is the work and production facilities in the state that ensured that the Bauhaus idea was embedded in the school environment well beyond the Bauhaus in Weimar. Bauhaus coordinates weaves a network of what is built and designed, of events and people, creating a vivid picture of the Weimar Bauhaus era and its most important places of activity in the region, which want to be rediscovered 100 years after the founding of the Bauhaus. Mark Escherich, Elke Dallmann, Susanne Knorr and Ulrich Wieler With a foreword by Gerd Zimmermann With an inserted folding map of the Bauhaus locations in Weimar and Thuringia.Paperback104 pages | 52 black-and-white illustrationsText in GermanIdea Books, 20194.17 x 0.47 x 6.1 inchesISBN 9783944425108Art History, Design

Bauhaus-Koordinaten

By Harvey SachsA NEW YORK TIMES NOTABLE BOOK OF 2023 “[A]n immensely valuable source for anyone desiring an accessible overview of this endlessly controversial and chronically misunderstood giant of 20th-century music.” —John Adams, New York Times Book ReviewAn astonishingly lyrical biography that rescues Schoenberg from notoriety, restoring him to his rightful place in the pantheon of twentieth-century composers.In his time, the Austrian American composer Arnold Schoenberg (1874–1951) was an international icon. His twelve-tone system was considered the future of music itself. Today, however, leading orchestras rarely play his works, and his name is met with apathy, if not antipathy. With this interpretative account, the acclaimed biographer of Toscanini finally restores Schoenberg to his rightful place in the canon, revealing him as one of the twentieth century’s most influential composers and teachers. Sachs shows how Schoenberg, a thorny character who composed thorny works, raged against the “Procrustean bed” of tradition. Defying his critics—among them the Nazis, who described his music as “degenerate”—he constantly battled the anti-Semitism that eventually precipitated his flight from Europe to Los Angeles. Yet Schoenberg, synthesizing Wagnerian excess with Brahmsian restraint, created a shock wave that never quite subsided, and, as Sachs powerfully argues, his compositions must be confronted by anyone interested in the past, present, or future of Western music.Hardcover272 pagesLiveright, 20236.4 x 1 x 9.4 inchesISBN 9781631497575Biography, Austrian Composer

Schoenberg: Why He Matters

By Thomas HauffeBetween 1890 and the beginning of the First World War, a new international style developed in architecture and design. Following the example of the English Arts and Crafts movement, the representatives of Art Nouveau turned against the eclectic excess of historicism and opposed them with organic forms, plant ornamentation and functional constructions. This volume shows the highlights of Art Nouveau in Germany, Austria, Bohemia, Hungary, Italy, and Switzerland.Paperback456 pagesKönemann, 2020 7.5 x 1 x 8.2 inchesISBN 9783741929328Art Nouveau, Jugendstil

Art Nouveau 2: München, Wien, Praha

By Freyda SpiraThe Norwegian artist Edvard Munch (1863–1944) and the German artist Ernst Ludwig Kirchner (1880–1938) are considered modernist visionaries. They were also pioneering printmakers, eschewing the mastery of one technique for experimentation across many. Born a generation apart, they worked in an expressionist mode, in which they did not simply replicate what they saw but rather filtered everything through their own imagination and memories. Exploiting the perceptual and emotional power of color and abstraction for creative expression, they portrayed what they perceived to be a fragmented, harrowing reality; both artists endured bouts of anxiety and depression, battled substance abuse, and received psychiatric care. Featuring never-before-published prints from the collection of Nelson Blitz, Jr., and Catherine Woodard, as well as etchings, lithographs, and hand-colored woodcuts from select public and private collections across the United States, this volume puts these two giants of Expressionism in a dialogue that foregrounds issues of mental health and offers a fresh approach that blends art history and the history of medical treatment. The included essays examine the artistic affinities and divergences in their printmaking and the ways in which they used shadows to imagine pathologized psychological and psychiatric experiences in their art.Paperback with flaps192 pages | 99 color imagesYale University Press, 20249 x 12 inchesISBN 9780300275858 Art History, Essays

