The New Yorker: "Vasily Kandinsky: From Blaue Reiter to the Bauhaus, 1910-1925"

The New Yorker: "Vasily Kandinsky: From Blaue Reiter to the Bauhaus, 1910-1925"

"The main selling point for this exhibition of Kandinsky’s abstractions, just four years after the Guggenheim’s blockbuster, is a reconstruction of a lost mural made for the Juryfreie Kunstschau (jury-free art show) in Berlin in 1922." [read the article]