Munch and Expressionism

Pastel on board in the original frame

Private Collection

b. 1863
d. 1944

The Scream
Edvard Munch
1895

Oil on wood

Leopold Museum, Vienna

b. 1890
d. 1918

Self-Portrait with Raised Bare Shoulder
Egon Schiele
1912

Oil on canvas

Private Collection

b. 1883
d. 1970

Girl with Doll (Fränzi)
Erich Heckel
1910

Colored lithograph in black, red and light olive green, and sawn woodblock or stencil in blue on light golden Japan paper

Collection of Catherine Woodard and Nelson Blitz, Jr.

b. 1863
d. 1944

Madonna
Edvard Munch
1895/1912-13

Oil on canvas

The Munch Museum, Oslo

b. 1863
d. 1944

Separation
Edvard Munch
1896

Oil on canvas

Lynn G. Straus

b. 1863
d. 1944

Two Human Beings. The Lonely Ones
Edvard Munch
1905

Oil on canvas

The Museum of Modern Art, New York. Purchase

b. 1880
d. 1938

Street, Dresden
Ernst Ludwig Kirchner
1908 (reworked 1919; dated on painting 1907)

Oil on canvas

The National Museum of Art, Architecture and Design, Oslo

b. 1863
d. 1944

Bathing Man
Edvard Munch
1918

Oil on canvas

The Munch Museum, Oslo

b. 1863
d. 1944

Puberty
Edvard Munch
1914-16

Munch and Expressionism

February 18-June 13, 2016

On February 18, 2016, Neue Galerie New York will open "Munch and Expressionism," an exhibition that examines Edvard Munch’s influence on his German and Austrian contemporaries, as well as their influence upon him. The show will offer a compelling new look at works by the Norwegian artist, whose painting The Scream has become a symbol of modern angst. The Neue Galerie is the sole venue for the exhibition, where it will be on view through June 13, 2016. This exhibition has been organized in partnership with The Munch Museum, Oslo.

The show, curated by Expressionist scholar Dr. Jill Lloyd, has been organized in tandem with Munch specialist Dr. Reinhold Heller. Dr. Lloyd has assembled several important exhibitions for the Neue Galerie, including "Van Gogh and Expressionism" in 2007 and "Ferdinand Hodler: View to Infinity" in 2012. As an independent art historian, she has also curated exhibitions at the Tate, the Royal Academy in London, and the National Gallery in Washington, D.C. She has written extensively on Expressionist art.

Edvard Munch (1863-1944) was highly regarded for his exploration of dark themes, including alienation, sin, and human vulnerability. Munch’s use of vivid color intensifies the emotional power of his subject matter, an approach which helped to pave the way for an entirely new attitude towards art during the early twentieth century. Although much has been written about the relationship between Munch’s personal life and his art, this exhibition is the first thorough study of the artist’s work in the context of his German and Austrian peers.

The exhibition will be comprised of approximately 35 paintings and 50 works on paper from both public and private collections worldwide. The German artists included in the exhibition are Max Beckmann, Erich Heckel, Ernst Ludwig Kirchner, Gabriele Münter, and Emile Nolde, and the Austrians included are Richard Gerstl, Oskar Kokoschka, and Egon Schiele. The curator will compare all of these artists’ approaches to key themes such as adolescence, urban anxiety, and self-portraiture, and to innovative developments in printmaking during this time. The exhibition will include several works that have never before been seen in the United States.

A fully illustrated catalogue, published by Prestel Verlag, will accompany the exhibition featuring contributions by leading scholars in the field, including Patricia Berman, Nelson Blitz, Alison Chang, Jay Clarke, Reinhold Heller, Jill Lloyd, Nils Ohlsen, and Øystein Uvstedt. This authoritative and beautifully illustrated book will explore Munch’s impact on German and Austrian artists of the period within an Expressionist context.