News

That said, the 11 life-size portraits at the heart of the show are fascinating to look at and, with help from the catalog, to think about. [read the article]

27 October 2016

Intimately scaled and seductively curated. [read the article]

27 October 2016

A second painting of Adele Bloch-Bauer joins the museum’s renowned portrait in gold...one of nearly a dozen portraits of women by Klimt on view. [read the article]

27 October 2016

Turns out Adele Bloch-Bauer wasn’t the only golden gal in Gustav Klimt’s life. Though she was the only one he rendered twice, the painter, who liked to go commando under his artist’s smock, depicted a galaxy of well-heeled lovelies. [read the article]

27 October 2016

A new exhibit at Neue Galerie New York showcases portraits of six women whose stories are as vivid as Klimt’s pastel brushstrokes. [read the article]

27 October 2016

Adele Bloch-Bauer was an avid art patron at the centre of Vienna’s cultural life. And when she sat for a portrait by Gustav Klimt, she was transformed into an icon, writes Kimberly Bradley. [read the article]

27 October 2016

“The Scream” is an adrenaline rush, a shot of angst that goes straight to the heart. And although its existentialist spirit is not unique among Munch’s oeuvre, its delivery system—art as fast food—is rather unusual. This is why “Munch and Expressionism,” organized by the independent curators Jill Lloyd, a scholar of Expressionism, and Reinhold Heller, a Munch specialist, in partnership with the Munch Museum, Oslo, is so illuminating. [read the article]

 

05 May 2016

Norwegian painter Edvard Munch may be best known for The Scream, but independent scholar and curator Jill Lloyd reveals how he influenced contemporary art. [read the article]

15 April 2016

Munch was not only a beneficiary of Germany’s thriving art scene. As the Neue Galerie makevividly clear, his influence on German Expressionism was pivotal. [read the article]

18 March 2016

A refreshing exhibition that gives us the two sides of Munch. We see both the anxious artist who was "fundamentally pessimistic" about the relationships between men and women, and also the painter of self-assured pictures.  [read the article]

11 March 2016