"Depicting everything from friends and family to prostitutes and prisoners, Egon Schiele’s portraits forcibly evoke the presence of the artist." [Read the article]

10 December 2014,

"Artists like Schiele who are blessed—or cursed?—with the ability to passionately communicate to an audience while simultaneously innovating their medium are few and far between: Kurt Cobain, David Foster Wallace and Jean-Michel Basquiat are a few that come to mind [...]." [Read the article]

23 October 2014,

"The Neue Galerie exhibition of Egon Schiele’s portraits casts an ennobling light on an artist I’ve long considered an overgrown adolescent. Beautifully curated by Alessandra Comini, the show traces his gift for line, cutting neatly through the cloud of theatrical angst he threw up around himself." [Read the article]

23 October 2014,

Neue Galerie President Ronald S. Lauder discusses "Egon Schiele: Portraits" with Charlie Rose. [Watch the video

23 October 2014,

"In “Egon Schiele: Portraits,” a gripping exhibition at the Neue Galerie, there’s a room where you see Schiele become Schiele." Ken Johnson of the New York Times reviews the current exhibition. [Read the article]

23 October 2014,

"Like Keats, Hank Williams and Kurt Cobain, the Austrian painter Egon Schiele was an artist who never made it out of his 20s. He succumbed to the Spanish flu in 1918 at the age of 28 [...]" [Read the article]

23 October 2014,

"He was a real bad boy — revered by some, reviled by others — who worked hard, died young and rocked the staid world of Viennese painting." [Read the article]

23 October 2014,

Tracy Zwick interviews "Egon Schiele: Portraits" curator Alessandra Comini. [Read the article]

23 October 2014,

"In March, shortly after the Neue Galerie in New York opened its exhibition “Degenerate Art: The Attack on Modern Art in Nazi Germany, 1937,” lines were forming outside the ornate Fifth Avenue mansion the museum calls home." [Read the article]

23 May 2014,

"Artists are often dismissed as peripheral to society. Yet they continue on their way, attending to the path of their own visions. Often ahead of the curve, politically and culturally, they frequently function as commentators — viewing society from the outside." [Read the article]

19 May 2014,

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