In partnership with the New York-based Perlman Music Program, gifted young musicians perform in Café Sabarsky. 

Wednesday, January 10, 2018 - 7:00pm

The New York Times: "Ethereal and Exalted Spirits of Femininity"

That said, the 11 life-size portraits at the heart of the show are fascinating to look at and, with help from the catalog, to think about. [read the article]

Hyperallergic: "Surrendering to the Women of Vienna"

Intimately scaled and seductively curated. [read the article]

The New Yorker: "Klimt and the Women of Vienna's Golden Age, 1900-1918"

A second painting of Adele Bloch-Bauer joins the museum’s renowned portrait in of nearly a dozen portraits of women by Klimt on view. [read the article]

The New York Post: "Gustav Klimt’s paintings saved a woman from the Nazis"

Turns out Adele Bloch-Bauer wasn’t the only golden gal in Gustav Klimt’s life. Though she was the only one he rendered twice, the painter, who liked to go commando under his artist’s smock, depicted a galaxy of well-heeled lovelies. [read the article]

New York Magazine: "The Cabal of Fabulous Rich Ladies Who Built Gustav Klimt’s Career"

A new exhibit at Neue Galerie New York showcases portraits of six women whose stories are as vivid as Klimt’s pastel brushstrokes. [read the article]

BBC: "The Mysterious Muse of Gustav Klimt"

Adele Bloch-Bauer was an avid art patron at the centre of Vienna’s cultural life. And when she sat for a portrait by Gustav Klimt, she was transformed into an icon, writes Kimberly Bradley. [read the article]

Photographer: Hulya Kolabas, 2016


Photographer: Hulya Kolabas, 2016


Photographer: Hulya Kolabas, 2016