Munch and Kirchner: Anxiety and Expression

Text by Heather Arnet, Ralf Kemper, Juerg Judin, Pay Matthis Karstens, Alice Delage, and Karli Wurzelbacher.German draughtsman George Grosz (1893–1959) created his last major series of paintings and watercolors, the “Stick Men”, beginning in the mid-1940s in reaction to the Holocaust and the other atrocities of the Second World War. The deployment of atomic bombs in Japan and the threat of a Third World War further deepened what the artist termed his “despair, hate and disillusionment.” In his final works, he drew his figures as dehumanized, famished beings aimlessly wandering through a contaminated, post-apocalyptic world. As the first exhibition of the “Stick Men” series following the artists’ death, this catalog contradicts the notion that Grosz had become “soft” and apolitical during his years spent in the United States. Rather, this series is the culmination of the political and artistic convictions of a lifetime of struggle: a timely and relevant legacy even today.Hardcover148 pages | 76 color and 14 black-and-white illustrationsWalther König, 20248 x 10.75 inchesISBN 9783753304403 Artist Monograph, World War II

George Grosz: The Stick Men

Edited by Ulrike Groos and Anja Richter Text by Jan Bürger Whether in the visual arts, literature, cinema, science or fashion–in the crises after World War I, the fascination with “types” was largely influenced by a debate that was pervasive in the Weimar period: the search for the “face of the era.” People were looking for new role models, and the portraits by artists of the New Objectivity movement such as Otto Dix, George Grosz, Jeanne Mammen and Hanna Nagel testify to this. Many of the clichéd images, such as those of the “new woman” or the “worker,” however, continue to have an effect in the present, reminding us with their classification of individuals of a problem that lives on in today’s bigotry.A broad spectrum of contributors from art history, medical history, media studies, and sociology venture into a detailed investigation of the historical context of the 1920s and the complex interactions between art and its time. An installation developed especially for the exhibition by contemporary artist Cemile Sahin, born in 1990, spans an arc to the present.FEATURED ARTISTS:Atelier Gerstenberg, Hans Baluschek, Rudolf Bergander, Albert Birkle, Richard Birnstengel, Friedrich Bochmann, Steffi Brandl, Gottfried Brockmann, Friedrich Busack, Heinrich Maria Davringhausen, Dodo (Dörte Clara Wolff), Erich Drechsler, Kate Diehn-Bitt, Rudolf Dischinger, Otto Dix, Erich Drechsler,Hermann Fechenbach, Conrad Felixmüller, Fred Goldberg, Otto Griebel, George Grosz, Hans Grundig, Lea Grundig, Elsa Haensgen-Dingkuhn, Hainz Hamisch, Olga Hayduk, Nini und Carry Hess, Heinrich Hoerle, Karl Hubbuch, Lotte Jacobi, Grethe Jürgens, Alexander Kanoldt, Annelise Kretschmer, Bernhard Kretzschmar, Paula Lauenstein, Lotte Lesehr-Schneider, Elfriede Lohse-Wächtler, Jeanne Mammen, Hanna Nagel, Gerta Overbeck, Lotte B. Prechner, Kurt Querner, Anton Räderscheidt, August Sander, Christian Schad, Josef Scharl, Rudolf Schlichter, Wilhelm Schnarrenberger, Georg Scholz, Friedrich Seidensticker, Alice Sommer, Cami Stone, Erika Streit, Ernst Thoms, Adolf Uzarski, Kurt Weinhold, Erik Winnertz,Richard Ziegler and Cemile SahinHardcover304 pages | 180 illustrationsHatje Cantz, 2023Text in German and English11.8 x 9.1 inchesISBN 9783775756006New Objectivity, Portraiture

Look at the People!/Sieh Dir Die Menschen An!: The New Objectivity "Type" Portrait in the Weimar Period

