The term "Neue Sachlichkeit" (New Objectivity) was first used in connection with a 1925 exhibition at the Kunsthalle Mannheim. The show's organizer, Gustav Hartlaub, wrote, "I would like to exhibit those artists who have remained true-or have reaffirmed their loyalty-to positive, concrete reality." Hartlaub placed artists such as Max Beckmann, Otto Dix, and George Grosz in this category.