Edited by Elizabeth Otto and Patrick Rössler “Bauhaus Bodies addresses gender issues more broadly, with fourteen essays by established and newer scholars on body culture, spirituality, dance, androgyny, clothing, experimental photography, and the unsung contributions of Bauhaus wives and female wall painters.” ―Woman's Art Journal“Dispensing with the usual focus on a monolithic school and its leaders, this collection will prove an indispensable resource for investigating the Bauhaus' immediate social impact, historical context, and far-reaching historical implications.” ―CHOICEA century after the Bauhaus's founding in 1919, this book reassesses it as more than a highly influential art, architecture, and design school. In myriad ways, emerging ideas about the body in relation to health, movement, gender, and sexuality were at the heart of art and life at the school. Bauhaus Bodies reassesses the work of both well-known Bauhaus members and those who have unjustifiably escaped scholarly scrutiny, its women in particular.In fourteen original, cutting-edge essays by established experts and emerging scholars, this book reveals how Bauhaus artists challenged traditional ideas about bodies and gender. Written to appeal to students, scholars, and the broad public, Bauhaus Bodies will be essential reading for anyone interested in modern art, architecture, design history, and gender studies; it will define conversations and debates during the 2019 centenary of the Bauhaus's founding and beyond.Paperback392 pages | 12 color and 110 black-and-white illustrationsBloomsbury Publishing, 20199 x 6 inchesISBN 9781501344787Bauhaus History, Gender Studies, Essays

Bauhaus Bodies: Gender, Sexuality, and Body Culture in Modernism’s Legendary Art School

Edited by Deborah Ascher Barnstone and Maria Makela Material Modernity explores creative innovation in German art, design, and architecture during the Weimar Republic, charting both the rise of new media and the re-fashioning of old media. Weimar became famous for the explosion of creative ingenuity across the arts in Germany, due to experiments with new techniques (including the move towards abstraction in painting and sculpture) and inventive work in such new media as paper and plastic, which utilized both new and old methods of art production. Individual chapters in this book consider inventions such as the camera and materials like celluloid, examine the role of new materials including concrete composites in opening up fresh avenues in the plastic arts, and relate advances in the understanding of color perception and psychology to an increased interest in visual perception and the latent potential of color as both architectural ornament and carrier of emotional force in space.While art historians usually argue that experimentation in the Weimar Republic was the result of an intentional rejection of traditional modes of expression in the conscious attempt to invent a modern art and architecture unshackled from historic media and methods, this volume shows that the drivers for innovation were often far more complex and nuanced. It first of all describes how the material shortages precipitated by the First World War, along with the devastation to industrial infrastructure and disruption of historic trade routes, affected art, as did a spirit of experimentation that permeated interwar German culture. It then analyzes new challenges in the 1920s to artistic conventions in traditional art modes like painting, sculpture, drawing, architecture, textiles, and print-making and simultaneously probes the likely causes of innovative new methods of artistic production that appeared, such as photomontage, assemblage, mechanical art, and multi-media art. In doing so, Material Modernity fills a significant gap in Weimar scholarship and art history literature.Paperback240 pages | 8 color and 54 black-and-white illustrationsBloomsburg Publishing, 20249 x 6 inchesISBN 9781350228740Weimar Germany, Art History, Artist Material Studies

Material Modernity: Innovations in Art, Design, and Architecture in the Weimar Republic

By Theodor AdornoTranslated by Douglas RobertsonDelves into Theodor W. Adorno’s lesser-known musical career and successful music criticism.Theodor W. Adorno is recognized as one of the twentieth century’s most prominent social theorists. Though best known for his association with the Frankfurt School of critical theory, Adorno began his career as a composer and successful music critic. Comprehensive and illuminating, Orpheus in the Underworld centers on Adorno’s concrete and immediate engagement with musical compositions and their interpretation in the concert hall and elsewhere. Here, Adorno registers his initial encounters with the compositions of the Second Viennese School, when he had yet to integrate them into a broad aesthetics of music. Complementarily essays on Bela Bartók, Jean Sibelius, and Kurt Weill afford insight into his understanding of composers who did not fit neatly into the dialectical schema propounded in the Philosophy of New Music. Additionally, essays on recording and broadcasting show Adorno engaging with these media in a spirit that is no less productive than polemical and focused as sharply on their potentialities as on their shortcomings. Orpheus in the Underworld offers a captivating exploration of Adorno’s musical compositions, shedding new light on his understanding of influential composers and his critical perspectives on recording and broadcasting. Hardcover300 pagesSeagull Books, 20246 x 9 inchesISBN 9781803093222 Music Philosophy, Essays

Orpheus in the Underworld: Essays on Music

Edited by Stella Rollig, Martin Waldmeier, and Nina ZimmerHannah Höch (1889–1978) moved between differing worlds: as an editorial assistant with a major Berlin-based magazine publisher, and as the only woman who could hold her own in the German capital’s vibrant Dada scene of the 1920s. Her works dissected a world marked by the catastrophe of the Great War and an intense consumer culture, and reassembled it in revolutionary, poetic, and often ironic ways. Scissors and glue were the weapons of her art of montage, of which she was a coinventor.Cutting and montage also shaped film, still a new medium in the 1920s, which strongly influenced Höch’s art: she understood her assembled pictures as static films. This richly illustrated and expertly annotated book explores comprehensively for the first time Höch’s life-long fascination with film and the visual culture of the modern industrial age. Covering her entire career, It demonstrates how montage evolved in a field of tension between artistic experimentation, commercial exploitation, and political appropriation. A text on photomontage by Höch, written in 1948, and a text-collage on the history of montage, in which major protagonists of Modernism and Avant-garde have their say, round out this volume. Paperback200 pages | 147 color plates, 12 halftones Scheidegger & Spiess, 20246.69 x 0.7 x 9.06 inchesISBN 9783039421725 German Artist, Dada

Hannah Höch: Assembled Worlds

By Alex Ross"Capacious and enthralling . . . In Wagner’s operas, sums up Ross, 'we see the highest and the lowest impulses of humanity entangled.' In Wagnerism, however, those impulses—aesthetic, sexual, philosophical and political—are deftly untangled, then enticingly presented for the general reader. The result is a superb example of cultural history and, given its themes, a work surprisingly relevant to this plague-ridden, watershed year." —Michael Dirda, The Washington PostAlex Ross, renowned New Yorker music critic and author of the international bestseller and Pulitzer Prize finalist The Rest Is Noise, reveals how Richard Wagner became the proving ground for modern art and politics—an aesthetic war zone where the Western world wrestled with its capacity for beauty and violence.For better or worse, Wagner is the most widely influential figure in the history of music. Around 1900, the phenomenon known as Wagnerism saturated European and American culture. Such colossal creations as The Ring of the Nibelung, Tristan und Isolde, and Parsifal were models of formal daring, mythmaking, erotic freedom, and mystical speculation. A mighty procession of artists, including Virginia Woolf, Thomas Mann, Paul Cézanne, Isadora Duncan, and Luis Buñuel, felt his impact. Anarchists, occultists, feminists, and gay-rights pioneers saw him as a kindred spirit. Then Adolf Hitler incorporated Wagner into the soundtrack of Nazi Germany, and the composer came to be defined by his ferocious antisemitism. For many, his name is now almost synonymous with artistic evil.In Wagnerism, Alex Ross restores the magnificent confusion of what it means to be a Wagnerian. A pandemonium of geniuses, madmen, charlatans, and prophets do battle over Wagner’s many-sided legacy. As readers of his brilliant articles for The New Yorker have come to expect, Ross ranges thrillingly across artistic disciplines, from the architecture of Louis Sullivan to the novels of Philip K. Dick, from the Zionist writings of Theodor Herzl to the civil-rights essays of W.E.B. Du Bois, from O Pioneers! to Apocalypse Now.In many ways, Wagnerism tells a tragic tale. An artist who might have rivaled Shakespeare in universal reach is undone by an ideology of hate. Still, his shadow lingers over twenty-first century culture, his mythic motifs coursing through superhero films and fantasy fiction. Neither apologia nor condemnation, Wagnerism is a work of passionate discovery, urging us toward a more honest idea of how art acts in the world. Paperback784 pagesPicador, 20215.38 x 1.25 x 8.25 inchesISBN 9781250800084German History, Music History

Wagnerism: Art and Politics in the Shadow of Music [paperback]

Edited by Isabelle Jansen, Johannes Eichner and Matthias MühlingAvailable again in an attractive package and price, this highly regarded monograph celebrates Münter’s important contributions to modern art—beyond her association with the Blue Rider movement.Filled with the vibrant color that is the hallmark of Münter’s oeuvre, this dynamic consideration of the German painter offers a lively and detailed analysis of her life, work, and contributions to modern painting. While Münter is most often linked to Wassily Kandinsky and the Blue Rider movement, this book offers a refreshing appreciation of her work in its own right.Multifaceted, imaginative, and stylistically diverse, Münter’s creative output spanned genres to include portraits, landscapes, interiors, and abstractions. Beautifully reproduced images allow readers to marvel at Münter’s joyful vibrant hues, her bold brushstrokes and her experimental and innovative approach to painting. Lively texts offer important biographical insights into her artistic evolution and place her work in the broader context of modern art.Comprehensive and insightful, this newly formatted edition pays tribute to a hugely influential woman artist whose work is all too often overlooked.Paperback272 pagesPrestel, 20237.88 x 0.83 x 10.63 inchesISBN 9783791379845Blue Rider, German Expressionism

Gabriele Munter: Painting to the Point

Edited by Janis Staggs As inviting and sensual as a warm summer day, this opulent exhibition catalog offers a deep appreciation of Klimt’s ornate, exquisitely detailed, and atmospheric landscape paintings.For the last twenty years of his career, Gustav Klimt devoted considerable energy to painting landscapes during his summer vacations—and these bucolic scenes became some of his most sought-after pictures. Filled with vibrant high-quality reproductions and featuring engaging essays by leading scholars in the field, this exhibition catalog situates Klimt’s landscapes alongside fin-de-siècle fashion, photography, and decorative arts of the Wiener Werkstätte in particular. Klimt’s landscapes are examined within the context of his larger oeuvre and traces the evolution of his style: from one informed by the academic tradition, to his ornate “golden style” decorative approach influenced by the ideal of the Gesamtkunstwerk, and then to a more painterly manner of working in pure color. The book also considers Klimt’s relationship with his muse, fashion designer Emilie Flöge; his deep engagement with the Viennese avant-garde; and the specific techniques he employed to achieve mesmerizing, harmonious works that literally shimmer with light and color. Hardcover344 pagesPrestel, 20249.25 x 1.14 x 11.22 inchesISBN 9783791377360Neue Galerie Exhibition Catalogue

Klimt Landscapes Exhibition Catalogue

By Thea von Harbou This city of the future encompasses two worlds: that of the hedonistic ruling class and that of a segregated subculture, toilers in a mechanized underworld who labor to provide the rich with their pleasures. When a charismatic leader arises, she seeks a savior to unite the disparate social orders. "Between the brain that plans and the hands that build," she declares, "there must be a mediator―the heart."Thea von Harbou, creator of the screenplay for Fritz Lang's iconic 1927 film, wrote this novel to expand upon the movie's ideas and concepts. Vivid in description, rich in characterization and symbolism, the story draws upon ancient myths to form a compelling vision of the future. Noted science-fiction authority Forrest J. Ackerman hailed the book as "a work of genius," and a century after its initial publication Metropolis continues to captivate readers.Paperback224 pages Dover Publications, Reprint edition, 2015 5.12 x 0.39 x 7.87 inchesISBN 9780486795676Literature, Film, History

Metropolis

Edited by Alana Shapira and Anne-Katrin Rossberg Gestalterinnen played a decisive role in the development of modernism in Vienna. This publication presents new research on women designers, ceramicists, fashion designers, graphic artists, garden architects, photographers, art historians and patrons. The contributions illuminate the eminent importance of these women for Viennese modernism and show how traditional role models were challenged during the interwar period. The Gestalterinnen confronted existing prejudices and created new visual languages in order to forge successful careers. At the same time, they contributed to critical discourse on the emancipation of women.Paperback272 pages De Gruyter, 2023 6.6 x 0.7 x 9.4 inchesISBN 9783110771886Women Artists, Design

Gestalterinnen: Frauen, Design und Gesellschaft im Wien der Zwischenkriegszeit

Edited by Régine Bonnefoit and Marie-Eve Celio-Scheurer Viennese Textiles from the Cotsen Textile Traces Study Collection This book presents new research and archival findings on the textile and fashion designs of the Wiener Werkstätte movement (1903–1932). Textile specialists, art and design historians offer insights into the most important collections and archives in Austria, Switzerland, and the US.The publication explores works by lesser-known female textile artists; the influence of Eastern European folk art, Japanese patterns, and ornamentation textbooks on textile designs; applications in fashion, interior design, film, theater; and marketing strategies used to enter new markets in the US.It includes numerous illustrations of textile samples, many drawn from the Cotsen Textile Traces Study Collection (George Washington University Museum / Textile Museum), one of the largest collections of Wiener Werkstätte fabrics in the US.Hardcover208 pages | 56 color and 27 black-and-white illustrationsBirkhäuser, 20236.8 x 9.5 inchesISBN 9783035627640Textiles, Applied Arts

Tracing Wiener Werkstätte Textiles

By Oliver Botar Life in the digital economy of information and images enriches us but often induces a sense of being overwhelmed. Sensing the Future: Moholy-Nagy, Media and the Arts considers the impact of technology by exploring ways it was addressed in the practice of the Hungarian polymath artist László Moholy-Nagy (1895-1946), a prominent professor at the Bauhaus and a key figure in the history of Modernism. Moholy-Nagy felt that people needed guidance to cope with the onslaught of sensory input in an increasingly technologized, mediatized, hyper-stimulating environment. His ideas informed media theorists such as Walter Benjamin, John Cage, Sigfried Giedion, and Marshall McLuhan, who anticipated digital culture as it emerged. Should we then regard Moholy-Nagy as a pioneer of the digital? His aesthetic engagement with the technology/body problematic broached the notions of immersion, interactivity and bodily participation, innately offering a critique of today’s disembodiment. Was he then both a pioneer and a proto-critic of the digital? This book is intended to introduce this seminal figure of post-medial practices to younger generations and, by including responses to his work by contemporary artists, to reflect on the ways in which his work is relevant to artistic practice now. Having been highly praised by experts, this classic receives a second and slightly revised edition. Hardcover192 pages | 420 illustrationsLars Müller, 20238.25 x 11.75 inchesISBN 9783037787465 Design

Sensing the Future: Moholy-Nagy, Media and the Arts

By Ralph Jentsch Text by Juerg Judin, Pay Matthis Karstens, Mechthild Hagemann Previously unseen early works from the Weimar Republic's greatest chronicler and satirist. This volume is dedicated to the early life and career of the brilliant young artist Georg Ehrenfried Gross (1893-1959), who would later become known as George Grosz. Known for his politically charged paintings and caricatural depictions of Berlin life in the 1920s, the youthful Gross had a long way to go before changing his name and becoming the most popular and sharp-tongued chronicler of the Weimar Republic. Gross made his first oil paintings in 1912 while still a student, and by 1914 was working in a style deeply influenced by Expressionism, Futurism and popular illustration. Presenting over 50 works made between the years 1904 and 1917, all but a few exhibited for the first time ever, the inaugural exhibition of Das kleine Grosz Museum, and this accompanying catalog, trace the artistic and biographical trajectory of this great artist's journey.Hardcover 178 pages Walther Konig, 20228.25 x 1 x 11 inchesISBN 9783753302041Artist Monograph, Arts & Photography Criticism

Gross Before Grosz: The Early Years

Edited by Julia GarimorthContributions by Vincent Broqua, Brenda Danilowitz, Judith Delfiner and Virginia Gardner TroyThis career-spanning monograph reveals the enormous artistic achievements—both individual and shared—of two of the greatest pioneers of twentieth-century modernism. Featuring more than two hundred and fifty works, including paintings, photographs, drawings, textiles and furniture, this essential volume traces the creative development of Josef and Anni Albers—both instrumental figures in the development of modernism and abstract art. Illustrated profusely throughout, this book features contributions from leading experts in chapters exploring the couple’s relationship and important aspects of their professional partnership, including their meeting at the Bauhaus School and their influential years at Black Mountain College in North Carolina. Wide-ranging essays examine topics such as the influence of Pre-Colombian art; Josef’s masterwork Homage to the Square; Anni’s jewelry and works on paper; Josef’s famed classes at Yale University; and Anni’s years as a graphic designer after her husband’s death. Both artists are celebrated for their lasting achievements in their respective fields—Josef for his color theory classes at Yale, Anni for her innovative use of unconventional materials. Readers will come away with an appreciation for the Albers’ experimentation and innovation; their collaboration and teamwork; and their dedication to education and mentorship.Hardcover280 pagesPrestel, 20239.69 x 1.15 x 11.63 inchesISBN 9783791379975 Anni and Josef Albers, German Modernism

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